Standing on the Road Picture On the road, but not in danger of getting hit on this walkway painted like a road. You'll find this scene in Bar Harbor, Maine. This lens could easily be handheld at a lower shutter speed and therefore a lower ISO setting, but Mikayla was not standing still enough to prevent motion blur at these lower speeds. 18mm f/8.0 1/100s ISO 400 |
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Pretty Marsh, Acadia National Park, Maine Fall color stands out on the shores of Pretty Marsh, Acadia National Park, Maine. Pretty Marsh is located on the western side of Mount Desert Island. A circular polarizer filter was used for this image. 20mm f/11.0 1/8s ISO 100 |
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Morning Soccer Picture A low, warm morning sun lights this young soccer player. Frame your sports shots tightly - having the player's face and the ball (if there is one in your sport) in the frame is usually desired. 300mm f/2.8 1/2500s ISO 200 |
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Cadillac Mountain, Acadia National Park Granite rock formations mixed with evergreens and brilliant red ground foliage are found on Cadillac Mountain, Acadia National Park in October. The view isn't bad either. The opportunies for creativity with a camera here are endless. 18mm f/11.0 1/40s ISO 160 |
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New York City Steel Picture An elaborate architectural steel structure found in New York City. This was a handheld shot taking advantage of the IS feature of this lens. 80mm f/5.6 1/20s ISO 250 |
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Girl and her Dog This girl and her dog are being lit by a just-set sun. The broad, warm light from this time of the day creates pleasing portrait illumination. 65mm f/8.0 1/40s ISO 320 |
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Street Portrait Want easy good lighting? Put your subject at the edge of a doorway on a cloudy day. Shopping in a town makes this even easier. 150mm f/5.6 1/160s ISO 500 |
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Acadia National Park Afterglow As soon as the sun sets on the horizon, nearly everyone packs up and goes home. However, some of the best photo opportunites come with the afterglow. Shot handheld. 178mm f/11.0 1/20s ISO 100 |
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Walking by the Bay The bay at Pretty Marsh, Acadia National Park, Maine, that is. A little girl explores for treasures along the beautiful Maine coast. This is an HDR image. An exposure for the sky was manually combined with a longer exposure for the shore using Photoshop. 10mm f/11.0 1/13s ISO 100 |
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Exploring Cadillac Mountain A portrait of a young Cadillac Mountain (Acadia National Park) explorer. The late day sun lights this scene. 50mm f/10.0 1/60s ISO 160 |
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Horses I was trying to get the dark horse heading into the frame from the bottom left and the light horse heading into the frame from the top right. Getting both heads facing me at the same time was impossible - horses swing their heads side to side and move forward as they graze. 70mm f/8.0 1/80s ISO 250 |
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Starfish Picture There are many varieties of starfish, but this was the most common type we found in Acadia National Park. A Circular Polarizer Filter was used to cut the reflections from the wet starfish and surroundings. 90mm f/11.0 1/100s ISO 100 |
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Shot on Goal Layers of interest through this image include the keeper's hands about to catch the soccer ball, the shooter with a great expression on her face , the beaten defender and a trailing teammate. 300mm f/2.8 1/2000s ISO 200 |
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Backlit Forest Picture A strong backlight illuminates this evergreen forest scene. Bright green moss colors the forest floor. 15mm f/11.0 1.3s ISO 100 |
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Low Tide at Pretty Marsh The low tide exposes colorful sea plants on the shore of Pretty Marsh, Acadia National Park, Maine. A slim B+W circular polarizer was used to cut the reflections off of the wet plants and rocks. 19mm f/11.0 1/13s ISO 100 |
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Steel Architecture - New York City This is the steel architecture behind a glass building in New York City. This shot was taken handheld - utilizing the image stabilization available in the lens. 135mm f/5.6 1/13s ISO 400 |
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Bar Harbor Shops - Maine Lively signs add color to the already colorful Bar Harbor town shops in Maine. 90mm f/8.0 1/100s ISO 100 |
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Horse Shake Ever see a horse shake? If you did, you know what I'm taking about when I say there is a lot of movement going on during this event. It's much more eye-opening if you are on them during the shake. 50mm f/8.0 1/125s ISO 200 |
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Maine Coast Picture The Maine coast by the bay at Pretty Marsh in Acadia National Park at low tide. 10mm f/11.0 .3s ISO 100 |
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Bass Harbor Lighthouse A circular polarizer filter was used to capture this mid-day Bass Harbor Lighthouse picture. 35mm f/11.0 1/50s ISO 100 |
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Going for the Goal at ISO 6400 An outside-mid soccer player makes the corner for the goal. 400mm f/2.8 1/1600s ISO 6400 |
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Empire State Building, New York City Picture Not your conventional New York City Empire State Building picture - but I'm always looking for new ways of looking at things. I like the leading lines drawing the viewer's eye toward the distant subject. 18mm f/9.0 1/30s ISO 100 |
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Playing Horse in Bar Harbor I look for the unconventional angle for my lens why Mikayla explores an unconventional use of a street barrier chain in Bar Harbor, Maine. Having the extreme range of focal lengths available in this lens makes finding the unconventional shot easier. This is an HDR image. 18mm f/5.6 1/400s ISO 500 |
