Canon and Sony News and What's New (Excluding Deals) (Page 24)

Just posted: Sigma 23mm F1.4 DC DN Contemporary Lens Review.

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From Canon USA:

Cadabra is a curated photography marketplace from Canon U.S.A., Inc. that offers a selection of digital art (NFTs) from innovative creators. The Cadabra marketplace aims to empower creators by connecting them to enthusiastic collectors who celebrate the art of photography through a shared appreciation for these digital artworks.

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Just posted: Sigma 50mm F2 DG DN Contemporary Lens Review

This is another great little Sigma I Series lens. I hope to add a selection of sample images to this review soon.

Support this site by ordering the Sigma 50mm F2 DG DN Contemporary Lens from B&H | WEX

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From Sony Electronics:

Sony Electronics Launches New SDK Version Taking Remote Shooting and Camera Integration to the Next Level

Sony’s new Camera Remote SDK version introduces faster processing speed and enhanced function support as well as extending compatibility to the ZV-E1

SAN DIEGO, CA. April 12, 2023 – Sony Electronics announces the launch of a new version (Version 1.08) of the Camera Remote Software Development Kit (SDK) that enables remote operation and setting changes of Sony cameras. Version 1.08 widens the range of potential applications with new features, as well as expanding the compatible models. Version 1.08 means the SDK can be used with the ZV-E1 full-frame interchangeable lens camera, announced on March 29, 2023.

“With each SDK release, we are integrating learnings from customers and expanding the functionality and magnitude of applications and capabilities,” says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “The updated SDK allows our cameras to be used in more industrial and B2B applications, ranging from photogrammetry or medical companies, to inspection, and e-Commerce. We are excited for professional clients to have the ability to explore new functionalities.”

Key new features include:

• Improved processing speed: In repetitive shooting scenarios, the processing speed for setting, shooting, and transferring files is reduced by approximately 20%i, improving workflow efficiency. This will be perfect for e-Commerce applications, where users need to take 360 degree continuous pictures of an object or model for web publishing, with quick turnaround times. Capturing more frames in a shorter time also means that battery life is optimized, which is particularly important for drone applications such as mapping or surveying.
• Added support for shutter trigger by electrical signal and remote power on/offii. In photogrammetry, photobooths or even road traffic management, an electrical signal improves the accuracy for triggering image capture, opposed to a software-based trigger.
• New remote settings support: Version 1.08 supports remote menu settings for video, including picture profile settings and timecode (TC)/user bit (UB) settingsiii. This will create an enhanced workflow for video making and widen possibilities for existing photo-based applications.
• “Overheating warning” status notification: This function allows the camera to notify remote users of any significant increase in temperatureiv. In outdoor applications such as desert roads or systems where the camera is embedded in a wider computer infrastructure with high heat due to processing, users will be able to monitor the cameras more precisely.

With this SDK release, software developers can design bespoke applications tailored to business requirements, integrating Sony’s equipment for size-critical drone and speed camera systems, as well as other medical, education, government, and e-commerce applications. This SDK will continue to be available free of charge. The Camera Remote SDK can be used to control several cameras in the Sony camera range including Cinema Line cameras, with the full list of compatible cameras available here.

For details and download of the Camera Remote SDK, please refer to the following URL: Camera Remote SDK | SONY

Notes:

i When compared with the combination of a1 and Camera Remote SDK Version 1.07. According to Sony measurement conditions. Compatible models: ZV-E1, a7R V, and a7 IV, when using their latest available software update.

ii Compatible model: ZV-E1. To use the extended interface function, users must configure and connect through another device. Please refer to the API reference for details.

iii Compatible models: ZV-E1, a7R V, a7 IV when using the latest software update

iv Compatible models: ZV-E1, a1, a9 II, a7R V, a7R IV, a7S III, a7 IV, a7C, FX3, FX30, DSC-RX0M2

From Sony Electronics:

Sony Electronics Announces New Firmware Update for FX3 & FX30

The new firmware enables the cameras to shoot DCI 4K in true 24 fps, adds anamorphic lens desqueeze and breathing compensation to bring unified operability and common workflow to the Cinema Line

SAN DIEGO, CA –Today, Sony Electronics announced new firmware updates for the FX3 full-frame digital cinema camera and the FX30 Super 35 digital cinema camera, enhancing their features for cinematic storytelling and connectivity for film creators. Since its launch, the FX3 has become a popular tool for everyone from high-end feature films, television series and independent filmmakers around the world. Now, after feedback from the community, Sony is pleased to offer new updates to enhance high-end filmmaking. FX3 Version 3.00 and FX30 Version 2.00 include highly requested features such as the ability to shoot DCI 4K in true 24.00p (4096 x 2160)ii with new format XAVC S-I DCI 4K (17:9).

"The FX3 is a great companion to the VENICE in the filmmaking adventure. Its color rendering and accuracy equals its bigger sibling, the VENICE. I have used the FX3 on my last several shows and always find myself excited and pleasantly surprised. I’m looking forward to seeing what else it can do,” says Emmy award-winning cinematographer Checco Varese ASC.

In addition to true 24p, FX3 Version 3.00 and FX30 Version 2.00 now offer anamorphic lens desqueeze options of 1.3x and 2.0x while FX3 Version 3.00 now features focus breathing compensation. When used with compatible lenses iii, focus breathing compensation minimizes the shifts in the angle-of-view as the focus point shifts, with additional compensation available in post-production using Catalyst Prepare/Browse and the Catalyst Prepare Plugin. Other functionality has also been added to improve the camera’s ease of use, including the ability to switch from Standard Movie and S&Q Motion modes via the press of a button. File naming is now similar to our high-end CineAlta cameras such as the FX9, VENICE and VENICE 2, to ensure easy workflow, especially in projects where the FX3/FX30 is used as a B- or C-cam iv.

The new firmware update also features smartphone connection and integrates with Sony’s new Creators’ Cloudv platform for individual content creators. Creators’ Cloud provides services and optimized applications from shooting to collaborating with creators around the world. This Creators' Cloud platform also includes Creators’ App, a content transfer mobile application from camera to cloud.

Pricing and Availability

The new FX3 Version 3.00 and FX30 Version 2.00 update will be available on April 11, 2023, at 9pm PT. Filmmakers can easily download the update directly to their camera using a PC or Mac. More details can be found HERE.

About Cinema Line

Cinema Line is a series of cameras that have a cinematic look – cultivated from Sony’s long experience in digital cinema production – plus enhanced operability and reliability that respond to the wide variety of creators’ high demands.

