Canon and Sony News and What's New (Excluding Deals)
The Canon EOS R1 is in stock at Amazon via Canon-authorized Focus Camera. Returnable through Jan 31, 2025.
Sony a1 II and FE 28-70mm F2 GM preorders are now live.
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Sony FE 28-70mm F2 GM Lens preorders start at 9:30am ET, Wed Nov 20. Support this site by ordering the Sony FE 28-70mm F2 GM Lens at B&H | Sony | Adorama | WEX | Camera Canada
From Sony Electronics:
Sony Electronics Announces Its First Constant F2 Aperture Zoom Lens: The Full-Frame 28-70mm F2 G Master™
The Unique Combination of a Versatile Focal Range, Large F2 Aperture, and Compact Form Factor
SAN DIEGO, Nov. 19, 2024 - Sony Electronics Inc. introduces the 28-70mm F2 G Master, the first1 Sony zoom lens with a constant F2 aperture and 77th lens in the Sony E-Mount lineup. This full-frame lens offers a versatile focal range from 28mm to 70mm while delivering prime-like2 bokeh with its constant F2 aperture. Despite its wide aperture and zoom range, the 28-70mm F2 G Master remains compact, lightweight, and well-balanced, making it ideal for both photography and video applications. This combination of zoom range, large aperture, and compact design makes this an innovative and versatile lens for portrait, sports, wedding, event, and video professionals.
“Our goal with the 28-70mm F2 G Master was to create a high-performing zoom lens that could be a strong single lens alternative to multiple primes,” said Yang Cheng, Vice President of Imaging Solutions, Sony Electronics Inc. “We prioritized a lightweight design during the engineering process as we knew that was a critical factor for real-life, practical use. And in a manner that only Sony can do, we were able to deliver a small, standard F2 zoom lens that does not sacrifice image quality. We’re proud to add this to our G Master series and believe it is one of the most innovative lenses ever offered to professionals.”
Sharp Imagery and Beautiful Bokeh
The 28-70mm F2 G Master produces extremely sharp corner-to-corner results throughout the entire zoom range, even while shooting wide open at F2. The high-resolution output is made possible by the three XA (extreme aspherical) elements and three aspherical elements built within the lens that minimize aberrations. The lens also features a floating focusing system that helps maintain internal stability. This focusing mechanism enables an impressive minimum focusing distance of up to 14.8 inches (0.38m) throughout the entire zoom range.
Staying true to the G Master lens lineage, the lens’ aperture up to F2 produces extraordinary bokeh, ideal for creating images that showcase a shallow depth of field. The 28-70mm F2 amplifies the G Master bokeh standards through a newly designed 11-blade circular aperture unit. Chromatic aberrations, which cause color fringing within photos, are effectively minimized with three Super ED (extra-low dispersion) elements and one ED element built within the lens. Additionally, Sony’s Nano AR Coating II reduces flare and internal reflections, ensuring clear images, even when strong light sources are present in the frame.
Compact, Lightweight Design Without Compromising Quality
The 28-70mm F2 G Master is one of the most advanced mirrorless camera lenses manufactured with a total 20 different lens elements arranged within 14 internal groups. Despite the advanced optical design, the lens remains compact at 3.6 x 5.5 inches (92.9 x 139.8mm) and lightweight at approximately 32.3 ounces (918g). The combination of imaging performance and a compact form factor offers an innovative solution that meets the demands of industry professionals.
Precise Autofocus Tracking with Instant Response
Reliable and responsive autofocus is delivered through the lens’ four XD (extreme dynamic) linear motors powered by advanced control algorithms. This smooth performance system provides accurate and quick focus tracking, often essential in many professional use cases like weddings and sports. This lens is fully compatible with Sony’s Alpha 9 III‘s high-speed continuous shooting capabilities of up to 120 frames per second3 with AF/AE (autofocus/autoexposure) tracking, even while zooming.
Designed for High-Performance Video Shooting
Along with its F2 aperture, the zoom range of the 28-70mm G Master provides a versatile video option that can cover standard field-of-view shots and tighter compositions up to 70mm. This lens minimizes focus breathing through its build and compatibility with the Breathing Compensation feature on various Alpha bodies4. Its high autofocus performance ensures reliable focus even when recording in high frame rates up to 4K 120p / FHD 240p5. Additionally, the XD linear motors and newly developed aperture unit operates silently, preventing any lens noise from being captured during filming.
The lens is ideal for gimbal use with a minimal zoom extension of approximately .68 inches. The compact form factor and short external zoom helps maintain gimbal balance, even at varying focal lengths.
Operability and Reliability for Versatile Control
Key control features include Linear Response MF for intuitive manual focusing, adjustable zoom ring torque, and an aperture ring with a click ON/OFF switch. The lens also offers two customizable focus hold buttons, an iris lock switch, and an AF/MF switch. The 28-70mm F2 G Master has an 86mm filter diameter and a convenient window on the lens hood for variable filter adjustments.
