While this Shenandoah National Park buck is staring directly at the camera, it is the doe behind me that he cares about. No move she makes goes unnoticed, which provides an alert look for his portrait.
Getting down low was an important technique for this photo. The lower camera position pushes the background farther away, which provides a stronger blur. The lower position aids in getting catchlights in the eyes and in making the buck appear regal.
He bedded for a long time, perhaps close to an hour. After getting way too many shots, I did the same. He was warmer than me.
The Sony Alpha 1 and Sony FE 600mm F4 GM OSS Lens were an outstanding combination for the fields and less-dense forest areas at SNP.
A larger version of this image is available here.
In April 2024, Sigma announced a list of lenses slated to gain Canon RF lens mount compatibility. The first lens on that list has now been formally announced. Expect the demand for the RF mount version of the #1 best selling mirrorless lens at B&H to be high.
Learn more about this lens in the site's review: Sigma 18-50mm F2.8 DC DN Contemporary Lens
Here is the official announcement from SIGMA Corporation:
Launch schedule of SIGMA 18-50mm F2.8 DC DN | Contemporary for Canon RF Mount
SIGMA Corporation is pleased to announce the launch schedule of SIGMA 18-50mm F2.8 DC DN Contemporary for Canon RF Mount.
Supplied accessories: PETAL-TYPE HOOD LH582-02, FRONT CAP LCF-55 III, REAR CAP LCR II
Mount: Canon RF Mount
Launch : July, 2024
* Product appearance and specifications are subject to change.
#SIGMA #SIGMA1850mmF28Contemporary #SIGMAContemporary #SIGMADCDN #SIGMARFMount
A large F2.8 aperture zoom lens that need never leave your camera. This exceptionally light, bright, and sharp standard zoom for crop-sensor mirrorless cameras is the ultimate workhorse lens.
Long-awaited Canon RF Mount addition
SIGMA's first APS-C size mirrorless dedicated zoom lens, the SIGMA 18-50mm F2.8 DC DN | Contemporary, will now be available for the Canon RF Mount. This addition allows users to enjoy high-performance, and high-quality SIGMA zoom lenses in native mount on their Canon RF Mount system.
A control algorithm including AF drive and communication speed optimization has been developed specifically for Canon RF Mount interchangeable lenses. In addition to realizing high-speed AF, the lens also supports Servo AF and in-camera aberration correction*. The mount is rubber-sealed to cater for use in a variety of environments.
* Available on supported cameras only.
Mount Conversion Service is available to convert other mounts of SIGMA 18-50mm F2.8 DC DN Contemporary to Canon RF Mount.
Features
1. Large F2.8 aperture and superb image quality
The compact body offers a versatile full-frame equivalent zoom range of 28.8mm to 80mm, a wide aperture of F2.8 throughout the entire zoom range that allows you to enjoy bokeh expressions, and sharp images achieved by the latest optical design technology. With a minimum focusing distance of 12.1cm and a maximum magnification of 1:2.8*1, it allows photographers to take advantage of the compact shooting system, such as shooting close-ups of your subject.
2. Exceptionally compact and lightweight body ideal for mirrorless cameras
The main feature of the SIGMA 18-50mm F2.8 DC DN | Contemporary is its overwhelmingly compact and lightweight body that maximizes the excellent portability and advantages of an APS-C mirrorless camera. Despite its large aperture of F2.8, it is the smallest and lightest in its class*2 boasting a maximum diameter of f69.2mm, a length of 74.5mm and weight of 300g.*3 This makes the large-aperture standard zoom easy to carry around in daily life.
*1 The minimum focusing distance and maximum magnification ratio are both values at the wide end.
*2 As an AF compatible, F2.8 constant aperture standard zoom lens for APS-C (as of June 2024, by SIGMA).
*3 Size and weight measurements given for Canon RF Mount version.
Specifications
Values are for Canon RF Mount
Lens Construction: 10 groups, 13 elements (1 SLD and 3 aspherical lenses)
Angle of View (APS-C): 73.4°(W)-30.0°(T)
Number of Diaphragm Blades: 7 (rounded diaphragm)
Minimum Aperture: F22
Minimum Focusing Distance: 12.1 (W) - 30 (T) cm / 4.8 (W) - 11.9 (T) in.
Maximum Magnification Ratio: 1:2.8 (W) - 1:5(T)
Filter size: 55mm
Dimensions (Diameter × Length): 69.2mm × 74.5mm / 2.7in. x 2.9in.
Weight: 300g / 10.6oz.
