Canon and Sony News and What's New (Excluding Deals) (Page 25)

Canon Speedlite EL-1 firmware update version 1.0.2 is available for download.

Firmware Version 1.0.2 incorporates the following fixes and enhancements:

1. Fixes an issue, in which the modeling flash may fire when the modeling flash setting is set to [Disabled].

Get the Canon Speedlite EL-1 at B&H.

Your Canon EOS R5 just got an awesome new capability! firmware update version 1.8.1 is now available for download.

Firmware Version 1.8.1 incorporates the following fixes and enhancements:

1. [IBIS High-Resolution Shooting] has been added to the menu. By utilizing the in-body image stabilization mechanism, it is now possible to record images with a higher sense of resolution.
   * To check images, use EOS Utility/Digital Photo Professional. EOS Utility/Digital Photo Professional requires a version upgrade.
2. [Save/load communication settings to card] has been added to the menu. Network settings can now be inherited between cameras of the same model.
3. You can now trim and resize images while transferring them to the FTP server.
4. "Image protection" for FTP transfer has been added to the menu. Images transferred by FTP can now be automatically protected. This makes it possible to determine whether or not the image has been FTP-transferred.
5. Fixed minor bugs

Get the Canon EOS R5 at B&H.

Canon EOS R3 firmware update version 1.4.0 is available for download.

Firmware Version 1.4.0 incorporates the following fixes and enhancements:

1. Compatible with Speedlite EL-5. *It is not compatible with the automatic dimming function of the AF auxiliary light.
2. Added [Registered people priority] to the menu. Pre-registered people can now be preferentially detected and tracked.
   * The effect may not be obtained depending on the scene or shooting environment where the subject is moving, when the face is small, when the face is slanted/side profile, when part of the face is hidden, or when the subject is moving.
3. [Save/load communication settings to card] has been added to the menu. Network settings can now be inherited between cameras of the same model.
4. [Panning Assist] has been added to the menu. When panning using a compatible lens, "camera shake correction" and "subject blur correction" are performed during exposure.
5. Shortened the time it takes for the AWB results to be reflected in the viewfinder when looking through the viewfinder with the auto white balance (AWB) setting.
6. "Image protection" for FTP transfer has been added to the menu. Images transferred by FTP can now be automatically protected. This makes it possible to determine whether or not the image has been FTP-transferred.
7. Fixed minor bugs.

Get the Canon EOS R3 at B&H.

Canon EOS-1D X Mark III firmware update version 1.7.1 is available for download.

Firmware Version 1.7.1 incorporates the following fixes and enhancements:

1. [Save/load communication settings to card] has been added to the menu. Network settings can now be inherited between cameras of the same model.
2. You can now trim and resize images while transferring them to the FTP server.
3. Corrected the phenomenon that some cameras that meet certain conditions may not turn on immediately after updating to firmware version 1.7.0.
4. Fixed minor bugs.

*1, 2, 4 are the changes in Version 1.7.0, and 3 is the addition in Version 1.7.1.

Get the Canon EOS-1D X Mark III at B&H.

Canon has issued a service notice for the Canon EOS R10.

Issue

A small number of units of the EOS R10 camera may exhibit a loud crackling sound when the built-in flash is used.

Affected Product

If the first two digits of the camera’s serial number are between 01 and 10, the camera may be affected. The serial number is located at the bottom of the camera. Use the search feature at Canon Australia to further identify affected product.

Support

A free inspection/repair service will be offered to customers with the affected cameras.

Canon AU indicates that the period of accepting free repairs will begin on or before March 31, 2025.

From Canon Australia:

Customers who use the EF 50mm f/1.2 L USM interchangeable lens for digital SLR and mirrorless cameras

It has been discovered that a small number of the EF 50 mm f/1.2 L USM interchangeable lens for digital SLR and mirrorless cameras are affected by the following issue. We sincerely apologise for any inconvenience caused to customers using this product.

Issue

When shooting in high-temperature environments, the intended exposure level may not be achieved, resulting in fluctuations in the brightness of the images captured in the same scene or an error message (“Err01”) may be displayed.