For durability, all buttons and switches are sealed with silicone gaskets, and critical areas are designed to resist dust and moisture6. This ensures reliability, even while using in challenging outdoor environments. Additionally, a fluorine coating on the front element repels contaminants for easy cleaning.
Pricing and Availability
The 28-70mm F2 G Master will be available in December 2024 for approximately $2,899.99 USD and $3,999.99 CAD. It will be sold at a variety of Sony's authorized dealers throughout North America.
1 As of the November 2024 announcement, Sony survey
2 Sony survey
3 Sony test conditions. Maximum continuous shooting speed may be lower in some conditions. Continuous shooting speed may vary depending on the lens used in the AF-C focus mode. Refer to Sony’s lens compatibility support page for details.
4 Angle of view and image quality may change slightly when this function is [ON]. Effective compensation may not be achieved in all situations. See camera compatibility info at: https://www.sony.net/dics/breathing/
5 Depending on the camera and settings used.
6 Not guaranteed to be 100% dust and moisture proof
Sony a1 II preorders start at 9:30am ET, Wed Nov 20. Support this site by ordering the Sony Alpha 1 II (or anything else) from B&H | Sony | Adorama | WEX | Camera Canada
From Sony Electronics:
Sony Electronics Announces Second-Generation Flagship Alpha 1 II
A Combination of High Resolution, Speed, and AI Recognition Designed for Professionals
SAN DIEGO, Nov. 19, 2024 – Today Sony Electronics Inc. introduces the Alpha 1 II, its new flagship full-frame camera. This mirrorless camera brings together some of the most requested and beloved features of Sony's high-end camera lineup into one body, designed to be the most reliable and strongest choice for any professional application. The Alpha 1 II combines high resolution, speed, and cutting-edge AI-driven technology to meet the output and workflow needs of professional photographers and videographers. Designed for professionals at the top of their game, the Alpha 1 II is an ideal hybrid tool for photojournalism, wildlife, sports, portraiture, weddings, and commercial work.
Key features of the Alpha 1 II include:
- High-resolution full-frame Exmor RS® stacked CMOS sensor with an approximate effective 50.1 MP (megapixels)
- Up to 30 fps (frames-per-second) blackout-free continuous shooting with AF/AE (autofocus/autoexposure) tracking1
- AI processing unit bringing advanced AI-based subject recognition performance and a new “Auto” recognition mode that automatically detects subjects
- High-speed anti-distortion shutter reduces rolling shutter effect for clear undistorted images
- Pre-Capture of up to one second2 and Continuous Shooting Speed Boost
- Improved optical image stabilization of up to 8.5 stops (center) and 7.0 stops (periphery)3 for still images and a new Dynamic active Mode for videos4
- Updated processing algorithms for improved image noise reduction at mid-to-high ISO sensitivities
- Up to 8K 30p / 4K 120p and 10-bit 4:2:2 video recording with Breathing Compensation, Auto Framing, and import User LUTs
- Updated ergonomics and a lightweight design of approximately 743 grams (1 lb, 7.3 oz)5
“The original Alpha 1 was a groundbreaking release in 2021, and since then Sony has continued to raise the bar, year over year. When developing the successor to our esteemed flagship model, we made it our mission to incorporate feedback from the industry and the community of Alpha 1, Alpha 7R V and Alpha 9 III users. The result is a powerhouse of a camera - our highest-performing, most balanced, utilitarian tool on the market,” said Yang Cheng, Vice President of Imaging Solutions, Sony Electronics Inc. “The Alpha 1 II stays true to the Alpha 1’s foundational core of high resolution and speed but is amplified with a dedicated AI processing unit and enhanced ergonomics. It is sure to be seen as Sony’s strongest and most reliable hybrid camera ever created.”
High Resolution, Speed, and AI Combination
The Alpha 1 II camera’s exceptional reliability and versatility arises not just from strength of any single feature, but from the combination of its resolution, speed, and AI capabilities coexisting to amplify one another. Here is a breakdown of each:
High Resolution: The Alpha 1 II produces high-resolution images with a wide dynamic range through the full-frame Exmor RS® stacked CMOS sensor with approximately 50.1 effective MP resolution. This resolution performance is further enhanced by the latest BIONZ XR® image processing engine. With a separate AI processing unit handling many of the subject recognition capabilities, the camera’s image processing engine now has increased bandwidth to enhance other features.
Speed: The camera offers blackout-free high-speed continuous shooting with AF/AE tracking at up to 30 fps6, which can track complex movements with AF/AE calculations at up to 120 times per second7. The camera also includes the highly requested Pre-Capture function, which allows images to be captured up to one second before the shutter button is pressed8. For additional high-speed performance, users can activate the Continuous Shooting Speed Boost feature that can temporarily increase frame rates in high-action moments.
AI Processing Unit: The Alpha 1 II features Sony’s acclaimed AI processing unit, enabling Real-time Recognition AF. This technology strengthens Sony’s legacy of industry-leading auto focus and allows the user to accurately track animals, birds, insects, and various vehicles. It also introduces Sony’s human pose estimation, that instantly recognizes and tracks a person’s head and torso even when they’re moving or looking away. The Alpha 1 II also brings the latest evolution to Sony’s Real-time Recognition AF, featuring a new “Auto” mode that enables automatic subject recognition without the need to select a specific subject mode9.
