Canon and Sony News and What's New (Excluding Deals) (Page 11)

It is surprising how similar the performance and feature set of the Canon EOS R5 Mark II are to those of the flagship EOS R1 announced at the same time.

Check out the R5 II vs. R1 specification comparison along with the visual comparison of these cameras. What are the differences between the Canon EOS R5 Mark II and the R1? Here is a summary of the R1's advantages:

• 40 fps for 230 frames vs. 30 fps for 93 (having faster continuous shooting available is an advantage, but 30 fps is really fast)
• 2.7 ms imaging sensor readout speed vs. 6.3 (faster is better, but 6.3 ms is sufficient for most needs)
• Up to ISO 102400 and 409600 vs. 51200 and 102400 (at the same ISO settings, the R1 will have less noise when viewed at the pixel level. However, the R5 II image properly downsampled to 24 MP should appear similarly clean. The highest ISO settings are unusable)
• Up to 1/64000 shutter speed vs. 1/32000 (crazy fast holds a small niche advantage over extremely fast)
• Cross-type AF points (holds the potential for higher AF precision)
• Smart Controllers (powerful controls after some acclimation)
• 9.44 million dots, 0.90x EVF vs. 5.76 and 0.76x (bigger and better)
• Dual CFexpress type B memory card slots vs. CFexpress type B and SD (though some may prefer having an SD slot available)
• Integrated vertical grip, LAN port, and GPS (outstanding grip ergonomics, the grip, port, and GPS are available accessories for the R5 II)
• Superior dust and weather resistance (with both bodies significantly sealed, will we notice the difference?)
• More controls and buttons (these make the camera faster and easier to use. And, more complicated?)
• More powerful 2750 mAh LP-E19 battery pack vs. 2130 mAh (but the R5 II holds 4260 mAh in the vertical grip)

The R5 II's advantages are:

• 45-megapixel imaging sensor vs. 24 (a big difference, but not everyone finds the higher resolution worth the increased storage size and processing time)
• 8k vs. 6K (higher resolution is better if you use 8k)
• Waveform monitor (why doesn't the R1 have this?)
• Has an SD card slot available (accommodates less expensive, but slower, memory cards)
• Holds 4260 mAh of power in the vertical grip vs. 2750 mAh
• Considerably smaller size and lighter weight (without a vertical grip)
• Has a cooling fan available
• Considerably less expensive (always a solid advantage)

While the most demanding professionals will want the R1, the R5 II's performance is sufficient for a high percentage of needs and some of its advantages are significant.

Let me know if I missed a meaningful difference.

If you have not already done so, order these cameras immediately if you have even a remote interest in them.

More Information

Canon EOS R5 Mark II

Canon EOS R1

The good news is that the Canon RF 35mm F1.4 L VCM Lens dropped from the list. From Canon Japan (translated):

Apology and information regarding product supply status

Update date: July 23, 2024

Thank you for your continued patronage of Canon products.

Currently, we are experiencing delays in delivery for the following products due to orders exceeding our expectations and also due to the impact of global parts supply. We sincerely apologize to our customers and business partners for the inconvenience caused. We would like to apologize again for keeping our eagerly awaiting customers waiting for such a long time. We will continue to take measures to ensure a stable product supply so that we can deliver the products as soon as possible. We appreciate your understanding.

Product Name – About Supply

Canon EOS R1: We plan to ship the products one by one, but delivery may take longer than usual.

Canon EOS R5 Mark II: We plan to ship the products one by one, but delivery may take longer than usual.

Coling Fan: We plan to ship the products one by one, but delivery may take longer than usual.

Speedlight EL-1: We plan to ship the products one by one, but it is expected that it will take a considerable amount of time for delivery. If you place a new order, it may take up to six months for delivery.

Before we dig into the details, I strongly advise preordering these cameras immediately if you have even a remote interest in them. They are in extremely high demand, and I expect preorders to long consume supply. Orders are easy to cancel, but lines are not easy to get to the front of.

Important: Using the links on this site, including below, to place your order provides important support. Thanks in advance for that!

Extensive Hands-On Information:   Canon EOS R5 Mark II     Canon EOS R1

If you are short on time, browse the feature summaries near the top of each page. Note the comparisons between the R5 II and the R5, R6 II, R3, and R1 included on the Canon EOS R5 Mark II page.

Preorders

Canon EOS R5 Mark II: B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

Canon EOS R1: B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

Get extra Canon LP-E6P Batteries: B&H | Adorama | Canon USA | WEX

Canon BG-R20 Battery Grip: B&H | Adorama | Canon USA | WEX | Camera Canada

Canon BG-R20EP LAN Port Grip: B&H | Adorama | Canon USA | WEX | Camera Canada

Canon CF-R20EP Cooling Fan Grip: B&H | Adorama | Canon USA | WEX | Camera Canada

If you have not already done so, preorder these cameras immediately if you have even remote interest in them.