Cinema Line includes Sony’s flagship digital cinema camera VENICE, which has been used on over 500 feature films, television and commercials, including three of the top grossing feature films in the world in 2022. The Cinema Line includes the professional camera FX9, which is popular for documentary and drama production and the FX6, for grab and shoot action and content creation. With the addition of the FX3 and FX30, the most compact cameras in the series, Sony offers a true line up of versatile creative tools for all types of visual storytellers.

Notes:

i When de-squeeze is active, autofocus and image stabilization are disabled. This function cannot be assigned to a custom button or Fn menu. ii At 24.00p, proxy recording is disabled. When 24.00p is selected or deselected, the camera will automatically restart.

iii Compatible lenses are listed at: https://support.d-imaging.sony.co.jp/support/ilc/breathing/en/ Angle of view and imager quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses. This function is not available when shooting movies at 120p, when using the S&Q mode at 120p or when shooting stills.

iv The file name of the recorded movie becomes "Camera ID+Reel number+Cameraposition+File number+Date+Random” string.

v Availability will vary by timing, countries and regions. The service will be updated regularly.

Just posted: Sigma 17mm F4 DG DN Contemporary Lens Review

Again, this is a sweet little lens. I hope to add a selection of sample images to this review soon.

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The Canon EOS R8 and Canon EOS R6 Mark II have the same imaging sensor, the same processor, and the same image quality. Otherwise, these two cameras have some significant differences.

Here are the Canon EOS R6 Mark II advantages over the R8:

• IBIS (In-Body Image Stabilization)
• Has dual memory card slots vs. 1
• Has full mechanical shutter
• 0.5" (12.7mm) vs. 0.39" (9.9mm) OLED color EVF, 3.69 Million dots vs. 2.36, 0.76x vs. 0.70x magnification
• Has a customizable DOF Preview button on the front
• Has Anti-smudge on the LCD
• X-Sync 1/250 vs. 1/200 with electronic 1st curtain
• 12 fps continuous shooting vs. 6 fps with electronic 1st curtain
• At 40 fps (full electronic shutter), 75 image RAW buffer vs. 56
• Movie recording length up to 6 hours vs. 2 hours.
• LP-E6NH Li-ion Battery vs. LP-E17, 760 shots with LCD vs. 370
• Has battery grip available
• Has a joystick and rear control dial
• Has a rate button
• Has 3 custom modes vs. 2

The EOS R8 has some advantages:

• Full electronic shutter supports exposures up to 30 seconds vs. 0.5 sec.
• Smaller: 5.22 x 3.39 x 2.76" vs. 5.45 x 3.87 x 3.48" (132.5 x 86.1 x 70.0mm vs. 138.4 x 98.4 x 88.4mm)
• Lighter: 16.3 oz vs.23.6 0z (461g vs. 670g)
• At review time, $1,000 USD less expensive

You may also find the full EOS R8 vs. EOS R6 Mark II specification comparison and the visual comparison helpful.

While the R6 II is clearly the superior camera, the R8 earns a place in many kits by delivering the same image quality at a far lower price and by having a smaller size and lighter weight.

Customer Feedback Drives New Firmware Updates for Canon Cinema EOS Camera Lineup

Auto Focus Improvements and Improved Operability Lead the Charge in Adding Value to EOS R5 C, EOS C70 and EOS C500 Mark II/EOS C300 Mark III Cameras

MELVILLE, NY, April 4, 2023 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today firmware updates to the Cinema EOS Camera lineup, which includes the EOS R5 C, EOS C70, EOS C500 Mark II, and EOS C300 Mark III. Putting customer needs first, Canon is rolling out a variety of updates that help with auto focus, support for new cinema lenses, and improved operability.

For the hybrid video and still photography content creator, the EOS R5 C firmware updates include:

• Improved AF performance when Face Detection AF is enabled, adding the ability to select a face with an RF Lens’ Control Ring or the camera’s Control Dial. Improved Head Detection allows the EOS R5 C to detect a subject’s head, even when the subject is looking backwards. The AF frame also changes size based on the subject detected during tracking. This update is also available for the EOS C70 camera.
• Power Save Mode improvements extend recording time by approximately 30% in 4K/60p¹.
• Enhanced Clear Scan in Shutter Mode menu reduces potential flicker during LED wall usage.
• For usage with Canon’s Dual Fisheye Lens, the ability to switch from left to right lens during VR recording when using Magnify and enabled 2x magnification when recording in 8K.
• Reduced switching time between photo and video mode – approximately 40% faster from Photo to Video and 70% faster from Video to Photo.

Expanding the operational convenience and versatility that comes with the EOS C70, EOS C500 Mark II, and EOS C300 Mark III firmware updates include:

• The EOS C70 camera will support added lenses expanding to CINE-SERVO 15-120mm lens and the newly launched Flex Zoom 14-35mm.
• The EOS C500 Mark II/EOS C300 Mark III cameras will support the Flex Zoom 20-50mm lens.
• Enhanced Clear Scan Shutter Mode reduces potential flicker during LED wall usage.
• Ability to change the on-screen Wave Form Monitor’s size (x2) and opacity by touch or through the camera’s menu.

¹ Main Resolution/Bitrate: XF-AVC 4096x2160 Intra-frame, Frame Rate: 59.94P, Battery: LP-E6NH, Lens: RF50?F1.2 L USM

Note that these firmware updates are coming soon.

From Canon:

Canon Expands Flex Zoom Series Cinema Lens Lineup

New Super 35mm Sensor Compatible Lenses Provide Cinema Style Operability and Flexibility Enabling High-Quality Video Production

MELVILLE, N.Y., April 4, 2023 – Canon U.S.A. Inc., a leader in digital imaging solutions, announced today the launch of two additions to the company’s 8K Flex Zoom Cinema Lens Series—the CN-E14-35mm T1.7 and the CN-E31.5-95mm T1.7 Super 35mm format lenses. The company also announced four new relay kits—the RL-S1 and RL-S2 (for Super 35mm) and the RL-F1 and RL-F2 (for full-frame). The kits adapt each Flex Zoom lens to suit whatever sensor format is required.

The Canon Flex Zoom lens series was first introduced in 2022 to support full-frame digital cinema cameras. Today, the CN-E14-35mm T1.7 and CN-E31.5-95mm T1.7 expand the Flex Zoom series to include support for Super 35mm cinema cameras. The new lenses, available in interchangeable EF and PL mounts, help produce video with beautiful and natural background blur that is desired by many end-users.