Product Barcode
Canon RF Mount: 00-85126-58572-3
Accessories (Supplied)
Name of product / Product Barcode
LENS HOOD LH582-02: 0085126 939694
FRONT CAP LCF-55 III: 0085126 930066
REAR CAP LCR II: For Canon RF Mount 0085126 941468
Accessories (Optional)
Name of product / Product Barcode
SIGMA WR PROTECTOR 55mm: 0085126 930912
SIGMA PROTECTOR 55mm: 0085126 931049
SIGMA WR UV FILTER 55mm: 0085126 930653
SIGMA WR CIRCULAR PL FILTER 55mm: 0085126 930783
Orders
Order the Sigma 18-50mm F2.8 DC DN Contemporary Lens in your preferred mount at B&H.
Just posted: Tamron 50-300mm F/4.5-6.3 Di III VC VXD Lens Review.
An attractive addition to Tamron's lineup.
Support this site by ordering the Tamron 50-300mm F/4.5-6.3 Di III VC VXD Lens (or anything else) from B&H | Adorama | WEX
Please share!
From Sony Europe:
Reuters selects Sony cameras for its worldwide video group equipment
Reuters’s global network of on location reporters will be using the Alpha 7S III and PXW-Z280 cameras starting this year to bring world events to everyone.
Weybridge, June 12th, 2024 – Sony is delighted to announce that Reuters, one of the largest news agencies in the world, has selected Alpha and XDCAM cameras, G Master lenses and audio equipment to equip its video journalists across the world. The fleet will be using Alpha 7S III, and PXW-Z280 as their main shooting kit, paired with UWP-D wireless audio.
Since its launch, the Alpha 7S III has established itself as a go to camera for on location content creators needing a compact form factor and exceptional picture quality. In this instance, the advanced autofocus performance for hybrid use, together with its outstanding low light performance were key features in Reuters’ decision making. Sony’s E-Mount strategy will also provide journalists with the flexibility to capture images in their truest form, when perfectly paired with the vast options of Sony lenses of their choosing, including the SEL2470GM2.
The PXW-Z280 has become an industry standard, thanks to its ease of use, electronic variable ND filter and Sony’s Instant HDR workflow, eliminating the need for colour grading. Its advanced network features and multiple format support means it can easily, securely, and wirelessly fit into a cloud-based news gathering workflow.
Both cameras benefit for the connectivity features needed to easily connect to the cloud for seamless and reliable content transfer, from the capture location back to the remote broadcast unit, particularly critical for news gathering, with its emphasis on speed.
The cameras and associated equipment started shipping to 23 Reuters locations across the world from April 2024.
This investment from Reuters is a testament to the long-standing relationship between Reuters Sony, powered by Sony’s in-depth knowledge of on the terrain requirement from journalists and Reuters mission to provide timely and quality news. Sony’s Media Backbone Hive is already in use at Reuters as its main multi-platform news production system.
Gildas Pelliet, Imaging and Professional Solutions, Sony Europe, commented: “We are delighted that Reuters has chosen Sony for this key piece of their technological ecosystem. In pressured environments, nothing is more important for a news organisation than to be reliable and timely. This is where reliability, picture quality and cloud-based workflows become crucial – and those are the qualities we have brought to our cameras and workflow solutions.
Sony Alpha 9 III firmware update version 2.01 is available for download (Sony USA).
Firmware Version 2.01 incorporates the following fixes and enhancements:
Get the Sony Alpha 9 III at B&H.
Image quality test results are now available on the Tamron 50-300mm F/4.5-6.3 Di III VC VXD Lens page.
Interesting addition to Tamron's lineup.
Compared to the Tamron 50-400mm f/4.5-6.3 Di III VC VXD Lens
Support this site by ordering the Tamron 50-300mm F/4.5-6.3 Di III VC VXD Lens (or anything else) from B&H | Adorama | WEX
Please share!
Sony Alpha 1 firmware update version 2.02 is available for download.
Firmware Version 2.02 incorporates the following fixes and enhancements:
Notes from Sony:
Get the Sony Alpha 1 at B&H.
Just posted: Sony FE 16-25mm F2.8 G Lens Review.
Great lens.
Please share!
Support this site by ordering the Sony FE 16-25mm F2.8 G Lens (or anything else) from B&H | Sony | Adorama | Amazon (all available countries) | WEX | Camera Canada
Rent the Sony FE 16-25mm F2.8 G Lens from Lensrentals.
Sony recently held the 2024 Business Segment Meeting. Presentation materials you may find interesting include:
Entertainment, Technology & Services Segment
Imaging and Sensing Solutions
Exciting news from Tamron Americas:
TAMRON announces a unique tele lens that zooms from 50mm
A class-leading lightweight 6x telephoto zoom lens
50-300mm F/4.5-6.3 Di III VC VXD (Model A069)
Commack, NY – Tamron announces the launch of the 50-300mm F/4.5-6.3 Di III VC VXD (Model A069), a unique 6x telephoto zoom lens, starting at 50mm on the wide end for added versatility, for Sony E-mount full-frame mirrorless cameras on June 27, 2024, at $799 USD / $1099 CAD.