From Canon USA:

CANON OFFICIALLY LAUNCHES THE NEW EOS R1 AND EOS R5 MARK II FULL-FRAME MIRRORLESS CAMERAS

MELVILLE, N.Y., - July 17, 2024 — Canon U.S.A., Inc., a leader in digital imaging solutions, today launched two new professional full-frame mirrorless cameras, the EOS R1 and EOS R5 Mark II. The EOS R1 camera is designed for both professional still photographers and video creators in a wide range of fields including sports, news reporting and high-end video production. The EOS R5 Mark II camera features improved video focused features for the advanced creators and real-time multi recognition tracking system for those who focus on still photography.

Canon EOS R1 Camera is “Ahead of the Game”

Canon’s EOS 1-series legacy continues with the unveiling of the flagship EOS R1 camera. This high-performance, reliable, and weather-resistance camera is designed for professionals in the photojournalism, sports and wildlife fields. Key features of the EOS R1 camera include:

• Back-illuminated stacked 24.2 megapixel full-frame sensor and new processing system for extremely fast reading
• Increased read-out speed, reducing “rolling shutter” distortions
• Still-image shooting speeds up to 40fps
• “Cross-type AF” imaging sensor for more positive focus on subjects with linear detail
• Strong video capabilities, up to 4K (also 6K RAW video options)

Canon EOS R5 Mark II Camera helps users “Master the Moment”

For the professional who demands high-quality still and video output, the EOS R5 Mark II camera is ready to deliver. Designed with performance and image quality at its core, the EOS R5 Mark II camera offers the fundamental elements in one package for sports/wildlife photographers, journalists/producers, video producers and visual creators. Key features of the EOS R5 Mark II camera include:

• Back-illuminated stacked 45 megapixel full-frame sensor and new processing system for extremely fast reading
• When compared to previous EOS R camera models, more advanced and powerful AF system including Eye Control AF and new subject tracking technologies
• Cinema EOS video features such as:
  • Custom Picture color profile including Canon Log 2
  • False Color Wave Form Monitor
  • 4CH Audio with 24bit LPCM
  • Pre-recording up to 5 seconds

Accessories for the EOS R5 Mark II camera were designed thoughtfully with the end-user in mind. There is a new, more powerful battery. The LP-E6P battery, when compared to previous battery versions, features higher continuous power and two-times the amperage. Optional battery grips were also thoughtfully designed, and there are three options:

• BG-R20 – For vertical operability
• BG-R20EP with Ethernet Port – Enables high-speed wired communication
• CF-R20EP with Cooling Fan and Ethernet – Cooling fan helps maximize movie performance

Both cameras feature the new DIGIC Accelerator, which is an addition to the DIGIC X processor. The DIGIC Accelerator assists with deep learning processing which helps to quickly analyze large volumes of data and supports the next-gen AF system, Dual Pixel Intelligent AF. Dual Pixel Intelligent AF is based on Accelerated Capture and deep learning, allowing end-users to experience tracking advancements, such as body, joint and head area estimation and focus on people other than the main subject.

Price and Availability

The Canon EOS R1 camera is expected to be available in the Fall of 2024, for an estimated retail price of $6,299.00*. The Canon EOS R5 Mark II camera is expected to be available in August 2024, for an estimated retail price of $4,299.00* for the camera body only. The EOS R5 Mark II camera kit, which will include the RF24-105mm F4 L IS USM lens, will have an estimated retail price of $5,399.00*.

Pricing for the battery grips: BG-R20 – $349.99; BG-R20EP - $499.99; CF-R20EP - $399.99

Much More Information

Canon EOS R5 Mark II

Canon EOS R1

Order your cameras here.

# # #

*Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary.

Just posted: Canon RF 35mm F1.4 L VCM Lens Review.

Find out how the new lighter, smaller, and more affordable 35 L lens performs. Additional sample photos are coming.

Support this site by ordering the Canon RF 35mm F1.4 L VCM Lens from B&H | Adorama | Canon USA | WEX | Amazon (all available countries) | Camera Canada

From Sony Electronics:

Sony Electronics Announces the Next-Generation ZV-E10 II and E PZ 16-50mm F3.5-5.6 OSS II Lens Kit

The Newest APS-C Camera in Sony’s ZV Series Brings Highly Requested Features and Updates to the Top-Selling Mirrorless Camera

July 10, 2024

SAN DIEGO, July 10, 2024. Sony Electronics launches the ZV-E10 II, the second generation of the top-selling mirrorless ZV-E10 cameraⁱ. The original ZV-E10 is a staple APS-C camera in Sony’s ZV content creation camera series, designed to provide an easy, compact, and versatile tool for content creators of any level. The new ZV-E10 II maintains all the features creators love about the original, such as Creative Looks, Product Showcase Setting, Background Defocus function, and the vari-angle flip screen – and builds on it to increase sophistication and ease of use.

