Canon and Sony News and What's New (Excluding Deals) (Page 6)

I've been using a pair of Alpha 1 cameras for Sony lens testing and for field use when a Sony lens better fit the need. The flagship a1 is an outstanding camera. What are the differences between the Canon EOS R5 Mark II and the Sony Alpha 1?

Check out the R5 II vs. a1 specification comparison along with the visual comparison of these cameras.

Here is a summary of the R5 II's advantages:

• Eye Control AF vs. no (dramatically faster AF point or area positioning)
• Pre-continuous shooting (hindsight is far clearer than foresight, and recording an image of an action in the near past is game-changing)
• AF working range of EV -7.5 to 21 vs. EV -4 – 20 (the Canon camera focuses in considerably darker environments)
• 6144-zone metering vs. 1200-zone (more areas evaluated yields potential improvement in auto exposure results)
• More framerate options – 30, 20, 15, 12, 10, 7.5, 5, 3, 2, and 1 compared to 30, 20, 15, and 5 (with electronic shutter, but the mechanical shutter adds 10, 8, 6, and 3)
• Up to 8k DCI 60p RAW vs. 8K 30p
• 2.1 million dot vari-angle LCD vs. 1.44 million tilt
• CFexpress Type B and UHS-II SD slots vs. dual multi slot for UHS-II SD and CFexpress Type A (Type B cards are faster and less expensive than A cards, but A cards are smaller and faster than SD cards)
• 8.5-stop IBIS vs. 5.5
• Neural Network upscaling (2x larger in both dimensions to 179 megapixels) and noise reduction processing in camera (both with JPG output only)
• High-Frequency Anti-Flicker shooting (evaluates the scene and precisely adjusts the shutter speed to avoid banding and flicker, including from LED signage)
• 802.11ax Wi-Fi 6 GHz vs. 802.11ac (5 GHz)
• 4-Channel 24-Bit LPCM Audio vs. 2-Channel 16-Bit
• Modestly lighter
• Far lower price

That is a solid list.

Here are the a1's advantages:

• 50 megapixels vs. 45 megapixels (50 is my favorite, but 45 is close)
• 3.8 ms imaging sensor readout speed vs. 6.3 (faster readout reduces electronic shutter issues)
• +/- 5 stops exposure compensation vs. 3
• 240 fps EVF vs. 120
• Pixel Shift Multi Shooting (provides dramatically higher resolution after post processing, but everything in the frame must be still)
• 0.64" (16mm) 9.44 million dot EVF vs. 0.50" (12.7mm) 5.76 million dots
• 1/400 max flash sync vs. 1/250
• Ethernet port vs. available with accessory grip
• Modestly smaller

Comparing across brands is significantly challenged by the differing interface and ergonomics, and these two cameras have significant differences in those regards. Advantages will often be determined by personal preference.

The bottom line is that both cameras are incredible and my two favorites. However, the R5 II's $2,199.00 lower price makes it a considerably better deal.

If you have not already done so, order the R5 II immediately if you have even a remote interest in it.

More Information

Canon EOS R5 Mark II

Sony Alpha 1

The a9 series targets sports and action, and the a9 III is Sony's latest model in that series. This camera was introduced earlier in the same year as the R1, and includes some outstanding features.

Check out the R1 vs. a9 III specification comparison along with the visual comparison of these cameras.

What are the differences between the Canon EOS R1 and the a9 III? Here are the R1 advantages:

• ISO 100-102400 expandable to 50 and 409600 vs. 250–25600 and 125 to 51200 (notably, the a9 III omits the lowest noise settings)
• Eye Control AF vs. no (dramatically faster AF point or area positioning)
• AF working range of EV -7.5 to 21 vs. EV -5 – 20 (the Canon camera focuses in darker environments)
• 6144-zone metering vs. 1200-zone (more areas evaluated yields potential improvement in auto exposure results)
• 230 image RAW buffer vs. 106
• Has 6K RAW
• 802.11ax Wi-Fi 6 GHz vs. 802.11ac (5 GHz)
• Has a top LCD panel
• Dual CFexpress Type B slots vs. dual multi slot for SD, SDHC, SDXC (UHS-I/II)/CFexpress Type A (Type B cards are faster and less expensive than A cards, but A cards are smaller and SD cards are less expensive)
• Higher capacity battery rated for 1330 LCD and 700 EVF vs. 530 and 400 (the a9 III's battery grip doubles these numbers, closing much of the gap)
• Neural Network upscaling (2x larger in both dimensions to 179 megapixels) and noise reduction processing in camera (both with JPG output only)
• 8.5-stop IBIS vs. 8

The a9 III's advantages are:

• Global shutter, 0 ms imaging sensor readout speed vs. 2.7 ms (While this difference seems small, the global shutter can eliminate some issues, such as LED signage flicker)
• 120 fps continuous shooting vs. 40 (while 40 fps is sufficient for most needs, the 120 fps difference is noticeable)
• Metering range of EV -5 – 17 compared to EV -3 – 20
• +/- 5.0 EV exposure compensation vs. +/- 3
• 1/80000 shutter vs. 1/64000 (likely few us us will care about this difference)
• Flash sync to 1/80000 vs. 1/400
• 0.64" (16mm) EVF vs. 0.50" (12.7mm)
• 240 fps EVF refresh rate vs. 120 fps
• 4-axis multi-angle touchscreen LCD vs. vari-angle
• Considerably smaller and lighter: 26.0 vs. 39.3 oz (737 vs. 1115 g) (but the a9 III's grip adds 10.23 oz (290 g) and considerable size, closing the gap)
• Slightly less expensive

Again, comparing across brands is significantly challenged by the differing interface and ergonomics, and these two cameras are vastly different. Those advantages are a personal preference.

If you have not already done so, order the R1 immediately if you have even a remote interest in it.

More Information

Canon EOS R1

Sony Alpha 9 III

Three Sigma DG DN Art lenses have firmware new updates available:

• Sigma 14-24mm f/2.8 DG DN Art Lens version 04
• Sigma 50mm F1.4 DG DN Art Lens version 02
• Sigma 105mm f/2.8 DG DN Macro Art Lens version 04

Download these updates from Sigma Global.