Stable Performance and Advanced Video Capabilities
A major advancement of the Alpha 1 II is the improved optical image stabilization of up to 8.5 stops in the center (compared to 5.5 stops on the original Alpha 1) and 7.0 stops in the periphery10. The high-speed anti-distortion shutter minimizes rolling shutter effect, delivering clear, undistorted images. The camera also features updated processing algorithms that reduce noise at mid-to-high ISO sensitivities without sacrificing image detail.
The Alpha 1 II maintains the same impressive video capabilities of its successor with the ability to shoot up to 8K 30p with 10bit 4:2:2 color depth, as well as high frame recording capabilities of 120p for 4K. In addition, it features a newly supported Dynamic active Mode for increased stability of video capture11. The camera has a variety of features that support streamlined video creation including Breathing Compensation, Auto Framing, and import User LUTs capabilities.
Improved Ergonomics and Workflow Operability
The Alpha 1 II has been redesigned based on customer feedback including an evolved 3.2-type LCD monitor with a highly requested 4-axis multi-angle that can be freely adjusted to any angle. The Alpha 1 II’s camera body design has improved ergonomics, with many design elements borrowed from the acclaimed Alpha 9 III. Design evolutions include the grip, an enhanced quick release shutter button, and an additional “C5” custom button for added convenience. In addition, the camera is compatible with the VG-C512 vertical grip that provides additional ergonomic support and extended battery performance.
For professionals seeking real-time image transfer solutions, the Alpha 1 II supports 2.5GBASE-T via wired LAN. Images and videos can be transmitted via stable, high-speed 5G communication when the camera is paired with Sony’s PDT-FP1 portable data transmitter (sold separately). Additionally, images and videos can be automatically transferred direct to Adobe Lightroom™ or Google Drive™ through the latest version of Sony's cloud storage service, Creators' Cloud13.
In a world of expanding technology and increasing AI, the ability to authenticate a photograph is now more critical than ever before. Images captured with the Alpha 1 II will be compatible14 with Sony’s Camera Authenticity Solution that stores detailed camera information15 within the image files. This aids media agencies and photojournalists in their growing fight against manipulated imagery and AI-generated fakes. This solution will be available through a separate upgrade license and scheduled after December 202416.
Additional Accessories and Plastic-Free Packaging
For additional battery support, the Alpha 1 II comes with the new BC-ZD1 Dual-Battery Charger that rapidly charges two Z batteries (model NP-FZ100) simultaneously in 155 minutes to full charge17. In addition, the Alpha 1 II includes a new deep-type padded eyepiece cup (model FDA-EP21) accessory for an alternative viewing support option. A standard eyepiece comes attached to the camera by default but can be swapped with the deep pad option based on the user’s preference.
The Alpha 1 II is the first Alpha series camera (excluding ZV series cameras) to use Sony’s Original Blend Material for eco-conscious packaging. The materials used for packaging are a unique mix of bamboo, sugarcane, and recycled paper. This makes the packaging entirely free of plastic18.
Pricing and Availability
The Alpha 1 II will be available in December 2024 for approximately $6,499.99 USD and $8,499.99 CAD. It will be sold at a variety of Sony's authorized dealers throughout North America.
Notes:
1 When using electronic shutter. Sony test conditions. Maximum continuous frame rate may be lower in some shooting conditions. Continuous shooting speed may vary depending on the lens used in AF-C focus modes. Visit Sony’s support web page for lens compatibility information.
2 Maximum pre-capture time may be less in some situations. High continuous shooting speeds can cause an increase in camera temperature. Pre-capture may be limited to protect the device in high ambient temperature conditions.
3 CIPA 2024 standards. Pitch/Yaw/Roll compensation. FE 50mm F1.2 GM lens. Long exposure NR off.
4 Dynamic Active Mode is not available when shooting in 8K or at frame rates of 120 fps or higher.
5 Including a battery and standard media card.
6 When using electronic shutter. Sony test conditions. Maximum continuous frame rate may be lower in some shooting conditions. Continuous shooting speed may vary depending on the lens used in AF-C focus modes. Visit Sony’s support web page for lens compatibility information.
7 At shutter speeds of 1/125 sec. or higher. May be less depending on shooting conditions and the lens used.
8 Maximum pre-capture time may be less in some situations. High continuous shooting speeds can cause an increase in camera temperature. Pre-capture may be limited to protect the device in high ambient temperature conditions.
9 When Auto is selected the camera will normally recognize the subject type automatically, but the wrong type may be selected in some situations. In such cases manually selecting the intended subject type may solve the problem.