The ZV-E10 II’s internal hardware has been improved from its predecessor with an upgraded 26-megapixel (MP) (approx. effective) Exmor R™ CMOS sensor and adoption of Sony’s latest BIONZ XR™ image processing engine. A few additional updates to this model include improved autofocus and video capturing capabilities: Cinematic Vlog Settingⁱⁱ, a new vertical format user interface (UI), an upgraded large-capacity Sony Z battery for improved stamina and improved connectivity for easy live streaming and data transfer. Staying true to the ethos of the ZV Series, this camera has been redesigned to streamline the content creation process even further, enabling creators to focus less on camera settings and more on their art and creativity. It is compact and lightweight and fits into a creator’s hand with ease, weighing in at approximately 377 gramsⁱⁱⁱ.

In addition, the E PZ 16-50mm F3.5-5.6 OSS II (SEL1650/2) is announced, a compact APS-C power zoom lens which will be available separately or as part of the ZV-E10 II’s camera kit. The upgraded kit lens is lightweight and offers improved autofocus (AF) and video performance compared to the first-generation model.

“From the beginning, the goal of the Sony ZV line was to create cameras that produced high-quality results while being extremely easy to use. Today, the ZV line continues to uphold that standard, but we’re taking it a step further,” says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “Our aim with the advancements of the ZV-E10 II is to inspire creators to develop or recreate their own unique style through features like personalized Creative Looks and Cinematic Vlog Setting. We are continually evolving our technology to help creators of all skill levels bring their visions to life.”

Create Your Own Photo and Video Aesthetic

The ZV-E10 II features two key functions designed to produce premium-looking content straight from the camera, Creative Looks and Cinematic Vlog Setting. When shooting both stills and videos, users can instantly enhance their images by selecting any of the ten Creative Look options: Standard (ST), Portrait (PT), Neutral (NT), Vivid (VV), Vivid 2 (VV2), Film (FL), Instant (IN), Soft Highkey (SH), Black & White (BW), and Sepia (SE). Each of these looks are further customizable and can be edited through eight different parameters, allowing creators to fine-tune their content. Once customized, creators can save up to six custom styles directly in the camera for easy access and reuse.

The ZV-E10 II allows creators to produce premium, cinematic video content with a single touch using the Cinematic Vlog Setting. This feature automatically adjusts the aspect ratio, frame rate, and AF transition speed to optimal settings for cinematic video capture. Additionally, creators can enhance their footage by selecting from five “Looks”, such as S-Cinetone™ that enhances skin tones, and applying one of four “Moods”^iv, that emphasize specific colors, offering extensive options to maximize creative expression.

Key Camera Specifications

• 759-point Focal Plane Phase-detection AF^v with Real-time Eye AF for Human/Animal/Bird and Real-time Tracking
• Backside illuminated 26MP Exmor R CMOS sensor offering an ideal combination of high sensitivity and low noise with an ISO range from 100 to 32000^vi
• APS-C interchangeable lens camera compatible with over 70 Sony E-mount lenses
• High-speed readout, 5.6K oversampling compresses a vast amount of information into stunning 4K footage at up to 60p^vii
• Active Mode^viii electronic image stabilization employs a precision gyroscope and advanced algorithm to accurately measure and compensate for camera shake, providing highly effective stabilization without sacrificing mobility, even when shooting 4K
• Upgraded large-capacity Z battery (NP-FZ100), allowing continuous movie recording^ix for up to 195 minutes per charge

Additional Features to Streamline Content Creation

• New Vertical User Interface (UI) that auto rotates from horizontal to vertical orientation to streamline vertical content creation. When paired with the vari-angle LCD monitor, users can create and view their content from any angle
• With 4K 60p capture and up to 120p capture in clear XAVC-S Full HD quality, the user can record stunning motion sequences using the S&Q modex at 5x slow motion (24p playback)
• Product Showcase Setting which delivers convenient shooting of product review videos with smooth focus transitions from your face to the item being highlighted
• Background Defocus Function to adjust the depth of field and create bokeh within the background with a single touch
• Face Priority Auto-Exposure immediately detects faces and adjusts the exposure to optimize facial brightness, even while actively recording in changing lighting scenarios
• Soft Skin Effect smooths the appearance and reduces blemishes on the subject’s skin
• Stress-free connectivity with the USB 3.2 Type-C® (SuperSpeed USB 5 Gbps) port also allows high-speed wired transfer to a compatible smartphone or PC through the Creators App for easy post-production and sharing on social media^xi
• Time-lapse sequences^xii can be created in-camera and the exposure interval can be set from 1 second to 60 seconds^xiii
• Advanced, onboard 3-capsule microphone with selectable directivity (previously debuted in the ZV-E1) for capturing clear, high-quality audio. Users can select “Auto” or choose from “Front”, “Rear”, or “All Directions” for the audio directivity depending on the environment and recording scenario settings
• Supplied with the camera, is a windscreen to reduce noise when shooting in windy conditions
• Multi-interface (MI) shoe allows for simple connection to an external microphone for additional audio options, if needed
• Livestream through the support of 5 GHz^xiv Wi-Fi connectivity
• Sony’s Screen Reader function^xv, which reads menus and video playback screens aloud to assist operations, and a menu Magnify Display function are included to provide accessibility solutions
• Designed with Environmentally Friendly Principles in Mind