These firmware updates incorporates the following fixes and enhancements:

1. Compatibility with continuous shooting of up to approximately 120 frames per second has been added for the autofocus modes (AF-S/DMF/MF) on Sony a9 III cameras.
2. The operational stability has been improved. (only Sigma 14-24mm f/2.8 DG DN Art Lens)

Let's compare a pair of outstanding Sony cameras, starting with the flagship Sony Alpha 1. Check out the R1 vs. Alpha 1 specification comparison along with the visual comparison of these cameras.

What are the differences between the Canon EOS R1 and the a1? Here are the R1 advantages:

• 40 fps for 230 RAW images vs. 30 fps for 238 (96 frame using the comparable lossless compression) (having faster continuous shooting available is an advantage, but 30 fps is really fast)
• 12 fps with mechanical shutter vs. 10 (only matters if you use it)
• More framerate options – 40, 30, 20, 15, 12, 10, 7.5, 5, 3, 2, and 1 compared to 30, 20, 15, and 5 (with electronic shutter, but the mechanical shutter adds 10, 8, 6, and 3)
• 2.7 ms imaging sensor readout speed vs. 3.8 (while technically a win for the R1, you won't likely notice the difference, and the Sony is reading 50 megapixels at that speed)
• AF working range of EV -7.5 to 21 vs. EV -4 – 20 (the Canon camera focuses in considerably darker environments)
• ISO 100-102400 expandable to 50 and 409600 vs. 100–32000 and 50 to 102400 (the R1 will show less noise at the pixel level, but the two should nearly equalize if the a1 image is down sampled to 24 megapixels — and you won't want to use the highest ISO settings)
• 1/64000 vs. 1/32000 (crazy fast holds a small niche advantage over extremely fast)
• Eye Control AF vs. no (dramatically faster AF point or area positioning)
• Pre-continuous shooting (hindsight is far clearer than foresight, and recording an image of an action in the near past is game-changing)
• 6144-zone metering vs. 1200-zone (more areas evaluated yields potential improvement in auto exposure results)
• Electronic shutter flash sync up to 1/400 sec. (some sources say 1/320) vs. 1/200
• 2.1 million dot vari-angle LCD vs. 1.44 million tilt
• Has a top LCD panel
• Dual CFexpress Type B slots vs. dual multi slot for SD, SDHC, SDXC (UHS-I/II)/CFexpress Type A (Type B cards are faster and less expensive than A cards, but A cards are smaller and SD cards are less expensive)
• Neural Network upscaling (2x larger in both dimensions to 179 megapixels) and noise reduction processing in camera (both with JPG output only)
• 8.5-stop IBIS vs. 5.5
• High-Frequency Anti-Flicker shooting (evaluates the scene and precisely adjusts the shutter speed to avoid banding and flicker, including from LED signage)
• 802.11ax Wi-Fi 6 GHz vs. 802.11ac (5 GHz)
• 4-Channel 24-Bit LPCM Audio vs. 2-Channel 16-Bit
• Higher capacity battery rated for 1330 LCD and 700 EVF vs. 530 and 430 (the a1's battery grip doubles these numbers, closing much of the gap)
• Slightly less expensive

Despite being introduced 3 years earlier, the a1 still holds advantages:

• 50 megapixel vs. 24 (a big difference, but not everyone finds the higher resolution worth the increased storage size and processing time)
• Touch and drag AF area slection vs. not available
• +/- 5 stops exposure compensation vs. 3
• 240 fps EVF vs. 120
• 8K 30p vs. 6K 60p movies
• Pixel Shift Multi Shooting (provides dramatically higher resolution after post processing, but everything in the frame must be still)
• 0.64" (16mm) EVF vs. 0.50" (12.7mm)
• Considerably smaller and lighter: 26.0 vs. 39.3 oz (737 vs. 1115 g) (but the a1's grip adds 10.23 oz (290 g) and considerable size, closing the gap)

Comparing across brands is significantly challenged by the differing interface and ergonomics, and these two cameras are vastly different in those regards. Advantages will often be determined by personal preference.

If you have not already done so, order the R1 immediately if you have even a remote interest in it.

More Information

Canon EOS R1

Sony Alpha 1

The Canon EOS R3 seemed like the mirrorless entrant to the 1 series, but Canon assured us that it was not. However, it was the former performance leader of Canon's MILC lineup.

The R1 now shadows the R3's performance.

Check out the R1 vs. R3 specification comparison along with the visual comparison of these cameras. What are the differences between the Canon EOS R1 and the R3? Here are the R1's advantages:

• 40 fps for 230 RAW frames vs. 30 fps for 150 (having faster continuous shooting available is an advantage, but 30 fps is really fast, and 150 is a lot)
• Custom high-speed continuous shooting supports higher frame rates
• 2.7 ms imaging sensor readout speed vs. 4.8 (faster is better, but this difference will seldom be noticeable)
• ISO expansion up to 409600 vs. 102400 (you will not want to use these settings)
• Cross-type AF points (holds the potential for higher AF precision)
• 6144-zone metering vs. 384-zone (more areas evaluated yields potential improvement in auto exposure results)
• Smart Controllers with half-press sensitivity for additional control
• 9.44 million dots, 0.90x EVF vs. 5.76 and 0.76x (bigger and better)
• Dual CFexpress type B memory card slots vs. CFexpress type B and SD (though some may prefer having an SD slot available)
• M.Fn3, WB, and second Info buttons
• Pre-continuous shooting (hindsight is far clearer than foresight, and recording an image of an action in the near past is game-changing)
• DIGIC X plus DIGIC Accelerator processors for exceptionally fast and intelligent AF and AE calculations
• IBIS provides up to 8.5 stops of shake correction vs 8 (while 8.5 is better than 8, the difference seems modest)
• Improved Eye Control AF (potentially a big deal if the R3's Eye Control was not compatible with your eye)
• Adjustable frame rates (30, 20, 15, 12, 10, 7.5, 5, 3, 2, and 1 fps)
• Full HD at 240p vs. 120p
• Pre-recording (3 or 5 seconds) (hindsight is far clearer than foresight)
• HDMI Type-A vs. Type-D
• Neural Network upscaling (2x larger in both dimensions to 179 megapixels) and noise reduction processing in camera
• 802.11ax Wi-Fi 6 GHz vs. 802.11ac (5 GHz)
• Longer battery life rating (1330 LCD and 700 EVF vs. 860 and 620)

Here are the R3's advantages:

• 4.15 million dot LCD vs. 2.1 million
• modestly smaller and lighter
• Lower price

If that last bullet did not exist, the easy choice would be the R1. The last bullet is supported, and the R3 provides significant performance for its cost. Still, the most demanding professionals will want the R1.

