Canon and Sony News and What's New (Excluding Deals) (Page 14)

Image quality, vignetting, flare, and distortion test results, along with specs and standard product images, are now available on the Tamron 11-20mm F/2.8 Di III-A RXD Lens page.

This is the Tamron lens coming to the RF mount later this year. The full review is coming soon.

Here is a relevant comparison: Compared to the Sigma 10-18mm F2.8 DC DN Contemporary Lens

Support this site by ordering the Tamron 11-20mm F/2.8 Di III-A RXD Lens (or anything else) from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada

Rent the Tamron 11-20mm F/2.8 Di III-A RXD Lens from Lensrentals.

From Canon USA:

Canon Adds Six Visionary Filmmakers to Explorers of Light Program to Inspire the Next Generation of Video Professionals

MELVILLE, N.Y., May 2, 2024 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced six filmmakers will join its celebrated Explorers of Light program, welcoming a new class of storytellers focused on the craft of cinematography.

For nearly three decades, the Explorers of Light program has brought together a roster of distinguished photographers to inspire, teach, and collaborate with visual artists and content creators of all skill levels. Explorers of Light past and present include multi-hyphenate creative professionals such as Academy Award®-winner Jimmy Chin (Free Solo, Meru) and Emmy® -winner Lauren Greenfield (Generation Wealth, The Queen of Versailles). With today’s addition of six new members dedicated to the art of motion, the program officially expands its scope beyond still photography to foster creativity among the global filmmaking community.

Canon’s newest Explorers of Light include cinematographers Christine Ng, Claudia Raschke, David Klein, ASC, and Shana Hagan, ASC, as well as directors Matthew Heineman and Rudy Valdez.

Brian Mahar, senior vice president and general manager, Canon U.S.A., Inc., said, “For 30 years, the Explorers of Light program has been a platform for education and inspiration. Today, we are proud to widen the aperture on the craft of visual storytelling by welcoming a group of filmmakers known for their boundary-breaking cinematography and commitment to mentorship. Each of our newest members will add incredible value to the program and to the filmmaking community at large.”

The new class of award-winning Explorers of Light will join the 35 current members of the program to share their unique perspectives and decades of industry experience with aspiring creatives.

Meet Canon’s Newest Explorers of Light (EOLs):

Christine Ng, Cinematographer (Poker Face, ZIWE, Between the World and Me)

About Christine: Christine Ng is a Hong Kong-born, New York-raised cinematographer and a graduate from New York University’s Tisch School of the Arts. Her cinematography work spans commercials, music videos, documentaries and narrative. The first commercial she shot was filmed on a Canon EOS 5D Mark II and Canon lenses and aired during Super Bowl XLVI. The first feature-length documentary Christine shot was the Emmy®-nominated and Critic’s Choice Award-winning Everything is Copy for HBO. Named a Rising Star of Cinematography by American Cinematographer in 2022, Christine’s work has screened at festivals worldwide including SXSW®, Palm Springs International Film Festival, Outfest®, LA Film Festival, Tribeca Film Festival, New York Film Festival, IFFBoston and many more. In addition, she shot the film adaptation for Ta-Nehisi Coates’s critically acclaimed Between The World and Me. She shot three episodes of Issa Rae’s latest show, Rap Sh!t and two seasons of Ziwe, a variety show produced by A24 for Showtime. Most recently, she shot four episodes of Rian Johnson’s TV series, Poker Face starring Natasha Lyonne for Peacock.

• Top Gear Picks: RF50mm F1.2 L USM, RF100mm f/2.8 L Macro IS USM, RF28-70mm F2 L USM, RF70-200mm F2.8L IS USM, RF 24-105mm F2.8 L IS USM Z, vintage Canon K-35 Primes, the Canon 50mm f/0.95mm “Dream Lens,” and a 3D printed Totoro figurine.
• Advice for Filmmakers: “Stay humble and true to yourself, always say yes to every opportunity when you’re starting out. You never know who you will meet and how that initial meeting will influence your career later.”
• What it Means to be a Canon EOL: “It is such a prestigious honor to be included in the Explorers of Light program. I’ve always shot with Canon since I first discovered photography, so it is incredibly humbling to be recognized by the Canon team.”