Affected Product

A small number of units of the EF 50mm f/1.2 L USM interchangeable lens for digital SLR and mirrorless cameras that were manufactured in 2022 are affected. If the first four digits of the 10-digit serial number imprinted on the lens body are “1840”, “1940”, “2040”, “2140”, or “2240”, the lens is affected.

*Units with serial numbers imprinted on the mount are not affected.

Support

A free repair service will be offered to customers with the affected lenses.

Period of Accepting Free Repairs

On or before 31 March 2026

From Canon Inc.:

Canon Publishes Annual Report for the Year Ended December 31, 2022

TOKYO, March 30, 2023—Canon Inc. announced today that it has published the Annual Report 2022, a consolidated financial report summarizing its financial results for 2022.

This report includes the CEO's message and business strategies based on the Excellent Global Corporation Plan Phase VI, a medium- to long-term management program. In addition, with regard to non-financial information on ESG and other corporate activities, Canon incorporates many photographs and graphs to explain Canon's initiatives in an easy-to-understand manner.

Jump to page 15 in the PDF (page 12 in the report) for the Imaging Group.

"We expect the interchangeable-lens digital camera market to remain solid, supported by firm demand from users who enjoy shooting photos and videos, primarily professionals and advanced amateur photographers who demand high-quality images. To meet the diverse needs of users, we will continuously bring to the market entry-level to professional use cameras that offer improved performance as well as interchangeable lenses to revitalize the market as the leading camera company. We are currently expanding our lineup of mirrorless cameras in order to secure the No.1 position in this field as well."

Sony Alpha 7R V firmware update version 2.00 is available for download.

Firmware Version 2.00 incorporates the following fixes and enhancements:

1. Adds support for the Creators' App
   Note: The new Creators' App mobile application replaces the Imaging Edge Mobile app. The Creators' App allows you to transfer images from the camera to your smartphone, shoot remotely, and use various other functions.
2. Adds a function that improves security when connecting with the Creators' App and Imaging Edge Desktop software for remote shooting and image transfers
   Note: Please update the Imaging Edge Desktop software to the latest version (Ver.3.6 or later)
3. Adds a function to switch the face that is prioritized for focus with a custom key
4. Improves the operational stability of the camera

Get the Sony Alpha 7R V at B&H.

Just posted: Canon RF-S 55-210mm F5-7.1 IS STM Lens Review.

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Support this site by ordering the Canon RF-S 55-210mm F5-7.1 IS STM Lens from B&H | Canon USA | WEX

From Sony Electronics:

Sony Electronics Announces the ZV-E1, a New Full-Frame, Interchangeable Lens Camera for Video Creators

A Compact Lightweight Body Designed to Give Creators the Ultimate Video and Content Creation Tool

SAN DIEGO, CA - March 29, 2023 – Sony Electronics announced today the new ZV-E1, an interchangeable lens camera with a high performance 35mm full-frame image sensor for the ultimate video creation experience. Newly positioned in Sony’s ZV vlog camera line-up, the ZV-E1 boasts a 12MP full-frame image sensor, Sony’s latest BIONZ XR image processing engine, a dedicated AI (artificial intelligence) processing unit, compatibility with over 70 Sony E-mounti lenses, and other advanced technologies for capturing cinematic imagery with rich colors, low noise and high precision. The world’s most compact, lightweight full frame interchangeable lens cameraii , the ZV-E1 offers outstanding mobility, with refined operation to give video creators maximum creative freedom and versatility.

“The ZV-E1 has been designed to deliver a premium content creation tool for video creators who want to elevate their content,” says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “We are constantly listening to feedback from our customers, pushing to innovate to meet their demands. We have taken all the information into mind with our development of this new camera – with more sophisticated video features, a streamlined user experience and an extremely compact design, the ZV-E1 offers a whole new way for today’s creators to create top level video content.”

Expressive Imagery That Emphasizes the Subject

The ZV-E1 is a dedicated content creation camera that features a 35mm full-frame back-illuminated CMOS Exmor R™ sensor, with approximately 12.1 effective megapixels, delivering high sensitivity, low noise and gorgeous bokeh.