The ZV-E10 II camera body is made from recycled materials, including SORPLAS™ ^xvi, reducing environmental impact without sacrificing functionality. The individual packaging is made from Sony's unique recycled paper "Original Blended Material" that uses materials such as bamboo, sugar cane fiber, and recycled paper collected from the market. Over the past 11 years, Sony has replaced approximately 395 tons^xvii of virgin plastic with recycled plastic in digital cameras and digital video cameras.

Main Features of the Versatile E PZ 16-50mm F3.5-5.6 OSS II

The E PZ 16-50mm F3.5-5.6 OSS II is Sony’s 75th E-mount lens and an ideal kit lens solution for the new ZV-E10 II due to its compact size and versatile range (35 mm full-frame equivalent focal length: 24-75 mm). High-resolution performance is achieved by four aspherical elements and one ED (Extra low Dispersion) element in an effective optical design. With a minimum focusing distance of 9.8 inch (0.25 m) (wide)/ 11.8 inch (0.30 m) (tele) and maximum magnification of 0.215x, the E PZ 16-50mm F3.5-5.6 OSS II offers versatile close-up performance to capture details. It retracts to a total length of approximately 1.25 inches (31.3 mm) when camera power is turned off. Due to its diminutive size and low weight of approximately 3.8 oz. (107 grams) it is a portable lens that can support day-to-day shooting.

Smooth, useful power zoom is ideal for movie shooting, and AF is available even while zooming. Built-in optical stabilization works with in-body stabilization^xviii, including Active Mode, to minimize blur in movies. The E PZ 16-50mm F3.5-5.6 OSS II supports in-body breathing compensation^xix to minimize shifts in angle of view while focusing for smooth, stable footage.

Pricing and Availability

The ZV-E10 II will be available at the end of July 2024 for a suggested retail price of $999 USD ($1,399 CAD) for the camera body only, and $1,099 USD ($1,499 CAD) for the kit. The E PZ 16-50mm F3.5-5.6 OSS II in black will be available in August 2024 for a suggested retail price of $299 USD ($399 CAD). They will be sold directly through Sony.com and other Sony authorized dealers throughout North America.

Orders

Preorders will be accepted starting Thu, Jul 11, 2024 at 10:00am ET.

Order the Sony ZV-E10 II and Sony E PZ 16-50mm f/3.5-5.6 OSS II Lens at B&H.

Order the Sony ZV-E10 II and E PZ 16-50mm F3.5-5.6 OSS II Lens direct from Sony.

Order the Sony ZV-E10 II and Sony E PZ 16-50mm f/3.5-5.6 OSS II Lens at Wex.

Notes:

ⁱ Sony’s Alpha ZV-E10 is #1 in Mirrorless Cameras. Source: Circana, Retail Tracking Service, 12 months ending December 2023, U.S. unit sales

ⁱⁱ Available in the movie and S&Q modes. Not available for XAVC S-l 4K recording in S&Q mode.

ⁱⁱⁱ Weight included with battery and SD card.

^iv Mood is not available when the [Mono] Look is selected.

^v When shooting stills. The number of AF points depends on the shooting mode.

^vi Expandable to ISO 50 - 102400 when shooting stills. ISO range is 100 - 6400 when SteadyShot is set to Active.

^vii Recording frame rates are listed as integer values, but the actual frame rates are as follows: 24p = 23.98 fps, 30p = 29.97 fps, 60p = 59.94 fps, and 120p = 119.88 fps.

^viii Slight image crop in Active Mode. Active Mode is not available when recording at frame rates of 120 fps/100 fps or higher, including S&Q. ISO range is 100 - 6400 when SteadyShot is set to Active in movie mode.

^ix When the battery is fully charged, using the E PZ 16-50mm F3.5-5.6 OSS II and recording in XAVC S HD 60p 50M 4:2:0 8-bit. Actual performance varies based on settings, environmental conditions, storage, and usage. ? Batteries are consumable products and their capacity degrades over time as they age. Sony does not guarantee the life span of the battery.

^x Audio recording is not available in the S&Q mode.

^xi The Creators' App is required for transfer to a smartphone. Visit https://www.sony.net/cca/ for information on regional availability. The server info and stream key for the streaming service to be used must be registered before use. Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.

