Image quality test results, along with specs and measurements, are now available on the Tamron 70-180mm F2.8 Di III VC VXD G2 Lens page.
You are going to like these results.
Compared to the G1 lens (visualize the slight camera resolution difference)
Compared to the Sony FE 70-200mm F2.8 GM OSS II Lens
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Canon has added third quarter financial results to the Investor Relations page.
Presentation Material
Results
Supplementary Data
Presentation Material and Speech Summary
Imaging System Relevant Quotes from the Presentation Material
"Expanded sales also in 3Q, driven by new mirrorless camera products"
"Expand mirrorless camera market share through synergy between camera bodies and lenses"
Buy your Canon cameras, lens, and accessories at B&H.
The Tamron 35-150mm f/2-2.8 Di III VXD and 28-200mm F2.8-5.6 Di III RXD Lenses for Sony E mount have firmware updates available via Tamron Lens Utility.
This firmware incorporates the following fixes and enhancements:
Get the Tamron 35-150mm f/2-2.8 Di III VXD Lens from B&H.
Buy the Tamron 28-200mm F2.8-5.6 Di III RXD Lens at B&H.
Sigma has released a firmware update for the Sigma 18-50mm F2.8 DC DN Contemporary Lens.
This firmware update incorporates the following fixes and enhancements:
Get the Sigma 18-50mm F2.8 DC DN Contemporary Lens from B&H.
Just posted:
Sony Alpha 7C R Review
Sony Alpha 7C II Review
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"Capture One Pro (16.3) is a feature release containing new features and functionality, UX and performance improvements, along with multiple bug fixes and additional camera & lens support."
New features and functionality
User experience and performance improvements
Get the full details of this update in the release notes.
Get Capture One at B&H.
Sony Alpha 7C R firmware update version 1.01 is available for download.
Firmware Version 1.01 incorporates the following fixes and enhancements:
Get the Sony Alpha 7C R at B&H.
Sony Alpha 7C II firmware update version 1.01 is available for download.
Firmware Version 1.01 incorporates the following fixes and enhancements:
Get the Sony Alpha 7C II at B&H.
Do you have go-to locations to use when you must bring home high-quality images?
Three new cameras (Sony Alpha 7C R, Alpha 7C II, and Alpha 6700), two new lenses (Sony FE 16-35mm F2.8 GM II Lens and Sigma 10-18mm F2.8 DC DN Contemporary Lens), and some new accessories needed a workout. When many good images are needed, that go-to location is called upon, and it the success rate at Ricketts Glen State Park in the fall is high.
The optimal (cloudy) weather forecast selected the day choice, and the above gear (plus some additional gear and food) went into a MindShift Gear BackLight 26L for a big day in the field.
I have many favorite photo locations in this park and often revisit them as it seems new angles that create different, often better, results can often be found. In this case, Triangle Falls was the revisited subject, and I wanted a slightly lower-angle image than the last one from here.
As I said when posting that image, sometimes the picture does not tell the full story. While this image appears to be a simple capture, you don't see that the rock I'm standing on is slippery and the RRS TVC-24L Mk2 Tripod is in the fast-flowing water. Learned was that the tripod flowing downstream during exposures creates interesting motion blurs.
Fast-flowing water meeting a stationary object causes splashing, and in addition to forcing recomposition, the fast-flowing water also splashed onto the camera and lens from the tripod legs positioned forward of the camera. The mentioned lower angle perspective positioned the lens close to the water, and the splashing water was hitting the circular polarizer filter (responsible for this image's deep saturated colors). Thus, wiping the filter with a microfiber cloth between every shot was part of the process, with hope that the next exposure would finish before the water drops reappeared or the tripod washed downstream again. The cameras' weather sealing was appreciated in this scenario.
Fortunately, patience and repetition prevailed, and there were sufficient good images to select from.
The a7C R and FE 16-35mm F2.8 GM II got the call for this image. This full-featured compact camera delivers incredibly detailed images, and this lens has the optical quality to support that extreme resolution. This combination is an outstanding choice for landscape and travel photography.
Sony Alpha 7R V firmware update version 2.01 is available for download.
Firmware Version 2.01 incorporates the following fixes and enhancements:
Get the Sony Alpha 7R V at B&H.
Sony Alpha 6700 firmware update version 1.02 is available for download.
Firmware Version 1.02 incorporates the following fixes and enhancements:
Get the Sony Alpha 6700 at B&H.
The Sony Alpha 7C R and Sony Alpha 7C II cameras are here, and it is time to set up these cameras for use. For setup purposes, these cameras are identical, and the steps taken to prepare out-of-the-box a7C R and 7C II cameras for use are as follows.
I make additional menu and other setting changes based on current shooting scenarios, but this list covers my initial camera setup process.
To copy this configuration means you intend to shoot as I do, including in RAW-only format. While this setup works optimally for me, you should adjust the camera setup to your needs.
If you can't remember your menu setup parameters, keeping an up-to-date list such as this one is a great idea. Anytime the camera is set to the factory state, such as when serviced or when acquiring an additional camera, the list will ensure all settings are quickly re-established. Consider saving the camera settings to a card (Tools menu, tab 2, Reset/Save Settings) for an easy restore or replication. The setup file can be copied to a computer drive for long-term storage. Unfortunately, I couldn't load the a7C R settings on the a7C II.