With up to eight timesiii more processing power than previous Sony processors, the new BIONZ XR™ image processing engine markedly boosts high-sensitivity performance, gradation rendering, color reproduction, low-noise performance, and more. The high volume of data generated by the image sensor can be processed in real time, even when shooting 4K (QFHD: 3840 x 2160) footage at 120piv. The BIONZ XR processor also contributes significantly to improved AF speed and precision.

High-quality 4K (QFHD) video can be recorded with full pixel readout at 10-bit 4:2:2, without the need for pixel binning and with very high speed to minimize rolling shutter. This makes the expressive advantages of the full-frame format available for video recording while delivering high-resolution 4K footage. Users can upgrade from 4K 60p to 4K 120pv through the Creators’ Cloud for extraordinarily smooth 5x (max.) slow-motion imageryvi. Direct playback for video in slow or quick motion in the S&Q modevii boasts outstanding image quality.

With 15+ stop latitudeviii, it’s possible to capture natural looking images in a wide variety of lighting to capture natural looking images even in extraordinarily low light situations without losing highlight or shadow detail. The standard ISO range extends from 80 to 102400 for both stills and movies. The expanded range for stills is 40 to 409600, and the expanded range for movies is 80 to 409600.

Turn Cinematic Dreams Into Reality

The ZV-E1 can create standout content with Cinematic Vlog Settingsix, an intuitive way to capture scenes with the cinematic look of feature movies. By choosing an appropriate Look, Moodx and AF transition speed, anyone can create cinematic footage that ideally matches the scene and creative intent. The overall cinematic feel is further enhanced by a 24 fpsxiv frame rate and the widescreen Cinemascope aspect ratio (2.35:1)xv.

For a truly cinematic look, the ZV-E1 features S-Cinetone, a unique Sony feature which can create a cinematic look straight out of the camera without post-processing. Based on Sony’s Cinema Line technology, S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin color to deliver cinematic quality.

A selection of new Creative Looks makes it easy to create interesting appearances for stills and video right in the camera. Ten Creative Looks are provided as presets that can be used as they are or customized with the touch of a button. Newly added My Image Style xvi makes it possible to shoot in the Intelligent Auto or Scene Selection mode; icons on the touch-sensitive monitor make it easy to directly adjust background bokeh, brightness, and color tone, as well as select a Creative Look.

AI Plus Leading Technology Delivers Consistently Stunning Imagery

The ZV-E1 features a dedicated, powerful AI (artificial intelligence) processing unit that leverages Sony’s technologies to uniquely overcome the challenges of self-taken footage faced by “crew of one” creators. By using AI human recognition, newly developed features of Multiple Face Recognition, Auto Framing, Framing Stabilizer and even Auto Microphone directivity have now become possible. For the first time, the ZV-E1 allows for true self-taken footage and even minimizes or eliminates the need for a second shooter.

Real-time Recognition AF incorporates an innovative AI processing unit that uses subject form data to accurately recognize movement - human pose estimation technology uses learned human forms and postures to recognize not just eyes, but body and head position with high precision, making it possible to lock onto and track a subject facing away from the camera. The AI processing unit can even differentiate between multiple subjects having different postures and recognition of individual faces so that tracking reliability is achieved in challenging situations such as when a subject’s face is tilted, in shadow, or backlit. In addition to Human and Animalxvii, the AI processing unit now makes it possible to recognize Birdxviii, Insect, Car/Train and Airplanexviv subjects, providing even greater flexibility and reliability when shooting both stills and video.

The camera features Multiple Face Recognitionxx which automatically adjusts bokeh and focus on multiple recognized faces when shooting group selfies or group portraits - preventing problems like only the faces in the front being in focus while others further back are out of focus. Breathing Compensationxxi suppresses image shifts when focusing to maintain a consistent angle of view and achieve smooth focusing effects.