^xii Shooting time will vary according to conditions. Use the [Interval Timer] function to shoot time-lapse sequences at long intervals (e.g. 10 minutes or more).

^xiii Maximum shooting interval is 6 seconds when shooting 4K.

^xiv 5 GHz communication may be restricted in some countries and regions.

^xv Supported languages differ depending on the sales region.

^xvi Depending on the time of production, SORPLAS™ may not be used for some parts.

^xvii ? According to Sony. Recycled materials used for product bodies and accessories from April 2012 to March 2023.

^xviii See camera compatibility (Image stabilization with body-lens coordinated control) info at: https://www.sony.net/dics/fnc1002/

^xix Please refer to support page; https://support.d-imaging.sony.co.jp/www/cscs/function/compatibility.php?area=jp&lang=en&cs_ref=slct_lang&fnc=1001

One power adapter to replace them all. The Xcellon PDG-4200B 4-Port 200W GaN USB Charger is on sale for half price today ($59.99) at B&H.

We have an ever increasing number of USB charged and powered devices, and often, each has its own power adapter, often vying for receptical space in the same location. Taking all those chargers traveling is another complication.

What if a single charger could cover of all your needs? And, what if that charger had more power than all your other chargers combined? This might be that one.

B&H recently sent me the high-quality, ultra-useful, Xcellon PDG-4200B GaN (Gallium Nitride, remains cooler than silicon) charger, featuring 4 ports with up to 200W total power output. Increasing our productivity (and feeding our impatience) is this charger's support of PD 3.0, PPS (Programmable Power Supply), QC4+, and Samsung Super Fast fast charging. Short circuit, overcurrent, overvoltage, and overtemperature preventions are provided.

The individual port ratings add up to more than the 200w this charger is capable of, and thus, limits are imposed. Here are the possible power distribution combinations:

USB-C (Port 1 or 2): 100W
USB-C (Port 3): 65W
USB-A: 60W
USB-C (Port 1 and 2): 100W + 100W
USB-C (Port 1 or 2 and 3): 100W + 65W
USB-C (Port 1 or 2) and USB-A: 100W + 60W
USB-C (Port 3) and USB-A: 12W + 12W
USB-C (Port 1 & 2) and USB-C (Port 3) or USB-A: 100W + 65W + 30W
USB-C (Port 1 or 2), USB-C (Port 3), and USB-A: 100W + 12W + 12W
USB-C (All 3 Ports) and USB-A: 100W + 65W + 12W + 12W

The 3' (0.9m) power cable moves the snarl and space competition away from recepticals.

The simple charger is compact, measuring only 3.5 x 2.5 x 1.4" (89.2 x 64.7 x 36.3 mm), with the 11.7 oz (331 g) weight being its primary con. The weight feels substantial compared to the small size, but it aids in the solid feel.

With various devices connected to the same charger, it seems that hub capabilities would have been an easy feature to include, but this device is dedicated to providing power.

Consider pairing this charger with Pearstone USB4 Type-C 240W Power Delivery Cables (up to 40 Gb/s, 48V/5A, Thunderbolt 3 & 4) to power laptops, cameras, etc.

Get the Xcellon PDG-4200B 4-Port 200W GaN USB Charger for half price today at B&H.

On June 5th, Canon promised firmware updates delivering enhanced features for Cinema EOS cameras and pro camcorders. Those updates are now available.

EOS C500 Mark II/ EOS C300 Mark III Cameras

• “Sensor Mode” will be saved to an assignable button on the camera body to quickly change between Full-frame, Super 35mm and Super 16mm crop modes.
• The Focus Guide box will have two size options: Standard and Large (approximately two times larger than standard).
• Camera LCD screen will display a playback marker in Media Mode.
• For the EOS C300 Mark III camera:
  • Cinema RAW Light HQ/ST/LT recording modes will be added.
  • Auto ISO/Gain functions that can be operated from the camera menu, an assignable button, or with a compatible remote-control unit will be added.

EOS C70/EOS R5 C Cameras

• Same Focus Guide and playback marker enhancements as the C500 Mark II and C300 Mark III cameras will be added.
• Option of assigning functions to the select dial on the back of the camera, including AF subject selection, shutter, iris, ISO/gain, and white balance mode will be added.
• For the EOS R5 C camera, the following will be added:
  • Ability to adjust the thickness of the AF frame, making it easier to see in certain lighting conditions
  • Ability to reset the AF position by pushing the joystick or set buttons
  • When shooting RAW VR content with Canon’s dual fisheye lens, you will be able to record both the peripheral illumination and chromatic aberration data. This will help with processing footage into smoother and even more amazing VR content than before the firmware update.
  • New features from the March 2024 R5 firmware update.

XA75/70, XA65/60 and VIXIA HF G70 Camcorders

• Option to view the date and time in the on-screen display (OSD) while recording will be added. White balance will be able to be changed while recording.