TAMRON's new 50-300mm F4.5-6.3 VC zoom provides a wide 50mm starting option in response to user feedback that “the angle of view is somewhat lacking at the wide end" when using a 70-300mm zoom. Although it extends to 300mm at the telephoto end, the 50-300mm F4.5-6.3 VC features an extremely compact size with a length of just 5.9" (150mm) and a class-leading light weight of 23.5 z (665g). In addition, the expert arrangement of special lens elements effectively controls aberrations and produces high image quality throughout the entire 50-300mm zoom range. The lens is equipped with the VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism that delivers excellent quietness and agile autofocus performance, while the VC (Vibration Compensation) image stabilization mechanism provides powerful support for every aspect of shooting. At the 50mm wide end, the lens attains an MOD (Minimum Object Distance) of 8.7" (0.22m) for a remarkable maximum magnification ratio of 1:2. This provides excellent close-range shooting performance that allows users to fully enjoy the world of half-macro shooting. The 67mm filter size is common to many TAMRON lenses for mirrorless cameras for greater enjoyment and convenience when carrying multiple lenses — or even just one during everyday excursions. The 50-300mm F4.5-6.3 VC is packed with features that support an enriched shooting experience, such as Moisture-Resistant Construction, Fluorine Coating, and the connector port for the dedicated TAMRON Lens UtilityTM software developed in-house by TAMRON. Turn ordinary, everyday events into memorable shots. This Ultra Multi-Focal Length zoom lens empowers users to enjoy serious photography in a user-friendly package and expands the potential for creative expression.
Product features
1. Unique telephoto lens with 50mm at the wide end
The 50-300mm F4.5-6.3 VC surpasses the conventional wisdom of 300mm-class telephoto zoom lenses in the 70-300mm focal range by expanding the wide end to 50mm. Catering to this focal length expansion at the wide end instantly opens greater possibilities of photographic expression for users needing a wider focal length. Unlike the conventional 70-300mm lens, this lens starts at 50mm at the wide end and is equipped with the VC mechanism, obtains a truly high image quality within its class and maintains the widely appreciated compactness of earlier products achieving a class-leading compact size with a length of just 5.9" (150mm) and weight of 23.5 oz (665g). The compact size also produces outstanding balance when paired with an APS-C camera , providing exceptional mobility that allows the user to concentrate on shooting.
2. Uncompromised optical performance throughout the entire 50-300mm zoom range
The optical construction of the 50-300mm F4.5-6.3 VC includes 19 elements in 14 groups and is optimized for high image quality across the entire zoom range. The generous and expert arrangement of special lens elements, including two XLD (eXtra Low Dispersion) and two LD (Low Dispersion) lens elements, efficiently controls chromatic and other aberrations. TAMRON's BBAR-G2 (Broad-Band Anti-Reflection Generation 2) Coating has been applied to suppress ghosting and flare, allowing the capture of fine details even in backlit situations. The combination delivers stunning clarity and contrast. Creative expression comes to life with uncompromising high resolution from the center to the corner of every image, while beautifully soft bokeh isolates the subject from the background for a greater dramatic effect.
3. High-speed and high-precision AF with superb subject-tracking performance
The autofocus drive is equipped with TAMRON's VXD linear motor focus mechanism. Users can easily lock in accurate focus from the MOD to infinity thanks to the high-speed and high precision autofocus system. Additionally, focus tracking is extremely precise, allowing users to accurately capture sudden subject movements. The linear motor also suppresses drive noise and vibrations during focusing, making it ideal shooting for both still photos and video in environments that demand quietness.
4. Amazing half-macro shooting with an MOD of 0.22m (8.7") at the 50mm wide end and a magnification ratio of 1:2
TAMRON's 50-300mm F4.5-6.3 VC is capable of excellent close-range shooting performance. The MOD is 8.7" (0.22m) and the maximum magnification ratio is 1:2 at the 50mm wide end, meaning users can get exceptionally close to a subject to enjoy half-macro shooting. Even at the 300mm wide end, this new zoom attains an MOD of 35.4" (0.9m) with a maximum magnification ratio of 1:3.1. The extraordinary level of versatility lets users highlight the charm of subjects and capture unique compositions only possible with this lens.
5. Equipped with TAMRON’s proprietary VC mechanism
The multitalented new 50-300mm F4.5-6.3 VC is equipped with TAMRON’s proprietary VC mechanism. This effectively suppresses camera shake that tends to occur when shooting in the telephoto range, when capturing moving objects, or during close focusing, enabling stable results overall. When shooting with an APS-C camera, the full-frame equivalent focal length ranges from 75 to 450mm, and the VC mechanism is especially useful when shooting at the telephoto end. The VC also reduces the degradation of picture quality when shooting in conditions prone to camera shake, such as dimly lit interiors or low-light landscapes. Moreover, at focal lengths up to 100mm, AI (Artificial Intelligence) technologies provide additional compensation with videography in mind.
