The incredible performance of the latest mirrorless cameras has moved some of the challenges from capture to selection. Which of the great images should I delete, and which few should I share?
I recently shared a Blurred Frame Dall Sheep Ram. The subject and its colorful surroundings made it one of my favorite images from a photo trip. However, the Canon EOS R5 Mark II was set to 20 fps, and it nailed focus on essentially every shot, resulting in numerous situation-similar images to choose from.
Dealing with the new dilemma involves raising the keeper bar, deleting some images we like, and buying more storage. Still, final decisions are challenging, and in this case, the ram's slight head position changes tripped up final selection.
A single image is needed for a project, so I thought I'd crowd-source the final answer.
Which image do you like best? The slightly edgy angled head with a big eye shown here? Or the pleasant, inquisitive, straight-on symmetrical look? Head over to Flickr, Facebook, or Instagram to let me know your choice, helping with my final selection!
As I said in the previous image mentioned:
The viewer's eye is drawn to contrast, which is lacking in a strongly blurred portion of the image. Thus, blurring the non-subject area aids in drawing the viewer's eye to the sharp-focused subject.
For this image, the telephoto compression and long distance beyond the subject create the background blur, and getting down into some close rocks takes the foreground out of focus, eliminating those distractions.
Note that, while I love the use of blur in photography, I rarely like foreground blur covering the subject's face.
A larger version of this image is available here.
Image quality test results are now available on the Canon RF 50mm F1.4 L VCM Lens page.
You are going to like these results.
Compared to the Canon EF 50mm f/1.4 USM Lens
Compared to the Canon RF 50mm F1.2 L USM Lens (at f/1.4)
Compared to the Canon RF 35mm F1.4 L VCM Lens
Compared to the Sigma 50mm F1.4 DG DN Art Lens
Compared to the Sony FE 50mm F1.4 GM Lens
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Image quality test results are now available on the Canon RF 24mm F1.4 L VCM Lens page.
You are going to like these results.
Compared to the Canon EF 24mm f/1.4L II USM Lens
Compared to the Canon RF 35mm F1.4 L VCM Lens
Compared to the Canon RF 24mm F1.8 Macro IS STM Lens
Compared to the Sigma 24mm F1.4 DG DN Art Lens
Compared to the Sony FE 24mm F1.4 GM Lens
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From Rode:
INTRODUCING WIRELESS GO (GEN 3)
The third generation of the world's most popular wireless microphone has landed. With 32-bit float on-board recording, intelligent GainAssist technology and a host of next-gen features, the Wireless GO is the perfect companion for creators looking to elevate their content with pristine wireless audio.
FLAWLESS SOUND WITH EVERY TAKE
Now with 32-bit float, GainAssist, improved built-in mics and a range of flexible gain controls, the Wireless GO captures flawless sound with every take.
YOUR SOUND, YOUR STYLE, YOUR STORY
For the first time in its iconic history, the Wireless GO is available in an expansive suite of limited-edition colours, with 14 striking options to choose from.
EVERY SETUP, EVERY SETTING
With both USB-C and 3.5mm outputs, the Wireless GO is just at home with a camera as it is a smartphone or laptop – the wireless mic that adapts to you.
MORE FEATURES, MORE FLEXIBILITY
The Wireless GO now boasts a range of pro features that make it even more flexible in the field, like locking connectors, headphone monitoring and plug-in-power detect to extend battery.
Get the Rode Wireless GO III at B&H.
From Canon USA:
Canon Launches New Cropping Guide for Select EOS Cameras, Empowering Customers to Capture Beautifully Optimized Photos
MELVILLE, NY, December 9, 2024 – Canon Inc., the parent company of Canon U.S.A., Inc., a leader in digital imaging solutions, announced today a new Cropping Guide feature that will be available via a firmware update for the Canon EOS R50, EOS R10 and EOS R7 camera models that allows users to more easily frame their subjects through the use of four tailored on-screen guides. The new feature will be available December 9th from Canon USA for the price of $120 USD. For customers who have previously purchased one of the camera models compatible with the feature, they can send their device to a Canon Service Center and it will be returned with the Cropping Guide feature installed. For those new customers interested in the above mentioned models, the option to purchase them pre-loaded with the feature (for an additional cost) will be available via Canon Direct and other dealers starting December 9th.
The new Cropping Guide feature provides on-screen guidelines that help shooters position subjects with precision, helping to ensure consistent and professional results while saving time on editing. It allows for Canon users to position the frame at the time of capture so that post-production and editing can be kept at a minimum. Lastly, the Cropping Guides can be applied to horizontal or vertical framing scenarios, allowing for a wide range of shooting situations.