The R5 II and R1 now shadow the EOS R3, the former performance leader of the MILC lineup.

Check out the R5 II vs. R3 specification comparison along with the visual comparison of these cameras. What are the differences between the Canon EOS R5 Mark II and the R3? Here are the R5 II's advantages:

• 45-megapixel imaging sensor vs. 24 (the difference is big, but not everyone wants the higher resolution)
• Pre-continuous shooting (hindsight is far clearer than foresight, and recording an image of an action in the near past is game-changing)
• DIGIC X plus DIGIC Accelerator processors for exceptionally fast and intelligent AF and AE calculations
• IBIS provides up to 8.5 stops of shake correction vs 8 (while 8.5 is better than 8, the difference seems modest)
• Improved Eye Control AF (potentially a big deal if the R3's Eye Control was not compatible with your eye)
• Adjustable frame rates (30, 20, 15, 12, 10, 7.5, 5, 3, 2, and 1 fps)
• 6144-zone metering vs. 384-zone (more areas evaluated yields potential improvement in auto exposure results)
• 8k vs. 6K (higher resolution is better if you use 8k)
• Pre-recording (3 or 5 seconds) (hindsight is far clearer than foresight)
• HDMI Type-A vs. Type-D
• Neural Network upscaling (2x larger in both dimensions to 179 megapixels) and noise reduction processing in camera
• 802.11ax Wi-Fi 6 GHz vs. 802.11ac (5 GHz)
• Holds 4260 mAh of power in the vertical grip vs. 2750 mAh
• Considerably smaller and lighter (without vertical grip)
• Lower price (though R3 promotions are equalizing this advantage)

Here are the R3's advantages:

• Supports high-speed continuous shooting for 150 RAW images vs. 93
• Custom high-speed continuous shooting supports higher frame rates
• Up to 1/64000 shutter speed vs. 1/32000 (crazy fast vs. extremely fast)
• Smart Controllers (powerful controls after some acclimation)
• 4.15 million dot LCD vs. 2.1 million
• Integrated vertical grip, LAN port, and GPS (outstanding grip ergonomics, the grip, port, and GPS are available accessories for the R5 II)
• Superior dust and weather resistance (with both bodies significantly sealed, will we notice the difference?)
• More controls and buttons (these make the camera faster and easier to use. And, more complicated?)
• More powerful 2750 mAh LP-E19 battery pack vs. 2130 mAh (but the R5 II holds 4260 mAh in the vertical grip)

While most photographers will find the R5 II better suited for their needs, a niche group of photographers will find the R3's advantages important.

If you have not already done so, order the R5 II immediately if you have even a remote interest in it.

More Information

Canon EOS R5 Mark II

Canon EOS R3

Canon has added second quarter financial results to the Investor Relations page.

Presentation Material
Results
Supplementary Data
Presentation Material and Speech Summary

Quotes From the Presentation Material (in addition to the included chart).

In markets in which we compete, demand remained weak in certain regions due to slowdown in global economic growth

Recovery in camera, network camera, and laser printer sales as inventory adjustments were completed as planned

Steady growth in semiconductor lithography equipment, commercial printing equipment, and medical business sales where medium- to long-term market growth is expected

Achieved 14% increase in sales compared to the same period last year and record high sales for second quarter

Nearly 30% increase in operating profit, profitability raised to 10.1%

Imaging was +11.6% sales and +19.0% operating profit for the quarter and +2.1% sales and -22.9% operating profit for the half.

For B-to-C products (Cameras and inkjet printers), stimulate demand by launching new products and strengthening marketing activities

The 2024 net sales forecast is +10.0% and net income +26.6%

The 2024 net sales forecast for Imaging is +13.0% over the previous forecast, and the operating profit forecast was adjusted +10.8%.

Buy your Canon cameras, lens, and accessories at B&H.

Let's compare the Canon EOS R5 Mark II to the Canon EOS R6 Mark II.

Check out the R5 II vs. R6 II specification comparison along with the visual comparison of these cameras. What are the differences between the Canon EOS R5 Mark II and the R6 II? Here are the R5 II's advantages:

• 45-megapixel backside illuminated (BSI) imaging sensor vs. 24 non-BSI (the difference is big, but not everyone needs the higher resolution)
• 6.3 ms electronic shutter imaging sensor readout speed vs. 14.5 (the faster readout speed is most advantageous for fast movement)
• DIGIC X plus DIGIC Accelerator vs. DIGIC X
• 6144-zone metering vs. 384-zone (more areas evaluated yields potential improvement in auto exposure results)
• Up to 1/32000 shutter speed vs. 1/16000 (extremely fast vs. really fast)
• Individual files are rapidly saved during pre-continuous shooting vs. a consolidated file written after the capture ends (the individual files create a significantly faster workflow in-camera and during post-processing)
• Upgraded AF system, including improved subject detection (especially for photographing subjects in motion)
• Eye Control AF vs. no (dramatically faster AF point or area positioning)
• AF at EV -7.5 vs. -6.5 (darker is better, but EV -6.5 is extremely dark)
• 5.76 million Dot EVF vs. 3.69 for improved viewing experience
• Blackout-free EVF vs. no (tracking a moving subject while continuously shooting is considerably easier)
• 14-bit with electronic shutter vs. 12
• Adjustable frame rates (30, 20, 15, 12, 10, 7.5, 5, 3, 2, and 1 fps)
• 2.1 million dot LCD vs. 1.62 million
• In-body image stabilizer provides up to 8.5 stops of shake correction vs 8 (while 8.5 is better than 8, the difference seems modest)
• Up to 8k DCI 60p RAW, 4k DCI 60p SRAW, 4k DCI 120p MP4, 2k DCI 240p vs. 6K 60fps, 4K UHD 60 fps, FHD 180 fps
• Full-size HDMI Type-A port vs. micro type D
• Tally lamp vs. no (informs subject that movie is being recorded)
• 802.11ax Wi-Fi 6E and 6 (6, 5, and 2.4 GHz) vs. 2.4 GHz
• CFexpress Type B plus SD vs. dual SD (CFexpress Type B is considerably faster but larger and more expensive)
• Neural Network upscaling (2x larger in both dimensions to 179 megapixels) and noise reduction processing in camera
• Includes a top LCD panel
• Speedlite shooting with electronic shutter supported
• Slightly raised Magnify, Info, and Q buttons
• New LP-E6P battery pack

That is a solid list.