10 CIPA 2024 standards. Pitch/Yaw/Roll compensation. FE 50mm F1.2 GM lens. Long exposure NR off.
11 Dynamic Active Mode is not available when shooting in 8K or at frame rates of 120 fps or higher.
12 The VG-C5 vertical grip is sold separately.
13 Priory settings in the Creators' Cloud mobile application "Creators' App" or "Creators' Cloud Web" is necessary. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information. For regional app/service availability, click here https://creatorscloud.sony.net/catalog/en-us/servicearea.html
14 The Camera Authenticity Solution is available through a separate upgrade license, and this will be supported in a camera software update after December 2024. As of the announcement day, support for the Camera Authenticity Solution is available to select media.
15 Metadata including provenance information, authenticity of the image captured with the camera, and 3D depth information are embedded into the captured image as an in-camera digital signature.
16 The Camera Authenticity Solution is available through a separate upgrade license, and this will be supported in a camera software update after December 2024. As of the announcement day, support for the Camera Authenticity Solution is available to select media.
17 Simultaneous two-battery charging requires a USB PD (30 W min.) compatible power and cable (3 A min.) The CHARGE lamp will turn off when battery charge level exceeds 90% (operational charge). Continue charging for another 30 minutes to achieve a full charge. Actual performance varies based on settings, environmental conditions, and usage.
18 Not including materials used in coatings and adhesives.
Image quality test results from the Canon EOS R7 are now available on the Sigma 56mm F1.4 DC DN Contemporary Lens page.
Fun little lens.
Support this site by ordering the Sigma 56mm F1.4 DC DN Contemporary Lens (or anything else) from B&H | Adorama | WEX
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Full reviews of these four lens models are available, and you can support this site by ordering the new lenses using the links provided.
From Sigma Corporation of America:
SIGMA Announces Pricing and Availability of DC DN Prime Lenses for Canon RF Mount
Ronkonkoma, NY – November 19, 2024 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce pricing and availability of four prime F1.4 DC DN | Contemporary lenses for the Canon EOS R mirrorless camera system. The four lenses are the 16mm F1.4 DC DN | Contemporary, 23mm F1.4 DC DN | Contemporary, 30mm F1.4 DC DN | Contemporary, and 56mm F1.4 DC DN | Contemporary.
Development of these four primes for Canon RF Mount was initially announced on April 23, 2024, alongside the 10-18mm 2.8 DC DN | Contemporary and 18-50mm F2.8 DC DN | Contemporary lenses, both of which were released earlier this year.
With the release of these new lenses, SIGMA now offers a total of six APS-C format DC DN lenses for the Canon EOS R System. All six of these lenses are also available for several other mirrorless camera systems including Sony E-mount, L-Mount, and Fujifilm X Mount. The 16mm F1.4 DC DN | Contemporary, 30mm F1.4 DC DN | Contemporary and 56mm F1.4 DC DN | Contemporary are additionally offered for Nikon Z mount and Micro Four Thirds.
The 30mm F1.4 DC DN | Contemporary will retail for $369 and the 56mm F1.4 DC DN | Contemporary will retail for $529. These lenses will be available for purchase on December 5, 2024.
The 16mm F1.4 DC DN | Contemporary will retail for $489, and the 23mm F1.4 DC DN | Contemporary will retail for $599. These lenses will be available for purchase on January 23, 2025.
The addition of these four premium SIGMA lenses for Canon RF Mount adds to SIGMA's growing lineup of lenses for all major camera systems.
[ Launch schedule of four SIGMA F1.4 prime lenses for Canon RF Mount ]
SIGMA Corporation is pleased to announce the launch date of SIGMA 30mm F1.4 DC DN | Contemporary and SIGMA 56mm F1.4 DC DN | Contemporary for Canon RF Mount, as well as the approximate launch schedule of SIGMA 16mm F1.4 DC DN | Contemporary and SIGMA 23mm F1.4 DC DN | Contemporary for Canon RF Mount.
Launch date: December 5th, 2024 (Thursday)
SIGMA 30mm F1.4 DC DN | Contemporary Supplied Accessories: LENS HOOD LH586-01, FRONT CAP LCF-52 III, REAR CAP LCR II Mount: Canon RF Mount
SIGMA 56mm F1.4 DC DN | Contemporary Supplied Accessories: LENS HOOD LH582-01, FRONT CAP LCF-55 III, REAR CAP LCR II Mount: Canon RF Mount
Approximate launch schedule: January 2025
SIGMA 16mm F1.4 DC DN | Contemporary Supplied Accessories: PETAL-TYPE HOOD LH716-01, FRONT CAP LCF-67 III, REAR CAP LCR II Mount: Canon RF Mount
SIGMA 23mm F1.4 DC DN | Contemporary Supplied Accessories: PETAL-TYPE HOOD LH554-01, FRONT CAP LCF-52 III, REAR CAP LCR II Mount: Canon RF Mount
* This product is developed, manufactured and sold under license from Canon Inc.