Canon will showcase its new offering to visitors to the School Photographers Association of California (SPAC) trade show from January 21-25 in Las Vegas, NV at the South Point Hotel and Casino at Booth #715. This new feature is specifically designed for school photography, sports events, or any scenario in which subjects need to maintain a consistent position.
Availability
Cropping Guide will be available December 9th. For additional information about the software, a list of compatible cameras and how to access the Cropping Guide, please visit here.
Orders
Get your Canon EOS camera with cropping guide at at B&H.
As Canon promised with the firmware version 1.0.1 release, Canon EOS R5 Mark II firmware update version 1.0.2 is available for download at Canon USA or Canon Japan.
Firmware Version 1.0.2 incorporates the following fixes and enhancements:
Get the Canon EOS R5 Mark II at B&H.
Canon EOS R1 firmware update version 1.0.1 is available for download at Canon USA or Canon Japan.
Firmware Version 1.0.1 incorporates the following fixes and enhancements:
Get the Canon EOS R1 at B&H.
Just posted: Canon EOS R5 Mark II.
As with the R1 review, most of the R5 II content has been in place for weeks, but with over 20,000 images captured with this camera, I'll call the review done.
This is my favorite camera.
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Just posted: Canon EOS R1 Review.
Most of the review contents have long been available, but after about 30,000 frames, I'll call it done.
Please share!
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Image quality test results from the Canon EOS R7 are now available for Tamron 11-20mm F/2.8 Di III-A RXD Lens.
This is a great ultra-wide zoom lens option for APS-C, now including the RF mount options.
Please share.
The Tamron 11-20mm F/2.8 Di III-A RXD Lens can now be ordered in RF mount (search for the RF version) from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada
Rent the Tamron 11-20mm F/2.8 Di III-A RXD Lens from Lensrentals.
The Canon RF 70-200mm F2.8 L IS USM Z Lens in white is in stock at B&H.
Incredible lens: Canon RF 70-200mm F2.8 L IS USM Z Lens Review.
The Tamron 11-20mm F/2.8 Di III-A RXD Lens (review) can now be ordered in RF mount (search for the RF version) from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada
From Tamron Americas:
TAMRON Announces the Launch of Its First CANON RF mount Lens
The compact, lightweight, fast-aperture F2.8 ultra wide-angle zoom
Commack, NY, November 26, 2024 – Tamron announces the launch of TAMRON’s first CANON RF mount lens, 11-20mm F/2.8 Di III-A RXD (Model B060), an ultra wide-angle zoom lens for APS-C mirrorless cameras at $659 USD / $899 CAD on December 12, 2024.
The 11-20mm F2.8 is a fast-aperture zoom lens covering a focal length range from ultra wide-angle 11mm to 20mm , with a maximum aperture of F2.8 across its full range of focal lengths. With a surprisingly compact and lightweight design for a fast ultra wide-angle zoom lens, the lens feels well balanced when attached to a compact APS-C mirrorless camera body, making it ideal for daily use.
Despite its small, lightweight design, the lens delivers high-level imaging power with its uncompromising optical design. Wide macro shooting is possible at 11mm with an MOD (Minimum Object Distance) of 0.15m (5.9in) and maximum magnification ratio of 1:4, and its stunning close-range shooting performance enables creative use of perspective at the wide end.
The lens also incorporates an AF drive system with an RXD (Rapid-eXtra-silent stepping Drive) stepping motor unit that is remarkably quiet. The lens accurately captures not only still images but also video. It is highly practical, with Moisture-Resistant Construction, Fluorine Coating, and other features designed for outdoor shooting, letting users easily enjoy the high image quality of this ultra wide-angle fast -aperture F2.8 lens under a range of conditions.
PRODUCT HIGHLIGHTS
1. Fast-aperture ultra wide-angle zoom lens
The 11-20mm F2.8 (full-frame equivalent of 17.6-32mm) allows for the capture of landscapes and architecture with the dynamic perspective unique to ultra wide-angle lenses. It is also well-suited for indoor group portraits and real estate photography by leveraging its wide-angle focal lengths. At the telephoto end, it supports everyday snapshots with its natural field of view close to one’s view, all while delivering soft and beautiful bokeh with its F2.8 aperture.
2. Compact and lightweight
Designed with APS-C mirrorless cameras in mind, the 11-20mm F2.8 provides a compact and lightweight form, measuring just 3.3” (84.2mm) in length and weighing 12 oz. (340g), allowing you to shoot without worrying about weight. When used with a compatible APS-C mirrorless camera body, you’ll enjoy handheld shooting of still images and find it comfortable to shoot video even when using a compact tripod or gimbal.