Claudia Raschke, Cinematographer (Julia, My Name is Pauli Murray, RBG)

About Claudia: Claudia Raschke is a world-renowned cinematographer, best known for her ability to bring rich tones of the motion picture to a diverse spectrum in films, from purely commercial ventures, through feature-length documentaries, to lower budget works of art. Among her notable award-winning films are: Academy Award® -nominated and Emmy® -winning RBG, God is the Bigger Elvis; Academy Award® -short-listed Mad Hot Ballroom, Julia, Boys State; Peabody Award-winning Black Magic and My Name is Pauli Murray; Critics Choice Award-nominated Fauci and The House of Hammer, as well as documentary series’ for National Geographic®, Discovery, Showtime®, and CNN. Currently, Claudia is in production of an eight-part documentary series for the History Channel® to be released in 2025.

She is also a founding member of the NYC Kamera Kollektiv, a boutique agency for documentary and feature film cinematographers in New York City and a member of AMPAS.

• Top Gear Picks: Canon Cinema EOS C500 Mark II, Cinema EOS C300 Mark III, CN-E 35mm T1.5 L F, CN-E 50mm T1.3 L F, CN-E 135mm T2.2 LF, CINE-SERVO 17-120mm T2.95-3.9, COMPACT-SERVO 18-80mm T4.4 EF, a spot meter and a small sketchbook.
• Advice for Filmmakers: “Experiment as much as you can with the tech tools you have access to and create a playground to challenge yourself to think outside your limits. Be fierce and fearless.”
• What it Means to be a Canon EOL: “It is a distinct privilege and honor to join the ranks of the Explorers of Light program. Canon cameras and optics have been my top creative tools for documentary filmmaking for many years. I consider it a great opportunity to learn from other EOL artists and to share my process as a cinematographer with the Explorers of Light community.”

David Klein, ASC, Cinematographer (The Mandalorian, The Book of Boba Fett, Homeland)

About David: Cinematographer David Klein, ASC has spent over three decades perfecting his craft and captivating audiences with his visual storytelling.

His remarkable career includes lensing iconic indie film classics such as Clerks, Clerks II, Mallrats, Cop Out, Red State and Chasing Amy, with director Kevin Smith. In 2014 and 2016, Klein received Emmy® nominations for Outstanding Cinematography For A Single-Camera Series for his work as the Director of Photography on Showtime®'s Emmy® winning series Homeland. He also served as the Director of Photography for HBO dramas’ True Blood and Deadwood: The Movie where he earned a third Emmy® nomination in 2019.

Most recently, David has been on the forefront of virtual production shooting cutting-edge episodes of The Mandalorian and The Book of Boba Fett for Disney+.

• Top Gear Picks: EOS R5 C, CN-E 15.5-47mm T2.8 L SP, CN-E 30-105mm T2.8 LS, a set of Canon PL Cinema Primes, and a Suunto compass/inclinometer combo.
• Advice for Filmmakers: “Never forget it’s our job as cinematographers to tell the story in a unique way, but it’s also to be invisible. To paraphrase Roger Deakins, if somebody sees something I’ve shot and says ‘that was beautiful cinematography’ before they talk about the story, we have failed.”
• What it Means to be a Canon EOL: “Exploring light is quite literally what I do. On set and in pre-production, we’re always exploring new and unique ways to use light to tell stories differently. Canon is constantly pushing the envelope to deliver new ways to tell stories with tried and true tech, and it’s an honor to be named an Explorer of Light.”

Matthew Heineman, Director/Cinematographer (American Symphony, Retrograde, Cartel Land)

About Matthew: Matthew Heineman is an Academy Award®?-nominated, nine-time Emmy®?-winning, and two-time DGA Award winning-filmmaker. In 2019, he received a nomination for Outstanding Directorial Achievement of a First Time Feature Film Director from the Directors Guild of America for his narrative debut, A Private War — making Heineman and Martin Scorsese one of only two filmmakers ever nominated for both narrative and documentary DGA Awards. Heineman most recently directed American Symphony, which earned Academy Award®? and BAFTA nominations and won a PGA and two Critics' Choice Awards.