The ZV-E1 features AI-based Real-time Trackingxxii that can be activated by specifying the subject and half-pressing the shutter button. The camera will then automatically track the subject, leaving the user free to concentrate on framing and composition. The new camera has a fast Hybrid AF for fast acquisition and tenacious tracking as well detailed AF settings for ultimate precision and control.

Another new feature of the ZV-E1 is the AI-based Auto Framing for videoxxiii which is ideal for recording interviews, music performances, cooking, and much more. Using AI-based subject recognition technology, the Auto Framing feature automatically crops the frame to the users desired level, keeping the subject in a prominent position when shooting video. Even when the camera is mounted on a tripod, for example, the framing is continually adjusted so that the recorded footage looks like the subject is being followed by an experienced camera operator, ideal for a single person shooting scenario.

A compact, 5-axis xxiv stabilization unit and gyro sensors with optimized algorithms achieve up to 5.0-stepxxv stabilization. The in-body image stabilization of the camera provides effective stabilization with a wide range of lenses, including E-mount lenses that do not include their own stabilization. Dynamic active Mode stabilization xxvi is approximately 30% more effective than what Active Modexxvii provides. This makes it easier than ever to shoot smooth, stable footage while moving around for bold, dynamic expression. The ZV-E1 also boasts a Framing Stabilizerxxviii that uses advanced AI-based subject recognition in conjunction with the camera’s Dynamic active mode image stabilization to automatically keep the subject’s position in the frame constant.

The camera also features a Bokeh Switch for one-touch background bokeh enhancementxxviii and of course, the ZV-E1 also includes the Product Showcase Settingxxix in the rest of the Sony ZV line, designed for product review videos and allowing users to smoothly switch focus from the presenter’s face to a product and back.

Control Time To Capture Unforgettable Moments and Situations

In-camera time-lapse creation is a great feature for users who want to record time-lapse video sequences like the movements of clouds, people, cities and other slowly changing subjects in uniquely expressive ways. The exposure intervalxxx can be set from 1 second to 60 seconds, making it easy to compress slow action into enjoyable time-lapse sequences. Interval shooting used to capture individual still images at intervals greater than 60 seconds is also available.

Advanced Audio for Winning Content

The ZV-E1 features a high-performance 3-capsule microphone with variable directivity to optimize clear and crisp audio recordings. Front, all directions, and rear directivity settings are available to match a variety of environments, and for the first time, automatically switches to a direction in line with face recognition, so users can easily make optimal recordings. The new Autoxxxi setting allows [Front] or [All Directions] directivity to be automatically selected according to the current subject recognition and tracking status. The camera also includes a Multi Interface (MI) shoe with digital audio interface and mic and headphone jacks offer expanded audio capabilities. Supplied with the camera, is a windscreen that can significantly reduce noise when shooting in windy conditions.

Advanced and in-Depth Editing Support Gets The Creator’s Intent Across

The ZV-E1 can record 10-bit 4:2:2 video internally when using Long GOP or All Intra compression, supports internal intra-frame (All-I)xxxii recording and XAVC HSxxxiii format recording using the MPEG-H HEVC/H.265 codec provides approximately doubled efficiency.

The camera has Flexible ISO, which can be set to AUTO or manually set between 640 and 102400 (160 and 409600 in expanded ISO mode). Picture profiles with assignable LUTs are available so users can create specific looks when shooting in modes other than one of the preset Log modes.

The ZV-E1 records image stabilization and camera rotation metadata that can be useful when editing in the free Catalyst Browse desktop application, paid Catalyst Prepare desktop applicationxxxiv or pluginxxxv as users can quickly and precisely stabilise footage during editing. Lens breathing compensation can be applied during editing.

Designed for easy content creation

The ZV-E1 has been designed for ease of use, with a side-opening vari-angle, 3 inch type 1.07 Mdot LCD Screen for easy monitoring, a touch function while recording and control layout and grip optimized for content creation.

The new camera features uninterrupted power for extended recording with Sony’s high-capacity Z battery and USB PD (Power Delivery) that supports fast chargingxxxvi. The ZV-E1 also features a dust and moisture resistant designxxxvii.