Designed for the pursuit of cinematic beauty, the new lenses achieve superb 8K optical performance while maintaining the style and ease-of-use of Canon’s Cinema lens series. Ideal for shooting movies, television dramas, commercials, and a wide range of other video content, the lenses maintain a bright T1.7 aperture¹ across their zoom ranges, enabling operators to create powerful, shallow depth-of-field shots.

The Canon Flex Zoom lenses are designed with “flexibility” in mind. Each Flex Zoom, by virtue of their relay kits, can be adapted for Super 35mm or full-frame sensors as needed to support the ever-changing requirements of film productions for both popular sensor formats.

The use of the relay kits provides an added level of versatility and value to a customer’s Flex Zoom lens.

Pricing and Availability

The Canon CN-E14-35mm T1.7 L S/SP and the Canon CN-E31.5-95mm T1.7 L S/SP are scheduled to be available in late June 2023 and late October 2023, respectively, for an estimated retail price of $21,999.00*.

The Canon RL-S1 and RL-F1 and Canon RL-S2 and RL-F2 are scheduled to be available in late June 2023 and late October 2023, respectively, for an estimated retail price of $4,999.00*.

Get the Canon CN-E Flex Zoom 14-35mm and 31.5-95mm T1.7 Lens Super35 Cinema EOS Lenses at B&H.

¹The f-number of a lens refers to the level of brightness calculated based on focal length and lens aperture. The t-number, more commonly used to describe the brightness of cinema lenses, incorporates a lens’ f-number along with the measure of light transmission.

* Specifications, availability, and prices are subject to change without notice.

From Canon:

Canon Extends Paid Add-On Applications Availability to CR-N300, CR-N500, and CR-X300 4K PTZ Cameras Via a Firmware Update

MELVILLE, N.Y., April 4, 2023 – Canon U.S.A. Inc., a leader in digital imaging solutions, today announced that the “Add-On Applications System” for PTZ (Pan-Tilt-Zoom) remote cameras will be available for the CR-N300, CR-N500, and CR-X300. Available through a future firmware update, the Add-On Applications System will provide access to new paid video production features such as auto tracking and auto loop. The auto tracking application will give users the ability to automatically pan, tilt, and zoom to track moving subjects, and the auto loop application will allow users to program and automate repeated camera movements.

These paid add-on applications uniquely position Canon in the PTZ market as the applications run from within the camera itself, instead of other solutions in the market requiring external devices to operate functions like auto tracking. With the addition of the Add-On Applications System, customers can now directly add the new capabilities to the PTZ camera, providing a better value for end-users.

Auto Tracking Add-On Application

The auto tracking paid add-on application enables automatic tracking according to a subject’s movements. As the subject moves, the camera will pan, tilt, and zoom to maintain the subject’s composition in the frame. This added function helps to reduce the camera operator’s workload, letting them focus on other tasks such as camera switching and streaming, and allows for multi-camera shoots with fewer people on set.

The auto tracking is highly responsive, allowing for full body, upper body, and head and torso tracking at both slow and normal walking speeds, and full body and upper body tracking at fast walking speed. In addition, the auto tracking application provides users with a wide range of adjustment functions such as composition, tracking sensitivity, priority display area, fixed viewing angle area, tracking target auto select, pan/tilt halting area, initial position, auto select exclusion, and pan/tilt operation control.

The new auto tracking add-on application is ideal for end-users in markets such as house of worship and corporate event streaming, educational workshops and lectures, and broadcast and corporate interviews.

Auto Loop Add-On Application

The auto loop paid add-on application helps automate repeated camera movements, potentially lessening the burden on camera operators. Camera operators will now have the flexibility to select between two repeated movements, loop or back-and-forth, based on needs and the shooting environment. It also provides the ability to enable smooth acceleration and deceleration when starting and stopping movement between two preset positions for more professional camera movements. For added convenience, camera operators can adjust settings such as position, route, preview, and start from one screen.

The new auto loop add-on application is ideal for consistent smooth on-air movements for end-users in markets such as house of worship and corporate event streaming, broadcast and over-the-top (OTT) sports and interview streaming, and commercial production.

Additional Firmware Features

In addition to adding the “Add-On Application System” to the cameras, the firmware update for each camera will also provide several additional features and improvements that shows Canon’s commitment to the professional video market. Among the improvements is the addition of SRT and FreeD protocol support to the CR-X300 camera.

Pricing and Availability

The Firmware Update for all three PTZ cameras to add the “Add-On Applications System” is scheduled to be available in July 2023. The paid Auto Tracking Application is scheduled to be available in August 2023 for the CR-N300 and CR-N500 for $1200.00*. The paid Auto Loop Tracking Application is scheduled to be available in August 2023 for the CR-N300 and CR-N500, and CR-X300 for $800.00*.

Get the Canon PTX camera firmware updates at B&H.

*Specifications, availability and prices are subject to change without notice. Both paid add-on applications will be available for a free, no commitment 30-day trial.

From Canon:

Canon Developing World’s First Ultra-High-Sensitivity ILC Equipped With SPAD Sensor, Supporting Precise Monitoring Through Clear Color Image Capture of Subjects Several Miles Away, Even In Darkness

MELVILLE, N.Y., April 4, 2023 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced that its parent company, Canon Inc., is developing the MS-500, the world’s first1 ultra-high-sensitivity interchangeable-lens camera (ILC) equipped with a 1.0 inch Single Photon Avalanche Diode (SPAD) sensor2 featuring the world’s highest pixel count of 3.2 megapixels3. The camera leverages special characteristics of SPAD sensors to achieve superb low-light performance while also utilizing broadcast lenses (sold separately) that feature high performance at telephoto-range focal lengths. Thanks to such advantages, the MS-500 camera is expected to be ideal for such applications as high-precision monitoring.

There is a growing need for high-precision monitoring systems in such environments as national borders, seaports, airports, train stations, power plants, and other key infrastructure facilities, in order to quickly identify targets even under adverse conditions including darkness in which human eyes cannot see, and from long distances.

The currently in-development MS-500 camera is equipped with a 1.0 inch SPAD sensor that helps reduce noise, making it possible to produce clear, full-color HD imaging even in extreme low-light environments. When paired with Canon’s extensive range of broadcast lenses, which excel at super-telephoto image capture, the camera is capable of accurately capturing subjects with precision in extreme low-light environments, even from great distances. For example, the camera may be used for nighttime monitoring of seaports, thanks to its ability to spot vessels that are several miles away, thus enabling identification and high-precision monitoring of vessels in or around the seaport.