Heineman previously directed and produced Retrograde which was shortlisted for an Academy Award®?, won three Emmy®? awards, and was nominated for DGA and PGA Award. It also received a Producing Award from DOC NYC and was honored with the Edward R. Murrow Award for Feature Documentary. His previous film, The First Wave was also shortlisted for an Academy Award®? and won three Emmy®? awards, including Best Documentary. Heineman previously directed Cartel Land, which was nominated for an Academy Award®? and won three Emmy®? awards and a DGA Award; City of Ghosts, for which he won a DGA Award; and two seasons of the Emmy®?-winning docuseries The Trade. He also directed HBO’s Emmy®?-winning Tiger and The Boy From Medellin.

• Top Gear Picks: Canon Cinema EOS C500 Mark II, RF24-105mm F4 L IS USM, RF24-70mm F2.8L IS USM, RF70-200mm F2.8 L IS USM, EF-S 17-55mm f/2.8 IS USM
• Advice for Filmmakers: “When I was 21 years old, I heard documentarian Albert Maysles give a talk that would shape my view on filmmaking. He said, ‘If you end up with the film you started with, then you weren't listening along the way.’ Be open to the story changing. Don't be dogmatic. And this is something that I've held very close to my heart both in a macro sense (the films I choose to take on and how I find my way to them) and in a micro sense (within each shoot, shoot day, scene, lens change). Look around the frame at all times! I love embracing this type of unpredictability and adaptation inherent in making verité films. By doing so, my goal always is to try to humanize stories that often seem so far away or are relegated to stats or headlines.”
• What it Means to be a Canon EOL: “I am honored and thrilled to be in the company of so many incredible artists whose work I admire, including my dear friend Jimmy Chin. From Cartel Land though my most recent documentary American Symphony (including 6 projects in between), I’ve used Canon equipment in every project. I’m excited to share my knowledge and skillset with other cinematographers and story tellers around the world.”

Rudy Valdez, Director/Cinematographer (Choir, Carlos, The Sentence)

About Rudy: Rudy Valdez, a two-time Emmy®-winning filmmaker, is known for his commitment to telling engaging stories that explore a variety of cultural, social, and political themes. Through his distinct cinematic approach, Valdez captures the essence of human emotions and experiences, earning him critical praise and recognition as an influential figure in the film industry. Notable works include the Emmy®-nominated The Sentence, which follows his sister's journey through the criminal justice system, and Translators, a touching exploration of Latino families through the perspectives of their young translators. Valdez's recent projects include directing the docuseries Choir for Disney+ and the acclaimed Carlos, a documentary tracing the life of music legend Carlos Santana.

As the founder of Bluff Road Films, Valdez is dedicated to amplifying meaningful stories while promoting diversity both in front of and behind the camera.

• Top Gear Picks: Canon Cinema EOS C500 Mark II, EOS R5 C, CN-E 50mm T1.3 L F, CN-E 35mm T1.5 L F, and a monopod
• Advice for Filmmakers: “Shoot. Shoot. Shoot. Shoot. As much as you possibly can. Find out what works for you.”
• What it Means to be a Canon EOL: “It is such a wonderful honor to be a Canon Explorer of Light. I was lucky enough to start my journey as a filmmaker around the same time that the Canon EOS 5D Mark II was introduced, allowing me an affordable camera that could produce the images as I saw them in my head.”

Shana Hagan, ASC, Cinematographer (Somebody Somewhere, Welcome to Flatch, The Kingmaker)

About Shana: Shana Hagan has shot Academy Award® and Emmy®-winning documentaries including the Academy Award®-winning Breathing Lessons, Academy Award®-nominated Walk Run Cha-Cha, Return to Space with Chai Vasarhelyi and Explorer of Light Jimmy Chin, The Kingmaker for director and Explorer of Light Lauren Greenfield, 63Up and Married in America with Michael Apted, The Conductor with Bernadette Wegenstein and twenty-one Sundance Film Festival selections, including Generation Wealth, Queen of Versailles, Taylor Swift: Miss Americana, and Shakespeare Behind Bars.

