Tulips in Front of a Rock A trio of pink tulips and their green leaves stand out against the the interestingly colored rock background. 50mm f/8.0 1/50s ISO 100 |
|
Girls and Alert Horses In late winter, the scenery can become unattractive, but memories are still being made. In this picture, I oriented the camera so that the foreground horse and rider are moving/looking into the frame and the background horse and rider are comfortably in the frame - adding another element of interest. 17mm f/8.0 1/60s ISO 200 |
|
Lily Pattern I liked the fresh green growth of these lilies and the patterns made by their leaves. Using the EOS 60D's articulating LCD, holding the camera directly over a subject is not difficult. 50mm f/8.0 1/30s ISO 100 |
|
Maximum Background Blur This tulip picture represents approximately the maximum background blur you can get from the Sigma 17-50mm f/2.8 OS Lens. Using the maximum focal length, widest aperture, near minimum focus distance available on this lens and a moderately distant background produces a nice background blur. 50mm f/2.8 1/320s ISO 100 |
|
Top of the Steps Picture I think some stuffed animals are getting new outfits. The 60D's articulating LCD allowed me to shoot from high above this scene - to take it all in. 17mm f/5.0 1/40s ISO 320 |
|
Leaf Hopper on Mayflower Mayflowers are often one of my earliest-in-the-year in-the-woods subjects as they are one of the first signs of life each spring. This mayflower is being lit by sunlight reaching through the forest canopy. I chose a camera position that allowed the large leaf to flow through the frame and allowed the background to go dark. 50mm f/6.3 1/60s ISO 100 |
|
Dark Sky, Bright Woods I love when the sun lights the foreground landscape - but not the background. The frame capture has relatively dark clouds in the background, but the early spring woods is getting a greater share of light. To get conditions like these typically requires you to spend a lot of time in an area or at a scene. Nothing beats living there. Please - Don't tell your spouse that I recommended you move. 17mm f/8.0 1/60s ISO 100 |
|
District Track Champion It's late, your tired, she's tired - but you must capture the beaming expression before the memory begins to fade. You grab a flash with a tilt-swivel head (the small Canon Speedlite 320EX in this case) and go to the fast-shot-go-to location in your house (a hallway in this example). Direct the flash toward the white wall/ceiling and you have very nice lighting for a fast portrait. 50mm f/4.0 1/200s ISO 100 |