Download the firmware updates from the Canon USA Support page.

Image quality, vignetting, and distortion test results are now available on the Canon RF 35mm F1.4 L VCM Lens page.

Here are some comparisons to get you started:

Compared to the Canon EF 35mm f/1.4L II USM Lens

Compared to the Sony FE 35mm F1.4 GM Lens

Compared to the Sigma 35mm f/1.4 DG DN Art Lens

Compared to the Tamron 35mm f/1.4 Di USD Lens

Please share!

Support the site by ordering the Canon RF 35mm F1.4 L VCM Lens from B&H | Adorama | Canon USA | WEX | Amazon (all available countries) | Camera Canada

Rent the Canon RF 35mm F1.4 L VCM Lens from Lensrentals.

From Sony Japan (translated):

Notification of free repairs and apology to customers who use CFexpress Type A memory cards CEA-G series

Thank you for using Sony products. We have discovered that in some CFexpress Type A memory cards in the CEA-G series, there are rare cases where the card is not recognized or writing does not finish in low-temperature environments near the lower limit of operating temperature (-10°C).

Therefore, we will repair the affected products free of charge during the free repair period listed below. If you are using an affected memory card product, please check whether your product is eligible for free repair, and if so, please apply via the website below or contact us at the address listed below. We apologize for any inconvenience caused to customers using the affected products. We appreciate your continued patronage of our products.

Products CFexpress Type A memory cards CEA-G series
CEA-G80T / CEA-G160T / CEA-G320T / CEA-G640T that have the specific numbers listed below printed on the back of the product How to check for applicable items The following numbers are printed on the back of the product.
*Please take a photo of the number on the back of the product using your smartphone or other device, enlarge it, and check the number.

(1) CEA-G80T:

Products with 8-digit numbers 22030050 to 23050157, except for products with the following numbers: 22030077, 22030094 , 22040022, 22050028, 22050067, 22070075, 22110010, 22110015, 22110029, 22110037, 22110103 Products with the nine-digit number 220300500 to 230501570

(2) CEA-G160T:

Products with 8-digit numbers 22030127 to 24029999,
except for products with the following numbers:
22040025, 22040068, 22050029 , 22050068, 22070076
Products with a 9-digit number between 220301270 and 240299990

(3) CEA-G320T:

Products with 8-digit numbers between 22090001 and 24029999
Products with a 9-digit number between 220900010 and 240299990

(4) CEA-G640T:

Products with 8-digit numbers between 23010001 and 24029999
Products with a 9-digit number between 230100010 and 240299990

Free repair period

Until June 29, 2029

Confirmation of applicable items by number

Enter the number in the "Apply online" [Japan] section below and press the "Proceed to confirmation/application screen" button to check whether or not your product is eligible for free repair.

at B&H.

Skylum has announced Aperty Portrait Software.

The first 1,000 customers get a lifetime license.

From Skylum:

Skylum Announces A New Photo Editing App For Professional Portrait Photographers

NEW YORK, NY – May 23, 2024 - Skylum, a leading innovator in photo editing software and the company behind the award-winning, AI-powered program Luminar Neo, is proud to announce Project “Barcelona”, a new desktop application specifically for professional portrait retouching.

Recognizing the increasing demand for time-saving tools in portrait photography that would enable professional and semi-professional photographers to focus on creative growth and client engagement, Skylum is collaborating with renowned portrait photographer Julia Trotti to develop this specialized software solution. Set for release in September 2024, Project “Barcelona” will empower photographers by automating routine face retouching processes through an efficient, AI-optimized workflow that runs locally on the user’s device, making it as easy as applying presets. With the added advantage of precise and adjustable masking tools, it provides enhanced control and accuracy for perfect results every time. This, in turn, will allow portrait photographers to balance the time-intensive task of photo retouching with shooting and growing their photography business.

Designed with the specific needs of portrait photographers in mind, the new app’s key features include:

Skin Toning: Make subtle changes to the skin tone of specific areas thanks to an accurate facial skin segmentation model; remove the red hue or unify the overall color. On top of that, the new app's state-of-the-art face mesh model provides unique makeup correction capabilities, allowing the application of extra textures like blush, highlight, and contour, and changing the color of lips, brows, and other elements.

Eye Enhancement: Add iris flare, remove redness, and adjust eye shape with a comprehensive suite of tools to perfect a subject’s eyes in portraits.

Teeth Whitening: Ensure radiant smiles with advanced teeth whitening and brightening capabilities.

Makeup Application: Enjoy customizable options for creative makeup styles and colors to compliment any complexion, clothing, or backdrop.

Bokeh Effects: Create stunning depth-of-field effects with the bokeh feature, adding dimension and allure to portraits.

Body Enhancement: Adjust bodily proportions to correct posture and account for unflattering angles, making sure portraits capture subjects in their best light.