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Low Tide on the Bay, Maine The wet rocks and plant life are very visible when the tide is out at Pretty Marsh, Acadia National Park, Maine 10mm f/11.0 1/13s ISO 100 |
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Sand Beach, Acadia National Park The yellow foliage gives away the season this Sand Beach, Acadia National Park, Maine picture was taken in. Columbus Day weekend is often the peak of the fall foliage progression in Acadia NP. A circular polarizer filter was used for this image. 18mm f/9.0 1/60s ISO 160 |
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Brittany and a Brittle Star Picture Brittany proudly holds the brittle star she discovered long enough for a picture before releasing it back into Frechman's Bay by Bar Harbor, Maine. 18mm f/8.0 1/80s ISO 160 |
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18mm Cadillac Mountain Sunset A couple of evergreens help frame the sun as it sets on Cadillac Mountain, Acadia National Park, Maine. 18mm f/11.0 1/80s ISO 160 |
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Speedlite and Umbrella Portrait Example A Canon Speedlite 430EX II was triggered by a Canon ST-E2 Remote Transmitter and fired into a white umbrella for this portrait. The out-of-the-camera gray background was made white in Photoshop. 85mm f/8.0 1/200s ISO 100 |
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Clouds Over the Bay Reflections from clouds appear as waves on the water. This image was captured at Pretty Marsh, Acadia National Park, Maine. 10mm f/11.0 1/30s ISO 100 |
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200mm Cadillac Mountain Sunset Being able to catch a short-duration event (such as the sun setting) with a variety of focal lengths is very useful - it definitely expands the portfolio for the event. 200mm f/11.0 1/125s ISO 100 |
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Glass Building, New York City The clouds reflect off of this dark glass building in NYC. 18mm f/8.0 1/160s ISO 100 |
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Forest Floor Picture A Pretty Marsh, Acadia National Park, Maine old growth evergreen forest floor. 10mm f/11.0 .8s ISO 100 |
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Young Photographers on Cadillac Mountain A pair of young photographers compose their images late in the day on Cadillac Mountain in Acadia National Park. 28mm f/11.0 1/80s ISO 160 |
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Rocks Leading to the Distant Ocean Deep late-day shadows in the granite provides an interesting foreground for a wide landscape shot from the top of Cadillac Mountain in Acadia National Park. 18mm f/10.0 1/50s ISO 160 |
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Soccer at ISO 12800 A few minutes after this shot was taken, parents started turning on car lights for the players to see by and the officials called the game a few minutes after that. While the image quality from the 50D at ISO 12800 is not great, it allowed the game to be captured into nearly dark conditions. 400mm f/2.8 1/1000s ISO 12800 |
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Frenchman Bay, Bar Harbor, Maine Big boats, little boats ... anchored in Frenchman Bay, Bar Harbor, Maine. 18mm f/8.0 1/80s ISO 100 |
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Horses in the Pasture A pair of horses do what horses do most of the time - graze. A wide angle focal length creates depth and emphasizes the close subject. 18mm f/8.0 1/160s ISO 250 |
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Tired Girl on the Rocks Picture She is worn out from hours of treasure hunting on the Bar Harbor, Maine coast. 160mm f/7.1 1/60s ISO 100 |
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Color on the Shore This image was made at Pretty Marsh, Acadia National Park, Maine in the fall. Effects of a circular polarizer filter can be seen in the unevenly-shaded sky. 10mm f/11.0 1/13s ISO 100 |
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Girl Hugging Dog Dogs (clean ones at least) are fun for kids to hug. Animals can help generate the smiles you are looking for in your kid photography. 184mm f/8.0 1/40s ISO 320 |
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NYFD in Action The New York City Fire Department races past the Empire State Building to their destination. This shot was taken handheld - at an impressively long 1/5 sec shutter speed (thanks to image stabilization). 18mm f/5.6 1/5s ISO 200 |
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Sunset Portrait Two sisters are lit from a very warm, horizontal light source - the setting sun. 100mm f/9.0 1/60s ISO 160 |
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Maine Driftwood A piece of driftwood provides the foreground interest in this Maine shoreline picture. 24mm f/11.0 1/80s ISO 100 |
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Moon Rising at Cadillac Mountain The moon rises as the sun sets at Cadillac Mountain. 18mm f/11.0 1/80s ISO 160 |
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Chain Cow Girl Picture When her noble steed is not available, she is forced to ride the chain. Actually she is killing time in Bar Harbor, Maine. 18mm f/5.6 1/400s ISO 500 |
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The Empire State Building - 1/2 Sec Handheld This Empire State Building picture was taken handheld - at 1/2 second thanks to image stabilization. 18mm f/5.6 1/2s ISO 200 |
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Three Girls Doing Homework Three girls lounge on the floor while doing their homework. One does not read or write very well. 28mm f/5.6 1/13s ISO 200 |
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Steel and Glass Picture Steel structure behind the glass-front of this building. 18mm f/5.6 1/50s ISO 100 |
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New York City Skyline Picture This skyline picture of New York City was taken handheld on a windy night - at a 1/4 second shutter speed - thanks to image stabilization. 50mm f/5.6 1/4s ISO 500 |
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Moss and Trees Picture Bright green moss adds to the color of this forest floor. 22mm f/11.0 3s ISO 100 |
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Tightly-Framed Portrait When framing this tightly, a relatively long focal length will often provide the best "look" for your portrait. 270mm f/6.3 1/40s ISO 320 |