6. Proprietary software tool TAMRON Lens Utility for lens function customization and firmware updates
7. High convenience and operability
8. Protective features (Moisture-Resistant Construction and Fluorine Coating)
9. Compatible with many camera-onboard features and functions, including Fast Hybrid AF and Eye AF
SPECIFICATIONS
Model: A069
Focal Length: 50-300mm
Maximum Aperture: F4.5-6.3
Angle of View (diagonal): 46°48'-8°15' (for full-frame mirrorless format)
Optical Construction: 19 elements in 14 groups
Minimum Object Distance: 8.7"/ 0.22m (WIDE), 35.4"/ 0.9m (TELE)
Maximum Magnification Ratio: 1:2 (WIDE) / 1:3.1 (TELE)
Filter Size: Ø67mm
Maximum Diameter: Ø78mm
Length : 5.9" (150mm)
Weight: 23.5oz (665g)
Aperture Blades : 9 (circular diaphragm)
Minimum Aperture: F22-32
Standard Accessories: Flower-shaped hood, Front cap, Rear cap
Mount: Sony E-mount
Specifications, appearance, functionality, etc. are subject to change without prior notice.
This product is developed, manufactured, and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
Orders
Order the Tamron 50-300mm F/4.5-6.3 Di III VC VXD Lens at: B&H | Adorama | WEX
Just posted: Sigma 28-45mm F1.8 DG DN Art Lens Review.
You need to read this one.
Support this site by ordering the Sigma 28-45mm F1.8 DG DN Art Lens (or anything else) from B&H | Adorama | WEX
Please share!
From Sigma Corporation of America:
Introducing the SIGMA 28-45mm F1.8 DG DN | Art, the First Full-Frame F1.8 Zoom Lens for Mirrorless Camera Systems
Ronkonkoma, NY – June 3, 2024 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the SIGMA 28-45mm F1.8 DG DN | Art lens. This is the world's first zoom lens with a constant F1.8 aperture for full-frame mirrorless camera systems. Available for Sony E-mount and L-Mount, this new wide-to-standard zoom spans several popular focal lengths from 28mm to 45mm, with image quality comparable to prime lenses.
The SIGMA 28-45mm F1.8 DG DN | Art was developed as a full-frame successor to the SIGMA 18-35mm F1.8 DC HSM | Art (for APS-C DSLR cameras), which in 2013 became the first lens in the world to achieve F1.8 throughout the entire zoom range.
While offering the convenience of a zoom, this new lens does not compromise on optical performance. By effectively arranging 3 aspherical lens elements and 5 SLD glass elements, this lens suppresses various aberrations and achieves performance comparable to single focal length lenses, even surpassing the SIGMA 24mm F1.4 DG DN | Art and SIGMA 50mm F1.4 DG DN | Art, which have an established reputation for their optical quality.
In particular, the 28-45mm F1.8 DG DN | Art focuses on suppressing axial chromatic aberration, which is often noticeable in large-aperture lenses, to achieve images with minimal coloration on both the focus plane and bokeh, and to demonstrate high optical performance from open aperture. The minimum focusing distance is 30cm (11.8 inches) throughout the entire range, and the maximum magnification ratio of 1:4 is achieved at the 45mm focal length.
Featuring internal zoom and HLA (High-response Linear Actuator) autofocus, and an optical design that minimizes focus breathing, the SIGMA 28-45mm F1.8 DG DN | Art is well-suited for video work, including gimbal setups, thanks to its balanced design. The click/de-click switch and lockable aperture ring are designed to suit a variety of personal capture preferences, and the dust- and splash-resistant design also makes it suitable for shooting stills and video out in the elements.
The SIGMA 28-45mm F1.8 DG DN | Art lens will be available for $1,349 through authorized retailers in the US in late June 2024.
Exclusively for mirrorless cameras | Compatible with full-frame cameras
A | Art
SIGMA 28-45mm F1.8 DG DN | Art
The world's first* F1.8 full-frame mirrorless zoom.
*as of June 2024 by SIGMA
Supplied accessories: CASE, LENS HOOD LH878-06, FRONT CAP LCF-82 III, REAR CAP LCR II
Available mounts: L-Mount, Sony E-mount
Launch date: June 20, 2024
* Product appearance and specifications are subject to change.
* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
* L-Mount is a registered trademark of Leica Camera AG.
#SIGMA #SIGMA2845mmF18Art #SIGMAArt #SIGMAArtZoom #SIGMADGDN
The SIGMA 28-45mm F1.8 DG DN | Art is the world's first full-frame zoom lens with a constant maximum aperture of F1.8, delivering sharpness and clarity comparable to that of a prime lens.
