Canon and Sony News for May 2024

 Friday, May 31, 2024

Canon has a "Cinema" product announcement scheduled for June 5th at 12:00 PM PDT / 3:00 PM EDT. Stop back here for the announcement details.

Share on Facebook! Share on X! Share on Pinterest! Email this page to a friend!
Posted to: Canon News   Category: Canon Announcements
Post Date: 5/31/2024 9:49:34 AM ET   Posted By: Bryan Carnathan
 Thursday, May 30, 2024

From Canon USA:

Amplifying Social Content Creation: Canon Announces New Firmware Update for the PowerShot V10 Vlog Camera That Improves Image Stabilization

MELVILLE, N.Y, May 30, 2024 – Canon, a leader in imaging solutions, announced today an upcoming firmware update for the PowerShot V10 Vlog Camera that will provide an updated algorithm for optimized and improved image stabilization. Designed for the on-the-go content all details below and hope you can consider covering. creator who wants to level-up from their smartphone to craft more impressive, higher quality visuals, users of the PowerShot V10 Vlog Camera will see even better results from the firmware update.

Content creators know that some of the most exciting moments to capture happen while in movement. The update will optimize and improve image stabilization performance for shooting while walking, helping to create beautiful visuals even in unstable positions or shooting with one hand extended. Creators can choose the IS mode setting according to the scene they are looking to capture –options such as “On” and “Enhanced” have now been improved through the firmware update. The update also corrects small to large blur levels with high precision, enabling high-quality image representation.

The PowerShot V10 camera, released in June 2023, is the first product in the Company’s consumer video production, live streaming and vlogging line, the PowerShot V (V= Video Communication) camera series. Packed with key features, including an intuitive control user interface on the touch panel and frame AF mode for product reviews, the PowerShot V10 Vlog camera can be the priority piece of imaging equipment used for almost all things video.

Availability

The firmware update for the Canon PowerShot V10 is expected to be available in late June.

Get the Canon PowerShot V10 Vlog Camera at B&H.

Share on Facebook! Share on X! Share on Pinterest! Email this page to a friend!
Posted to: Canon News   Category: Canon Firmware Updates
Post Date: 5/30/2024 4:01:38 PM ET   Posted By: Bryan Carnathan

From Tamron Americas:

TAMRON Announces Update of TAMRON Lens Utility™ and TAMRON Lens Utility Mobile™

The lens customization software expands the possibilities of still photography and video shooting.

May 30, 2024, Commack, NY – TAMRON Americas, a leading provider of high-quality lenses, announces updates of the TAMRON Lens Utility, dedicated computer software, and the TAMRON Lens Utility Mobile, dedicated application for Android1 OS compatible smartphones and tablets. This update will provide additional functionality for greater convenience in the field and expands the possibilities of still and video photography. The software versions will change from the currently released Ver.2.0 to Ver.3.0, and the updated version will be available for download on May 30, 2024.

TAMRON Lens Utility and TAMRON Lens Utility Mobile Ver.3.0 overviews

October 2021 marked the release of TAMRON Lens Utility, a dedicated computer software that allows users to customize the functions of various TAMRON lenses according to their photographic and video shooting styles. In November 2022, we released TAMRON Lens Utility Mobile for Android OS, as we received many requests for the ability to customize lens functions in the field. In pursuit of even greater convenience, TAMRON has upgraded existing functions, added new functions for both the computer and mobile software, and added a new function exclusively for TAMRON Lens Utility Mobile. We plan to further expand and enhance functions to make video production more friendly to our customers.

Additional features with the Ver.3.0 update:

• Delay Time Start (upgrade to an existing feature)
This feature delays activation of a focus shift after the Focus Set Button has been pressed to activate. This is used to avoid shaking or button noises to be recorded when the Focus Set Button is pressed, and action starts.
* In addition to the Focus Set Button on the lens, this can also be used with the Remote Set Button with the TAMRON Lens Utility Mobile.

• Focus Stopper (new feature)
This feature fixes the focus range when manual focus is operated during video shooting. This will prevent the user from passing over the focal point.
* The stopper will automatically be released when switching to AF mode.
* In addition to the Focus Set Button on the lens, this feature could also be controlled from the Remote Set Button featured in the TAMRON Lens Utility Mobile.