Stream top-quality live content as when connected to a personal computer or smartphonexxxviii via USB the ZV-E1 can function as a 4K (2160p) webcam and take online meetings, live events, and even simple conversations with family and friends to new creative heights.

Creators’ Cloud and Easy Smartphone Connection

Creators can connect and share content easily with Sony’s newly announced Creator’s Cloudxxxix platform and easy smartphone connection.

The Creator’s App can be used to control the ZV-E1 from the smartphone, and transfer stills and videos shot on the camera to the smartphone. Camera battery and media status can be monitored from the smartphone, and date and camera names can be edited as needed. The Creator’s App also provides a convenient way to update camera software.

Designed With Sustainability in Mind

In addition to Sony’s commitment to a sustainable future with global initiatives like Road to Zero and the 2030 renewable energy goal, the ZV-E1 has been specifically developed with sustainability in mind.

The camera has a newly developed windscreen using fibers made from recycled PET bottlesxxxx to reduce Sony’s environmental impact, without compromising functionality. Lastly, the outer packaging of the ZV-E1 is environmentally conscious and recyclable with no plastic and employs Sony’s ‘Original Blend Material’ – bamboo, sugar cane and recycled paper. Also, plant-based non-woven fabrics are used for the product bagsxxxxi to minimize Sony’s environmental footprint.

Also, ZV-E1 includes accessibility features that facilitate operation in several ways, including screen reader functionality for the visually impairedxxxxii. Accessibility features allow anyone to enjoy shooting and playback using the ZV-E1.

Pricing and Availability

The new ZV-E1 will be available in May 2023 at a variety of Sony’s authorized dealers, for an estimated retail price of $2,199.99 USD and $2,999.99 CAN. A kit variation including the compact full-frame 28-60 mm F4.5-5.6 zoom lens is also available for an estimated retail price of $2,499.99 USD and $3,399.99 CAN.

Orders

Preorder starts at 10am ET, Thu Mar 30. Support this site by ordering the Sony ZV-E1 at B&H.

Notes:

i It can be used with all E-mount lenses including the superlative G Master series with stunning resolution and world-class bokeh.

ii As of the March 2023 product announcement, based on a Sony survey of interchangeable-lens digital cameras with 35mm full-frame image sensors and optical in-body image stabilization.

iiiCompared to the BIONZ X image processing engine in the ZV-E10. Sony tested.

iv A free license key must be downloaded from Sony’s camera upgrade website and installed in the camera. Not available in some countries and regions. To be released in June 2023 or later. Visit the following URL for details: https://creatorscloud.sony.net/cameraupgrade/4k120p/ QFHD(3840×2160) with approx. 10% image crop.

v A free installation key must be downloaded from the issuing web site and installed in the camera. QFHD(3840×2160) with 10% image crop.

vi Post-production editing and S&Q mode recording required.

vii Audio recording not available in the S&Q mode.

viii S-Log3 movies, Sony tests.

ix Available in the Movie and S&Q modes. Not available for XAVC S-I 4K recording in S&Q mode.

x Mood is not available when the [Mono] Look is selected.

xi S-CINETONE/ CLEAN / CHIC / FRESH / MONO

xii AUTO / GOLD / OCEAN / FOREST

xiii HIGH / MID / LOW

xiv Recording frame rates are indicated as the closest integer values. The actual corresponding frame rates are as follows: 24p: 23.98 fps, 30p: 29.97 fps, 60p: 59.94 fps, and 120p: 119.88 fps.

xv The black bands above and below the image are recorded as part of the image. The image area between the black bands is Cinemascope aspect ratio, but aspect ratio of the entire recorded image area is 16:9.

xvi Settings are reset when switching between the still, movie, and S&Q modes (including REC in Still mode).

xvii Animal recognition has been expanded, now recognising the eye of some grazing and small animals in addition to the eyes and heads of dogs, cats, and similarly featured animals

xviii The newly added Bird mode easily pinpoints the eyes of a variety of bird types as well as recognising bird heads, bodies, and poses

xviv Camera may not accurately recognize all specified subjects in all conditions. Available subject settings are: [Human], [Animal/Bird], [Animal], [Bird], [Insect], [Car/Train], and [Airplane]. Subject types other than the type specified may be erroneously recognized in some cases

xx Available in the movie or S&Q mode when Intelligent Auto is selected with [AF Subject Recognition] set to [Human].