Already the pioneer of unique, large-aperture zoom lenses including the SIGMA 18-35mm F1.8 DC HSM | Art and the SIGMA 24-35mm F2 DG HSM | Art, SIGMA introduces another fast, portable and versatile tool to its Art lineup.
In addition to its unprecedented brightness, the SIGMA 28-45mm F1.8 DG DN | Art delivers sharpness and clarity comparable to that of a prime lens throughout its entire zoom range. Also equipped with fast and precise AF and superior operability, this innovative optic turns a new page in the history of zoom lenses and their creative possibilities. It is a lens that will inspire full-frame filmmakers, while bringing unparalleled versatility to stills photographers.
* As of June 2024 by SIGMA
[Key Features]
1. The world's first* full-frame, F1.8 maximum aperture zoom lens
SIGMA has successfully developed the world's first full-frame zoom lens with a maximum aperture of F1.8. The SIGMA 28-45mm F1.8 DG DN | Art incorporates an inner zoom mechanism, a minimum focusing distance of 30cm across the entire zoom range, and a filter size of f82mm. Despite its advanced feature-set, the lens weighs less than 1kg, making it a portable and versatile option for either hand-held shooting or a gimbal setup.
Constant maximum aperture of F1.8
Once a privilege reserved only for prime lenses, the maximum F1.8 aperture allows full-frame camera users to expose hand-held in low light and produce beautiful bokeh, while enjoying the flexibility of a zoom. This unique optical achievement has been created through SIGMA's accumulated optical design experience and advanced production technology at the company's sole production base in Aizu, Japan.
Practical and stable inner zoom
Employing an inner zoom mechanism, the overall length of the lens remains constant when the focal length or focus distance changes. This means the lens is easy to use when shooting hand-held, highly stable when mounted on a tripod or gimbal, and more resistant to dust and water contamination.
Consistent close focus
The minimum focusing distance is a constant 30cm across the entire zoom range, with a maximum magnification ratio of 1:4 at the telephoto end, providing excellent close-up shooting capabilities. As well as offering precise focus in confined spaces, the lens can therefore be used close to a subject without affecting sharpness when using the zoom.
Premium build at a lighter weight
By rights, such a fast zoom should be big and heavy, but while the lens's rigidity and durability protect its sophisticated optical design, this is achieved at a weight of less than 1kg. What's more, this reliable photographic tool uses a versatile filter size of f82mm, meaning no compromise in portability or convenience.
2. Excellent optical performance comparable to that of a prime lens
With each optical aberration meticulously corrected throughout the zoom range, the SIGMA 28-45mm F1.8 DG DN | Art rivals prime lenses for clarity and definition. Thanks to its advanced coatings, the lens produces clear images, even in backlit environments, while focus breathing is thoroughly suppressed, bringing expressive power to filmmakers and photographers.
The pinnacle of optical quality in a zoom
Through the effective arrangement of 5 SLD elements and 3 aspherical elements, aberrations are rigorously corrected. Axial chromatic aberration, which is particularly noticeable with large-aperture lenses, has been thoroughly suppressed, and the lens delivers clear images with minimal coloration, from sharply focused details to large, smooth bokeh.
Suppression of focus breathing
When using regular lenses, the angle-of-view can change as focus moves from near to far, affecting precise composition. With the SIGMA 28-45mm F1.8 DG DN | Art this focus breathing is suppressed, enabling natural focus pulls when shooting video.
Minimal flare and ghosting
Flare and ghosting, which reduce image quality, have been largely eliminated using advanced simulation technology, ensuring the lens renders rich, high-contrast results in all conditions. In addition, in order to keep flare and ghosting to a minimum, the lens uses SIGMA's Nano Porous Coating and Super Multi-Layer Coating, producing superior resistance to backlighting and enabling clear, saturated images in all lighting conditions.
3. High-speed AF speed and innovative features
The SIGMA 28-45mm F1.8 DG DN | Art delivers a range of professional features as impressive as its outstanding optical performance. With high-speed and adaptable AF, a durable weather-resistant structure, a de-clickable aperture ring, smooth manual focusing and on-barrel AFL buttons, all features combine to create a versatile photographic tool capable of responding to any situation.
Faster focus with a linear motor
The lens's AF mechanism uses an HLA (High-response Linear Actuator) to combine accelerated focusing speed with exquisite precision. And because the motor is near-silent it allows video recording without noise.
Precise and comfortable manual focusing
To deliver delicate and accurate manual focus, the lens employs a bi-wire driven focus ring with optimum torque setting, high resolution and an adjustable rotation angle between 90° and 720°*. This allows filmmakers to pull focus with organic smoothness, and photographers to focus manually with outstanding accuracy.