• Astro Focus Lock (Astro FC-L) (new feature)
This feature fixes the focus on stars, which is useful for astrophotography. The focus is shifted to infinity and operation of the focus ring will be disabled (locked). Locking the focus ring prevents the focus from slipping through inadvertent operation.
* In addition to the Focus Set Button on the lens, this can also be used with the Remote Set Button with the TAMRON Lens Utility Mobile.

• Digital Follow Focus (DFF) (new dedicated feature only for TAMRON Lens Utility Mobile)
This feature allows you to fix a focus range between two points and perform focus operations from your smartphone screen, just like follow focus techniques. The direction of rotation of the aperture and focus rings, units indicated, and EV steps can also be changed.
*Aperture ring control and EV step configuration is not supported on Nikon Z mount lenses.

To learn more, please check the page introducing features of the TAMRON Lens Utility: https://www.tamron.com/global/consumer/soft/lensutility.html

1 Android is a trademark of Google LLC. Only compatible with Android devices fitted with USB Type-C ports.

* To use TAMRON Lens Utility Mobile, you will need to update the firmware of a compatible lens. To perform lens firmware updates, please use the TAMRON Lens Utility for computers.

* When using the mobile version, the dedicated TAMRON Connection Cable (USB Type-C to Type-C/ Model CC-350) is required.

* Information on lens firmware updates is posted to the support page: https://www.tamron.com/global/consumer/support/ as needed.

In addition, check a compatible lens list from the following link: https://www.tamron.com/jp/consumer/support/help/lensutility/en/compatible_lenses/

Minimally, the following Tamron lenses have firmware updates available:

20-40mm f/2.8 Di III VXD
28-75mm f/2.8 Di III VXD G2
35-150mm f/2-2.8 Di III VXD
50-400mm f/4.5-6.3 Di III VC VXD

Share on Facebook! Share on X! Share on Pinterest! Email this page to a friend!
Posted to: Canon News, Sony News   Category: Tamron News
Post Date: 5/30/2024 8:56:32 AM ET   Posted By: Bryan Carnathan
 Tuesday, May 28, 2024

Just posted: Sony FE 24-50mm F2.8 G Lens Review.

There is a lot to gain by giving up 20mm.

Support this site by ordering the Sony FE 24-50mm F2.8 G Lens (or anything else) from B&H | Sony | Adorama | Amazon (all available countries) | WEX | Camera Canada

Rent the Sony FE 24-50mm F2.8 G Lens from Lensrentals.

Please share!

Share on Facebook! Share on X! Share on Pinterest! Email this page to a friend!
Posted to: Sony News   Category: Camera Gear Review News
Post Date: 5/28/2024 9:00:00 AM ET   Posted By: Bryan Carnathan
 Friday, May 24, 2024

This just in from ProGrade Digital:

Refresh Pro is now Free

ProGrade DigitalProGrade Digital is now offering Refresh Pro as a free software product. Refresh Pro continues to stand out as a revolutionary product in the removable storage market. ProGrade Digital created this product to solve several issues with flash memory that no one was addressing. The first issue that Refresh Pro solves is that flash memory slows down over time. See our whitepaper on this topic here.

Refresh Pro sanitizes a card to bring it back to factory-fresh speed. This sanitize function is available in hard drives and some removable storage formats but ProGrade Digital created the ability to enable this function on all ProGrade Digital Memory cards. Refresh Pro can run this process in seconds compared to doing a secure format, level 2 on a Mac which can take considerably longer. ProGrade was also the first company to commercially make the Sanitize function available on SD cards through customization of its exclusive Firmware shipped with all Refresh Pro enabled SD cards.

The second issue that Refresh Pro solves is that flash memory wears out over time and Refresh Pro can check the long-term health of ProGrade Digital memory cards to enable the user to see how much useful life is left on their card before an important shoot.

Finally, Refresh Pro enables the ability to update the firmware on the ProGrade Digital memory card. Most people are familiar with updating the firmware on their camera and even on their lens. What many people don’t realize is that when new cameras are introduced to the market or as existing cameras have new codecs added, memory cards need to have their firmware updated to optimize the memory for these new functions to ensure 100% compatibility.

The technology development that has gone into Refresh Pro is extensive and in order to accomplish all the functions listed above, ProGrade Digital created customized firmware in the ProGrade Digital readers and cards that was necessary to function with the software to detect, alter and update the memory card. * Originally ProGrade Digital offered Refresh Pro as a subscription because of the extensive development that went into the software and the development that takes place on an on-going basis to update the software to work with the ever-changing pace of technology in the Mac and Windows computers, the new and existing cameras and the advances in memory cards.