#SIGMA #SIGMAContemporary #SIGMADCDN #SIGMARFMount #SIGMA16mmF14Contemporary #SIGMA23mmF14Contemporary #SIGMA30mmF14Contemporary #SIGMA56mmF14Contemporary
[ Long-awaited Canon RF Mount addition ]
SIGMA's APS-C size mirrorless dedicated prime lenses, the SIGMA 16mm F1.4 DC DN | Contemporary, SIGMA 23mm F1.4 DC DN | Contemporary, SIGMA 30mm F1.4 DC DN | Contemporary and SIGMA 56mm F1.4 DC DN | Contemporary will now be available for the Canon RF Mount. These additions allow users to enjoy high-performance, and high-quality SIGMA prime lenses in native mount on their Canon RF Mount system.
A control algorithm including AF drive and communication speed optimization has been developed specifically for Canon RF Mount interchangeable lenses. In addition to realizing high-speed AF, the lens also supports Servo AF and in-camera aberration correction*. The mount is rubber-sealed to cater for use in a variety of environments.
* Available on supported cameras only.
Mount Conversion Service is available to convert other mounts of SIGMA 16mm F1.4 DC DN | Contemporary, SIGMA 23mm F1.4 DC DN | Contemporary, SIGMA 30mm F1.4 DC DN | Contemporary and SIGMA 56mm F1.4 DC DN | Contemporary to Canon RF Mount, once they launch.
The Canon EOS R1 is in stock at Adorama. Low stock, free 2-day shipping.
Stop back here on Tuesday, November 19th at 9:00 EST (6:00 PST, 14:00 GMT, 23:00 JST) for the Sony Alpha 1 II reveal.
Be sure to support this site using the provided links to order the Sony Alpha 1 II at B&H.
Image quality, vignetting, flare, and distortion test results are now available on the Canon RF 70-200mm F2.8 L IS USM Z Lens Review.
Don't miss the outstanding with-extender performance.
Compared to the Canon RF 70-200mm F2.8 L IS (no Z) Lens
Compared to the Canon RF 100-300mm F2.8 L IS USM Lens
The 70-200 Z is slightly sharper with a 2x than the 100-300 is.
Compared to the Sony FE 70-200mm F2.8 GM OSS II Lens
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Sony's 2024 Q2 financial results are available on the Investor Relations page.
Presentation
(track ET&S for the Entertainment, Technology & Services Segment, I&SS for the Imaging and Sensing Solutions segment)
Speech Transcript
Financial Statements
Supplementary Information
Webcast
As in Q1, Sony's numbers are healthy.
Noise (196 samples) and resolution test results from the Canon RF 85mm F1.2 L USM Lens are now available on the Canon EOS R1 page.
As expected, the EOS R1 and R3 resolution and noise are essentially the same.
Note that the EOS R1 and R5 II noise levels are also the same when the final image size is matched at 24 MP. While the R5 II's pixel level noise is higher at its native resolution, matched final output size eliminates the mythical low resolution advantage.
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Just posted: Tamron 90mm F/2.8 Di III Macro VXD Lens Review.
Impressive lens.
Support this site by ordering the Tamron 90mm F/2.8 Di III Macro VXD Lens (or anything else) from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada
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Sony ZV-E1 firmware update version 2.00 is available for download.
Firmware Version 2.00 incorporates the following fixes and enhancements:
- Adapts the layout of shooting information on the display for both horizontal and vertical orientations
- Allows you to select user LUTs via the Cinematic Vlog Set feature
- Adds the Golden Ratio Grid option to the Grid Line Type setting menu
- Allows the display of a specified aspect ratio marker on the shooting screen when shooting still images
- Adds a function that allows you to narrow down played-back images using multiple filters (e.g. Rating)
- Improves image quality when applying user LUTs
- Adds a function that automatically creates still images with Shot Marks from movie frames after recordings
- You can add a Shot Mark while shooting or playing a movie and use it as a mark for selecting, transferring, or editing the movie.
- Increases the maximum number of images that can be recorded in one folder to 9,999
- Displays the Wi-Fi signal strength when the Wi-Fi function is On
- Allows the use of Focus Magnifier and Auto Magnifier in MF while using the Bright Monitoring feature
- Allows notifications to be displayed when the latest software is available for your camera
- You can now continue shooting while transferring captured photos and videos to a smartphone or tablet
Note: Ver. 2.6.0 or later of the Creators' App is necessary. The Creators' App may not be available in some countries or regions. For more information, please visit the Creators' Cloud support website. - Transfer to smartphones and tablets can now be resumed even if interrupted in the middle of a transfer
Note: Ver. 2.6.0 or later of the Creators' App is necessary. The Creators' App may not be available in some countries or regions. For more information, please visit the Creators' Cloud support website. - You can now transfer only the differences that have not yet been transferred to your smartphone or tablet, or add videos to be transferred during the transfer process
Note: Ver. 2.6.0 or later of the Creators' App is necessary. The Creators' App may not be available in some countries or regions. For more information, please visit the Creators' Cloud support website. - Allows you to upload camera images directly to the Creators' Cloud
Notes:
Settings must be adjusted in the Creators' App in advance. For more information, please visit the Creators' App support website.
Ver. 2.6.0 or later of the Creators' App is necessary. This service may not be available in some countries or regions. For more information, please visit the Creators' Cloud support website. - Adds support for the Network Streaming function
Notes:
Settings must be adjusted in the Creators' App in advance. For more information, please visit the Creators' App support website.