With CMOS sensors, which are commonly used in conventional modern digital cameras, each pixel measures the amount of light that reaches the pixel within a given time. However, the readout of the accumulated electronic charge contains electronic noise, which may diminish image quality, due to the process by which accumulated light is measured. This could lead to degradation of the resulting image, particularly when used in low-light environments. SPAD sensors employ a technology known as “photon counting” in which light particles (photons) that enter each individual pixel are counted. When even a single photon enters a pixel it is instantly amplified approximately 1 million times and output as an electrical signal. Every single one of these photons can be digitally counted, thus making possible zero-noise during signal readout—a key advantage of SPAD sensors4. Because of this technological advantage, the MS-500 camera will be able to operate even under nighttime environments with no ambient starlight5, and will also be capable of accurately detecting subjects with minimal illumination and capture clear color images.

The MS-500 camera employs the bayonet lens mount (based on BTA S-1005B standards) which is widely used in the broadcast lens industry. This enables the camera to be used with Canon’s extensive range of broadcast lenses, which feature superb optical performance. As a result, the camera will be able to recognize and capture subjects that are several miles away.

Going forward, Canon will continue to pursue R&D and work to create products that could surpass the ability of the human eye and contribute to the safety and security of society. Canon has a long history of comprehensive imaging — optical, sensor, image processing and image analysis — technologies.

Canon plans to begin selling the MS-500 in 2023*.

The Canon MS-500 camera will be displayed as a reference exhibit at the Canon booth during the 2023 NAB Show for broadcast and filmmaking equipment, to be held in Las Vegas from Sunday, April 16 to Wednesday, April 19.

1 Among color cameras. As of April 2, 2023. Based on Canon research.
2 Among SPAD sensors for imaging use. As of April 2, 2023. Based on Canon research.
3 Total pixel count: 3.2 million pixels. Effective pixel count: 2.1 million pixels.
4 For more information on how SPAD sensors operate and how they differ from CMOS sensors, please visit the following website: https://global.canon/en/technology/spad-sensor-2021.html
5 Ambient starlight is equivalent to approximately 0.02 lux. A nighttime environment with no ambient starlight is equivalent to approximately 0.007 lux.
* Specifications and availability are subject to change without notice.

Image quality, vignetting, flare, and distortion test results, along with specs and standard product images, are now available on the Sigma 17mm F4 DG DN Contemporary Lens page.

This is a sweet little lens.

Please share!

Support this site by ordering the Sigma 17mm F4 DG DN Contemporary Lens from B&H

Image quality, vignetting, flare, and distortion test results, along with specs and standard product images, are now available on the Sigma 23mm F1.4 DC DN Contemporary Lens page.

Sigma recently promised to announce some unique lenses, and this lens is one of them. A 23mm lens? The Sigma 23mm F1.4 DC DN C Lens covers the APS-C image circle, and a 23mm on a Sony APS-C format camera provides a 34.5mm full-frame-equivalent angle of view (23mm x 1.5), and 34.5mm rounds to the 35mm angle of view that everyone loves.

This lens is a great addition to the Sigma F1.4 DC DN Contemporary Lens series.

Compared to the Sigma 16mm F1.4 DC DN Contemporary Lens

Compared to the Sigma 30mm F1.4 DC DN Contemporary Lens

Compared to the Sigma 56mm F1.4 DC DN Contemporary Lens

Order the Sigma 23mm F1.4 DC DN Contemporary Lens from B&H

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Image quality, vignetting, flare, and distortion test results, along with specs and standard product images, are now available on the Sigma 50mm F2 DG DN Contemporary Lens page.

I expect that you will like this lens.

Compared to the Sigma 50mm F1.4 DG DN Art Lens

Compared to the Sigma 65mm F2 DG DN Contemporary Lens

Compared to the Sony FE 50mm F2.5 G Lens

Support this site by ordering the Sigma 50mm F2 DG DN Contemporary Lens from B&H

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From SIGMA Corporation of America

SIGMA Releases New "I series" Lenses, Adding Ultra-Wide and Classic Prime Focal Lengths to the Compact, All-Metal Lineup

Ronkonkoma, NY – April 3, 2023 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce two new prime lenses in the Contemporary line, designed exclusively for mirrorlesss camera systems.

The SIGMA 17mm F4 DG DN | Contemporary ($599 US MSRP through authorized retailers) and the SIGMA 50mm F2 DG DN | Contemporary ($639 US MSRP through authorized retailers) are stylish "I Series" full-frame lenses featuring all-metal barrels. These two lenses are offered in Sony E-Mount and Leica L-Mount. Both lenses will be available through authorized retailers in late April 2023.

The SIGMA 17mm F4 DG DN | Contemporary delivers supreme compactness in the widest "I series" lens to date. This super-compact, ultra wide-angle lens weighs just 225g (L-Mount), with a length of 48.8mm, and is designed specifically for full-frame mirrorless systems. It is an exceptional lens in terms of angle of view, optical performance, and build quality, with a design inspired by SIGMA CINE lenses. As an I series lens, it features a metal barrel with knurled focus ring, aperture ring and lens hood. Both metal magnetic and snap-on lens caps are provided.

By shortening the overall length of the lens and making changes to the focus configuration, the 17mm F4 DG DN | Contemporary lens is capable of focusing as close as 12cm with an impressive magnification ratio of 1:3.6, allowing for unique close-up photographs with expansive backgrounds, making it particularly appealing to vloggers, hikers, landscape photographers and more. A stepping motor offers swift, precise AF for both still and video applications.

The SIGMA 50mm F2 DG DN | Contemporary adds the classic standard prime lens focal length to the I series. This is the fifth F2 I series lens to date, joining the 20mm, 24mm, 35mm and 65mm lenses. All F2 I series lenses feature an arc-type AF/MF switch and a stylized ring on the all-metal barrel. This DG DN lens is designed specifically for full-frame mirrorless systems and is offered in Sony E-mount and Leica L-Mount versions.