*These functions require a ProGrade Digital memory card with the “R” logo on the label, a ProGrade Digital reader with the “R” logo on the box and Refresh Pro software.

Seeing the vital importance of all these functions for the hard-working creators, photographers, and filmmakers, ProGrade Digital is making Refresh Pro free for all customers.

For customers that purchased a Refresh Pro license within the last 12 months, ProGrade is proactively issuing a refund of their subscription. (ProGrade Digital will issue a refund to the original purchase method used for the purchase. Check your next statement for this credit.) Customers with an active license can update to Refresh Pro 4.0 in the Refresh Pro software by clicking on the “About” menu. Customers who had a license that expired are not eligible for this refund; they can download the free copy of Refresh Pro v4.0 from the ProGrade website here.

The ProGrade Digital Team

Get your ProGrade Digital cards and readers at B&H.

Share on Facebook! Share on X! Share on Pinterest! Email this page to a friend!
Posted to: Canon News, Sony News   Category: ProGrade Digital News
Post Date: 5/24/2024 11:56:24 AM ET   Posted By: Bryan Carnathan

Just posted: Sigma 24-70mm F2.8 DG DN II Art Lens Review

Destined to be the next best-seller.

Please share!

Support this site by ordering the Sigma 24-70mm F2.8 DG DN II Art Lens (or anything else) from B&H | Amazon (all available countries) | WEX | Camera Canada

Rent the Sigma 24-70mm F2.8 DG DN II Art Lens from Lensrentals.

Share on Facebook! Share on X! Share on Pinterest! Email this page to a friend!
Posted to: Canon News, Sony News   Category: Camera Gear Review News
Post Date: 5/24/2024 5:00:00 AM ET   Posted By: Bryan Carnathan
 Tuesday, May 21, 2024

The lens being reviewed is usually mounted on a camera and ready for quick use, and on this day, the Sigma 24-70mm F2.8 DG DN II Art was that lens. This lens's high utility focal length range, wide aperture, fast and accurate AF, and superb optical quality made it a perfect choice for around-the-house use. Then Elliott came for a visit.

Elliott enjoys playing on the stairs, and it is hard to go wrong with a white background (and foreground), including with any color wardrobe.

I seldom appreciate obstacles in front of a person's face, even if they are strongly blurred. However, this image shows a scenario where that concept works.

A sharp eye matters for portraits, and the Sony Alpha 1's eye AF easily made that distinction despite the ballisters in the foreground. Elliott was moving fast, and this lens's fast AF was critical during this well-timed shutter release button mash.


A larger version of this image is available here.

 
Camera and Lens Settings
70mm  f/2.8  1/125s
ISO 320
8112 x 5408px
Share on Facebook! Share on X! Share on Pinterest! Email this page to a friend!
Posted to: Canon News, Sony News   Category: Photo Tips and Stories
Post Date: 5/21/2024 10:01:56 AM ET   Posted By: Bryan Carnathan
 Monday, May 20, 2024

Another milestone was reached, and I was given the green light for a graduation photo shoot. Getting ready took two hours longer than originally planned, but a couple of hours of sunlight still remained as we went out the door.

Just inside of shade is usually a great choice for portrait lighting, and we started with that option. The background is usually a large percentage of the composition, so selecting a good one is important, and large columns usually work great.

Columns this large are typically found at institutions, and they provide a sense of place that is valued in university graduation photos. More to that point, these columns were in front of the building where most of her classes were held, adding relevance to the composition.

While several other lenses were along and used, the Canon RF 85mm F1.2 L USM Lens on an EOS R5 was my first choice for this shoot. This combination produces standout portraits at f/1.2, with impressive resolution and contrast, and the incredible 85mm f/1.2 background blur is especially advantageous.

The background blur reduces distracting lines of contrast behind the subject, especially for their head. In this case, the subject was aligned on the column to fully eliminate that issue.

I lost a few points for the edge of the graduation gown sleeve intersecting the line of the column's edge. A good photographer always has an excuse ready, so I'll blame feeling rushed for that one.


A larger version of this image is available here.