Shana’s scripted work includes projects with Paul Feig, Jenny Bicks and the Duplass Brothers, and the critically-acclaimed series Somebody Somewhere for HBO and Fox’s half hour docu-comedy Welcome to Flatch. She is a member of The American Society of Cinematographers, the DGA, AMPAS, ATAS, the ICG, the IDA and BAFTA.

Shana was the first woman to shoot on the hit reality series Survivor and was nominated for an Emmy® for her work on Survivor: China. She shot four seasons on NBC’s Parks and Recreation, was the Second Unit DP on Netflix’s Arrested Development, and has shot commercial spots for Disney, Electronic Arts, Kohl’s, the US Army, Kodak, Verizon and others.

Shana is also a U.S. State Department American Film Showcase Ambassador and has traveled globally to teach Master Class Workshops to young Ethiopian filmmakers. She enjoys mentoring students and has guest lectured at many film schools.

• Top Gear Picks: Canon Cinema EOS C300 Mark III, Cinema EOS C70, EOS R5 C, RF14-35mm f/4 ISUSM, RF24-70mm f/2.8 L IS USM, RF70-200mm F4 L IS USM and an old compass from the Girl Scouts.
• Advice for Filmmakers: “Don’t be afraid to ask questions when you need help with something. Find a mentor. Also take some of your own footage and edit it. You’ll find out what’s working and what’s not working, and it will allow you to make adjustments next time you’re out in the field shooting. I can’t stress how important this process is for young DPs.”
• What it Means to be a Canon EOL: “I’m so honored. Being an Explorer of Light reminds me to keep exploring the world through my camera, like I did as a kid, and to continue finding new and exciting ways to tell stories.”

For additional information, please visit: https://www.usa.canon.com/learning/inspiration/inspirational-stories-list/explorers-of-light

From Delkin Devices:

Delkin Launches NEW CFexpress™ Type B 4.0 – NOT THE REAL STORY

Poway, CA, May 1, 2024 – Delkin Devices, a manufacturer of flash storage solutions and camera accessories, is excited to announce the launch of their brand-new line of BLACK CFexpress™ Type B 4.0 Memory Cards, but that’s not the real story. The REAL story is why you should TRUST Delkin by learning why they choose to use pSLC flash in their cards.

NAND flash is a non-volatile memory chip that can hold data even without power, and it is the heart of all memory cards. Manufacturers have tried to make it more dense and smaller in order to store more data for less money, but the ultimate result is a reduction in longevity and performance. This is quite the opposite of what is good for NAND memory cards. Photographers and videographers need to store photos and videos quickly, yet on a robust card that has longevity.

SLC flash is the most rugged and expensive type of flash due to its incredible endurance and performance, although its biggest downside is high cost and relatively small capacity size. The latest version of SLC that keeps the longevity, but improves the capacity (and price), is called pSLC (Pseudo SLC), which is what Delkin uses in their line of BLACK CFexpress™ Type B 4.0 (as well as Delkin SD BLACK Rugged V90) memory cards.

pSLC can read twice as fast as TLC (Triple-Level Cell) or even QLC (Quad-Level Cell), which is used by most card makers today. In addition, it can also be written up to six times as fast. pSLC has a life span between 7,000 and 28,000 TBW (Terabytes Written) depending on card capacity, in comparison to other flash types that only support 300 to 2,000 TBW before they begin to lose data and slow down. Yes, NAND flash does not last forever – something the industry does not talk about.

For the greatest value, a BLACK CFexpress™ Type B 4.0 memory card will provide maximum reliability, performance and endurance, compared to other cards on the market. It will even generate less heat, as it programs faster and will run fast longer. pSLC uses 1/3 of the NAND in the card and in all cases has more chips and blocks available. For example, a 4TB card is used to build a 1.3TB capacity BLACK card – the added flash offers more spare blocks, as well as better management to keep the card working at 100% performance. This results in less frequent reformatting.

Limited Time Offer from Delkin

Purchase (1) Delkin BLACK CFexpress™ Type B 4.0 memory card and receive (1) FREE Delkin ONE Bag. Simply email Delkin a copy of your receipt (ddugal@delkin.com), along with your full name and mailing address, and the item will be shipped out within 5 business days.