Ver. 2.6.0 or later of the Creators' App is necessary. The Creators' App may not be available in some countries or regions. For more information, please visit the Creators' Cloud support website. - Adds support for the Monitor & Control app
Note: The Monitor & Control app connects wirelessly to a camera and enables video monitoring and remote control with a smartphone or tablet device. - Ver. 2.1.0 or later of the Monitor & Control app is necessary. The Monitor & Control app may not be available in some countries or regions.
- Improves the functionality and operational stability of the camera
Get the Sony ZV-E1 at B&H.
From Sony Electronics:
Sony Electronics Announces Firmware Roadmap for its Cinema Line
New firmware roadmap illustrates Sony’s commitment to the filmmaking community with continued investment in the Cinema Line
LOS ANGELES – Nov. 6, 2024: Sony Electronics announces upcoming firmware updates to its VENICE 2, FX6, FX3, FX30 and BURANO cameras, continuing its longstanding support for its cinema line cameras. The firmware will be available beginning next year through 2026.
“Firmware updates are an important way for Sony to continue to address the needs of our filmmaking community. Our Cinema Line is built for the future and the firmware will allow our products to continue to evolve with the needs of our filmmakers, especially at a time when the industry is undergoing incredible changes. This is yet another way Sony is looking to support the community,” said Theresa Alesso, President of Imaging Products and Solutions Americas, Sony Electronics.
The firmware updates will be available to download for free and include:
VENICE 2 VERSION 4.0
The Sony VENICE Camera System has been used on more than 500 productions including commercials, television and feature films since it was introduced, with the VENICE 2 digital cinema camera recognized as a world-class cinema camera for cinematographers around the world. VENICE 2 Version 4.0 firmware update is planned to be available August 2025 and will add:
Support of the EL Zone System™, created by three-time Academy award-nominated Director of Photography Ed Lachman, ASC. The EL Zone System™ is an intuitive tool that displays exposure values by using stops instead of IRE, bringing back the direct relationship between lighting and lens stops. The EL Zone System™ comes in addition to the existing tools in VENICE 2.
Based on users’ feedback, Version 4.0 will offer the ability to display frame lines in different colors, simplifying the ability to shoot images for multiple delivery formats.
Sony is pleased to continue to upgrade and evolve the VENICE 2 platform over the coming years, protecting the investment for owners and rental houses: Version 5.0 will be made available in 2026 and Version 6.0 in 2027.
FX3 VERSION 7.0 AND FX30 VERSION 6.0
Based on user feedback, the Sony FX3 and FX30 cameras will get a new firmware update in September 2025. This update to the menu system will standardize the user experience and operational menu across the entire Cinema Line. This will be beneficial for users that combine our multiple level of cameras for production or move throughout the line for different projects.
Other new features of this firmware will include:
A new "BIG 6" menu, similar to the BURANO and VENICE. The new BIG 6 menu will allow filmmakers to check and adjust key items at a glance, including ISO, frame rate, LUT, NDs, and more.
The addition of anamorphic de-squeeze 1.5x, due to the rise of anamorphic lens usage by cinematographers. This new ratio brings new flexibility in terms of lens selection.
The capability of HDMI RAW Output for Blackmagic RAW recording with Blackmagic Design’s Video Assist recorders.
FX6 VERSION 6.0
Sony is pleased to announce that FX6 now supports SDI RAW Output for Blackmagic RAW recording with Blackmagic Design’s Video Assist recorder.
FX6 Version 6.0 is planned for February 2026 and will include:
The FX6 will see a new “BIG 6” menu, similar to the BURANO and VENICE. The new BIG 6 menu will allow filmmakers to check and adjust key items at a glance, including ISO, frame rate, LUT, NDs, and more.
Camera data will no longer be overlaid on top of the image in the viewfinder (On-Screen Display (OSD)) to allow operators to see the full image and necessary data more clearly.
1 Sony recommends that users check update timing on Blackmagic Design’s Video Assist recorder.
BURANO VERSION 2.0
Planned to be released in March 2025, BURANO Version 2.0 offers many new features and improvements requested from the user community, including new recording formats, new 1.8x de-squeeze, and monitoring improvements.
Version 2.0 will include new recording formats including a new 3.8K Full Frame crop that leverages nearly the entire sensor and can shoot up to 120 fps. This new recording mode allows the filmmaker to prioritize faster sensor performance depending on the needs of their application. Other new recording formats include the addition of 24.00 fps to X-OCN 16:9 imager modes and the following:
Full Frame 3.8K 16:9 Mode Up to 120 fps
Super 35 4.3K 4:3 Mode (for Anamorphic) Up to 60 fps
Super 35 1.9K 16:9 Mode Up to 240 fps
BURANO Version 2.0 will also add 1.8x de-squeeze setting as well as additional high frame rate (S & Q) modes including 66, 72, 75, 88, 90, 96, 110 fps.