Here are the R6 II's advantages:

• Up to ISO 102400 and 204800 vs. 51200 and 102400 (at the same ISO settings, the R6 II will have less noise when viewed at the pixel level. However, the R5 II image properly downsampled to 24 MP should appear similarly clean. The highest ISO settings are unusable)
• 40 fps vs. 30 (having faster continuous shooting available is an advantage, but 30 fps is really fast)
• 6K 60p ProRes RAW available (external recording only, with in-camera FHD proxy, 10-bit)
• Lower price

While few would choose the R6 II over the R5 II for features and capabilities, that last bullet, the lower price, makes this camera a great value and a top seller.

If you have not already done so, order the R5 II immediately if you have even a remote interest in it.

More Information

Canon EOS R5 Mark II

Canon EOS R6 Mark II

Sony a7S III firmware update version 3.02 is available for download (Sony).

Firmware Version 3.02 incorporates the following fixes and enhancements:

1. Fixed an issue where the ISO value was not reflected correctly when outputting RAW video to a RAW-compatible device connected via HDMI, and where the upper and lower limit ranges that could be set when the ISO value was set to AUTO were incorrect.
2. Fixed an issue where network connection was not possible.
3. Improved operational stability.

This update is only available for Windows and macOS. The memory card version is not available.

* Read the precautions before beginning this update.

Get the Sony a7S III at B&H.

Is upgrading to the Canon EOS R5 Mark II from the EOS R5 worth the upgrade cost?

Check out the R5 II vs. R5 specification comparison along with the visual comparison of these cameras. What are the differences between the Canon EOS R5 Mark II and the R5? Here are the R5 II's advantages:

• 45-megapixel backside illuminated (BSI) imaging sensor vs. non-BSI
• 30 fps full-bit depth (14) RAW frames per second vs. 20 fps 12-bit (30 is considerably faster than 20, which is also fast. Remember that focus bracketing uses the electronic shutter, which drops the bit depth to 12 on the R5)
• 6.3 ms electronic shutter imaging sensor readout speed vs. 16.3 (the R5 II is better suited for rendering fast action, such as a bird taking flight)
• Pre-continuous shooting (hindsight is far clearer than foresight, and recording an image of an action in the near past is game-changing)
• DIGIC X plus DIGIC Accelerator vs. older DIGIC X (enables processing performance improvements)
• Up to 1/32000 shutter speed vs. 1/8000 (extremely fast compared to what was historically the fastest)
• Significantly upgraded AF system, including improved subject detection (vast improvement, especially for photographing subjects in motion)
• Eye Control AF vs. no (dramatically faster AF point or area positioning)
• AF at EV -7.5 vs. -6 (darker is better, but EV -6 is already extremely dark)
• 6144-zone metering vs. 384-zone (more areas evaluated yields potential improvement in auto exposure results)
• Brighter and blackout-free EVF vs. no (tracking a moving subject while continuously shooting is considerably easier)
• In-body image stabilizer provides up to 8.5 stops of shake correction vs 8 (while 8.5 is better than 8, the difference seems modest)
• Adjustable frame rates (30, 20, 15, 12, 10, 7.5, 5, 3, 2, and 1 fps)
• Up to 8k DCI 60p RAW, 4k DCI 60p SRAW, 4k DCI 120p MP4, 2k DCI 240p vs. 8K 30p RAW, 4K DCI to 120 fps (the video capabilities are noticeably improved)
• Canon Log 2, Log 3 vs. Canon Log
• Simultaneous proxy recording at 8K 30p MP4 with Full HD MP4 proxy
• Pre-recording (3 or 5 seconds) (hindsight is far clearer than foresight)
• Waveform monitor, false color, and tally lamp vs. no
• Full-size HDMI Type-A port vs. micro type D
• Longer record times before overheating, with cooling vents and the CF-R20EP cooling fan grip is available
• Integrated workflow with Cinema EOS, RAW/MP4
• Anti-flicker along with High-Frequency Anti-Flicker that evaluates the scene and precisely adjusts the shutter speed to avoid banding and flicker, including from LED signage
• Speedlite shooting with electronic shutter supported
• Next-generation multi-function shoe capable of data communication and power delivery supporting new accessories
• Neural Network upscaling (2x larger in both dimensions to 179 megapixels) and noise reduction processing in camera (with JPG output only)
• SuperSpeed Plus USB 3.2 Gen 2 USB Type-C vs. 3.1 Gen 2
• 6, 5, and 2.4 GHz Wi-Fi vs. 5 and 2.4 GHz
• Power switch was moved to right side, a stills and video switch replaces the former power switch (the switch capability is a big upgrade, but the shape and position will drive R5 users crazy)
• Slightly raised Magnify, Info, and Q buttons (the raised buttons are easier to locate, especially in the dark)
• New LP-E6P battery pack
• Slightly lighter

What are the Canon EOS R5 advantages over the R5 II?

• Now discounted for a lower cost

The R5 II has the overwhelming advantage in all regards aside from price. Especially if your subjects moves, the R5 II is worth the upgrade cost.

However, the R5 is an outstanding camera, and the release of the R5 II does not change that. Especially with the R5 substantially discounted (while it lasts), those with less demanding needs may find that the R5, having the same resolution, is sufficient and that the R5 II is not worth the additional cost.

Landscape photographers must weigh the R5 II's advantages more carefully than wildlife and sports photographers. Videographers will prefer the R5 II.

If you have not already done so, order the R5 II immediately if you have even a remote interest in it.

More Information

Canon EOS R5 Mark II

Canon EOS R5

It is surprising how similar the performance and feature set of the Canon EOS R5 Mark II are to those of the flagship EOS R1 announced at the same time.