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Just posted: Sony E PZ 16-50mm F3.5-5.6 OSS Lens Review.
This lens is tiny, ultra-light, and affordable (especially in used condition).
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Just posted: Sigma 10-18mm F2.8 DC DN Contemporary Lens Review.
Again, this is going to be a popular lens.
Sharing this review supports the site.
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Two weeks of guiding elk photography in Rocky Mountain National Park resulted in a rather overwhelming number of images. Selecting the keepers is a huge project, and deciding which image to share first was daunting. It seems that everyone loves breath shots, so I'll start with that option.
This bull walked in so close to us that it didn't fit in the 600mm frame when its head was turned. While I liked the tight image that crops the back of the antlers, I knew that having the entire elk and its breath in the frame might be an option I later wanted.
To avail that option, additional images containing the cropped content on the left and right were captured immediately after the primary image, and the three images were manually stitched in Photoshop as a panorama.
This image utilized a camera position near the ground, just high enough to create a blur that transitions into the animal's legs, and elk legs are one of my favorite leading line sources, especially when they are equally spaced apart. The relatively close proximity of the elk combined with the distant background creates a strong background blur that makes this bull stand out.
Getting obvious breath in an image requires cold temperatures and a supporting background. While I could see the breath in many other images by the changes apparent when browsing one after the other, light-colored and detailed backgrounds often hide the breath in single images. A dark background and backlighting create an ideal scenario for making the breath element obvious.
A larger version of this image is available here.
Apparently, the new RF 10-20 is popular. From Canon Japan (translated):
Apology and information regarding product supply status
Update date: October 13, 2023
Thank you for your continued patronage of Canon products.
Currently, we have received more orders than expected for each of the following products, and due to the impact of global supply of parts, delivery delays are occurring. Expected that the new product RF100-300mm F2.8 L IS USM will take a lot of time. We apologize again for making our customers wait so long. We will continue to take measures for stable product supply so that we can deliver products as soon as possible. Thank you kindly look forward for your understanding.
Product Name – About Supply
We are planning to ship sequentially, but it is expected that it will take a considerable amount of time to deliver. Even if you have already placed an order, it may be difficult to deliver it within 2023.
RF10-20mm F4 L IS STM
RF400mm F2.8L IS USM
We plan to ship the items in sequence, but delivery may take longer than usual.
Details are loaded on the Canon RF 10-20mm F4 L IS STM Lens page.
This new lens is dramatically lighter, smaller, and less expensive than its predecessor! Check out the MTF chart comparison.
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From Canon USA:
GOING WIDE: CANON INTRODUCES THE RF10-20MM F4 L IS STM TO ITS LENS LINEUP
MELVILLE, NY, October 11, 2023 – Today, Canon U.S.A., Inc., a leader in digital imaging solutions, announced the launch of the RF10-20MM F4 L IS STM lens, a full-frame ultra wide-angle lens that can help the work of a professional photographer or serious enthusiast stand out from the crowd.
Opening the door to supreme full-frame visual possibilities, the RF10-20MM F4 L IS STM lens continues Canon’s respected reputation for optical excellence associated with L-series lenses. This new addition enhances optical performance with a modern mirrorless lens design that is fully equipped with key features, including:
Speaking directly to the professional video and stills visual storyteller, the RF10-20MM F4 L IS STM features a built-in lens hood and lens function button on the barrel for customizing functions such as AF settings, Pre-Recording, Zebras and more. For landscapes, cityscapes, architectural, real estate and weddings, the RF10-20MM F4 L IS STM lens is a widely important lens for any professional to have at the ready.
Price & Availability
The Canon RF10-20MM F4 L IS STM lens is expected to be available in November for an estimated retail price of $2,299.00*.
# # #
† Based on weekly patent counts issued by United States Patent and Trademark Office.
* Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary.
Orders
Support this site by ordering the Canon RF 10-20mm F4 L IS STM Lens (or anything else) from B&H | Adorama | Canon USA | Camera Canada | WEX
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Learn more here: Canon RF 10-20mm F4 L IS STM Lens
Just posted: Sony FE 16-35mm F2.8 GM II Lens Review
This is a great little lens.
I need you to share this review!
Support this site by ordering the Sony FE 16-35mm F2.8 GM II Lens (or anything else) from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada
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From Sigma Corporation:
Development announcement of SIGMA 70-200mm F2.8 DG DN OS|Sports
The SIGMA Corporation is pleased to announce the development of the SIGMA 70-200mm F2.8 DG DN OS | Sports.
The SIGMA 70-200mm F2.8 DG DN OS | Sports is a large-aperture zoom lens for full-frame mirrorless cameras. In addition to the expressive imaging capabilities owing to the latest optical design, the lens offers a high level of performance and features that meet the expectations of professionals in both still and video, including high-speed autofocus with HLA (High-response Linear Actuator), optical stabilizer with the latest algorithm "OS2", and the superior weather resistance of SIGMA’s Sports line.
Combined with the SIGMA 14-24mm F2.8 DG DN | Art and the SIGMA 24-70mm F2.8 DG DN | Art, SIGMA's three zoom lenses for full-frame mirrorless cameras with a bright F2.8 constant aperture cover a wide range of focal lengths.
Launch: December, 2023
Available mounts: L-Mount, Sony E-mount
*The appearance and specifications of the product are subject to change.
* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
* L-Mount is a registered trademark of Leica Camera AG