Version 2.0 also offers monitoring improvements, including standardized SDI video output for monitoring across X-OCN and XAVC and an improved on-screen display which places camera status information outside of the image. Version 2.0 will also include View Finder Gamma Display Assist while using S-Log3 for monitoring.
BURANO Version 2.0 also includes additional exposure tools (High/Low Key) derived from the flagship VENICE camera system. Version 2.0 will also expand white balance memory presets from 3 to 8 and support Active/High Image Stabilization in Full-Frame 6K and Super 35 1.9K 16:9 imager modes.
Finally, Version 2.0 will add breathing compensation and image stabilization metadata in X-OCN.
Availability
The new BURANO Version 2.0 will be available in March 2025. Filmmakers can easily download the update directly to their camera using a Mac or PC.
For more information, visit sonycine.com or follow us on Instagram @sonycine for more information.
From Canon USA:
Canon’s New Updates for Select Cinema EOS Cameras and Pro Camcorders Deliver Enhanced Features
MELVILLE, N.Y., November 6, 2024 — Canon U.S.A., Inc., a leader in digital imaging solutions, announced today a variety of firmware updates for key models in its Cinema EOS and professional camcorder line of cameras, including enabling connectivity to Frame.io’s Camera to Cloud ecosystem in select cameras. Also, Version 1.2 of the Canon Multi-Camera Control App for iPhone and iPad* will be available from the App Store. All updates are a direct result of customer feedback and will be available through free downloads in December 2024.
Here are the highlights of the firmware updates for each of the Canon products:
EOS C400 Camera
- Adobe Frame.io Camera to Cloud in-camera activation and transmission of proxy files via wireless or wired Ethernet.
- 1.5x anamorphic de-squeeze display assist option.
- To maintain exposure, shutter and ISO/GAIN settings can be added when saving the output frame rate “pull-down” 60<->60 (30-24) fps to an assignable button.
- Adds 1920 x 1080P output option for MON OUT (Monitor out) and HDMI interfaces.
- Supports communications with the new RF70-200 F2.8 L IS USM Z zoom lens and the RF24mm F1.4 L VCM and RF50mm F1.4 L VCM hybrid lenses.
EOS C80 Camera
- Adobe Frame.io Camera to Cloud in-camera activation and transmission of proxy files via wireless or wired Ethernet.
- Adds 1920 x 1080P output option for SDI OUT and HDMI interfaces.
- Supports communications with the new RF70-200 F2.8 L IS USM Z zoom lens and the RF24mm F1.4 L VCM and RF50mm F1.4 L VCM hybrid lenses.
- Displays digital tele-converter icon when activated.
EOS C500 Mark II/ EOS C300 Mark III Cameras
- Displays digital tele-converter icon when activated.
EOS C70 Camera
- Compatibility with the RF17-120 CINE-SERVO lens and the new RF70-200 F2.8 L IS USM Z zoom lens and the RF24mm F1.4 L VCM and RF50mm F1.4 L VCM hybrid lenses.
- Displays digital tele-converter icon when activated.
EOS R5 C Camera
- Support for RF17-120 CINE-SERVO lens and compatibility with the RF70-200 F2.8 L IS USM Z zoom lens and the RF24mm F1.4 L VCM and RF50mm F1.4 L VCM hybrid lenses.
- Displays digital tele-converter icon when activated.
- New subject tracking trigger.
- AF frame can be moved in the display by dragging or sliding to the desired location.
XF605 Camcorder
- Improved lens focus ring responsiveness.
- Improved headphone volume control.
- Displays digital tele-converter icon when activated.
To download the firmware updates once available, or for more information regarding the firmware updates and all of Canon’s professional video products and solutions, please visit:
Tamron as shared the 1st Quarter 2024 Financial Results.
A selection of quotes:
"Sales of Photographic Products is expected to increase by double digits even the sales of Own-Brand products decline slightly from the Aug. 8 forecast due to delay sales recovery in Europe and US, and a slowdown in the Chinese market in the 2nd half of 2024."
"Strong sales of OEM products is expected to exceed the Aug.8 forecast and is planned to increase by 1.4 times YoY."
"Strong sales in both own-brand and OEM products and the favorable foreign exchange effects led to upward revisions of both Sales and Operating Income following 1st and 2nd quarters."
"Before 2023: Approximately 5 new models. New medium-term(2024-2026) management plan policy: 6 to 7 new models a year to 7 new models in the first year(2024) of the plan."
From Venus Optics:
Venus Optics announces the World’s FIRST Wide-Angle Zoom Shift Lens for APS-C system
Anhui China, 5 Nov 2024 – Venus Optics announced a groundbreaking Zoom-Shift lens - Laowa 12-24mm f/5.6 Zoom Shift lens! This extraordinary APS-C lens for mirrorless cameras combines two powerful features in one compact package: an ultra-wide zoom with an impressive shift capability. The lens allows you to seamlessly zoom from 12mm to 24mm while also being able to shift up to 7mm! This zoom-shift combination gives you all the flexibility in perspective control for capturing expansive landscapes or towering architecture. The compact 575g size also puts no burden on your kit. Truly a game-changer for photographers who want both versatility and creative control in their ultra-wide shots.