xxi Only available with lenses that support Breathing Compensation. Angle of view and image quality may change slightly. Full compensation may not be possible with all lenses. This function is not available when Distortion Comp. is OFF, the S&Q mode is in use, or the recording format is set to RAW or any format that includes RAW. http://support.d-imaging.sony.co.jp/support/ilc/breathing/en/

xxii [Tracking] in the menu. Based on advanced artificial intelligence, including machine learning.

xxiii Only available for video. Framing is cropped from 4K images, resulting in reduced angle of view.

xxiv Angular shake (pitch/yaw) has the biggest impact on image quality and tends to increase at longer focal lengths, X/Y shift that is most apparent in high magnification macro shots and rotational shake (roll) that can ruin night shots and movies.

xxv CIPA standards. Pitch/yaw shake only. FE 50mm F1.2 GM lens. When shooting stills.

xxvi Dynamic active Mode reduces angle of view more than Active Mode. Clear Image Zoom is not available when shooting 4K movies using Dynamic active Mode.

xxvii Compared to the a7S III Active Mode. Sony internal tests.

xxviii Backgrounds can be quickly defocused by simply pressing it. This feature makes it easy to achieve beautiful full-frame bokeh that effectively emphasizes the main subject while creating deep, impressive images.

xxix [Subject Recognition in AF] is locked to [Off], and [Focus Area] is set to [Zone].

xxx Maximum exposure interval is 6 seconds when shooting 4K.

xxxi [Front] or [All Directions] directivity is automatically selected according to the current subject recognition and tracking status.

xxxii When XAVC S-I 4K or HD is selected via the file format menu.

xxxiii Catalyst Browse™ Version 2022.1 or later, or other XAVC HS compatible editing software is required for editing

xxxiv Supported in Catalyst Browse/Prepare Version 2020.1 or later. Image stabilisation metadata that can be used by Catalyst is generated when using a Sony E-mount lens with the camera’s optical image stabilisation set to [OFF] or [Active].

xxxv These features may not be usable in some countries or regions. For details, refer to Service Availability by Country/Region here https://support.d-imaging.sony.co.jp/app/cpplugin/

xxxvi USB charging and power delivery are only supported via the USB Type-C® terminal. A battery must be installed in the camera when supplying USB power. The internal battery may drain even if USB power is supplied, depending on the adapter used and camera operating conditions.

xxxvii Not guaranteed to be 100% dust and moisture proof.

Xxxviii When streaming via USB maximum image resolution is 3840 x 2160 and maximum frame rate is 30 fps. The OS of the computer or smartphone used must be compatible with UVC/UAC. Use the most up-to-date OS available for your device. A commercially available USB cable and/or terminal adaptor may be used to connect to equipment with a USB Type-C port. When connected via USB2.0. maximum image resolution is HD (720p) and maximum frame rate is 30p.

xxxix Sony’s Creator’s Cloud platform brings the latest camera technology together with cloud AI technology to support the entire creator workflow, from shooting to production. Availability timing of services will vary by region and country.

xxxx Recycled material may not be available depending on the time of production.

xxxxi Not including materials used in coatings and adhesives. Natural non-woven fabric may not be available during some production periods.

xxxxii The initial shipping setting is English and can be changed to 10 different languages in the menu.

Canon EOS R5 C firmware update version 1.0.3.1 is available for download.

Firmware Version 1.0.3.1 incorporates the following fixes and enhancements:

1. Improves the image quality of Canon Log 3 when shooting in XF-AVC or MP4 formats.

Get the Canon EOS R5 C at B&H.

From Canon Inc.:

Canon celebrates 20th consecutive year of No. 1 share of global interchangeable-lens digital camera market

TOKYO, March 28, 2023—Canon Inc. announced today that the company's interchangeable-lens digital cameras (digital SLR and mirrorless cameras) have maintained the No. 1 share of the global market for 20 consecutive years¹ from 2003 to 2022.