 
Camera and Lens Settings
85mm  f/1.2  1/1250s
ISO 100
5464 x 8192px
Share on Facebook! Share on X! Share on Pinterest! Email this page to a friend!
Posted to: Canon News, Sony News   Category: Photo Tips and Stories
Post Date: 5/20/2024 10:25:18 AM ET   Posted By: Bryan Carnathan
 Friday, May 17, 2024

Image quality, vignetting, flare, and distortion test results are now available on the Sony FE 16-25mm F2.8 G Lens page.

This is a compact, lightweight, sharp lens. Here are some comparisons.

Compared to the Sony FE 16-35mm F2.8 GM II Lens

Compared to the Sony FE PZ 16-35mm F4 G Lens

Compared to the Sony FE 12-24mm F2.8 GM Lens

Compared to the Sigma 16-28mm F2.8 DG DN Contemporary Lens

Compared to the Sigma 14-24mm f/2.8 DG DN Art Lens

Compared to the Tamron 17-28mm f/2.8 Di III RXD Lens

Support this site by ordering the Sony FE 16-25mm F2.8 G Lens (or anything else) from B&H | Sony | Adorama | Amazon (all available countries) | WEX | Camera Canada

Rent the Sony FE 16-25mm F2.8 G Lens from Lensrentals.

Please share!

Share on Facebook! Share on X! Share on Pinterest! Email this page to a friend!
Posted to: Canon News, Sony News   Category: Camera Gear Review News
Post Date: 5/17/2024 9:00:00 AM ET   Posted By: Bryan Carnathan
 Thursday, May 16, 2024

Image quality, vignetting, and distortion test results, along with specs, measurements, and standard and varied product images, are now available on the Sigma 24-70mm F2.8 DG DN II Art Lens page.

As I just said in the press release, this lens's predecessor, the Sigma 24-70mm f/2.8 DG DN Art Lens, is less than 4 years old and, remarkably, the #1 best seller at B&H — out of 1,782 mirrorless lenses.

Best Selling Mirrorless Lens

Here are some image quality comparisons.

Compared to the Sigma 24-70mm f/2.8 DG DN Art Lens

Compared to the Sony FE 24-70mm F2.8 GM II Lens

Compared to the Sigma 28-70mm F2.8 DG DN Contemporary Lens

Compared to the Tamron 28-75mm f/2.8 Di III VXD G2 Lens

Compared to the Canon RF 24-70mm F2.8 L IS USM Lens

Many more image quality comparisons are available — create your own using the site's tools.

From a measurements and specifications perspective, here is the Sigma 24-70mm F2.8 DG DN II compared to the 24-70mm f/2.8 DG DN Art Lens. Here is the visual comparison (the version II lens is to the left):

Sigma 24-70mm F2.8 DG DN II Art Lens Compared to Version I Lens

Here is the rotated and extended with hoods version:

Sigma 24-70mm F2.8 DG DN II Art Lens Compared to Version I Lens with Hoods

Support this site by ordering the Sigma 24-70mm F2.8 DG DN II Art Lens (or anything else) from B&H | Adorama | WEX

Please share!

Share on Facebook! Share on X! Share on Pinterest! Email this page to a friend!
Posted to: Canon News, Sony News   Category: Camera Gear Review News
Post Date: 5/16/2024 8:00:00 AM ET   Posted By: Bryan Carnathan

This lens's predecessor, the Sigma 24-70mm f/2.8 DG DN Art Lens, is less than 4 years old and, remarkably, the #1 best seller mirrorless lens at B&H — out of 1,782 lenses.

Order the Sigma 24-70mm F2.8 DG DN II Art Lens at B&H.

From Sigma Corporation of America:

SIGMA Announces 24-70mm F2.8 DG DN II | Art Lens, an Upgraded Follow-Up to its Popular Standard Zoom for Full-Frame Mirrorless Cameras

Ronkonkoma, NY – May 16, 2024 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the SIGMA 24-70mm F2.8 DG DN II | Art lens. This is the second generation of the highly successful SIGMA 24-70mm F2.8 DG DN | Art. The new lens has undergone a significant evolution, including enhanced optical performance, AF speed and operability, while also achieving a more compact size than the original.

The advancement of optical design has shortened the total optical length, and the lens barrel has been made slimmer by thoroughly downsizing the zoom mechanism. In addition, the lens barrel has been downsized by placing buttons and switches directly on the lens barrel. The weight has been reduced by approximately 10% compared to the SIGMA 24-70mm F2.8 DG DN | Art. By driving the lightweight focus group with the high-thrust HLA, autofocus is significantly swifter than the original version.