3. AF/MF Switch and TAMRON Lens Utility Compatibility
The CANON RF mount includes an AF/MF switch. Additionally, the lens features a Connector Port for users to easily update the lens to the latest firmware via TAMRON Lens Utility™ software.
4. Outstanding optical performance
The optical construction uses 12 elements in 10 groups including two GM (Glass Molded Aspherical) lens elements to maintain high resolution across the entire image area. It also incorporates one XLD (eXtra Low Dispersion) and two LD (Low Dispersion) lens elements to effectively suppress aberrations, ensuring clear image quality. Additionally, the BBAR-G2 (Broad-Band Anti-Reflection Generation 2) Coating minimizes ghosting and flare, faithfully rendering details even in backlit conditions.
5. MOD of 5.9” (0.15m) and maximum magnification ratio of 1:4
With an MOD of 5.9” (0.15m) at 11mm and a maximum magnification ratio of 1:4, the 11-20mm F2.8 surpasses traditional ultra wide-angle zoom lenses in its close-up capabilities. This allows for wide-angle macro photography and creative shallow depth of field effects, enhancing subject prominence against blurred backgrounds.
6. High performance autofocus system for both still and video use
Equipped with TAMRON’s proprietary RXD motor unit, the autofocus system delivers high-speed and high-precision focusing. It accurately captures moving subjects and is suitable for both still photography and video. Its quiet RXD stepping motor is ideal for capturing moments where noise may be a concern, or silence is required.
7. High convenience and protective features
SPECIFICATIONS
Model: B060 Focal Length: 11-20mm (17.6-32mm full-frame equivalent field-of-view) Maximum Aperture: F2.8 Angle of View (diagonal): 101° 44’-68° 7’ (for APS-C mirrorless format) Optical Construction: 12 elements in 10 groups Minimum Object Distance: 5.9” / 0.15m / 5.9 (WIDE), 9.4” / 0.24m (TELE) Maximum Magnification Ratio: 1:4 (WIDE) / 1.76 (TELE) Filter Size: Ø67mm Maximum Diameter: Ø73mm Length*: 3.3” (84.2mm) Weight: 12 oz. (340g) Aperture Blades**: 7 (circular diaphragm) Minimum Aperture: F16 Standard Accessories: Flower-shaped hood, Front and Rear caps Mount***: Canon RF mount
* Length is the distance from the front end of the lens to the lens mount face.
** The circular diaphragm stays almost perfectly circular up to two stops down from maximum aperture.
Specifications, appearance, functionality, etc. are subject to change without prior notice.
*** The lens for Sony E-mount previously launched on June 24, 2021; the lens for FUJIFILM X mount previously launched on May 30, 2023.
This product is developed, manufactured, and sold under license from Canon Inc.
Full review: Tamron 11-20mm F/2.8 Di III-A RXD Lens
From Tamron Americas:
Tamron Lens Firmware Update Enhances AF Performance During Zooming and Supports Continuous Shooting with Sony a9 III
For 70-180mm F/2.8 Di III VC VXD G2 (Model A065)
Commack, NY, November 25, 2024 – TAMRON announces a new firmware update scheduled for release on November 25, 2024, at 11PM ET for the TAMRON 70-180mm F/2.8 Di III VC VXD G2 (Model A065) for Sony E-mount.
With this new firmware update, AF performance during zooming is improved when shooting videos and still images in AF-C mode. Additionally, with the Sony a9 III, when the focus mode is set to AF-S, DMF, or MF, the lens will support continuous shooting at up to approximately 120 frames per second.
Users can update to the latest firmware by visiting the TAMRON Lens Utility Download Page on TAMRON’s global website.
Full review: Tamron 70-180mm F2.8 Di III VC VXD G2 Lens.
Just posted: Canon RF 70-200mm F2.8 L IS USM Z Lens Review.
Extremely impressive lens.
Please share!
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In this meeting of the minds, the two bucks were not seeing eye to eye, and it was an all-out brawl. There was blood, saliva, breath steam, and dust. The raging battle of the bucks lasted for over 8 minutes. I was blessed with a ring-side seat, and over 1,900 images were the spoils of this war.
The Canon EOS R5 Mark II gets the credit for this shot. For evaluation and comparison purposes, I was switching between the R5 II and the EOS R1, and the R5 II happened to be in the hand this morning. That was an optimal choice for this event. The animals' pushing and rotating changed distance rapidly and frequently, and they were sometimes far enough away to warrant cropping, and the R5 II's higher resolution provides more pixels on subject.