Canon develops the key imaging system components featured in its EOS series of digital interchangeable-lens cameras—CMOS image sensors, image processors and interchangeable lenses—under the core concept of, "Speed, Comfort and High Image Quality." Putting together a wide-ranging product lineup—from high-performance flagship models that are highly trusted by professionals to entry-level models that allow users to enjoy high-image-quality shooting with easy operation, as well as a rich selection of RF and EF series lenses that make possible a wealth of creative expression—Canon continues to support the diverse needs of customers.

During the dawn of digital SLR cameras, Canon introduced its breakthrough EOS Kiss Digital (EOS Digital Rebel or EOS 300D in other regions) in September 2003. This groundbreaking camera, which was competitively priced and featured a compact, lightweight design, became the engine for growth in the digital SLR market, capturing the top share of the global market and heralding the age of digital SLR cameras. Since that time, Canon has continued to launch a range of groundbreaking products, including the professional-model EOS-1D series and the EOS 5D series, which paved the way for digital SLR video recording. Canon's desire to further expand the boundaries of visual expression led to its next-generation EOS R System, launched in October 2018, that includes the EOS R5—the first camera to feature 8K video recording²—released in July 2020 and the EOS R3 in November 2021, which features tracking of fast-moving subjects and continuous shooting performance. In addition, Canon launched the EOS VR System, designed to record video for virtual reality content, in December 2021.

In 2022, Canon announced the EOS R7 (released in June 2022) and EOS R10 (released in July 2022) the first APS-C size models in the EOS R Series, and the EOS R6 Mark II full-frame camera (released in December 2022) that features advanced AF functionality and superb video capabilities, alongside six new RF lenses³. While further expanding its lineup Canon managed to secure the No. 1 share of the global market for the 20th consecutive year.

Canon will continue to refine its proprietary imaging technologies while further strengthening and expanding the EOS series of cameras and RF/EF series of lenses, opening up new avenues of image capture to meet the needs of increasingly diverse users and to promote the spread of photo and video culture.¹ Based on a Canon survey.
² Among digital interchangeable-lens cameras released prior to July 8, 2020.
³ In 2022, Canon released the following six digital interchangeable lenses: RF800mm F5.6 L IS USM (May), RF1200mm F8 L IS USM (May), RF-S18-45mm F4.5-6.3 IS STM (June), RF-S18-150mm F3.5-6.3 IS STM (June), RF24mm F1.8 MACRO IS STM (August), RF15-30mm F4.5-6.3 IS STM (August).

20th anniversary retrospective video (Some product names vary depending on region)

EOS Digital Rebel version:

EOS 300D Version:

Image quality, vignetting, flare, and distortion test results from the Canon EOS R7 are now available on the Canon RF-S 55-210mm F5-7.1 IS STM Lens page.

Support this site by ordering the Canon RF-S 55-210mm F5-7.1 IS STM Lens from B&H | Canon USA | WEX

Just posted: Canon RF 24-50mm F4.5-6.3 IS STM Lens Review

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Support this site by ordering the Canon RF 24-50mm F4.5-6.3 IS STM Lens from B&H | Canon USA | Amazon (all available countries) | WEX

Rent the Canon RF 24-50mm F4.5-6.3 IS STM Lens from Lensrentals.

"Capture One 23 (16.1.2) is a service release containing multiple bug fixes and improvements, along with feature updates to Capture One Live. Plus additions to both camera and lens support."

Get the full details of this update in the release notes.

New Cameras Supported

Canon EOS R8
Canon EOS R50

New Lenses Supported

Canon RF 15-30mm F4.5-6.3 IS STM Lens
Canon RF 100-400mm F5.6-8 IS USM Lens
Canon RF 16mm F2.8 STM Lens
Canon RF 24mm F1.8 Macro IS STM Lens
Canon RF 135mm F1.8 L IS USM Lens
Canon RF-S 18-150mm F3.5-6.3 IS STM Lens
Sigma 50mm F1.4 DG DN Art Lens

Get Capture One 23 at B&H.