6 FLD glass elements, 2 SLD glass elements, and 5 double-sided aspheric lenses are used. Aberrations are highly corrected through advanced optical design made possible by advanced basic technologies in both design and manufacturing, including the use of new glass materials and aspherical lenses with thin walls and high degrees of asphericity. In particular, sagittal coma flare is heavily corrected to achieve MTF characteristics surpassing those of the highly-acclaimed 24-70mm F2.8 DG DN | Art. The high level of flare resistance also results in point images, such as stars, at the periphery of the image being closer to ideal points.

A close-focusing distance of 6.7 inches (17cm) at the wide end at 1:2.7 magnification* adds to the versatility of this lens, and the addition of a click/de-click and lockable aperture ring, along with an additional AF-L button for vertical orientation still or video capture, are additional enhancements of this second-generation lens. The zoom lock switch, which disengages when zooming, is inherited from the SIGMA 24-70mm F2.8 DG DN | Art. Manual focus can be switched between Linear and Non-linear response (L-Mount only). A splash- and dust-resistant structure, plus water and oil-repellent coating on the front element, add to durability.
* close-focusing distance of 13.4 inches (34cm) with 1:4 magnification at 70mm

The new SIGMA 24-70mm F2.8 DG DN II | Art lens builds on the success and popularity of the original 24-70mm F2.8 DG DN | Art, and offers an impressive upgrade with added features and performance in a more compact package that is perfect for working pros in both still and video applications. Offered in Sony E-mount and L-Mount, the lens will be available through authorized retailers in late May 2024 and will sell for $1,199.

Exclusively for mirrorless cameras | Compatible with full-frame cameras

A | Art
SIGMA 24-70mm F2.8 DG DN II

A classic, evolved.

  • Rendering performance worthy of the flagship name
  • Improved portability and expanded feature set
  • A wealth of professional functions including high-speed autofocus

Supplied accessories: CASE, LENS HOOD LH878-05, FRONT CAP LCF-82 III, REAR CAP LCR II

Available mounts: L-Mount, Sony E-mount

Launch date: May 30, 2024

* The appearance and specifications of the products are subject to change.

* Sony E-mount lenses are developed, manufactured and sold in accordance with the E-mount specifications licensed under a license agreement with Sony Corporation.

* L-Mount is a registered trademark of Leica Camera AG.

#SIGMA #SIGMA2470mmF28IIArt #SIGMAArt #SIGMAArtZoom #SIGMADGDN

The Art 24-70mm F2.8, evolved on all levels:

Rendering performance, functionality, and portability.

The SIGMA 24-70mm F2.8 DG DN II | Art is SIGMA's flagship lens that has evolved significantly from the previous model by incorporating the most advanced technologies available to SIGMA from design to production. Compared to the previous SIGMA 24-70mm F2.8 DG DN | Art, the SIGMA 24-70mm F2.8 DG DN II | Art has improved resolving power throughout the entire zoom range, and also benefits from functional enhancements such as the addition of an aperture ring and high-speed AF with a redesigned AF motor, HLA (High-response Linear Actuator). The lens is also approximately 7% smaller and 10% lighter. This 24-70mm F2.8 Art zoom is a versatile and high-performance tool that will help photographers and filmmakers unlock their creative potential.

[Key Features]

1. Rendering performance worthy of the flagship name

The SIGMA 24-70mm F2.8 DG DN II | Art is the successor to the SIGMA 24-70mm F2.8 DG DN | Art, which is known for its high optical performance, and has further improved resolution throughout the zoom range. The lens has high sharpness throughout the entire image from its maximum aperture, even on high-resolution cameras. Focusing on enhancing its rendering performance, the brightness of F2.8 produces a large, beautiful bokeh effect, and allows users to experience the power of a flagship lens in all types of visual expression. In addition to its advanced close-up capability and resistance to flare and ghosting, the lens is designed to minimize focus breathing.

High optical performance across the entire image and zoom range

The optical design of the lens includes 6 FLD glass elements, 2 SLD glass elements, and 5 aspherical lens elements to thoroughly suppress various aberrations throughout the entire zoom range. In particular, sagittal coma flare has been well controlled to achieve consistently high resolution all the way to the periphery of the image. By also effectively correcting lateral chromatic aberration, high resolution, beautifully rendered images can be achieved, free from color fringing can be achieved.