* Only for L-Mount, and with compatible cameras.
Aperture ring refinements
The lens is equipped with an aperture ring as well as an aperture ring click switch and an aperture ring lock switch, allowing for aperture operation suitable for various shooting situations.
Equipped with two AFL buttons
Located on the side and on top of the barrel, two customizable* AFL buttons can be easily reached in either horizontal or vertical shooting positions.
* Assignment of functions is limited to supported cameras and assignable functions vary depending on the camera.
Built to withstand the elements
In addition to a dust- and splash-resistant body*, the frontmost surface of the lens is coated with a water- and oil-repellent coating so that it can be used safely even in harsh outdoor environments.
* The product is designed to be dust- and splash-resistant but is not waterproof. When using the lens near water, etc., take care not to allow large amounts of water to splash on it. If water gets inside the lens, it may cause a major malfunction and render the lens unrepairable.
Includes locking petal-type hood
A petal-type hood is included to shield the lens from light. It has a locking mechanism for secure attachment and can be reversed for easier storage.
[ Additional Features ]
[ Key Specifications ]
The following specifications are for L-Mount.
Lens Construction: 18 elements in 15 groups
(5 SLD, 3 aspherical elements)
Angle of view: 75.4 - 51.3°
Number of diaphragm blades: 11 (rounded diaphragm)
Minimum aperture: F16
Minimum focusing distance: 30cm / 11.9 in.
Maximum magnification ratio: 1:4 at 45mm
Filter size: 82mm
Dimensions (Max. Diam. x Length): 87.8 x 151.4mm / 3.5 x 6.0 in.
Weight: 960g / 33.9 oz.
[ Accessories: Supplied ]
LENS HOOD LH878-06: 0085126 941444
FRONT CAP LCF-82 III: 0085126 930028
REAR CAP LCR II (for L-Mount): 0085126 937256
REAR CAP LCR II (for Sony E-mount): 0085126 929879
Orders
Support this site by ordering the Sigma 28-45mm F1.8 DG DN Art Lens (or anything else) from B&H | Adorama | WEX
From Sony:
Sony Announces Major Update to Monitor & Control App with Expanded Compatibility and Enhanced Features
SAN DIEGO, CA – May 30, 2024. Sony Electronics announces the release of Monitor & Control (M&C) app version 2.0.0, an updated offering for Creators’ Cloud for individuals, bringing a suite of powerful new features and expanded compatibility for filmmakers and content creators. This latest update underscores Sony’s commitment to delivering innovative tools that enhance the creative process.
The “Monitor & Control" mobile app for visual content creators supports a myriad of Cinema Line and Alpha cameras, and enables wireless monitoring, precise exposure adjustment, and intuitive focus control on smartphones and tablets, effectively transforming these devices into wireless monitors with professional camera controls. Key features include real-time exposure monitoring, customizable histograms and waveforms, remote control of camera settings, and advanced color settings, providing creators with a more flexible workflow without needing a separate external monitor. It also offers intuitive focus controls, enabling touch focus, autofocus sensitivity adjustments, and Real-time Tracking directly from a mobile device. The on-screen control bar provides precise manual focus adjustments, with configurable settings for focus transition speeds, limits, and magnification.
Expanded Compatibility:
The M&C v2.0.0 app now supports a wider range of camera models, including BURANO, FX6, FX3, FX30, a1, a9 III, and a7S III. This expansion ensures more creators can benefit from the advanced monitoring and control capabilities offered by M&C.
Multi-Camera Monitoring:
Exclusive to iPad OS, the Multi-Camera Monitoring feature allows setting adjustments, control and display of up to four cameras. This function supports both wired and wireless connections through Wi-Fi routers or hotspots, providing flexibility for various shooting environments.
Key Improvements for BURANO and FX6:
Enhanced Monitoring Features:
User Interface Improvements:
Tool Menu Enhancements:
Users can select and customize up to three tools for their screen, including advanced adjustments for options like waveform, histogram, false color, zebra, de-squeeze, grid lines, and rotation.
The “Monitor & Control" mobile app is available for iOS and Android devices.1
Notes:
1 Some cameras will require latest firmware update. Please check the website for compatible camera software versions.
2 FX6 and BURANO
From Tamron Americas:
TAMRON Announces Update of TAMRON Lens Utility™ and TAMRON Lens Utility Mobile™
The lens customization software expands the possibilities of still photography and video shooting.
May 30, 2024, Commack, NY – TAMRON Americas, a leading provider of high-quality lenses, announces updates of the TAMRON Lens Utility, dedicated computer software, and the TAMRON Lens Utility Mobile, dedicated application for Android1 OS compatible smartphones and tablets. This update will provide additional functionality for greater convenience in the field and expands the possibilities of still and video photography. The software versions will change from the currently released Ver.2.0 to Ver.3.0, and the updated version will be available for download on May 30, 2024.
