Sony Alpha 7 IV firmware update version 4.00 is available for download.
Firmware Version 4.00 incorporates the following fixes and enhancements:
Get the Sony Alpha 7 IV at B&H.
Canon previously shared that we should expect more hybrid RF L-series lenses, and now they put a date on that announcement.
From Canon USA:
MELVILLE, NY, October 15, 2024 - Canon, a leader in digital imaging technology, today announced its intention to add new lenses to its hybrid RF L-series range on October 30, 2024, when all details will be revealed.
Canon’s hybrid lenses are a range of RF L-series primes and zooms designed for high performance stills and video capture. They are able to perform multiple roles and harness technology from Canon’s broadcast, cinema and existing RF lenses to make for a truly versatile range concept. They empower creatives with the flexibility to reach new levels of artistry and practicality in stills and video production.
Official announcement date for the lenses is: October 30, 2024.
Stop back here on October 30, 2024, to get the full reveal.
Just posted: Canon RF 28-70mm F2.8 IS STM Lens Review.
This lens has the right attributes to become super popular.
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From Canon USA:
Canon collaborates with Adobe to bring native Frame.io Camera to Cloud integrations to select cameras
Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to announce a new collaboration with Adobe to bring Frame.io’s Camera to Cloud connectivity to select cameras, starting with the EOS C400 and EOS C80, enabling users to send proxy files directly from the camera for a faster and more secure path from production to post. The new feature, activated in-camera, will be included in a free firmware update scheduled for a Winter 2024 release from Canon USA. It will be available for download on the Canon USA Website.
The update supports simultaneous proxy file transmission to Camera to Cloud from the EOS C400 and EOS C80 cameras while recording original camera files (OCF) and proxy files internally. The proxy files can be sent over wireless or a wired Ethernet connection.
Canon's proxy files match the same filename, timecode stream, and metadata fields as the original camera files, and are natively supported for playback on Frame.io. The efficient proxy files are available to view, share, and edit remotely without requiring additional processing or conversion. The proxy files can be uploaded to the cloud, automatically, allowing for a more streamlined workflow, with videographers in one location able to quickly share proxy files with their team in a separate location.
Availability
This free firmware update for the Canon EOS C400 and EOS C80 cameras are scheduled for Winter 2024.
I had a distraction this week. The space weather forecast was redlined. It couldn't get much better. A long period of Kp 8 was predicted from sunset into the next day (as I shared with you in a news post).
A Kp 8 could be visible from my yard in central Pennsylvania. But then, I remembered Bryan's Law of Astronomical Events: If there is an astronomical event happening, all locations within a reasonable drive will be totally cloud-covered.
So, shocking was the National Weather Service forecast for 0% cloud cover and 0% wind speed, an unbelievable combination for an unusual night sky event I'm chasing, and that forecast was for the duration of the Kp 8 prediction. Game on. An adventure began.
Reasonable Northern Lights displays are rare in central PA, and I didn't have a go-to location list prepared for this opportunity. I needed good visibility of the sky and wanted dark skies, especially to the north, with a foreground subject being a bonus.
Shooting from home was an option. A nearby field provided the desired visibility, and our sky is moderately dark, especially when the air clarity is high. I could drive a short distance from the house and be shooting in minutes.
Still, the forecast was outstanding enough to make researching an even better location worthwhile. That my wife hadn't seen the Northern Lights in about two decades and had recently asked to see them again raised the bar on location selection.
Scouting the Pennsylvania state forest maps for vistas looking north and online scouting via images captured from those locations provided a few good options within a couple-of-hour drive. However, a high elevation (for PA) lake I scouted for Milky Way photography earlier in the summer was in a dark sky location with no close towns to the north. Most subjects are even better when their reflection is included, and the rare 0 mph wind forecast made the lake option seem especially great. A bonus was that the lake was a 1.5-hour drive north, deeper into the Northern Lights visibility range.
The lake was a perfect location. It was calm, and we (and a pack of loud coyotes) had it to ourselves for the entire night.
Reaching Kp 8.5+, the 10/10/2024 Northern Lights show was a 10. I've had the privilege of viewing and photographing the Northern Lights numerous times, but this show was different from what I normally see. The lights did not have a strong structure and they were not hte brightest I've seen, but the color was wild, with the reds and even some blues being especially amazing.
Consider the Northern Lights a fast-moving subject, as they are often pulsing and dancing. A wide aperture lens is needed to avoid strong motion blur, the smearing of the aurora details.
My favorite two aurora lenses, the Sony FE 14mm F1.8 GM and FE 24mm F1.4 GM Lens, each mounted to an Alpha 1 body for fast switching, were in the MindShift Gear BackLight 26L. Both lenses performed superbly as always.
A larger version of this image is available here.
This bull was significantly obstructed and facing away as it thrashed an alder, providing poor photo opportunities. So, planning for its next move became the priority.
The bull had moved away from a cow to threaten an opponent, so, logically, it would go back to the cow. If that option was chosen, the bull would most likely come through a specific opening, and positioning for a supporting background behind that opening became the plan. That optimal position included getting low to ensure most of the close, in-focus foreground was out of the frame, that the mountains were prominently included, and that the catchlight in the bull's eye was enlarged (reflecting more sky).