Incorporating 5 aspherical lenses

The use of 5 high-precision aspherical lenses enables both high optical performance with minimal aberration correction and a compact optical design. The SIGMA's only manufacturing base, the Aizu factory’s ultra-high-precision aspherical molding technology makes it possible to produce the thin, highly polarized aspherical lenses that are essential for the construction of this lens. This has brought about a higher degree of freedom in optical design.

Excellent close-up capability

The lens has excellent close-up capability with a minimum focusing distance of 17cm / 6.7in. at the wide end and a maximum magnification ratio of 1:2.7. This is useful when composing close-up shots of a subject, or when shooting in tight spaces where it is difficult to get a good distance from the subject.

* Be extremely careful that the front lens element does not hit the subject when photographing. Remove the lens hood when photographing at the minimum focusing distance at the wide-angle end.

Designed to minimize flare and ghosting

Flare and ghosting, which reduce image quality, have been largely eliminated using advanced simulation technology, ensuring the lens renders rich, high-contrast results in all conditions. In addition, Nano Porous Coating and Super Multi-layer Coating have been applied to help suppress flare and ghosting to the utmost degree. High backlight resistance enables clear and sharp images under any lighting conditions.

Minimal focus breathing

The lens has been designed to suppress focus breathing. The change in angle-of-view due to focus shift across the entire zoom range is minimized, creating a natural-looking focus pulls when recording video.

2. Improved portability and expanded feature set

The body of the SIGMA 24-70mm F2.8 DG DN II | Art is approximately 7% smaller in size and 10% lighter in weight than the previous model, while improving usability by adding an aperture ring and two AFL buttons. Despite the reduction in size and added features, the lens maintains SIGMA’s renowned excellent build quality, with the uncompromisingly precise and robust construction expected of a professional photographic tool.

Highly portable lens body

While the number of lens elements used in its construction is the same as that of the previous model, the overall length has been shortened owing to an advanced optical design. In addition, the more efficient mechanical design has resulted in a highly portable lens body with a maximum diameter of 87.8mm / 3.5in., length of 120.2mm / 4.7in., and weight of 745g / 26.3oz.*

* These figures are for L-Mount.

Excellent build quality

Simultaneously focusing on reducing the size and weight of the lens body, the use of metal parts for the zoom extension unit and other parts, as well as the robust internal structure ensure rigidity during use, such as when operating the ring, pressing buttons, and carrying the lens. The design emphasizes the lens’ longevity and reliability as a tool, which cannot be achieved by solely pursuing a compact and lightweight body.

Equipped with an aperture ring

The lens is equipped with an aperture ring as well as an aperture ring click switch and an aperture ring lock switch, allowing for aperture operation suitable for various shooing situations.

Equipped with two AFL buttons

The lens is equipped with two AFL buttons*, to which a range of functions can be assigned via the menu on selected cameras, one more than the previous model. In addition to the side, the additional button has been positioned on the top to facilitate button operation when the camera is held in vertical orientation.

* Functions can be assigned on supported cameras only. Available functions may vary depending on the camera used.

3. A wealth of functions including high-speed autofocus

In addition to high-speed AF with HLA (High-response Linear Actuator), the SIGMA 24-70mm F2.8 DG DN II | Art has a full range of features including weather resistance such as a dust and splash resistant structure* and water and oil repellent coating, as well as a zoom lock switch. The lens delivers the best possible results in every shooting situation.

* The structure is designed to be dust and splash resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.

Incorporating a linear motor HLA

The lens incorporates a linear motor HLA (High-response Linear Actuator) for the AF actuator. The high output HLA makes the maximum drive speed more than three times faster than the previous model*, ensuring responsive AF shooting.

* Compared by the maximum drive speed of the SIGMA 24-70mm F2.8 DG DN II | Art with that of the SIGMA 24-70mm F2.8 DG DN | Art (It is different from the actual time for AF to focus).

Dust and splash resistant structure and water and oil repellent coating

In addition to a dust and splash resistant structure, the front element of the lens features a water and oil repellent coating, allowing users to shoot without concerns even in harsh outdoor environments.

Equipped with a zoom lock switch at the wide end

The lens is equipped with a zoom lock switch that locks the lens at the wide end and prevents the barrel from extending unintentionally under its own weight. The lock can be released not only by the switch but also via zoom operation, allowing for flexible handling of even impromptu shooting.