Learn More

Sigma 17mm F4 DG DN Contemporary Lens
Sigma 50mm F2 DG DN Contemporary Lens

Orders

Support this site by ordering the Sigma 17mm F4 DG DN Contemporary Lens from B&H

Order the Sigma 50mm F2 DG DN Contemporary Lens from B&H

Exclusively designed for full-frame mirrorless cameras

C | Contemporary

SIGMA 17mm F4 DG DN

Ultra-wide in sight. Tiny in size.

• "Ultra-wide-angle lens" that matches the optical performance standards set by the SIGMA Contemporary line of lenses.
• Expanding the I series lineup. "Creating pictures that are beyond beautiful".
• Exceptional I series build quality with a compact form-factor

Supplied accessories: Magnetic metal lens cap (LCF55-01M), Petal Type Hood (LH576-03), Front Cap (LCF-55 II), Rear Cap (LCR II)

Available mounts: L-Mount, Sony E-mount

* The appearance and specifications of the products are subject to change.

* Sony E-mount lenses are developed, manufactured and sold in accordance with the E-mount specifications licensed under a license agreement with Sony Corporation.

* L-Mount is a registered trademark of Leica Camera AG.

#SIGMA #SIGMA17mmF4Contemporary #SIGMAContemporary #SIGMAContemporaryPrime #SIGMADGDN #Iseries #SIGMAIseries

Compact, lightweight and high-performance ultra-wide-angle 17mm lens with an impressive minimum focusing distance. Now available as a "Premium Compact Prime" I series lens.

"Compact, lightweight and high-performance ultra-wide-angle lens". Using the latest technology, the 17mm has been created without compromise, despite this challenging design concept. Its wide-angle of view creates impactful landscape images with a unique perspective and, thanks to its minimum close focusing distance of 12cm, the lens can be enjoyed in a variety of alternative ways, including close-up photography and handheld selfies.

The optical design has been created exclusively for mirrorless camera systems, which helps reduce lens flare and ghosting that results in excellent image rendering. The all-metal lens barrel highlights SIGMA's craftsmanship and attention to detail, making the SIGMA 17mm F4 DG DN | Contemporary a pleasure to use on every shoot.

[Key Features]

1. "Ultra-wide-angle lens" that matches the optical performance standards set by the SIGMA Contemporary line of lenses.

The lens construction consists of two SLD glass elements and three aspherical lens elements. Aspherical lenses are used for both the front and rear optics. This not only keeps the size of the lens compact but also helps with correcting lens aberrations. As a result, the lens features a 55mm filter thread (which is smaller than comparable lenses of similar focal lengths) which makes it easy to change filters between SIGMA I series lenses that share the same filter size.* Its construction also helps minimize flare and ghosting that is commonly found in ultra-wide-angle lenses, creating clear images in any environment. This is a lens with truly modern performance, thanks to the advanced processing and production technologies at SIGMA's only production facility in Aizu.

*In addition to the 17mm F4 DG DN | Contemporary, I series lenses with a 55mm filter thread include the 24mm F3.5 DG DN | Contemporary, 45mm F2.8 DG DN | Contemporary, and 90mm F2.8 DG DN | Contemporary (as of April 2023).

A highlight of using the 17mm is the impressive minimum focusing distance of 12cm. Capture close-up macro style images in remarkable detail with expansive backgrounds. It is also suitable for selfies and vlogging, where items need to be shown at an arms-reach. A quiet, high-speed stepping motor drives the AF delivering fast and accurate results in both stills and video.

2. Beyond "beautiful pictures" – the value provided by the SIGMA's I series

The SIGMA I series features full-frame compatible lenses that offer new value to mirrorless systems. The combination of superb optical performance with a level of compactness that is perfectly suited to smaller and lighter modern mirrorless cameras will bring you new opportunities for a perfect shot. SIGMA is aware that in today's world we have a wide range of camera choices, especially with the increase in mobile phone ownership. But with many photographers looking for something more than something that simply captures images when they choose to own a camera and lens, I series lenses offer the ultimate combination of superb optical performance, outstanding usability and compact form-factor. SIGMA's excellence in development and production technologies has been built up since our founding in 1961 and became increasingly sophisticated with the introduction of the SIGMA Global Vision brand in 2012. With this as a base, SIGMA has given careful thought to the quality of the products, the feeling of using it and the pleasure of owning it. This is how the I series was born.

3. Exceptional I series build quality with a compact form-factor

All I series lenses have an all-metal construction. The precision-cut aluminum parts not only give the barrel a sleek, stylish finish, but provide superb durability that improves the quality of the entire product. Metal materials are also used in internal structures that slide with the operation ring for added robustness. These high-precision components crafted with SIGMA's cutting-edge metalworking technology are also used in SIGMA's CINE LENS line-up for professional cinematographers and provide a tactile, ergonomic feel that make the lens a pleasure to use. What is more with the I series is that this high build quality is condensed into a palm-sized lens body. The SIGMA 17mm F4 DG DN | Contemporary is one of the smallest in the series. Combine with multiple I series lenses to create a remarkably compact shooting system that is lightweight and small in size.

[Additional Features]

• Lens construction: 9 elements in 8 groups with 2 SLD and 3 aspherical lens elements
• Inner focus system
• Compatible with high-speed autofocus
• Stepping Motor
• Compatible with Lens Aberration Correction
  *Function available on supported cameras only. Available corrections may vary depending on the camera model.
• Support DMF and AF+MF
• Compatible with AF assist (Sony E-mount only)
• Super Multi-Layer Coating
• Aperture ring
• Focus Mode Switch
• Petal Type Hood (LH576-03)
• Magnetic metal lens cap (LCF55-01M)
• Mount with dust and splash resistant structure
• Support for switching between linear and non-linear focus ring settings (for L-Mount only)
• Compatible with SIGMA USB DOCK UD-11 (sold separately / for L-Mount only)
• Designed to minimize flare and ghosting
• Every single lens undergoes SIGMA's proprietary MTF measuring system
• 7-blade rounded diaphragm
• High-precision, durable brass bayonet mount
• "Made in Japan" craftsmanship

[Key Specifications]

The figures below are for the L-Mount version:

Lens Construction: 9 elements in 8 groups (2 SLD and 3 aspherical elements)
Angle of view: 103.7°
Number of diaphragm blades: 7 (rounded diaphragm)
Minimum aperture: F22
Minimum focusing distance: 12cm / 4.8 in.
Maximum magnification ratio: 1:3.6
Filter size: 55mm
Dimensions (Max. Diam. x Length): 64mm x 48.8mm / 2.5 in. x 1.9 in.
Weight: 225g / 7.9 oz.