Delkin Black memory cards at B&H.

Just posted: Sony E 16-55mm F2.8 G Lens Review.

This lens is a great choice for APS-C general-purpose use.

Support this site by ordering the Sony E 16-55mm F2.8 G Lens (or anything else) from B&H | Sony | Adorama | Amazon (all available countries) | WEX | Camera Canada

Rent the Sony E 16-55mm F2.8 G Lens from Lensrentals.

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Tamron as shared the 1st Quarter 2024 Financial Results.

"In the interchangeable lens camera market, although DSLR cameras were weak, mirrorless cameras performed well, resulting in an overall double-digit increase on a volume and value basis."

"Interchangeable lenses market showed double-digit growth on both volume and value basis, reflecting the strong performance of the camera market."

"Sales of Own-Brand products increased by double digits, even excluding favorable foreign exchange effects, due to the impact of the launch of a new models last year and continued strong performance in the domestic and Chinese markets."

"Sales of OEM products more than doubled due to strong performance from the second half of the previous fiscal year."

Tamron now plans to introduce 7 new lens models in 2024, up from 6 in the original plan, and up from 5 in 2022 and 2023.

Sony Alpha 9 III firmware update version 2.00 is available for download (Canon USA).

Firmware Version 2.00 incorporates the following fixes and enhancements:

Shooting & playback functions:

• Allows you to turn the camera on/off remotely from a computer using a wired connection to the internet (LAN) (Note: Remote Camera Tool Ver. 4.1.00 is required to activate this function.)
• Adds a function that automatically creates still images with Shot Marks from movie frames after recordings (Note: You can add a Shot Mark while shooting or playing a movie and use it as a mark for selecting, transferring, or editing the movie.)
• Allows the use of shutter speeds up to a maximum of 1/80000 seconds in all drive modes and the NR Shooting setting (long-exposure noise reduction) when the aperture value is F1.8 or higher
• Adds support for the Relay Playback function
• Adds the Sync Release function that releases the shutters of multiple sub-cameras in conjunction with the main camera's shutter timing (Note: Remote Camera Tool Ver. 4.1.00 is required to activate this function.)
• Adds a function that displays the focus frame on the Remote Camera Tool app screen when the monitor and viewfinder are turned off (Note: Remote Camera Tool Ver. 4.1.00 is required to activate this function.)
• The maximum number of images that can be recorded in one folder has been increased to 9,999
• Enables display of the Wi-Fi signal strength
• Adds support for C2PA format (The license availability date is undecided) (C2PA = Coalition for Content Provenance and Authenticity)
• Adds support for Custom Grid Line (Note: Custom Grid Line is available as a paid license. Availability depends on the country and region.)

FTP transfer & network functions:

• Allows you to upload camera images directly to the Creators' Cloud app (Note: Creators’ App Ver. 2.3.1 or later is necessary. Settings must be made in the Creators' App in advance. For more information, please visit the Creators' App support website. Service may not be available in some countries or regions. Please refer to this support page.)
• You can now automatically schedule FTP transfer of protected movies and still images
• Movies/still images transferred via FTP transfer can now be automatically protected
• Adds a function to prioritize specific images via FTP transfer
• Adds support for SFTP (SFTP = Secure File Transfer Protocol)

Others:

• Fixes an issue where the camera would occasionally become unstable during continuous shooting
• Fixes an issue where the color of a JPEG image may change when cropped in the camera
• Fixes an issue where images may not be transferred properly during FTP transfer
• Fixes an issue where the folder name setting for still images may switch from the set value to the default value (MSDCF) when the battery is removed
• Fixes an issue where the camera may not be able to connect to the network
• Fixes an issue where the timecode wasn’t always retained after a power restart
• Improves the functionality and operational stability of the camera

Get the Sony Alpha 9 III at B&H.

Sony Alpha 1 firmware update version 2.01 is available for download.

Firmware Version 2.01 incorporates the following fixes and enhancements:

1. Fixes an issue where the camera may not be able to connect to the network after installing the system software update for Ver. 2.00. We apologize for the inconvenience.
2. This update also includes the benefits from the Ver. 2.00 update.