Includes petal-type hood with lock

A dedicated petal-shaped hood is supplied. A locking mechanism is provided for secure attachment.

[ Additional Features ]

  • Lens construction: 19 elements in 15 groups (6 FLD, 2 SLD, 5 aspherical elements)
  • Inner focus system
  • Compatible with high-speed autofocus
  • HLA (High-response Linear Actuator)
  • Compatible with Lens Aberration Correction
    * Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model.
    * On cameras where lens aberration correction is controlled with "ON" or "OFF" in the camera menu, please set all aberration correction functions to "ON" (AUTO).
  • Supports DMF and AF+MF
  • Compatible with AF assist (for Sony E-mount only)
  • Nano Porous Coating
  • Super Multi-Layer Coating
  • Water- and Oil-Repellent Coating (front element)
  • Aperture ring
  • Aperture ring click switch
  • Aperture ring lock switch
  • AFL button (2 buttons)
  • * Function can be assigned on supported cameras only. Available functions may vary depending on the camera used.
  • Focus Mode switch
  • Support for switching between linear and non-linear focus ring settings (for L-Mount only)
    * Function available on supported cameras only.
  • Dust- and Splash-Resistant Structure
  • Petal-type hood with lock LH875-05
  • Compatible with SIGMA USB DOCK UD- (sold separately / for L-Mount only)
  • Designed to minimize flare and ghosting
  • Every single lens undergoes SIGMA's proprietary MTF measuring system
  • 11-blade rounded diaphragm
  • High-precision, durable brass bayonet mount
  • Mount Conversion Service available
  • "Made in Aizu, Japan" craftsmanship

[ Key Specifications ]

The following specifications are for L-Mount.
Lens Construction: 19 elements in 15 groups
(6 FLD, 2 SLD, 5 aspherical elements)
Angle of view: 84.1 - 34.3°
Number of diaphragm blades: 11 (rounded diaphragm)
Minimum aperture: F22
Minimum focusing distance: 6.7 (W) - 13.4 (T) in. / 17 (W) -34 (T) cm
Maximum magnification ratio: 1:2.7 (W) - 1:4 (T)
Filter size: 82mm
Dimensions (Max. Diam. x Length): 3.5 x 4.7 in. / 87.8 x 120.2mm
Weight: 26.3 oz. / 745g

[ Accessories: Supplied ]

LENS HOOD LH878-05: 0085126 941406
FRONT CAP LCF-82 III: 0085126 930028
REAR CAP LCR II for L-Mount: 0085126 937256
REAR CAP LCR II for Sony E-mount: 0085126 929879

[ Accessories: Optional ]

SIGMA USB DOCK UD for L-Mount: 0085126 878696
SIGMA WR CERAMIC PROTECTOR 82mm: 0085126 931834
SIGMA WR PROTECTOR 82mm: 0085126 930974
SIGMA PROTECTOR 82mm: 0085126 93 00
SIGMA WR UV FILTER 82mm: 0085126 930714
SIGMA WR CIRCULAR PL FILTER 82mm: 0085126 930844

Orders

Order the Sigma 24-70mm F2.8 DG DN II Art Lens at B&H.

Share on Facebook! Share on X! Share on Pinterest! Email this page to a friend!
Posted to: Canon News, Sony News   Category: Sigma News
Post Date: 5/16/2024 8:00:00 AM ET   Posted By: Bryan Carnathan
 Wednesday, May 15, 2024

From Canon USA:

CANON DEVELOPS EOS R1 AS FIRST FLAGSHIP MODEL FOR EOS R SYSTEM

New Image Processing System Further Improves AF and Image Quality

MELVILLE, N.Y., May 15, 2024 - Canon U.S.A., Inc. today announced that its parent company, Canon Inc. announced today that it is currently developing the EOS R1, a full-frame mirrorless camera, as the first flagship model for the EOS R SYSTEM equipped with an RF mount and is aiming for a 2024 release.

The EOS R1 is a mirrorless camera geared toward professionals that brings together Canon’s cutting-edge technology and combines top-class performance with the strong durability and high reliability sought in a flagship model. This camera will dramatically improve1 the performance of both still images and video and meet the high requirements of professionals on the frontlines of a wide range of fields including sports, news reporting, and video production.