"In the development of Project “Barcelona” (public name to be announced soon), we’re working closely with acclaimed photographer Julia Trotti to infuse our software with professional insights that meet the specific needs of portrait photographers everywhere," says Ivan Kutanin, CEO of Skylum. "Just as Luminar Neo provides convenient editing solutions for a broad set of photography challenges, this new app uses cutting-edge AI technology to help portrait photographers achieve top-quality retouching and inspire them with new creative possibilities."

Early bird offer starts June 25, 2024. Find out more on Skylum’s website and sign up for the waiting list for early access.

In April 2024, Sigma announced a list of lenses slated to gain Canon RF lens mount compatibility. The first lens on that list has now been formally announced. Expect the demand for the RF mount version of the #1 best selling mirrorless lens at B&H to be high.

Learn more about this lens in the site's review: Sigma 18-50mm F2.8 DC DN Contemporary Lens

Here is the official announcement from SIGMA Corporation:

Launch schedule of SIGMA 18-50mm F2.8 DC DN | Contemporary for Canon RF Mount

SIGMA Corporation is pleased to announce the launch schedule of SIGMA 18-50mm F2.8 DC DN Contemporary for Canon RF Mount.

Supplied accessories: PETAL-TYPE HOOD LH582-02, FRONT CAP LCF-55 III, REAR CAP LCR II

Mount: Canon RF Mount

Launch : July, 2024

* Product appearance and specifications are subject to change.

#SIGMA #SIGMA1850mmF28Contemporary #SIGMAContemporary #SIGMADCDN #SIGMARFMount

A large F2.8 aperture zoom lens that need never leave your camera. This exceptionally light, bright, and sharp standard zoom for crop-sensor mirrorless cameras is the ultimate workhorse lens.

Long-awaited Canon RF Mount addition

SIGMA's first APS-C size mirrorless dedicated zoom lens, the SIGMA 18-50mm F2.8 DC DN | Contemporary, will now be available for the Canon RF Mount. This addition allows users to enjoy high-performance, and high-quality SIGMA zoom lenses in native mount on their Canon RF Mount system.

A control algorithm including AF drive and communication speed optimization has been developed specifically for Canon RF Mount interchangeable lenses. In addition to realizing high-speed AF, the lens also supports Servo AF and in-camera aberration correction*. The mount is rubber-sealed to cater for use in a variety of environments.

* Available on supported cameras only.

Mount Conversion Service is available to convert other mounts of SIGMA 18-50mm F2.8 DC DN Contemporary to Canon RF Mount.

Features

1. Large F2.8 aperture and superb image quality

The compact body offers a versatile full-frame equivalent zoom range of 28.8mm to 80mm, a wide aperture of F2.8 throughout the entire zoom range that allows you to enjoy bokeh expressions, and sharp images achieved by the latest optical design technology. With a minimum focusing distance of 12.1cm and a maximum magnification of 1:2.8*1, it allows photographers to take advantage of the compact shooting system, such as shooting close-ups of your subject.

2. Exceptionally compact and lightweight body ideal for mirrorless cameras

The main feature of the SIGMA 18-50mm F2.8 DC DN | Contemporary is its overwhelmingly compact and lightweight body that maximizes the excellent portability and advantages of an APS-C mirrorless camera. Despite its large aperture of F2.8, it is the smallest and lightest in its class*2 boasting a maximum diameter of f69.2mm, a length of 74.5mm and weight of 300g.*3 This makes the large-aperture standard zoom easy to carry around in daily life.

*1 The minimum focusing distance and maximum magnification ratio are both values at the wide end.

*2 As an AF compatible, F2.8 constant aperture standard zoom lens for APS-C (as of June 2024, by SIGMA).

*3 Size and weight measurements given for Canon RF Mount version.

Specifications

Values are for Canon RF Mount

Lens Construction: 10 groups, 13 elements (1 SLD and 3 aspherical lenses)
Angle of View (APS-C): 73.4°(W)-30.0°(T)
Number of Diaphragm Blades: 7 (rounded diaphragm)
Minimum Aperture: F22
Minimum Focusing Distance: 12.1 (W) - 30 (T) cm / 4.8 (W) - 11.9 (T) in.
Maximum Magnification Ratio: 1:2.8 (W) - 1:5(T)
Filter size: 55mm
Dimensions (Diameter × Length): 69.2mm × 74.5mm / 2.7in. x 2.9in.
Weight: 300g / 10.6oz.

Product Barcode

Canon RF Mount: 00-85126-58572-3

Accessories (Supplied) Name of product / Product Barcode
LENS HOOD LH582-02: 0085126 939694
FRONT CAP LCF-55 III: 0085126 930066
REAR CAP LCR II: For Canon RF Mount 0085126 941468

Accessories (Optional) Name of product / Product Barcode
SIGMA WR PROTECTOR 55mm: 0085126 930912
SIGMA PROTECTOR 55mm: 0085126 931049
SIGMA WR UV FILTER 55mm: 0085126 930653
SIGMA WR CIRCULAR PL FILTER 55mm: 0085126 930783

Orders

Order the Sigma 18-50mm F2.8 DC DN Contemporary Lens in your preferred mount at B&H.