Notes from Sony:

Make a note of your settings (in case of updating from Ver. 1.32 or lower). After updating to this version, the camera settings will reset to the default values. Since this update adds functions and major specification changes, the camera settings will be initialized as part of the update process. We recommend you make a note of all the camera settings before proceeding. Even if you have saved the settings using the various save features available (such as Save/Load settings and Save/Load FTP settings) the settings before Ver. 1.32 cannot be applied after the update.

Switching from Imaging Edge Mobile to Creators' App: If you’re using the Imaging Edge Mobile app, please be aware that updated cameras will no longer be able to connect to this app. After updating your camera, install the Creators' App. Please make sure the Imaging Edge Mobile app is Ver. 7.7.2 or later in order to pair the camera with the Creators' App. If the Imaging Edge Mobile app is not Ver. 7.7.2 or later, update it before trying to pair the camera with the Creators' App.

Get the Sony Alpha 1 at B&H.

Canon has added first quarter financial results to the Investor Relations page.

Presentation Material
Results
Supplementary Data
Presentation Material and Speech Summary

Net sales for cameras were down 7.1% from Q1 2023, but Canon is still predicting +3.6% for the full year.

Buy your Canon cameras, lens, and accessories at B&H.

Tamron is in the Canon RF mount game with an APS-C lens:

TAMRON announces development of first CANON RF mount lens

The compact, lightweight, fast-aperture F2.8 ultra wide-angle zoom

April 23, 2024, 12AM ET / April 22, 2024, 9PM PT, Commack, NY – Tamron Co., Ltd. (President & CEO: Shogo Sakuraba; Headquarters: Saitama City, Japan; “TAMRON”), a leading manufacturer of optics for diverse applications, announces the development of TAMRON’s first CANON RF mount lens, 11-20mm F/2.8 Di III-A[1] RXD (Model B060), an ultra wide-angle zoom lens for APS-C mirrorless cameras. The lens is expected to launch within 2024.

TAMRON’s lenses for mirrorless interchangeable lens cameras are highly regarded for their combination of superior optical performance and compact, lightweight designs. After receiving many requests from customers to offer lenses compatible with the CANON RF mount, TAMRON made the decision to develop a lens for the CANON RF mount under a license agreement.

The 11-20mm F2.8 is a fast-aperture zoom lens covering a focal length range from ultra wide-angle 11mm to 20mm[2], with a maximum aperture of F2.8 across its full range of focal lengths. With a surprisingly compact and lightweight design for a fast, ultra wide-angle zoom lens, the lens feels well balanced when attached to a compact APS-C mirrorless camera body, making it ideal for regular use. Despite its small, lightweight design, it also delivers high-level imaging power with an uncompromising optical design. Wide macro shooting is possible at 11mm with an MOD (Minimum Object Distance) of 0.15m (5.9”) and maximum magnification ratio of 1:4, and its stunning close-range shooting performance enables creative use of perspective at the wide end. The lens also incorporates an AF drive system with an RXD (Rapid-eXtra-silent stepping Drive) stepping motor unit that is remarkably quiet. The lens accurately captures not only still images but also video. It is also highly practical, with Moisture-Resistant Construction, Fluorine Coating, and other features designed for outdoor shooting, enabling users to easily enjoy the high image quality of this ultra wide-angle large-aperture F2.8 lens under a range of conditions.

Product Features

1. Fast-aperture ultra wide-angle zoom lens
2. Compact and light weight
3. Outstanding optical performance
4. MOD of 0.15m (5.9”) and maximum magnification ratio of 1:4
5. High performance autofocus RXD stepping motor for both still and video use

[1] Di III-A: For APS-C format mirrorless interchangeable-lens cameras
[2] The full-frame equivalent of 17.6-32mm.

Specifications, appearance, functionality, etc. are subject to change without prior notice. This product is developed, manufactured, and sold under license from Canon Inc.

Get your Tamron lens at B&H.

Sigma Corporation has announced Canon RF mount compatibility (for a limited number of APS-C lenses):

SIGMA launches interchangeable lenses for Canon RF Mount system

SIGMA Corporation (CEO: Kazuto Yamaki) is pleased to announce the upcoming launch of interchangeable lenses for Canon RF Mount system. This addition allows users to enjoy high performance, and high quality SIGMA lenses in native mount on their Canon RF Mount system.