The RF 400mm F2.8 L IS USM Lens was another integral piece of the kit. The f/2.8 aperture was critical for the dim early AM lighting, and this lens's ability to blur the background was also important at the framing distance required to keep the two animals in the frame.
A larger version of this image is available here.
From Canon USA:
Canon and Amazon Win Default Judgment Against Counterfeiters of Camera Accessories
MELVILLE, N.Y., November 21, 2024 – Canon U.S.A., Inc. and its parent company, Canon Inc., Amazon.com, Inc. and Amazon.com Services LLC, are pleased to announce that the companies have obtained a default judgment from the United States District Court for the Western District of Washington in a lawsuit filed in May 2023 against sellers engaged in the illegal sale of counterfeit “Canon” batteries and chargers.
The legal action, filed on May 10, 2023, against 29 selling accounts which sold camera batteries and chargers in the Amazon store, resulted from Canon’s and Amazon’s joint investigation into the defendants’ distribution of counterfeit Canon camera batteries and chargers on Amazon. As a result of the lawsuit, the Court issued a permanent injunction prohibiting defendants from making, selling, and offering for sale in the U.S., and importing into the U.S., counterfeit Canon camera batteries and chargers and issued a monetary award against the sellers.
Canon aggressively pursues counterfeiters in the United States and around the world to protect its customers from potentially unsafe products which unlawfully use the Canon name, as well as to protect the value, trusted reputation, and loyalty that the Canon brand has acquired over decades in producing high-quality, safe, and reliable products.
Sales of counterfeit goods on e-commerce are increasing in proportion to the growth of the e-commerce market, and Canon and Amazon are collaborating in fighting against counterfeiters to protect our customers. This joint lawsuit was filed as a part of our ongoing collaboration.
“Our anti-counterfeiting strategy which, in part, involves partnering with Amazon to sue counterfeiters who attempt to sell counterfeit goods on Amazon’s marketplace is meant to demonstrate to all American consumers that the trust and confidence they have given to Canon when buying our high quality and reliable products is precious to us. We will not tolerate the fraud perpetrated on consumers and our brand by counterfeiters,” said Seymour Liebman, Canon U.S.A., Inc.’s Executive Vice President, Chief Administrative Officer & General Counsel.
For more information about Canon’s anti-counterfeiting measures, please visit:
https://global.canon/en/intellectual-property/sword-shield/index.html#anti-counterfeit
https://www.usa.canon.com/support/gray-market/about-counterfeits
For more information about Amazon’s efforts to protect brands and customers, please visit:
Support this site by ordering the Sony FE 28-70mm F2 GM Lens at B&H | Sony | Adorama | WEX | Camera Canada
From Sony Electronics:
Sony Electronics Announces Its First Constant F2 Aperture Zoom Lens: The Full-Frame 28-70mm F2 G Master™
The Unique Combination of a Versatile Focal Range, Large F2 Aperture, and Compact Form Factor
SAN DIEGO, Nov. 19, 2024 - Sony Electronics Inc. introduces the 28-70mm F2 G Master, the first1 Sony zoom lens with a constant F2 aperture and 77th lens in the Sony E-Mount lineup. This full-frame lens offers a versatile focal range from 28mm to 70mm while delivering prime-like2 bokeh with its constant F2 aperture. Despite its wide aperture and zoom range, the 28-70mm F2 G Master remains compact, lightweight, and well-balanced, making it ideal for both photography and video applications. This combination of zoom range, large aperture, and compact design makes this an innovative and versatile lens for portrait, sports, wedding, event, and video professionals.
“Our goal with the 28-70mm F2 G Master was to create a high-performing zoom lens that could be a strong single lens alternative to multiple primes,” said Yang Cheng, Vice President of Imaging Solutions, Sony Electronics Inc. “We prioritized a lightweight design during the engineering process as we knew that was a critical factor for real-life, practical use. And in a manner that only Sony can do, we were able to deliver a small, standard F2 zoom lens that does not sacrifice image quality. We’re proud to add this to our G Master series and believe it is one of the most innovative lenses ever offered to professionals.”
Sharp Imagery and Beautiful Bokeh
The 28-70mm F2 G Master produces extremely sharp corner-to-corner results throughout the entire zoom range, even while shooting wide open at F2. The high-resolution output is made possible by the three XA (extreme aspherical) elements and three aspherical elements built within the lens that minimize aberrations. The lens also features a floating focusing system that helps maintain internal stability. This focusing mechanism enables an impressive minimum focusing distance of up to 14.8 inches (0.38m) throughout the entire zoom range.