[Product Barcode]

L-Mount: 0085126415693
Sony E-mount: 0085126415655

[Accessories: Supplied]

Product Name / Barcode Magnetic metal lens cap SIGMA FRONT CAP LCF55-01M: 0085126938680
FRONT CAP LCF-55 III: 0085126930066
Petal Type Hood (LH576-03): 0085126940478
REAR CAP LCR II (for L-Mount): 0085126937256
REAR CAP LCR II (for Sony E-mount): 0085126929879

[Accessories: Optional]

Product Name / Barcode

SIGMA USB DOCK UD-11 for L-Mount: 0085126878696
SIGMA WR PROTECTOR 55mm: 0085126930912
SIGMA PROTECTOR 55mm: 0085126931049
SIGMA WR UV FILTER 55mm: 0085126930653
SIGMA WR CIRCULAR PL FILTER 55mm: 0085126930783

Exclusively designed for full-frame mirrorless cameras

C | Contemporary

SIGMA 50mm F2 DG DN

Compact 50mm. Big Surprise.

• "Standard lens" that matches the optical performance standards set by the SIGMA Contemporary line of lenses.
• Expanding the I series lineup. "Creating pictures that are beyond beautiful".
• Exceptional I series build quality with a compact form-factor

Supplied accessories: Magnetic metal lens cap (LCF58-01M), Hood (LH633-01), Front Cap (LCF-58 III), Rear Cap (LCR II)

Available mounts: L-Mount, Sony E-mount

* The appearance and specifications of the products are subject to change.

* Sony E-mount lenses are developed, manufactured and sold in accordance with the E-mount specifications licensed under a license agreement with Sony Corporation.

* L-Mount is a registered trademark of Leica Camera AG.

#SIGMA #SIGMA50mmF2Contemporary #SIGMAContemporary #SIGMAContemporaryPrime #SIGMADGDN #Iseries #SIGMAIseries

Performance beyond expectations condensed into a small body.

50mm F2 joins the "Premium Compact Prime" I series.

The SIGMA 50mm F2 DG DN | Contemporary features high optical performance with a bright F2 aperture, that creates expressive images with a shallow depth of field and beautiful bokeh effects. With its compact size, this popular classic focal length is perfect for portraits, street and everyday photography. The lens has been designed to be used over a long period of time. Using that same technology that SIGMA used to create the SIGMA CINE lens range, the 50mm F2 DG DN | Contemporary uses an all-metal construct that is robust and provides a premium feel.

All these elements combine to create an exceptionally versatile lens that can be used in a variety of creative ways to create images in outstanding definition. Perfectly suited to new photographers looking to take the next step, professionals who require reliable lenses and photographers who prefer smaller full-frame lenses that offer the best optical quality.

[Key Features]

1. "Standard lens" that matches the optical performance standards set by the SIGMA Contemporary line of lenses.

SIGMA I series lenses are developed around the concept of "compact everyday lenses with outstanding image quality" and the SIGMA 50mm F2 DG DN | Contemporary is exactly that. It features high-quality optics in a compact size, perfect for a wide variety of photographic styles. Built from the ground up for mirrorless cameras, the SIGMA 50mm F2 DG DN | Contemporary is constructed using a single SLD glass element and three aspherical lens elements that are excellent at correcting various types of aberration for clear, high-definition images.

The conflicting ideals of improving optical performance while reducing body size and weight are achieved through the latest optical design, and the processing and production technologies at SIGMA's only production facility in Aizu.

The 50mm focal length is mostly known for portrait photography, so careful consideration was taken when designing the lens, focusing on the smoothness of the bokeh created by the F2 aperture. Its optical design gives smooth transitions from in-focus to out-of-focus areas, and helps minimize flare and ghosting caused by backlit environments. The quiet stepping motor provides quick, reliable autofocusing for both stills and video.

2. Expanding the I series lineup. "Creating pictures that are beyond beautiful".

The SIGMA I series features full-frame compatible lenses that offer new value to mirrorless systems. The combination of superb optical performance with a level of compactness that is perfectly suited to smaller and lighter modern mirrorless cameras will bring you new opportunities for a perfect shot. SIGMA is aware that in today's world we have a wide range of camera choices, especially with the increase in mobile phone ownership. But with many photographers looking for something more than something that simply captures images when they choose to own a camera and lens, I series lenses offer the ultimate combination of superb optical performance, outstanding usability and compact form-factor. SIGMA's excellence in development and production technologies has been built up since our founding in 1961 and became increasingly sophisticated with the introduction of the SIGMA Global Vision brand in 2012. With this as a base, SIGMA has given careful thought to the quality of the products, the feeling of using it and the pleasure of owning it. This is how the I series was born.

3. Exceptional I series build quality with a compact form-factor

All I series lenses have an all-metal construction. The precision-cut aluminum parts not only give the barrel a sleek, stylish finish, but provide superb durability that improves the quality of the entire product. Metal materials are also used in internal structures that slide with the operation ring for added robustness. These high-precision components crafted with SIGMA's cutting-edge metalworking technology are also used in SIGMA's CINE LENS line-up for professional cinematographers and provide a tactile, ergonomic feel that make the lens a pleasure to use. A smooth hairline cover ring is used between the focus and aperture rings to act as a finger hold when attaching and detaching the lens.

[Additional Features]

• Lens construction: 11 elements in 9 groups with 1 SLD and 3 aspherical lens elements
• Inner focus system
• Compatible with high-speed autofocus
• Stepping Motor
• Compatible with Lens Aberration Correction
  *Function available on supported cameras only. Available corrections may vary depending on the camera model.
• Support DMF and AF+MF
• Compatible with AF assist (Sony E-mount only)
• Super Multi-Layer Coating
• Aperture ring
• Focus Mode Switch
• Hood (LH633-01)
• Magnetic metal lens cap (LCF58-01M)
• Mount with dust and splash resistant structure
• Support for switching between linear and non-linear focus ring settings (for L-Mount only)
• Compatible with SIGMA USB DOCK UD-11 (sold separately / for L-Mount only)
• Designed to minimize flare and ghosting
• Every single lens undergoes SIGMA's proprietary MTF measuring system
• 9-blade rounded diaphragm
• High-precision, durable brass bayonet mount
• "Made in Japan" craftsmanship

[Key Specifications]

The figures below are for the L-Mount version:

Lens Construction: 11 elements in 9 groups (1 SLD and 3 aspherical elements)
Angle of view: 46.8°
Number of diaphragm blades: 9 (rounded diaphragm)
Minimum aperture: F22
Minimum focusing distance: 45cm / 17.8 in.
Maximum magnification ratio: 1:6.9
Filter size: 58mm
Dimensions (Max. Diam. x Length): 70mm x 68mm / 2.8 in. x 2.7 in.
Weight: 350g / 12.3 oz.