[Lineup]

For detailed product information, please refer to the link below.

< Launch in July, 2024 >

SIGMA 18-50mm F2.8 DC DN | Contemporary
Petal Type Lens Hood (LH582-02) supplied

< Launch in fall of 2024 and onwards >

SIGMA 10-18mm F2.8 DC DN | Contemporary
Push-on Petal Type Lens Hood (LH706-02) supplied

SIGMA 16mm F1.4 DC DN | Contemporary
Petal Type Lens Hood (LH716-01) supplied

SIGMA 23mm F1.4 DC DN | Contemporary
Petal Type Lens Hood (LH554-01) supplied

SIGMA 30mm F1.4 DC DN | Contemporary
Lens Hood (LH586-01) supplied

SIGMA 56mm F1.4 DC DN | Contemporary
Lens Hood (LH582-01) supplied

* These products are developed, manufactured and sold under license from Canon Inc.

[Main specifications and features]

Control algorithm including AF drive and communication speed optimization has been developed specifically for Canon RF Mount interchangeable lenses. In addition to realizing high-speed AF, the lens also supports AF-C (Continuous AF), in-camera aberration correction* and in-camera image stabilization. The mount is rubber-sealed to cater for use in a variety of environments.

* Available on supported cameras only.

Get your Sigma lens at B&H.

Sigma 60-600mm F4.5-6.3 DG DN OS Sports Lens firmware update version 02 is available for download (Sigma Global).

Sigma 150-600mm f/5-6.3 DG DN OS Sports Lens firmware update version 04 is available for download (Sigma Global).

These firmware update incorporates the following fixes and enhancements:

1. An issue where autofocus occasionally fails to focus when digital zoom is enabled.
2. Compatibility with continuous shooting of up to approximately 120 frames per second has been added for the focus modes (AF-S/DMF/MF) on Sony a9 III cameras.

Get the Sigma 60-600mm F4.5-6.3 DG DN OS Sports Lens and Sigma 150-600mm f/5-6.3 DG DN OS Sports Lens at B&H.

Image quality, vignetting, and distortion test results, along with specs, measurements, and standard product images, are now available on the Sony E 16-55mm F2.8 G Lens page.

I've wanted to put this lens in the lab for a long time, and the Sigma 18-50 was the lens I wanted to compare it to.

Compared to the Sigma 18-50mm F2.8 DC DN Contemporary Lens

Support this site by ordering the Sony E 16-55mm F2.8 G Lens (or anything else) from B&H | Sony | Adorama | Amazon (all available countries) | WEX | Camera Canada

Rent the Sony E 16-55mm F2.8 G Lens from Lensrentals.

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Learn more about the new DJI Power 1000 Portable Power Station and preorder with a $300.00 off introductory price at B&H.

A "Power 500" model and solar panel were also announced.

Canon RF 100-300mm F2.8 L IS USM Lens firmware update version 1.0.6 is available for download (Canon USA).

Firmware Version 1.0.6 incorporates the following fixes and enhancements:

1. Improves focus, making it more easily achievable, even when performing fast zooming operations.
2. Improves the Panning Assist control feature for 2nd and subsequent images captured during continuous shooting when using the electronic shutter.

Get the Canon RF 100-300mm F2.8 L IS USM Lens at B&H.

Canon RF 400mm F2.8 L IS USM Lens firmware update version 1.0.6 is available for download (Canon USA).

Firmware Version 1.0.6 incorporates the following fixes and enhancements:

1. Improves the Panning Assist control feature for 2nd and subsequent images captured during continuous shooting when using the electronic shutter.

Get the Canon RF 400mm F2.8 L IS USM Lens at B&H.

Canon RF 600mm F4 L IS USM Lens firmware update version 1.0.6 is available for download (Canon USA).

Firmware Version 1.0.6 incorporates the following fixes and enhancements:

1. Improves the Panning Assist control feature for 2nd and subsequent images captured during continuous shooting when using the electronic shutter.

Get the Canon RF 600mm F4 L IS USM Lens at B&H.