Check out the R5 II vs. R1 specification comparison along with the visual comparison of these cameras. What are the differences between the Canon EOS R5 Mark II and the R1? Here is a summary of the R1's advantages:

• 40 fps for 230 frames vs. 30 fps for 93 (having faster continuous shooting available is an advantage, but 30 fps is really fast)
• 2.7 ms imaging sensor readout speed vs. 6.3 (faster is better, but 6.3 ms is sufficient for most needs)
• Up to ISO 102400 and 409600 vs. 51200 and 102400 (at the same ISO settings, the R1 will have less noise when viewed at the pixel level. However, the R5 II image properly downsampled to 24 MP should appear similarly clean. The highest ISO settings are unusable)
• Up to 1/64000 shutter speed vs. 1/32000 (crazy fast holds a small niche advantage over extremely fast)
• Cross-type AF points (holds the potential for higher AF precision)
• Smart Controllers (powerful controls after some acclimation)
• 9.44 million dots, 0.90x EVF vs. 5.76 and 0.76x (bigger and better)
• Dual CFexpress type B memory card slots vs. CFexpress type B and SD (though some may prefer having an SD slot available)
• Integrated vertical grip, LAN port, and GPS (outstanding grip ergonomics, the grip, port, and GPS are available accessories for the R5 II)
• Superior dust and weather resistance (with both bodies significantly sealed, will we notice the difference?)
• More controls and buttons (these make the camera faster and easier to use. And, more complicated?)
• More powerful 2750 mAh LP-E19 battery pack vs. 2130 mAh (but the R5 II holds 4260 mAh in the vertical grip)

The R5 II's advantages are:

• 45-megapixel imaging sensor vs. 24 (a big difference, but not everyone finds the higher resolution worth the increased storage size and processing time)
• 8k vs. 6K (higher resolution is better if you use 8k)
• Waveform monitor (why doesn't the R1 have this?)
• Has an SD card slot available (accommodates less expensive, but slower, memory cards)
• Holds 4260 mAh of power in the vertical grip vs. 2750 mAh
• Considerably smaller size and lighter weight (without a vertical grip)
• Has a cooling fan available
• Considerably less expensive (always a solid advantage)

While the most demanding professionals will want the R1, the R5 II's performance is sufficient for a high percentage of needs and some of its advantages are significant.

Let me know if I missed a meaningful difference.

If you have not already done so, order these cameras immediately if you have even a remote interest in them.

More Information

Canon EOS R5 Mark II

Canon EOS R1

The good news is that the Canon RF 35mm F1.4 L VCM Lens dropped from the list. From Canon Japan (translated):

Apology and information regarding product supply status

Update date: July 23, 2024

Thank you for your continued patronage of Canon products.

Currently, we are experiencing delays in delivery for the following products due to orders exceeding our expectations and also due to the impact of global parts supply. We sincerely apologize to our customers and business partners for the inconvenience caused. We would like to apologize again for keeping our eagerly awaiting customers waiting for such a long time. We will continue to take measures to ensure a stable product supply so that we can deliver the products as soon as possible. We appreciate your understanding.

Product Name – About Supply

Canon EOS R1: We plan to ship the products one by one, but delivery may take longer than usual.

Canon EOS R5 Mark II: We plan to ship the products one by one, but delivery may take longer than usual.

Coling Fan: We plan to ship the products one by one, but delivery may take longer than usual.

Speedlight EL-1: We plan to ship the products one by one, but it is expected that it will take a considerable amount of time for delivery. If you place a new order, it may take up to six months for delivery.

Before we dig into the details, I strongly advise preordering these cameras immediately if you have even a remote interest in them. They are in extremely high demand, and I expect preorders to long consume supply. Orders are easy to cancel, but lines are not easy to get to the front of.

Important: Using the links on this site, including below, to place your order provides important support. Thanks in advance for that!

Extensive Hands-On Information:   Canon EOS R5 Mark II     Canon EOS R1

If you are short on time, browse the feature summaries near the top of each page. Note the comparisons between the R5 II and the R5, R6 II, R3, and R1 included on the Canon EOS R5 Mark II page.

Preorders

Canon EOS R5 Mark II: B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

Canon EOS R1: B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

Get extra Canon LP-E6P Batteries: B&H | Adorama | Canon USA | WEX

Canon BG-R20 Battery Grip: B&H | Adorama | Canon USA | WEX | Camera Canada

Canon BG-R20EP LAN Port Grip: B&H | Adorama | Canon USA | WEX | Camera Canada

Canon CF-R20EP Cooling Fan Grip: B&H | Adorama | Canon USA | WEX | Camera Canada

If you have not already done so, preorder these cameras immediately if you have even remote interest in them.

From Canon USA:

CANON OFFICIALLY LAUNCHES THE NEW EOS R1 AND EOS R5 MARK II FULL-FRAME MIRRORLESS CAMERAS

MELVILLE, N.Y., - July 17, 2024 — Canon U.S.A., Inc., a leader in digital imaging solutions, today launched two new professional full-frame mirrorless cameras, the EOS R1 and EOS R5 Mark II. The EOS R1 camera is designed for both professional still photographers and video creators in a wide range of fields including sports, news reporting and high-end video production. The EOS R5 Mark II camera features improved video focused features for the advanced creators and real-time multi recognition tracking system for those who focus on still photography.

Canon EOS R1 Camera is “Ahead of the Game”

Canon’s EOS 1-series legacy continues with the unveiling of the flagship EOS R1 camera. This high-performance, reliable, and weather-resistance camera is designed for professionals in the photojournalism, sports and wildlife fields. Key features of the EOS R1 camera include:

• Back-illuminated stacked 24.2 megapixel full-frame sensor and new processing system for extremely fast reading
• Increased read-out speed, reducing “rolling shutter” distortions
• Still-image shooting speeds up to 40fps
• “Cross-type AF” imaging sensor for more positive focus on subjects with linear detail
• Strong video capabilities, up to 4K (also 6K RAW video options)

Canon EOS R5 Mark II Camera helps users “Master the Moment”

For the professional who demands high-quality still and video output, the EOS R5 Mark II camera is ready to deliver. Designed with performance and image quality at its core, the EOS R5 Mark II camera offers the fundamental elements in one package for sports/wildlife photographers, journalists/producers, video producers and visual creators. Key features of the EOS R5 Mark II camera include:

• Back-illuminated stacked 45 megapixel full-frame sensor and new processing system for extremely fast reading
• When compared to previous EOS R camera models, more advanced and powerful AF system including Eye Control AF and new subject tracking technologies
• Cinema EOS video features such as:
  • Custom Picture color profile including Canon Log 2
  • False Color Wave Form Monitor
  • 4CH Audio with 24bit LPCM
  • Pre-recording up to 5 seconds

Accessories for the EOS R5 Mark II camera were designed thoughtfully with the end-user in mind. There is a new, more powerful battery. The LP-E6P battery, when compared to previous battery versions, features higher continuous power and two-times the amperage. Optional battery grips were also thoughtfully designed, and there are three options:

• BG-R20 – For vertical operability
• BG-R20EP with Ethernet Port – Enables high-speed wired communication
• CF-R20EP with Cooling Fan and Ethernet – Cooling fan helps maximize movie performance

Both cameras feature the new DIGIC Accelerator, which is an addition to the DIGIC X processor. The DIGIC Accelerator assists with deep learning processing which helps to quickly analyze large volumes of data and supports the next-gen AF system, Dual Pixel Intelligent AF. Dual Pixel Intelligent AF is based on Accelerated Capture and deep learning, allowing end-users to experience tracking advancements, such as body, joint and head area estimation and focus on people other than the main subject.