[Product Barcode]

L-Mount: 0085126314699
Sony E-mount: 0085126314651

[Accessories: Supplied]

Product Name / Barcode

Magnetic metal lens cap SIGMA FRONT CAP LCF58-01M: 0085126938642
FRONT CAP LCF-58 III: 0085126930141
Hood LH633-01: 0085126940393
REAR CAP LCR II (for L-Mount): 0085126937256
REAR CAP LCR II (for Sony E-mount): 0085126929879

[Accessories: Optional]

Product Name / Barcode

SIGMA USB DOCK UD-11 for L-Mount: 0085126878696
SIGMA WR PROTECTOR 58mm: 0085126930929
SIGMA PROTECTOR 58mm: 0085126931056
SIGMA WR UV FILTER 58mm: 0085126930660
SIGMA WR CIRCULAR PL FILTER 58mm: 0085126930790

From SIGMA Corporation of America

SIGMA Releases 23mm F1.4 DC DN | Contemporary Lens, an Essential Focal Length Prime for APS-C Format Cameras

Ronkonkoma, NY – April 3, 2023 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the SIGMA 23mm F1.4 DC DN | Contemporary ($549 US MSRP through authorized retailers) lens, a wide-angle fast-aperture prime lens designed specifically for APS-C mirrorless systems. This lens offers a 35mm field of view equivalency with the 1.5X crop factor applied, and is the fourth fast-aperture F1.4 DC DN | Contemporary prime lens, joining the popular 16mm F1.4 DC DN | Contemporary, 30mm F1.4 DC DN | Contemporary, and 56mm F1.4 DC DN | Contemporary for crop-sensor mirrorless systems. The DC DN family also includes the 18-50mm F2.8 DC DN | Contemporary Zoom lens.

The SIGMA 23mm F1.4 DC DN | Contemporary is offered in Sony E-mount, Leica L-Mount, and Fujifilm X Mount versions. The Sony E-mount and L-Mount versions will be available through authorized SIGMA retailers in late April 2023. The X mount version will be available in summer 2023.

To take advantage of the mobility of APS-C mirrorless cameras, the lens body is compact and lightweight, with a weight of 340g*, length of 76.9mm* and filter diameter of 52mm, offering exceptional imaging performance when paired with compact APS-C mirrorless camera along with high-megapixel, full-frame mirrorless cameras in APS-C crop mode such as the 61MP SIGMA fp L.

AF is driven by a quiet, high-speed stepping motor for swift, silent operation for both still and video capture, and excellent flare/ghosting resistance makes it ideal for real-world conditions. The lens is ideal for landscapes, journalism, everyday photography, and so much more; with a maximum magnification ratio of 1:7.3 and a minimum focusing distance of just under 10 inches.

* L-Mount version

Learn More

Sigma 23mm F1.4 DC DN Contemporary Lens

Orders

Support this site by ordering the Sigma 23mm F1.4 DC DN Contemporary Lens at B&H

Exclusively designed for APS-C mirrorless cameras

C | Contemporary

SIGMA 23mm F1.4 DC DN

A prime lens that is hard to let go.

• Large aperture F1.4 brightness and excellent resolution from maximum aperture
• Compact body optimized for APS-C mirrorless cameras
• A wide variety of APS-C format F1.4 prime lenses

Supplied accessories: Petal Type Hood LH554-01, FRONT CAP LCF-52 III, REAR CAP LCR II

Available mounts: L-Mount, Sony E-mount, FUJIFILM X Mount

* The appearance and specifications of the products are subject to change.

* Sony E-mount lenses are developed, manufactured and sold in accordance with the E-mount specifications licensed under a license agreement with Sony Corporation.

* L-Mount is a registered trademark of Leica Camera AG.

#SIGMA #SIGMA23mmContemporary #SIGMAContemporary #SIGMAContemporaryPrime #SIGMADCDN

The wide-angle lens ideal for APS-C mirrorless cameras joins the Contemporary line. High optical performance, F1.4 brightness, and compact enough to carry around every day.

With an easy-to-use angle of view equivalent to 35mm (on full frame), high optical performance, the brightness of a large F1.4 aperture, and a compact and lightweight lens body, SIGMA's experience accumulated in the Contemporary line has culminated in a lens that is ideal for use with APS-C mirrorless cameras. The lens offers excellent resolution from maximum aperture and the rich bokeh effects thanks to its F1.4 brightness. The lens demonstrates its descriptive power in a wide range of applications, including landscapes, portraits, and table photography. In order to take advantage of the high mobility of mirrorless cameras, the compactness of the lens body was also pursued. The SIGMA Contemporary lineup includes several compact and lightweight F1.4 single focal length lenses in the APS-C format, which are surprisingly compact to carry around. If you want to keep your equipment light and small, but not compromise on image rendering performance, this lens is sure to meet your needs, and will be a lens you will never want to let go.

[Key Features]

1. Large aperture F1.4 brightness and excellent resolution from maximum aperture.

The SIGMA 23mm F1.4 DC DN | Contemporary has an easy-to-use angle of view equivalent to 35mm in 35mm format, as well as the brightness of a large F1.4 aperture and high descriptive power. The optics is composed of 13 elements in 10 groups, including 3 SLD glass elements and 2 aspherical lens elements, to achieve sharp, clear images. The lens delivers excellent resolving power from the maximum aperture. Furthermore, the large F1.4 aperture allows for large, beautiful bokeh effects. The compact, palm-size body allows you to enjoy the rich descriptive power of mirrorless cameras. Careful countermeasures against ghosting and flare enable clear shooting even in backlit environments.

2. Compact body optimized for APS-C mirrorless cameras

To take advantage of the mobility of APS-C mirrorless cameras, the lens body is compact and lightweight, with a weight of 340g*, length of 76.9mm*, and filter diameter of 52mm. At the same time, the quality of the lens body itself has not been compromised. The high-precision machining technology of SIGMA's sole production facility in Aizu, Japan, has enabled the lens body to achieve the ideal balance between excellent optical performance based on the latest optical and mechanical design and compactness. The AF drive system uses a quiet, high-speed stepping motor. The latest algorithm enables quick focusing for easy shooting.