TAMRON Lens Utility and TAMRON Lens Utility Mobile Ver.3.0 overviews
October 2021 marked the release of TAMRON Lens Utility, a dedicated computer software that allows users to customize the functions of various TAMRON lenses according to their photographic and video shooting styles. In November 2022, we released TAMRON Lens Utility Mobile for Android OS, as we received many requests for the ability to customize lens functions in the field. In pursuit of even greater convenience, TAMRON has upgraded existing functions, added new functions for both the computer and mobile software, and added a new function exclusively for TAMRON Lens Utility Mobile. We plan to further expand and enhance functions to make video production more friendly to our customers.
Additional features with the Ver.3.0 update:
• Delay Time Start (upgrade to an existing feature)
This feature delays activation of a focus shift after the Focus Set Button has been pressed to activate. This is used to avoid shaking or button noises to be recorded when the Focus Set Button is pressed, and action starts.
* In addition to the Focus Set Button on the lens, this can also be used with the Remote Set Button with the TAMRON Lens Utility Mobile.
• Focus Stopper (new feature)
This feature fixes the focus range when manual focus is operated during video shooting. This will prevent the user from passing over the focal point.
* The stopper will automatically be released when switching to AF mode.
* In addition to the Focus Set Button on the lens, this feature could also be controlled from the Remote Set Button featured in the TAMRON Lens Utility Mobile.
• Astro Focus Lock (Astro FC-L) (new feature)
This feature fixes the focus on stars, which is useful for astrophotography. The focus is shifted to infinity and operation of the focus ring will be disabled (locked). Locking the focus ring prevents the focus from slipping through inadvertent operation.
* In addition to the Focus Set Button on the lens, this can also be used with the Remote Set Button with the TAMRON Lens Utility Mobile.
• Digital Follow Focus (DFF) (new dedicated feature only for TAMRON Lens Utility Mobile)
This feature allows you to fix a focus range between two points and perform focus operations from your smartphone screen, just like follow focus techniques. The direction of rotation of the aperture and focus rings, units indicated, and EV steps can also be changed.
*Aperture ring control and EV step configuration is not supported on Nikon Z mount lenses.
To learn more, please check the page introducing features of the TAMRON Lens Utility: https://www.tamron.com/global/consumer/soft/lensutility.html
1 Android is a trademark of Google LLC. Only compatible with Android devices fitted with USB Type-C ports.
* To use TAMRON Lens Utility Mobile, you will need to update the firmware of a compatible lens. To perform lens firmware updates, please use the TAMRON Lens Utility for computers.
* When using the mobile version, the dedicated TAMRON Connection Cable (USB Type-C to Type-C/ Model CC-350) is required.
* Information on lens firmware updates is posted to the support page: https://www.tamron.com/global/consumer/support/ as needed.
In addition, check a compatible lens list from the following link: https://www.tamron.com/jp/consumer/support/help/lensutility/en/compatible_lenses/
Minimally, the following Tamron lenses have firmware updates available:
20-40mm f/2.8 Di III VXD
28-75mm f/2.8 Di III VXD G2
35-150mm f/2-2.8 Di III VXD
50-400mm f/4.5-6.3 Di III VC VXD
Just posted: Sony FE 24-50mm F2.8 G Lens Review.
There is a lot to gain by giving up 20mm.
Support this site by ordering the Sony FE 24-50mm F2.8 G Lens (or anything else) from B&H | Sony | Adorama | Amazon (all available countries) | WEX | Camera Canada
Rent the Sony FE 24-50mm F2.8 G Lens from Lensrentals.
Please share!
This just in from ProGrade Digital:
Refresh Pro is now Free
ProGrade DigitalProGrade Digital is now offering Refresh Pro as a free software product. Refresh Pro continues to stand out as a revolutionary product in the removable storage market. ProGrade Digital created this product to solve several issues with flash memory that no one was addressing. The first issue that Refresh Pro solves is that flash memory slows down over time. See our whitepaper on this topic here.
Refresh Pro sanitizes a card to bring it back to factory-fresh speed. This sanitize function is available in hard drives and some removable storage formats but ProGrade Digital created the ability to enable this function on all ProGrade Digital Memory cards. Refresh Pro can run this process in seconds compared to doing a secure format, level 2 on a Mac which can take considerably longer. ProGrade was also the first company to commercially make the Sanitize function available on SD cards through customization of its exclusive Firmware shipped with all Refresh Pro enabled SD cards.
The second issue that Refresh Pro solves is that flash memory wears out over time and Refresh Pro can check the long-term health of ProGrade Digital memory cards to enable the user to see how much useful life is left on their card before an important shoot.
