The Starting Line Anyone familar with track will instantly recognize this as a starting line. While capturing your sports and other events, look for shots that represent the event in addition to the actual particpants doing what they do. 24mm f/11.0 1/50s ISO 100 |
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Spring Forest and a Little Cloud When the sky goes solid blue, I tend to fill most of the frame with other subjects. But I liked the little clouds that happened to be present and added just enough sky to include them. 70mm f/9.0 1/60s ISO 160 |
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Steaks of Sunlight Clouds partially block a setting sun, resulting in streaks of sunlight across the sky. I didn't have a dramatic foreground to match the sky, but decided to leave an area of pine trees in the frame to balance the sun. 24mm f/8.0 1/320s ISO 100 |
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The Pasture Unique clouds streak over the woods bordering a rolling pasture. The 24mm focal length is an easy angle of view to use for pleasing landscape images. 24mm f/11.0 1/30s ISO 125 |
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Tulip and Blurred Background This is an example of how the Sigma 24-70mm f/2.8 HSM lens can blur the background when focused on a near-minimum-focus-distance subject. A wide open f/2.8 aperture was of course used to get this blur. 70mm f/2.8 1/640s ISO 160 |
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Foreground-Shadowed Field When composing an image, deciding what to exclude is just as important as deciding what to include. For this picture, I included a base of shadowed grass. The shadowed grass and non-shadowed grass combined consume about 1/3 of the frame – an amount that often works well for a landscape image. What was included in the balance of this frame was determined by what I felt provided the best overall balance. 34mm f/11.0 1/60s ISO 160 |
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Early Spring Forest Timing your forest photography with the seasons is important. If you want light green-colored imagery, early spring is when you should be shooting. Especially with backlit leaves, an early spring forest glows under sunlight. 24mm f/9.0 1/60s ISO 160 |
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