*The figures are for L-Mount.

Support for switching between linear and non-linear focus ring settings (L-Mount only)

For L-Mount cameras, it is possible to switch to "linear focus," in which the focus shifts by a fixed amount according to the rotation angle of the focus ring.

*Only for compatible L-Mount camera bodies.

3. A wide variety of APS-C format F1.4 prime lenses

The SIGMA Contemporary line offers a wide variety of APS-C format F1.4 prime lenses. All of them share the concept of combining superior resolution with compactness and light weight. By combining them according to your needs, you can build a compact photographic system without compromising on image quality.

The above figures are for L-Mount.

[Additional Features]

• Lens construction: 13 elements in 10 groups with 3 SLD and 2 aspherical lens elements
• Inner focus system
• Compatible with high-speed autofocus
• Stepping Motor
• Compatible with Lens Aberration Correction
  *Function available on supported cameras only. Available corrections may vary depending on the camera model.
• Support DMF and AF+MF
• Compatible with AF assist (Sony E-mount only)
• Super Multi-Layer Coating
• Petal Type Hood LH554-01
• Mount with dust and splash resistant structure
• Support for switching between linear and non-linear focus ring settings (for L-Mount only)
• Compatible with SIGMA USB DOCK UD-11 (sold separately / for L-Mount only)
• Designed to minimize flare and ghosting
• Every single lens undergoes SIGMA's proprietary MTF measuring system
• 9-blade rounded diaphragm
• High-precision, durable brass bayonet mount
• "Made in Japan" craftsmanship

[Key Specifications]

The figures below are for the L-Mount version:

Lens Construction: 13 elements in 10 groups (3 SLD and 2 aspherical elements)
Angle of view: 63.4°
Number of diaphragm blades: 9 (rounded diaphragm)
Minimum aperture: F16
Minimum focusing distance: 25cm / 9.9 in.
Maximum magnification ratio: 1:7.3
Filter size: 52mm
Dimensions (Max. Diam. x Length): 65.8mm x 76.9mm / 2.6 in. x 3.0 in.
Weight: 340g / 12.0 oz.

[Product Barcode]

L-Mount: 0085126348694
Sony E-mount: 0085126348656
FUJIFILM X Mount: 0085126348755

[Accessories: Supplied]

Product Name / Barcode

Petal Type Hood LH554-01 0085126940461
FRONT CAP LCF-52 III: 0085126929800
REAR CAP LCR II (L-Mount): 0085126937256
REAR CAP LCR II (Sony E-mount): 0085126929879
REAR CAP LCR II (FUJIFILM X Mount): 0085126939861

[Accessories: Optional]

Product Name / Barcode

SIGMA USB DOCK UD-11 for L-Mount: 0085126878696
SIGMA WR PROTECTOR 52mm: 0085126930905
SIGMA PROTECTOR 52mm: 0085126931032
SIGMA WR UV FILTER 52mm: 0085126930646
SIGMA WR CIRCULAR PL FILTER 52mm: 0085126930776

From Canon:

Canon EOS R5 C Now Approved for Netflix Productions

New Firmware Update Enhances Operation & Image Quality of the Hybrid Full-Frame Mirrorless Camera

Canon’s EOS R5 C has been added to Netflix’s list of approved cameras. This allows filmmakers to use Canon’s full-featured, hybrid full-frame mirrorless camera for Netflix productions.

Version 1.0.3.1 firmware elevates the overall image quality and camera operability for content captured by filmmakers and creators using the EOS R5C.

The EOS R5 C approval brings the number of Canon Cinema EOS camera models approved for use on Netflix productions to eight.

Canon Cinema EOS camera models on the Netflix approved camera list include:

• Canon EOS R5 C
• Canon EOS C500 Mark II
• Canon EOS C300 Mark III
• Canon EOS C70
• Canon EOS C300 Mark II
• Canon EOS C700 FF
• Canon EOS C700
• Canon EOS C500

The new firmware update strengthens Canon’s commitment to the filmmaking and content creation market.

To download the new firmware update, please visit EOS R5 C Firmware Version 1.0.3.1

Canon Speedlite EL-1 firmware update version 1.0.2 is available for download.

Firmware Version 1.0.2 incorporates the following fixes and enhancements:

1. Fixes an issue, in which the modeling flash may fire when the modeling flash setting is set to [Disabled].

Get the Canon Speedlite EL-1 at B&H.

Your Canon EOS R5 just got an awesome new capability! firmware update version 1.8.1 is now available for download.

Firmware Version 1.8.1 incorporates the following fixes and enhancements:

1. [IBIS High-Resolution Shooting] has been added to the menu. By utilizing the in-body image stabilization mechanism, it is now possible to record images with a higher sense of resolution.
   * To check images, use EOS Utility/Digital Photo Professional. EOS Utility/Digital Photo Professional requires a version upgrade.
2. [Save/load communication settings to card] has been added to the menu. Network settings can now be inherited between cameras of the same model.
3. You can now trim and resize images while transferring them to the FTP server.
4. "Image protection" for FTP transfer has been added to the menu. Images transferred by FTP can now be automatically protected. This makes it possible to determine whether or not the image has been FTP-transferred.
5. Fixed minor bugs

Get the Canon EOS R5 at B&H.

Canon EOS R3 firmware update version 1.4.0 is available for download.

Firmware Version 1.4.0 incorporates the following fixes and enhancements:

1. Compatible with Speedlite EL-5. *It is not compatible with the automatic dimming function of the AF auxiliary light.
2. Added [Registered people priority] to the menu. Pre-registered people can now be preferentially detected and tracked.
   * The effect may not be obtained depending on the scene or shooting environment where the subject is moving, when the face is small, when the face is slanted/side profile, when part of the face is hidden, or when the subject is moving.
3. [Save/load communication settings to card] has been added to the menu. Network settings can now be inherited between cameras of the same model.
4. [Panning Assist] has been added to the menu. When panning using a compatible lens, "camera shake correction" and "subject blur correction" are performed during exposure.
5. Shortened the time it takes for the AWB results to be reflected in the viewfinder when looking through the viewfinder with the auto white balance (AWB) setting.
6. "Image protection" for FTP transfer has been added to the menu. Images transferred by FTP can now be automatically protected. This makes it possible to determine whether or not the image has been FTP-transferred.
7. Fixed minor bugs.

Get the Canon EOS R3 at B&H.