Image quality, vignetting, flare, and distortion test results, along with specs measurements, are now available on the Canon RF 24-50mm F4.5-6.3 IS STM Lens Review.

Check out the performance of this tiny, lightweight, affordable lens.

Please share!

The RF 24-50's estimated ship date is Tue, Apr 18 per B&H and Canon.

Support this site by ordering the Canon RF 24-50mm F4.5-6.3 IS STM Lens from B&H | Canon USA | Amazon (all available countries) | WEX

Rent the Canon RF 24-50mm F4.5-6.3 IS STM Lens from Lensrentals.

From DxO:

DxO PureRAW 3, the groundbreaking RAW photo enhancement software, gives photographers incredible image quality thanks to DeepPRIME XD

Together with innovative DeepPRIME XD — eXtreme Detail — denoising technology, this major new version of DxO’s award-winning RAW processing software delivers greater control without reducing the‘one-click’ functionality that users love. It also features pivotal upgrades to the user interface, making workflow even smoother.

Paris (France): DxO Labs, the company which kick-started modern RAW processing and lens correction, today announces the immediate availability of DxO PureRAW 3, its revolutionary RAW enhancement software. PureRAW 3 optimizes the quality of any RAW image by eliminating noise, improving color, enhancing detail and correcting lens flaws. DxO PureRAW 3 now features DxO’s latest artificial intelligence technology, DeepPRIME XD, delivering industry-leading noise reduction and RAW image enhancement; greater control over which corrections are applied through DxO’s renowned Optics Modules; and user interface modifications that offer improved integration with every photographer’s workflow.

DxO DeepPRIME technology gets even better — and for Fujifilm photographers, too! DxO PureRAW set the standard for noise reduction and image improvements – but the introduction of DeepPRIME XD pushes performance even further. By using a larger neural network than regular DeepPRIME, DeepPRIME XD delivers greater levels of detail, improved color accuracy, and smoother, noise-free bokeh when shooting at even the highest ISO levels.

With DeepPRIME XD, photographers report improvements of more than 2.5 stops in noise performance. For example, images shot at ISO 4000 more closely resemble those captured at ISO 500 in terms of noise, color, and clarity.

Because noise reduction is performed as part of the RAW conversion process, DeepPRIME XD can also improve the dynamic range of an image, giving photographers greater flexibility when shooting in challenging situations where light is limited. The original DeepPRIME mode remains part of DxO PureRAW 3 for images that demand less enhancement or where faster performance is required.

“DeepPRIME almost surprised us when we first saw the results,” explains DxO’s VP of Marketing and Product Strategy, Jean-Marc Alexia. “We quickly realized that a larger neural network could boost performance, and that’s what we’ve delivered with DeepPRIME XD. This technology pushes the boundaries even further, and DxO PureRAW 3 will revolutionize any photographer’s images — and without disrupting their existing workflow.”

Until today, DeepPRIME XD did not process RAW files from cameras with an X-Trans sensor. However, with DxO PureRAW 3, Fujifilm X Series photographers will be delighted to learn that their cameras are supported, a development reflected in DxO PhotoLab 6.4, also released today. As a result, X-Trans images can undergo incredible noise reduction, remarkable detail enhancement, and the restoration of accurate colors, especially when shooting at high ISO levels.

Power is nothing without control

As well as greater performance, DxO PureRAW 3 gives photographers a new level of control. The software’s updated interface now offers options for levels of lens softness correction, as well as the ability to toggle vignetting and chromatic aberration corrections. Furthermore, photographers can access the whole image area captured by the sensor, avoiding the crop enforced by other software when correcting deformations.

Interface improvements for a smoother workflow

DxO PureRAW 3 also introduces a number of improvements when it comes to workflow. Users can create multiple queues when batch processing large numbers of files, with the option to edit, re-order, and prioritize both images and queue lists while processing is underway. In addition, photographers can now choose to export files in TIFF format, alongside the existing JPEG and Linear DNG options.

Try DxO PureRAW 3 for free at DxO Software.