Price and Availability

The Canon EOS R1 camera is expected to be available in the Fall of 2024, for an estimated retail price of $6,299.00*. The Canon EOS R5 Mark II camera is expected to be available in August 2024, for an estimated retail price of $4,299.00* for the camera body only. The EOS R5 Mark II camera kit, which will include the RF24-105mm F4 L IS USM lens, will have an estimated retail price of $5,399.00*.

Pricing for the battery grips: BG-R20 – $349.99; BG-R20EP - $499.99; CF-R20EP - $399.99

Much More Information

Canon EOS R5 Mark II

Canon EOS R1

Order your cameras here.

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*Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary.

Just posted: Canon RF 35mm F1.4 L VCM Lens Review.

Find out how the new lighter, smaller, and more affordable 35 L lens performs. Additional sample photos are coming.

Support this site by ordering the Canon RF 35mm F1.4 L VCM Lens from B&H | Adorama | Canon USA | WEX | Amazon (all available countries) | Camera Canada

From Sony Electronics:

Sony Electronics Announces the Next-Generation ZV-E10 II and E PZ 16-50mm F3.5-5.6 OSS II Lens Kit

The Newest APS-C Camera in Sony’s ZV Series Brings Highly Requested Features and Updates to the Top-Selling Mirrorless Camera

July 10, 2024

SAN DIEGO, July 10, 2024. Sony Electronics launches the ZV-E10 II, the second generation of the top-selling mirrorless ZV-E10 cameraⁱ. The original ZV-E10 is a staple APS-C camera in Sony’s ZV content creation camera series, designed to provide an easy, compact, and versatile tool for content creators of any level. The new ZV-E10 II maintains all the features creators love about the original, such as Creative Looks, Product Showcase Setting, Background Defocus function, and the vari-angle flip screen – and builds on it to increase sophistication and ease of use.

The ZV-E10 II’s internal hardware has been improved from its predecessor with an upgraded 26-megapixel (MP) (approx. effective) Exmor R™ CMOS sensor and adoption of Sony’s latest BIONZ XR™ image processing engine. A few additional updates to this model include improved autofocus and video capturing capabilities: Cinematic Vlog Settingⁱⁱ, a new vertical format user interface (UI), an upgraded large-capacity Sony Z battery for improved stamina and improved connectivity for easy live streaming and data transfer. Staying true to the ethos of the ZV Series, this camera has been redesigned to streamline the content creation process even further, enabling creators to focus less on camera settings and more on their art and creativity. It is compact and lightweight and fits into a creator’s hand with ease, weighing in at approximately 377 gramsⁱⁱⁱ.

In addition, the E PZ 16-50mm F3.5-5.6 OSS II (SEL1650/2) is announced, a compact APS-C power zoom lens which will be available separately or as part of the ZV-E10 II’s camera kit. The upgraded kit lens is lightweight and offers improved autofocus (AF) and video performance compared to the first-generation model.

“From the beginning, the goal of the Sony ZV line was to create cameras that produced high-quality results while being extremely easy to use. Today, the ZV line continues to uphold that standard, but we’re taking it a step further,” says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “Our aim with the advancements of the ZV-E10 II is to inspire creators to develop or recreate their own unique style through features like personalized Creative Looks and Cinematic Vlog Setting. We are continually evolving our technology to help creators of all skill levels bring their visions to life.”

Create Your Own Photo and Video Aesthetic

The ZV-E10 II features two key functions designed to produce premium-looking content straight from the camera, Creative Looks and Cinematic Vlog Setting. When shooting both stills and videos, users can instantly enhance their images by selecting any of the ten Creative Look options: Standard (ST), Portrait (PT), Neutral (NT), Vivid (VV), Vivid 2 (VV2), Film (FL), Instant (IN), Soft Highkey (SH), Black & White (BW), and Sepia (SE). Each of these looks are further customizable and can be edited through eight different parameters, allowing creators to fine-tune their content. Once customized, creators can save up to six custom styles directly in the camera for easy access and reuse.

The ZV-E10 II allows creators to produce premium, cinematic video content with a single touch using the Cinematic Vlog Setting. This feature automatically adjusts the aspect ratio, frame rate, and AF transition speed to optimal settings for cinematic video capture. Additionally, creators can enhance their footage by selecting from five “Looks”, such as S-Cinetone™ that enhances skin tones, and applying one of four “Moods”^iv, that emphasize specific colors, offering extensive options to maximize creative expression.

Key Camera Specifications

• 759-point Focal Plane Phase-detection AF^v with Real-time Eye AF for Human/Animal/Bird and Real-time Tracking
• Backside illuminated 26MP Exmor R CMOS sensor offering an ideal combination of high sensitivity and low noise with an ISO range from 100 to 32000^vi
• APS-C interchangeable lens camera compatible with over 70 Sony E-mount lenses
• High-speed readout, 5.6K oversampling compresses a vast amount of information into stunning 4K footage at up to 60p^vii
• Active Mode^viii electronic image stabilization employs a precision gyroscope and advanced algorithm to accurately measure and compensate for camera shake, providing highly effective stabilization without sacrificing mobility, even when shooting 4K
• Upgraded large-capacity Z battery (NP-FZ100), allowing continuous movie recording^ix for up to 195 minutes per charge