This camera employs the newly developed image processor DIGIC Accelerator in addition to the pre-existing processor DIGIC X. The new image processing system, composed of these processors and a new CMOS sensor, enables large volumes of data to be processed at high speeds and delivers never-before-seen advancements in Auto Focus (AF) and other functions.

By combining the new image processing system and deep learning technology to an advanced degree, Canon has achieved high-speed and high-accuracy subject recognition. For example, subject tracking accuracy has been improved so that in team sporting events where multiple subjects intersect, the target subject can continually be tracked even if another player passes directly in front of them. In addition, the AF “Action Priority” function recognizes subject movement by rapidly analyzing the subject’s status. In moments during a sports game when it is difficult to predict what will happen next, this function automatically determines the player performing a certain action, such as shooting a ball, as the main subject and instantly shifts the AF frame, thereby helping to capture decisive moments of gameplay.

The combination of the new image processing system and deep learning technology will help to improve image quality. Canon implements the image noise reduction function, which has been previously developed and improved as part of the software for PCs, as a camera function to further improve image quality and contribute to user creativity.

Canon is working on field tests for this camera and will support capturing definitive and impactful moments at international sporting events to be held in the future.

Going forward, Canon will continue to expand the EOS R SYSTEM lineup of fascinating cameras and RF lenses, thereby continuing to meet the demands of a wide range of users and contribute to the development of photography and video culture.

1 In comparison to EOS R3 (released in November 2021)

Share on Facebook! Share on X! Share on Pinterest! Email this page to a friend!
Posted to: Canon News   Category: Canon Announcements
Post Date: 5/15/2024 8:47:38 AM ET   Posted By: Bryan Carnathan

Image quality test results are now available on the Sony FE 24-50mm F2.8 G Lens page.

Covering a common set of general-purpose focal lengths, this lens has many comparisons available. I'll get you started.

Compared to the Sony FE 24-70mm F2.8 GM II Lens

Compared to the Sigma 28-70mm F2.8 DG DN Contemporary Lens

Compared to the Tamron 28-75mm f/2.8 Di III VXD G2 Lens

Support this site by ordering the Sony FE 24-50mm F2.8 G Lens (or anything else) from B&H | Sony | Adorama | Amazon (all available countries) | WEX | Camera Canada

Rent the Sony FE 24-50mm F2.8 G Lens from Lensrentals.

Please share!

Share on Facebook! Share on X! Share on Pinterest! Email this page to a friend!
Posted to: Canon News, Sony News   Category: Camera Gear Review News
Post Date: 5/15/2024 8:45:00 AM ET   Posted By: Bryan Carnathan

Sony Alpha 7 IV firmware update version 3.01 is available for download.

Firmware Version 3.01 incorporates the following fixes and enhancements:

  1. Fixed an issue where network connection may not be possible.
  2. Improved operational stability.

Important: Read the notices, including "Updates should be installed in chronological order."

Get the Sony Alpha 7 IV at B&H.

Share on Facebook! Share on X! Share on Pinterest! Email this page to a friend!
Posted to: Sony News   Category: Sony Firmware Updates
Post Date: 5/15/2024 9:35:45 AM ET   Posted By: Bryan Carnathan

Sony a7S III firmware update version 3.01 is available for download.

Firmware Version 3.01 incorporates the following fixes and enhancements:

  1. Fixes the following issues with the ISO value:
    The ISO value is displayed incorrectly when outputting a RAW video to a RAW-compatible device connected via an HDMI cable
    The upper and lower limit setting ranges are incorrect when the ISO value is set to Auto
  2. Fixes an issue where the camera may not be able to connect to the network
  3. Improves the operational stability of the camera

Important: Read the notices, including "After updating to this version, the camera settings will be reset to the default values."

Get the Sony a7S III at B&H.

Share on Facebook! Share on X! Share on Pinterest! Email this page to a friend!
Posted to: Sony News   Category: Sony Firmware Updates
Post Date: 5/15/2024 9:28:21 AM ET   Posted By: Bryan Carnathan
<< Next Month        1 | 2    Next >    Prev Month >>
Archives
2025   Jan   Feb   Mar
2024   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2023   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2022   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2021   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2020   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2019   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2018   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2017   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2016   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2015   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2014   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2013   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2012   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2011   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2010   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2009   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2008   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2007   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2006   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2005   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
Terms of Use, Privacy  |  © 2025 Rectangular Media, LLC  |  Bryan CarnathanPowered by Christ!