Staying true to the G Master lens lineage, the lens’ aperture up to F2 produces extraordinary bokeh, ideal for creating images that showcase a shallow depth of field. The 28-70mm F2 amplifies the G Master bokeh standards through a newly designed 11-blade circular aperture unit. Chromatic aberrations, which cause color fringing within photos, are effectively minimized with three Super ED (extra-low dispersion) elements and one ED element built within the lens. Additionally, Sony’s Nano AR Coating II reduces flare and internal reflections, ensuring clear images, even when strong light sources are present in the frame.
Compact, Lightweight Design Without Compromising Quality
The 28-70mm F2 G Master is one of the most advanced mirrorless camera lenses manufactured with a total 20 different lens elements arranged within 14 internal groups. Despite the advanced optical design, the lens remains compact at 3.6 x 5.5 inches (92.9 x 139.8mm) and lightweight at approximately 32.3 ounces (918g). The combination of imaging performance and a compact form factor offers an innovative solution that meets the demands of industry professionals.
Precise Autofocus Tracking with Instant Response
Reliable and responsive autofocus is delivered through the lens’ four XD (extreme dynamic) linear motors powered by advanced control algorithms. This smooth performance system provides accurate and quick focus tracking, often essential in many professional use cases like weddings and sports. This lens is fully compatible with Sony’s Alpha 9 III‘s high-speed continuous shooting capabilities of up to 120 frames per second3 with AF/AE (autofocus/autoexposure) tracking, even while zooming.
Designed for High-Performance Video Shooting
Along with its F2 aperture, the zoom range of the 28-70mm G Master provides a versatile video option that can cover standard field-of-view shots and tighter compositions up to 70mm. This lens minimizes focus breathing through its build and compatibility with the Breathing Compensation feature on various Alpha bodies4. Its high autofocus performance ensures reliable focus even when recording in high frame rates up to 4K 120p / FHD 240p5. Additionally, the XD linear motors and newly developed aperture unit operates silently, preventing any lens noise from being captured during filming.
The lens is ideal for gimbal use with a minimal zoom extension of approximately .68 inches. The compact form factor and short external zoom helps maintain gimbal balance, even at varying focal lengths.
Operability and Reliability for Versatile Control
Key control features include Linear Response MF for intuitive manual focusing, adjustable zoom ring torque, and an aperture ring with a click ON/OFF switch. The lens also offers two customizable focus hold buttons, an iris lock switch, and an AF/MF switch. The 28-70mm F2 G Master has an 86mm filter diameter and a convenient window on the lens hood for variable filter adjustments.
For durability, all buttons and switches are sealed with silicone gaskets, and critical areas are designed to resist dust and moisture6. This ensures reliability, even while using in challenging outdoor environments. Additionally, a fluorine coating on the front element repels contaminants for easy cleaning.
Pricing and Availability
The 28-70mm F2 G Master will be available in December 2024 for approximately $2,899.99 USD and $3,999.99 CAD. It will be sold at a variety of Sony's authorized dealers throughout North America.
1 As of the November 2024 announcement, Sony survey
2 Sony survey
3 Sony test conditions. Maximum continuous shooting speed may be lower in some conditions. Continuous shooting speed may vary depending on the lens used in the AF-C focus mode. Refer to Sony’s lens compatibility support page for details.
4 Angle of view and image quality may change slightly when this function is [ON]. Effective compensation may not be achieved in all situations. See camera compatibility info at: https://www.sony.net/dics/breathing/
5 Depending on the camera and settings used.
6 Not guaranteed to be 100% dust and moisture proof
Support this site by ordering the Sony Alpha 1 II (or anything else) from B&H | Sony | Adorama | WEX | Camera Canada
From Sony Electronics:
Sony Electronics Announces Second-Generation Flagship Alpha 1 II
A Combination of High Resolution, Speed, and AI Recognition Designed for Professionals
SAN DIEGO, Nov. 19, 2024 – Today Sony Electronics Inc. introduces the Alpha 1 II, its new flagship full-frame camera. This mirrorless camera brings together some of the most requested and beloved features of Sony's high-end camera lineup into one body, designed to be the most reliable and strongest choice for any professional application. The Alpha 1 II combines high resolution, speed, and cutting-edge AI-driven technology to meet the output and workflow needs of professional photographers and videographers. Designed for professionals at the top of their game, the Alpha 1 II is an ideal hybrid tool for photojournalism, wildlife, sports, portraiture, weddings, and commercial work.