Additional Features to Streamline Content Creation

• New Vertical User Interface (UI) that auto rotates from horizontal to vertical orientation to streamline vertical content creation. When paired with the vari-angle LCD monitor, users can create and view their content from any angle
• With 4K 60p capture and up to 120p capture in clear XAVC-S Full HD quality, the user can record stunning motion sequences using the S&Q modex at 5x slow motion (24p playback)
• Product Showcase Setting which delivers convenient shooting of product review videos with smooth focus transitions from your face to the item being highlighted
• Background Defocus Function to adjust the depth of field and create bokeh within the background with a single touch
• Face Priority Auto-Exposure immediately detects faces and adjusts the exposure to optimize facial brightness, even while actively recording in changing lighting scenarios
• Soft Skin Effect smooths the appearance and reduces blemishes on the subject’s skin
• Stress-free connectivity with the USB 3.2 Type-C® (SuperSpeed USB 5 Gbps) port also allows high-speed wired transfer to a compatible smartphone or PC through the Creators App for easy post-production and sharing on social media^xi
• Time-lapse sequences^xii can be created in-camera and the exposure interval can be set from 1 second to 60 seconds^xiii
• Advanced, onboard 3-capsule microphone with selectable directivity (previously debuted in the ZV-E1) for capturing clear, high-quality audio. Users can select “Auto” or choose from “Front”, “Rear”, or “All Directions” for the audio directivity depending on the environment and recording scenario settings
• Supplied with the camera, is a windscreen to reduce noise when shooting in windy conditions
• Multi-interface (MI) shoe allows for simple connection to an external microphone for additional audio options, if needed
• Livestream through the support of 5 GHz^xiv Wi-Fi connectivity
• Sony’s Screen Reader function^xv, which reads menus and video playback screens aloud to assist operations, and a menu Magnify Display function are included to provide accessibility solutions
• Designed with Environmentally Friendly Principles in Mind

The ZV-E10 II camera body is made from recycled materials, including SORPLAS™ ^xvi, reducing environmental impact without sacrificing functionality. The individual packaging is made from Sony's unique recycled paper "Original Blended Material" that uses materials such as bamboo, sugar cane fiber, and recycled paper collected from the market. Over the past 11 years, Sony has replaced approximately 395 tons^xvii of virgin plastic with recycled plastic in digital cameras and digital video cameras.

Main Features of the Versatile E PZ 16-50mm F3.5-5.6 OSS II

The E PZ 16-50mm F3.5-5.6 OSS II is Sony’s 75th E-mount lens and an ideal kit lens solution for the new ZV-E10 II due to its compact size and versatile range (35 mm full-frame equivalent focal length: 24-75 mm). High-resolution performance is achieved by four aspherical elements and one ED (Extra low Dispersion) element in an effective optical design. With a minimum focusing distance of 9.8 inch (0.25 m) (wide)/ 11.8 inch (0.30 m) (tele) and maximum magnification of 0.215x, the E PZ 16-50mm F3.5-5.6 OSS II offers versatile close-up performance to capture details. It retracts to a total length of approximately 1.25 inches (31.3 mm) when camera power is turned off. Due to its diminutive size and low weight of approximately 3.8 oz. (107 grams) it is a portable lens that can support day-to-day shooting.

Smooth, useful power zoom is ideal for movie shooting, and AF is available even while zooming. Built-in optical stabilization works with in-body stabilization^xviii, including Active Mode, to minimize blur in movies. The E PZ 16-50mm F3.5-5.6 OSS II supports in-body breathing compensation^xix to minimize shifts in angle of view while focusing for smooth, stable footage.

Pricing and Availability

The ZV-E10 II will be available at the end of July 2024 for a suggested retail price of $999 USD ($1,399 CAD) for the camera body only, and $1,099 USD ($1,499 CAD) for the kit. The E PZ 16-50mm F3.5-5.6 OSS II in black will be available in August 2024 for a suggested retail price of $299 USD ($399 CAD). They will be sold directly through Sony.com and other Sony authorized dealers throughout North America.

Orders

Preorders will be accepted starting Thu, Jul 11, 2024 at 10:00am ET.

Order the Sony ZV-E10 II and Sony E PZ 16-50mm f/3.5-5.6 OSS II Lens at B&H.

Order the Sony ZV-E10 II and E PZ 16-50mm F3.5-5.6 OSS II Lens direct from Sony.

Order the Sony ZV-E10 II and Sony E PZ 16-50mm f/3.5-5.6 OSS II Lens at Wex.

Notes:

ⁱ Sony’s Alpha ZV-E10 is #1 in Mirrorless Cameras. Source: Circana, Retail Tracking Service, 12 months ending December 2023, U.S. unit sales

ⁱⁱ Available in the movie and S&Q modes. Not available for XAVC S-l 4K recording in S&Q mode.

ⁱⁱⁱ Weight included with battery and SD card.

^iv Mood is not available when the [Mono] Look is selected.

^v When shooting stills. The number of AF points depends on the shooting mode.

^vi Expandable to ISO 50 - 102400 when shooting stills. ISO range is 100 - 6400 when SteadyShot is set to Active.

^vii Recording frame rates are listed as integer values, but the actual frame rates are as follows: 24p = 23.98 fps, 30p = 29.97 fps, 60p = 59.94 fps, and 120p = 119.88 fps.

^viii Slight image crop in Active Mode. Active Mode is not available when recording at frame rates of 120 fps/100 fps or higher, including S&Q. ISO range is 100 - 6400 when SteadyShot is set to Active in movie mode.

^ix When the battery is fully charged, using the E PZ 16-50mm F3.5-5.6 OSS II and recording in XAVC S HD 60p 50M 4:2:0 8-bit. Actual performance varies based on settings, environmental conditions, storage, and usage. ? Batteries are consumable products and their capacity degrades over time as they age. Sony does not guarantee the life span of the battery.

^x Audio recording is not available in the S&Q mode.

^xi The Creators' App is required for transfer to a smartphone. Visit https://www.sony.net/cca/ for information on regional availability. The server info and stream key for the streaming service to be used must be registered before use. Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.

^xii Shooting time will vary according to conditions. Use the [Interval Timer] function to shoot time-lapse sequences at long intervals (e.g. 10 minutes or more).

^xiii Maximum shooting interval is 6 seconds when shooting 4K.

^xiv 5 GHz communication may be restricted in some countries and regions.

^xv Supported languages differ depending on the sales region.

^xvi Depending on the time of production, SORPLAS™ may not be used for some parts.

^xvii ? According to Sony. Recycled materials used for product bodies and accessories from April 2012 to March 2023.

^xviii See camera compatibility (Image stabilization with body-lens coordinated control) info at: https://www.sony.net/dics/fnc1002/

^xix Please refer to support page; https://support.d-imaging.sony.co.jp/www/cscs/function/compatibility.php?area=jp&lang=en&cs_ref=slct_lang&fnc=1001

One power adapter to replace them all. The Xcellon PDG-4200B 4-Port 200W GaN USB Charger is on sale for half price today ($59.99) at B&H.