Finally, Refresh Pro enables the ability to update the firmware on the ProGrade Digital memory card. Most people are familiar with updating the firmware on their camera and even on their lens. What many people don’t realize is that when new cameras are introduced to the market or as existing cameras have new codecs added, memory cards need to have their firmware updated to optimize the memory for these new functions to ensure 100% compatibility.
The technology development that has gone into Refresh Pro is extensive and in order to accomplish all the functions listed above, ProGrade Digital created customized firmware in the ProGrade Digital readers and cards that was necessary to function with the software to detect, alter and update the memory card. * Originally ProGrade Digital offered Refresh Pro as a subscription because of the extensive development that went into the software and the development that takes place on an on-going basis to update the software to work with the ever-changing pace of technology in the Mac and Windows computers, the new and existing cameras and the advances in memory cards.
*These functions require a ProGrade Digital memory card with the “R” logo on the label, a ProGrade Digital reader with the “R” logo on the box and Refresh Pro software.
Seeing the vital importance of all these functions for the hard-working creators, photographers, and filmmakers, ProGrade Digital is making Refresh Pro free for all customers.
For customers that purchased a Refresh Pro license within the last 12 months, ProGrade is proactively issuing a refund of their subscription. (ProGrade Digital will issue a refund to the original purchase method used for the purchase. Check your next statement for this credit.) Customers with an active license can update to Refresh Pro 4.0 in the Refresh Pro software by clicking on the “About” menu. Customers who had a license that expired are not eligible for this refund; they can download the free copy of Refresh Pro v4.0 from the ProGrade website here.
The ProGrade Digital Team
Get your ProGrade Digital cards and readers at B&H.
Just posted: Sigma 24-70mm F2.8 DG DN II Art Lens Review
Destined to be the next best-seller.
Please share!
Support this site by ordering the Sigma 24-70mm F2.8 DG DN II Art Lens (or anything else) from B&H | Amazon (all available countries) | WEX | Camera Canada
Rent the Sigma 24-70mm F2.8 DG DN II Art Lens from Lensrentals.
The lens being reviewed is usually mounted on a camera and ready for quick use, and on this day, the Sigma 24-70mm F2.8 DG DN II Art was that lens. This lens's high utility focal length range, wide aperture, fast and accurate AF, and superb optical quality made it a perfect choice for around-the-house use. Then Elliott came for a visit.
Elliott enjoys playing on the stairs, and it is hard to go wrong with a white background (and foreground), including with any color wardrobe.
I seldom appreciate obstacles in front of a person's face, even if they are strongly blurred. However, this image shows a scenario where that concept works.
A sharp eye matters for portraits, and the Sony Alpha 1's eye AF easily made that distinction despite the ballisters in the foreground. Elliott was moving fast, and this lens's fast AF was critical during this well-timed shutter release button mash.
A larger version of this image is available here.
Another milestone was reached, and I was given the green light for a graduation photo shoot. Getting ready took two hours longer than originally planned, but a couple of hours of sunlight still remained as we went out the door.
Just inside of shade is usually a great choice for portrait lighting, and we started with that option. The background is usually a large percentage of the composition, so selecting a good one is important, and large columns usually work great.
Columns this large are typically found at institutions, and they provide a sense of place that is valued in university graduation photos. More to that point, these columns were in front of the building where most of her classes were held, adding relevance to the composition.
While several other lenses were along and used, the Canon RF 85mm F1.2 L USM Lens on an EOS R5 was my first choice for this shoot. This combination produces standout portraits at f/1.2, with impressive resolution and contrast, and the incredible 85mm f/1.2 background blur is especially advantageous.
The background blur reduces distracting lines of contrast behind the subject, especially for their head. In this case, the subject was aligned on the column to fully eliminate that issue.
I lost a few points for the edge of the graduation gown sleeve intersecting the line of the column's edge. A good photographer always has an excuse ready, so I'll blame feeling rushed for that one.
A larger version of this image is available here.
Image quality, vignetting, flare, and distortion test results are now available on the Sony FE 16-25mm F2.8 G Lens page.
This is a compact, lightweight, sharp lens. Here are some comparisons.
Compared to the Sony FE 16-35mm F2.8 GM II Lens
Compared to the Sony FE PZ 16-35mm F4 G Lens
Compared to the Sony FE 12-24mm F2.8 GM Lens
Compared to the Sigma 16-28mm F2.8 DG DN Contemporary Lens
Compared to the Sigma 14-24mm f/2.8 DG DN Art Lens
Compared to the Tamron 17-28mm f/2.8 Di III RXD Lens
Support this site by ordering the Sony FE 16-25mm F2.8 G Lens (or anything else) from B&H | Sony | Adorama | Amazon (all available countries) | WEX | Camera Canada
Rent the Sony FE 16-25mm F2.8 G Lens from Lensrentals.
Please share!