Just posted: Tamron 50-300mm F/4.5-6.3 Di III VC VXD Lens Review.

An attractive addition to Tamron's lineup.

Support this site by ordering the Tamron 50-300mm F/4.5-6.3 Di III VC VXD Lens (or anything else) from B&H | Adorama | WEX

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From Sony Europe:

Reuters selects Sony cameras for its worldwide video group equipment

Reuters’s global network of on location reporters will be using the Alpha 7S III and PXW-Z280 cameras starting this year to bring world events to everyone.

Weybridge, June 12th, 2024 – Sony is delighted to announce that Reuters, one of the largest news agencies in the world, has selected Alpha and XDCAM cameras, G Master lenses and audio equipment to equip its video journalists across the world. The fleet will be using Alpha 7S III, and PXW-Z280 as their main shooting kit, paired with UWP-D wireless audio.

Since its launch, the Alpha 7S III has established itself as a go to camera for on location content creators needing a compact form factor and exceptional picture quality. In this instance, the advanced autofocus performance for hybrid use, together with its outstanding low light performance were key features in Reuters’ decision making. Sony’s E-Mount strategy will also provide journalists with the flexibility to capture images in their truest form, when perfectly paired with the vast options of Sony lenses of their choosing, including the SEL2470GM2.

The PXW-Z280 has become an industry standard, thanks to its ease of use, electronic variable ND filter and Sony’s Instant HDR workflow, eliminating the need for colour grading. Its advanced network features and multiple format support means it can easily, securely, and wirelessly fit into a cloud-based news gathering workflow.

Both cameras benefit for the connectivity features needed to easily connect to the cloud for seamless and reliable content transfer, from the capture location back to the remote broadcast unit, particularly critical for news gathering, with its emphasis on speed.

The cameras and associated equipment started shipping to 23 Reuters locations across the world from April 2024.

This investment from Reuters is a testament to the long-standing relationship between Reuters Sony, powered by Sony’s in-depth knowledge of on the terrain requirement from journalists and Reuters mission to provide timely and quality news. Sony’s Media Backbone Hive is already in use at Reuters as its main multi-platform news production system.

Gildas Pelliet, Imaging and Professional Solutions, Sony Europe, commented: “We are delighted that Reuters has chosen Sony for this key piece of their technological ecosystem. In pressured environments, nothing is more important for a news organisation than to be reliable and timely. This is where reliability, picture quality and cloud-based workflows become crucial – and those are the qualities we have brought to our cameras and workflow solutions.

Sony Alpha 9 III firmware update version 2.01 is available for download (Sony USA).

Firmware Version 2.01 incorporates the following fixes and enhancements:

1. Fixes an issue where the exposure may be underexposed when shooting continuously with an aperture value of F18 or higher
2. Improves the operational stability of the camera

Get the Sony Alpha 9 III at B&H.

Canon has released a new version of EOS Utility.

Changes for EOS Utility 3.18.5:

• Supports RF-S3.9mm F3.5 STM DUAL FISHEYE

To install the updates, select "Check for updates" on the application's Help menu. Alternatively, download EOS Utility 3.18.5. (thanks, Scott!)

Image quality test results are now available on the Tamron 50-300mm F/4.5-6.3 Di III VC VXD Lens page.

Interesting addition to Tamron's lineup.

Compared to the Tamron 50-400mm f/4.5-6.3 Di III VC VXD Lens

Support this site by ordering the Tamron 50-300mm F/4.5-6.3 Di III VC VXD Lens (or anything else) from B&H | Adorama | WEX

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Sony Alpha 1 firmware update version 2.02 is available for download.

Firmware Version 2.02 incorporates the following fixes and enhancements:

1. Fixes an issue where the camera might not work properly when using the SEL200600G lens
2. Improves the operational stability of the camera

Notes from Sony:

• Updates should be installed in chronological order. When updating from Ver. 1.32 or earlier, you need to update to Ver. 2.01 first before proceeding with the Ver. 2.02 update. [and the version 2.01 upgrade will require reconfiguration of the camera]
• Update software for this product will be provided in the memory card version.
• You can download the software update using the Creators' App available in the App Store and Google Play.

Get the Sony Alpha 1 at B&H.

Just posted: Sony FE 16-25mm F2.8 G Lens Review.

Great lens.

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Support this site by ordering the Sony FE 16-25mm F2.8 G Lens (or anything else) from B&H | Sony | Adorama | Amazon (all available countries) | WEX | Camera Canada

Rent the Sony FE 16-25mm F2.8 G Lens from Lensrentals.