Key features of the Alpha 1 II include:
“The original Alpha 1 was a groundbreaking release in 2021, and since then Sony has continued to raise the bar, year over year. When developing the successor to our esteemed flagship model, we made it our mission to incorporate feedback from the industry and the community of Alpha 1, Alpha 7R V and Alpha 9 III users. The result is a powerhouse of a camera - our highest-performing, most balanced, utilitarian tool on the market,” said Yang Cheng, Vice President of Imaging Solutions, Sony Electronics Inc. “The Alpha 1 II stays true to the Alpha 1’s foundational core of high resolution and speed but is amplified with a dedicated AI processing unit and enhanced ergonomics. It is sure to be seen as Sony’s strongest and most reliable hybrid camera ever created.”
High Resolution, Speed, and AI Combination
The Alpha 1 II camera’s exceptional reliability and versatility arises not just from strength of any single feature, but from the combination of its resolution, speed, and AI capabilities coexisting to amplify one another. Here is a breakdown of each:
High Resolution: The Alpha 1 II produces high-resolution images with a wide dynamic range through the full-frame Exmor RS® stacked CMOS sensor with approximately 50.1 effective MP resolution. This resolution performance is further enhanced by the latest BIONZ XR® image processing engine. With a separate AI processing unit handling many of the subject recognition capabilities, the camera’s image processing engine now has increased bandwidth to enhance other features.
Speed: The camera offers blackout-free high-speed continuous shooting with AF/AE tracking at up to 30 fps6, which can track complex movements with AF/AE calculations at up to 120 times per second7. The camera also includes the highly requested Pre-Capture function, which allows images to be captured up to one second before the shutter button is pressed8. For additional high-speed performance, users can activate the Continuous Shooting Speed Boost feature that can temporarily increase frame rates in high-action moments.
AI Processing Unit: The Alpha 1 II features Sony’s acclaimed AI processing unit, enabling Real-time Recognition AF. This technology strengthens Sony’s legacy of industry-leading auto focus and allows the user to accurately track animals, birds, insects, and various vehicles. It also introduces Sony’s human pose estimation, that instantly recognizes and tracks a person’s head and torso even when they’re moving or looking away. The Alpha 1 II also brings the latest evolution to Sony’s Real-time Recognition AF, featuring a new “Auto” mode that enables automatic subject recognition without the need to select a specific subject mode9.
Stable Performance and Advanced Video Capabilities
A major advancement of the Alpha 1 II is the improved optical image stabilization of up to 8.5 stops in the center (compared to 5.5 stops on the original Alpha 1) and 7.0 stops in the periphery10. The high-speed anti-distortion shutter minimizes rolling shutter effect, delivering clear, undistorted images. The camera also features updated processing algorithms that reduce noise at mid-to-high ISO sensitivities without sacrificing image detail.
The Alpha 1 II maintains the same impressive video capabilities of its successor with the ability to shoot up to 8K 30p with 10bit 4:2:2 color depth, as well as high frame recording capabilities of 120p for 4K. In addition, it features a newly supported Dynamic active Mode for increased stability of video capture11. The camera has a variety of features that support streamlined video creation including Breathing Compensation, Auto Framing, and import User LUTs capabilities.
Improved Ergonomics and Workflow Operability
The Alpha 1 II has been redesigned based on customer feedback including an evolved 3.2-type LCD monitor with a highly requested 4-axis multi-angle that can be freely adjusted to any angle. The Alpha 1 II’s camera body design has improved ergonomics, with many design elements borrowed from the acclaimed Alpha 9 III. Design evolutions include the grip, an enhanced quick release shutter button, and an additional “C5” custom button for added convenience. In addition, the camera is compatible with the VG-C512 vertical grip that provides additional ergonomic support and extended battery performance.
For professionals seeking real-time image transfer solutions, the Alpha 1 II supports 2.5GBASE-T via wired LAN. Images and videos can be transmitted via stable, high-speed 5G communication when the camera is paired with Sony’s PDT-FP1 portable data transmitter (sold separately). Additionally, images and videos can be automatically transferred direct to Adobe Lightroom™ or Google Drive™ through the latest version of Sony's cloud storage service, Creators' Cloud13.
In a world of expanding technology and increasing AI, the ability to authenticate a photograph is now more critical than ever before. Images captured with the Alpha 1 II will be compatible14 with Sony’s Camera Authenticity Solution that stores detailed camera information15 within the image files. This aids media agencies and photojournalists in their growing fight against manipulated imagery and AI-generated fakes. This solution will be available through a separate upgrade license and scheduled after December 202416.