As predicted, the bull came into the opening, and better than expected, it stopped to provide a variety of poses.
The Canon EOS R5 Mark II and RF 100-500mm F4.5-7.1 L IS USM Lens are an outstanding combination for on-the-move wildlife photography.
A larger version of this image is available here.
The Northern Lights are a spectacular sight, and I do not remember seeing a stronger forecast than the one for tonight (currently reaching Kp 8 for an extended duration).
"The Northern Lights may become visible as far south as Alabama to northern California" [NOAA]
Northern Lights forecasting is not accurate, and the lights could be a no-show tonight, but the incoming storm is strong enough to prompt NOAA to hold a media briefing. I didn't watch the 1-hour recording, but view it here if you are interested.
Put a plan in place.
Select a dark sky location with good sky visibility, especially to the north, and a clear weather forecast.
The Aurora forecast link (higher Kp is better) tells you when to be at that location. Note that the lights may not be visible for the entire forecasted duration (perhaps for only a few minutes), and the activity will likely increase and decrease throughout the visibility duration, so plan to hang out in your location (dress adequately and take food and drink).
Usually, your widest angle and widest aperture lenses are the best choice for Northern Lights photography. 14mm f/1.8 and 24mm f/1.4 lenses are my favorite options.
Use a tripod, and for exposure, chase the show's intensity with shutter speed and ISO (watch the histogram and avoid burying a color onto the right wall of the chart). If the lights are bright and pulsing fast, attempt to get the shutter speed down to as short as 0.5 seconds to capture the structure and avoid a smear of color.
I have a growing stack of Northern Lights photos to share with you, but I still need more time to process them.
While the camera will see the colors better than your eyes, a strong aurora is easily visible and worth taking your non-photographer friends to see.
Sony Alpha 7R V firmware update version 3.00 is again available for download.
"We suspended the Ver. 3.00 software release on 09-13-2024 due to some products failing to update. However, after taking the necessary measures, we resumed the release on 10-09-2024. We apologize for any inconvenience this may have caused. If your camera successfully updated to Ver. 3.00, you may continue using it without issue." [Sony]
Firmware Version 3.00 incorporates the following fixes and enhancements:
* The Creators' App may not be available in some countries or regions.
Get the Sony Alpha 7R V at B&H.
This Denali National Park landscape image combines three seasons. Denali summers are short, and despite the late summer date, fall foliage and wintery snow were available.
The morning featured thick fog and uncooperative animals. However, the landscape was especially appealing. While I was stopped to photograph the lightly snow-dusted black spruce trees in the fog, the fog began to dissipate, revealing snow-capped mountains in the background and allowing sunlight to illuminate the fall foliage in the foreground.
Wildlife photography was the primary photo objective, but this image is one of my favorites from the trip. The compact Canon RF 24-105mm F4 L IS USM Lens, featuring professional-grade build and optical quality, is made for moments like this. When photographing wildlife, I usually have this lens in the pack, often on a second body for fast access.
A larger version of this image is available here.
Image quality test results are now available on the Tamron 90mm F/2.8 Di III Macro VXD Lens page.
Good results. Here are some comparisons.
Compared to the Tamron 90mm f/2.8 Di VC USD Macro F017 Lens
Compared to the Sony FE 90mm F2.8 Macro G OSS Lens
Compared to the Sigma 105mm f/2.8 DG DN Macro Art Lens
Compared to the Canon RF 100mm F2.8 L Macro IS USM Lens
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For a wildlife photo adventure with many miles of hiking expected and a wide range of focal lengths on the requirements list, the Canon RF 100-500mm F4.5-7.1 L IS USM Lens often gets the call. This lens performs extraordinarily well, consistently delivering outstanding sharp image quality.
This moose moment resulted in a series of images to select from. Unfortunately, those enormous antlers impeded view of the bull's eye in many, reducing their impact. The image selected to share here combines good eye visibility, the legs positioned with separation and optimal forward body height, and the bull's left antler framed in the clearing behind it.
Bonus points are awarded for the alert ears forward, but I'm not sure how the tongue impacts the rating. Perhaps that is too much cuteness for such a massive beast.
A larger version of this image is available here.
Canon EOS C400 firmware update version 1.0.1.1 is available for download (Canon USA).
Firmware Version 1.0.1.1 incorporates the following fixes and enhancements:
Get the Canon EOS C400 at B&H.
Image quality test results are now available on the Sony FE 85mm F1.4 GM II Lens page.
These results look great.
Compared to the Sony FE 85mm F1.4 GM Lens
Compared to the Sigma 85mm f/1.4 DG DN Art Lens
Compared to the Canon RF 85mm F1.2 L USM Lens
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Support this site by ordering the Sony FE 85mm F1.4 GM II Lens at B&H, Sony, Adorama, Amazon, or WEX (orders open at 12:00 PM EDT on Thu, 8/29/2024).
Rent the Sony FE 85mm F1.4 GM II Lens from Lensrentals.