12-24mm Zoom Range with Constant Aperture
The Laowa 12-24mm f/5.6 Zoom Shift lens offers a versatile zoom range of 12mm to 24mm, providing an expansive angle of view from 102.5° to 63.9°. This allows photographers to capture a wide variety of scenes. With a constant aperture of f/5.6, the lens ensures consistent exposure throughout the entire zoom range, offering great flexibility while maintaining high image quality.
Precise ±7mm Shift Amount
The remarkable ±7mm shift capability set this lens apart. All shift lenses currently available in the market are primes, which makes this lens the WORLD’s first wide-angle zoom shift lens. This feature enables photographers to achieve precise perspective control and effortlessly minimize distortion.
Compact & Lightweight Design
The Laowa 12-24mm f/5.6 Zoom Shift lens offers exceptional performance in a compact and lightweight package, weighing only 575g. Its portability makes it perfect for photographers on the move, ensuring mobility and effortless shooting.
Exceptional Distortion Control
The lens showcases excellent distortion control, allowing users to capture accurate and true-to-life images. This makes it an excellent choice for architectural and interior photography, where precise image quality is crucial.
15cm closest focusing distance
The Laowa 12-24mm f/5.6 Zoom Shift lens also has an exceptionally short focusing distance. Capable of focusing as close as 5.9 inches (15 cm) from the sensor. This lens offers photographers plenty of opportunities for creative experimentation.
77mm filter thread
The Laowa 12-24mm f/5.6 Zoom Shift lens offers the convenience of a 77mm filter thread, which can be used when the lens hood is attached.
Specifications
Format Compatibility: APS-C
Focal length: 12-24mm
Max. Aperture: f/5.6
Angle of view: 102.5°- 63.9°
Lens structure: 15 elements in 11 groups
(2 aspherical elements, 3 ED elements)
Aperture blades: 9
Shift Capability: ±7mm
Min. Focusing distance: 15cm
Max. Magnification: 0.4
Focus mode: Manual (MF)
Filter thread: ø77mm
Dimensions: Ø98.91mm x 80mm
Weight: About 575g
Mount: Sony E / Nikon Z / Canon RF / L Mount / Fuji X / EF-M
Pricing & Availability The 12-24mm f/5.6 Zoom Shift is currently available to purchase via Venus Optics official website (http://www.venuslens.net/) and authorized resellers. It is priced at USD699 for Sony E, L mount, Canon R, Fuji X, Nikon Z, Canon EF-M. Price varies in different countries.
Get the Laowa 12-24mm f/5.6 Zoom Shift Lens at Venus Optics.
It's always a big deal when Apple buys your company. Pixelmator just shared this announcement:
A new home for Pixelmator
Today we have some important news to share: the Pixelmator Team plans to join Apple.
We’ve been inspired by Apple since day one, crafting our products with the same razor-sharp focus on design, ease of use, and performance. And looking back, it’s crazy what a small group of dedicated people have been able to achieve over the years from all the way in Vilnius, Lithuania. Now, we’ll have the ability to reach an even wider audience and make an even bigger impact on the lives of creative people around the world.
What to expect
Pixelmator has signed an agreement to be acquired by Apple, subject to regulatory approval. There will be no material changes to the Pixelmator Pro, Pixelmator for iOS, and Photomator apps at this time. Stay tuned for exciting updates to come.
Thank you
We want to give a big thanks to our amazing users for your support over the past 17 years. Your feedback has played a huge role in shaping our apps into what they are today. As we step into this exciting new chapter, we can’t wait to share what’s next.
– Pixelmator Team
Who is Pixelmator?
"Pixelmator Pro is an image editor designed to make the most powerful professional image editing tools accessible to everyone. And with an extensive collection of tools for editing and retouching photos, creating graphic designs, painting, drawing vector graphics, and adding stunning effects, it’s the only image editor you’ll need." [Pixelmator]
I love it when only a 0.6-second shutter speed is needed to properly expose the Northern Lights. That setting indicates a super-bright show.
Not immediately apparent in a still photo is that the Northern Lights are often a fast action subject, and the dancing and pulsing light show is awesome. In a long exposure, that movement results in a blurry result. Wide aperture lenses (and, of course, a bright show) are optimal for capturing the aurora structure.
This night's display was extremely bright, permitting a relatively short 0.6-second exposure at f/1.4 and ISO 3200, and it was moving fast. Shooting straight up into the aurora is one of my favorite compositions, but the fast movement made guessing the ideal future composition challenging. It was exciting to anticipate and view the results.
We are at or near a solar maximum. Do you have the right Northern Lights lenses in your kit?
This night was the third over-4-hour road trip all-nighter in 4 days. I don't remember the tiredness, but as usual, the images were worth the effort.
A larger version of this image is available here.
ISO 3200
8188 x 5352px
The Canon RF 200-800mm F6.3-9 IS USM Lens is in stock at B&H.
Learn more: Canon RF 200-800mm F6.3-9 IS USM Lens
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