Additional Accessories and Plastic-Free Packaging
For additional battery support, the Alpha 1 II comes with the new BC-ZD1 Dual-Battery Charger that rapidly charges two Z batteries (model NP-FZ100) simultaneously in 155 minutes to full charge17. In addition, the Alpha 1 II includes a new deep-type padded eyepiece cup (model FDA-EP21) accessory for an alternative viewing support option. A standard eyepiece comes attached to the camera by default but can be swapped with the deep pad option based on the user’s preference.
The Alpha 1 II is the first Alpha series camera (excluding ZV series cameras) to use Sony’s Original Blend Material for eco-conscious packaging. The materials used for packaging are a unique mix of bamboo, sugarcane, and recycled paper. This makes the packaging entirely free of plastic18.
Pricing and Availability
The Alpha 1 II will be available in December 2024 for approximately $6,499.99 USD and $8,499.99 CAD. It will be sold at a variety of Sony's authorized dealers throughout North America.
Notes:
1 When using electronic shutter. Sony test conditions. Maximum continuous frame rate may be lower in some shooting conditions. Continuous shooting speed may vary depending on the lens used in AF-C focus modes. Visit Sony’s support web page for lens compatibility information.
2 Maximum pre-capture time may be less in some situations. High continuous shooting speeds can cause an increase in camera temperature. Pre-capture may be limited to protect the device in high ambient temperature conditions.
3 CIPA 2024 standards. Pitch/Yaw/Roll compensation. FE 50mm F1.2 GM lens. Long exposure NR off.
4 Dynamic Active Mode is not available when shooting in 8K or at frame rates of 120 fps or higher.
5 Including a battery and standard media card.
6 When using electronic shutter. Sony test conditions. Maximum continuous frame rate may be lower in some shooting conditions. Continuous shooting speed may vary depending on the lens used in AF-C focus modes. Visit Sony’s support web page for lens compatibility information.
7 At shutter speeds of 1/125 sec. or higher. May be less depending on shooting conditions and the lens used.
8 Maximum pre-capture time may be less in some situations. High continuous shooting speeds can cause an increase in camera temperature. Pre-capture may be limited to protect the device in high ambient temperature conditions.
9 When Auto is selected the camera will normally recognize the subject type automatically, but the wrong type may be selected in some situations. In such cases manually selecting the intended subject type may solve the problem.
10 CIPA 2024 standards. Pitch/Yaw/Roll compensation. FE 50mm F1.2 GM lens. Long exposure NR off.
11 Dynamic Active Mode is not available when shooting in 8K or at frame rates of 120 fps or higher.
12 The VG-C5 vertical grip is sold separately.
13 Priory settings in the Creators' Cloud mobile application "Creators' App" or "Creators' Cloud Web" is necessary. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information. For regional app/service availability, click here https://creatorscloud.sony.net/catalog/en-us/servicearea.html
14 The Camera Authenticity Solution is available through a separate upgrade license, and this will be supported in a camera software update after December 2024. As of the announcement day, support for the Camera Authenticity Solution is available to select media.
15 Metadata including provenance information, authenticity of the image captured with the camera, and 3D depth information are embedded into the captured image as an in-camera digital signature.
16 The Camera Authenticity Solution is available through a separate upgrade license, and this will be supported in a camera software update after December 2024. As of the announcement day, support for the Camera Authenticity Solution is available to select media.
17 Simultaneous two-battery charging requires a USB PD (30 W min.) compatible power and cable (3 A min.) The CHARGE lamp will turn off when battery charge level exceeds 90% (operational charge). Continue charging for another 30 minutes to achieve a full charge. Actual performance varies based on settings, environmental conditions, and usage.
18 Not including materials used in coatings and adhesives.
Image quality test results from the Canon EOS R7 are now available on the Sigma 56mm F1.4 DC DN Contemporary Lens page.
Fun little lens.
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Full reviews of these four lens models are available, and you can support this site by ordering the new lenses using the links provided.
Sigma 16mm F1.4 DC DN Contemporary Lens Review |   B&H | Adorama | Amazon |
Sigma 23mm F1.4 DC DN Contemporary Lens Review |   B&H | Adorama | Amazon |
Sigma 30mm F1.4 DC DN Contemporary Lens Review |   B&H | Adorama | Amazon |
Sigma 56mm F1.4 DC DN Contemporary Lens Review |   B&H | Adorama | Amazon |
From Sigma Corporation of America:
SIGMA Announces Pricing and Availability of DC DN Prime Lenses for Canon RF Mount
Ronkonkoma, NY – November 19, 2024 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce pricing and availability of four prime F1.4 DC DN | Contemporary lenses for the Canon EOS R mirrorless camera system. The four lenses are the 16mm F1.4 DC DN | Contemporary, 23mm F1.4 DC DN | Contemporary, 30mm F1.4 DC DN | Contemporary, and 56mm F1.4 DC DN | Contemporary.
