Window Light Flower Picture The windows in your house can provide some of the nicest light available. In this case, add a skylight for fill light (a reflector will also work fine). 180mm f/8.0 1/6s ISO 100 |
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Fern Leaf Peony at 180mm A 180mm macro lens is able to create a strongly-blurred background. The narrow FOV (Field of View) also makes it easier to keep undesirables out of the background in the first place. 180mm f/3.5 1/400s ISO 100 |
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Wild Tulip A wild tulip is framed by a pair of its tubular leaves. Studio strobes provided the light for this picture. 180mm f/16.0 1/160s ISO 100 |
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Tulip Underside Picture When working with your subjects, do not leave any perspective untried. The back of flowers is often very beautiful - as is the case with this tulip. 180mm f/11.0 1/160s ISO 100 |
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Fern Leaf Peony Close-up This picture of a Fern Leaf Peony represents the approximate minimum focus distance for Tamron 180mm Macro Lens - about 1x magnification. The f/4 aperture keeps the DOF shallow. 180mm f/4.0 1/50s ISO 100 |
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Classic Tulip Pose Shooting straight down from the top of a tulip yields a classic picture. In this case, a softbox provides even lighting - without shadows. 180mm f/10.0 1/160s ISO 100 |
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Indian Hyacinth Picture The Tamron 180mm Macro Lens' focal length and f/3.5 max aperture are able to nicely separate the subject from the background. 180mm f/3.5 1/200s ISO 100 |
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Fern Leaf Peony In Focus While a 180mm macro lens is able to create a strong background blur, it is also able to provide a nice amount of depth of field when the subject permits or requires it - by using a narrow aperture. 180mm f/16.0 1/30s ISO 100 |
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Side View of a Tulip A strong light on a white background creates - a white background. The foreground is then lit according to the subject and camera settings. 180mm f/11.0 1/160s ISO 100 |
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African Daisy With an f/5.6 aperture, a slate floor tile is blurred into a smooth gray background. Lighting is abient from a large window. 180mm f/5.6 1/13s ISO 100 |
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Apple Tree Flowers Apples trees are beautiful when in full bloom. However, capturing attractive pictures of them is somewhat challenging. Here I used a wide aperture to blur the background while keeping a clump of flowers running through the frame sharp. Distracting lines at the edge of the frame have been minimized. 180mm f/3.5 1/800s ISO 100 |