We have an ever increasing number of USB charged and powered devices, and often, each has its own power adapter, often vying for receptical space in the same location. Taking all those chargers traveling is another complication.

What if a single charger could cover of all your needs? And, what if that charger had more power than all your other chargers combined? This might be that one.

B&H recently sent me the high-quality, ultra-useful, Xcellon PDG-4200B GaN (Gallium Nitride, remains cooler than silicon) charger, featuring 4 ports with up to 200W total power output. Increasing our productivity (and feeding our impatience) is this charger's support of PD 3.0, PPS (Programmable Power Supply), QC4+, and Samsung Super Fast fast charging. Short circuit, overcurrent, overvoltage, and overtemperature preventions are provided.

The individual port ratings add up to more than the 200w this charger is capable of, and thus, limits are imposed. Here are the possible power distribution combinations:

USB-C (Port 1 or 2): 100W
USB-C (Port 3): 65W
USB-A: 60W
USB-C (Port 1 and 2): 100W + 100W
USB-C (Port 1 or 2 and 3): 100W + 65W
USB-C (Port 1 or 2) and USB-A: 100W + 60W
USB-C (Port 3) and USB-A: 12W + 12W
USB-C (Port 1 & 2) and USB-C (Port 3) or USB-A: 100W + 65W + 30W
USB-C (Port 1 or 2), USB-C (Port 3), and USB-A: 100W + 12W + 12W
USB-C (All 3 Ports) and USB-A: 100W + 65W + 12W + 12W

The 3' (0.9m) power cable moves the snarl and space competition away from recepticals.

The simple charger is compact, measuring only 3.5 x 2.5 x 1.4" (89.2 x 64.7 x 36.3 mm), with the 11.7 oz (331 g) weight being its primary con. The weight feels substantial compared to the small size, but it aids in the solid feel.

With various devices connected to the same charger, it seems that hub capabilities would have been an easy feature to include, but this device is dedicated to providing power.

Consider pairing this charger with Pearstone USB4 Type-C 240W Power Delivery Cables (up to 40 Gb/s, 48V/5A, Thunderbolt 3 & 4) to power laptops, cameras, etc.

Get the Xcellon PDG-4200B 4-Port 200W GaN USB Charger for half price today at B&H.

On June 5th, Canon promised firmware updates delivering enhanced features for Cinema EOS cameras and pro camcorders. Those updates are now available.

EOS C500 Mark II/ EOS C300 Mark III Cameras

• “Sensor Mode” will be saved to an assignable button on the camera body to quickly change between Full-frame, Super 35mm and Super 16mm crop modes.
• The Focus Guide box will have two size options: Standard and Large (approximately two times larger than standard).
• Camera LCD screen will display a playback marker in Media Mode.
• For the EOS C300 Mark III camera:
  • Cinema RAW Light HQ/ST/LT recording modes will be added.
  • Auto ISO/Gain functions that can be operated from the camera menu, an assignable button, or with a compatible remote-control unit will be added.

EOS C70/EOS R5 C Cameras

• Same Focus Guide and playback marker enhancements as the C500 Mark II and C300 Mark III cameras will be added.
• Option of assigning functions to the select dial on the back of the camera, including AF subject selection, shutter, iris, ISO/gain, and white balance mode will be added.
• For the EOS R5 C camera, the following will be added:
  • Ability to adjust the thickness of the AF frame, making it easier to see in certain lighting conditions
  • Ability to reset the AF position by pushing the joystick or set buttons
  • When shooting RAW VR content with Canon’s dual fisheye lens, you will be able to record both the peripheral illumination and chromatic aberration data. This will help with processing footage into smoother and even more amazing VR content than before the firmware update.
  • New features from the March 2024 R5 firmware update.

XA75/70, XA65/60 and VIXIA HF G70 Camcorders

• Option to view the date and time in the on-screen display (OSD) while recording will be added. White balance will be able to be changed while recording.

Download the firmware updates from the Canon USA Support page.

Image quality, vignetting, and distortion test results are now available on the Canon RF 35mm F1.4 L VCM Lens page.

Here are some comparisons to get you started:

Compared to the Canon EF 35mm f/1.4L II USM Lens

Compared to the Sony FE 35mm F1.4 GM Lens

Compared to the Sigma 35mm f/1.4 DG DN Art Lens

Compared to the Tamron 35mm f/1.4 Di USD Lens

Please share!

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From Sony Japan (translated):

Notification of free repairs and apology to customers who use CFexpress Type A memory cards CEA-G series

Thank you for using Sony products. We have discovered that in some CFexpress Type A memory cards in the CEA-G series, there are rare cases where the card is not recognized or writing does not finish in low-temperature environments near the lower limit of operating temperature (-10°C).

Therefore, we will repair the affected products free of charge during the free repair period listed below. If you are using an affected memory card product, please check whether your product is eligible for free repair, and if so, please apply via the website below or contact us at the address listed below. We apologize for any inconvenience caused to customers using the affected products. We appreciate your continued patronage of our products.

Products CFexpress Type A memory cards CEA-G series
CEA-G80T / CEA-G160T / CEA-G320T / CEA-G640T that have the specific numbers listed below printed on the back of the product How to check for applicable items The following numbers are printed on the back of the product.
*Please take a photo of the number on the back of the product using your smartphone or other device, enlarge it, and check the number.

(1) CEA-G80T:

Products with 8-digit numbers 22030050 to 23050157, except for products with the following numbers: 22030077, 22030094 , 22040022, 22050028, 22050067, 22070075, 22110010, 22110015, 22110029, 22110037, 22110103 Products with the nine-digit number 220300500 to 230501570

(2) CEA-G160T:

Products with 8-digit numbers 22030127 to 24029999,
except for products with the following numbers:
22040025, 22040068, 22050029 , 22050068, 22070076
Products with a 9-digit number between 220301270 and 240299990

(3) CEA-G320T:

Products with 8-digit numbers between 22090001 and 24029999
Products with a 9-digit number between 220900010 and 240299990

(4) CEA-G640T:

Products with 8-digit numbers between 23010001 and 24029999
Products with a 9-digit number between 230100010 and 240299990

Free repair period

Until June 29, 2029

Confirmation of applicable items by number

Enter the number in the "Apply online" [Japan] section below and press the "Proceed to confirmation/application screen" button to check whether or not your product is eligible for free repair.

at B&H.