Development of these four primes for Canon RF Mount was initially announced on April 23, 2024, alongside the 10-18mm 2.8 DC DN | Contemporary and 18-50mm F2.8 DC DN | Contemporary lenses, both of which were released earlier this year.
With the release of these new lenses, SIGMA now offers a total of six APS-C format DC DN lenses for the Canon EOS R System. All six of these lenses are also available for several other mirrorless camera systems including Sony E-mount, L-Mount, and Fujifilm X Mount. The 16mm F1.4 DC DN | Contemporary, 30mm F1.4 DC DN | Contemporary and 56mm F1.4 DC DN | Contemporary are additionally offered for Nikon Z mount and Micro Four Thirds.
The 30mm F1.4 DC DN | Contemporary will retail for $369 and the 56mm F1.4 DC DN | Contemporary will retail for $529. These lenses will be available for purchase on December 5, 2024.
The 16mm F1.4 DC DN | Contemporary will retail for $489, and the 23mm F1.4 DC DN | Contemporary will retail for $599. These lenses will be available for purchase on January 23, 2025.
The addition of these four premium SIGMA lenses for Canon RF Mount adds to SIGMA's growing lineup of lenses for all major camera systems.
[ Launch schedule of four SIGMA F1.4 prime lenses for Canon RF Mount ]
SIGMA Corporation is pleased to announce the launch date of SIGMA 30mm F1.4 DC DN | Contemporary and SIGMA 56mm F1.4 DC DN | Contemporary for Canon RF Mount, as well as the approximate launch schedule of SIGMA 16mm F1.4 DC DN | Contemporary and SIGMA 23mm F1.4 DC DN | Contemporary for Canon RF Mount.
Launch date: December 5th, 2024 (Thursday)
SIGMA 30mm F1.4 DC DN | Contemporary Supplied Accessories: LENS HOOD LH586-01, FRONT CAP LCF-52 III, REAR CAP LCR II Mount: Canon RF Mount
SIGMA 56mm F1.4 DC DN | Contemporary Supplied Accessories: LENS HOOD LH582-01, FRONT CAP LCF-55 III, REAR CAP LCR II Mount: Canon RF Mount
Approximate launch schedule: January 2025
SIGMA 16mm F1.4 DC DN | Contemporary Supplied Accessories: PETAL-TYPE HOOD LH716-01, FRONT CAP LCF-67 III, REAR CAP LCR II Mount: Canon RF Mount
SIGMA 23mm F1.4 DC DN | Contemporary Supplied Accessories: PETAL-TYPE HOOD LH554-01, FRONT CAP LCF-52 III, REAR CAP LCR II Mount: Canon RF Mount
* This product is developed, manufactured and sold under license from Canon Inc.
#SIGMA #SIGMAContemporary #SIGMADCDN #SIGMARFMount #SIGMA16mmF14Contemporary #SIGMA23mmF14Contemporary #SIGMA30mmF14Contemporary #SIGMA56mmF14Contemporary
[ Long-awaited Canon RF Mount addition ]
SIGMA's APS-C size mirrorless dedicated prime lenses, the SIGMA 16mm F1.4 DC DN | Contemporary, SIGMA 23mm F1.4 DC DN | Contemporary, SIGMA 30mm F1.4 DC DN | Contemporary and SIGMA 56mm F1.4 DC DN | Contemporary will now be available for the Canon RF Mount. These additions allow users to enjoy high-performance, and high-quality SIGMA prime lenses in native mount on their Canon RF Mount system.
A control algorithm including AF drive and communication speed optimization has been developed specifically for Canon RF Mount interchangeable lenses. In addition to realizing high-speed AF, the lens also supports Servo AF and in-camera aberration correction*. The mount is rubber-sealed to cater for use in a variety of environments.
* Available on supported cameras only.
Mount Conversion Service is available to convert other mounts of SIGMA 16mm F1.4 DC DN | Contemporary, SIGMA 23mm F1.4 DC DN | Contemporary, SIGMA 30mm F1.4 DC DN | Contemporary and SIGMA 56mm F1.4 DC DN | Contemporary to Canon RF Mount, once they launch.