Sony News (Page 8)

Venus Optics just introduced a pair of interesting and useful lenses. See the new Laowa 55mm & 100mm Tilt-shift 1x Macro Lenses, available in RF, FE, Z, and L mounts, at B&H.

Photographers contemplating this question will find the Canon EOS R5 Mark II's price especially attractive. The difference is enough to fund a pro-grade lens.

Check out the a1 II vs. R5 II specification comparison and the visual comparison of these cameras. What are the differences between the Sony Alpha 1 II and the R5 Mark II? Here are the a1 II advantages:

• 50 megapixels vs. 45 megapixels (50 is my favorite, but 45 is close)
• 3.8 ms imaging sensor readout speed vs. 6.3 (faster readout reduces electronic shutter issues)
• 0.64" (16mm) 9.44 million dot 0.90x EVF vs. 0.50" (12.7mm) 5.76 million dot 0.76x
• 240 fps EVF vs. 120
• 4-axis articulated LCD
• Up to 1 second Pre-Capture vs. 0.5 seconds
• +/- 5 stops exposure compensation vs. 3
• Pixel Shift Multi Shooting (provides dramatically higher resolution after post-processing, but everything in the frame must be still)
• 1/400 max flash sync vs. 1/250
• Movie Auto Framing feature
• Ethernet port vs. available with accessory grip
• 420 shots CIPA viewfinder battery life vs. 340
• Slightly smaller

Here are the R5 II advantages:

• Dramatically lower price
• 30 fps with lossless RAW vs. lossy
• Eye Control AF
• AF to EV -7.5 to 21 vs. -4 to 20 (ratings at f/1.2 vs. f/2, but still an advantage)
• 5,850 manually-selectable AF points vs. 759
• 8K 60p 12-bit internal RAW vs. 8K 30p 10-bit
• 6 GHz WiFi vs. 5
• Has a top LCD
• 630 shots CIPA LCD battery life vs. 520
• Cooling fan grip available
• Slightly lighter

The Sony camera has dual CFexpress Type A and SD combo slots, while the Canon camera has dedicated CFexpress Type B and SD slots.

Comparing across brands is significantly challenged by the differing interface and ergonomics. These cameras are quite different in those regards, and advantages will often be determined by personal preference. Notably, I find the Canon grip more comfortable when using mid- and large-sized lenses.

Learn more: Sony Alpha 1 II

Support this site by ordering the Sony Alpha 1 II (or anything else) from B&H | Sony | Adorama | WEX | Camera Canada

The Alpha 1 II is, without a doubt, the best for most uses Sony camera, and lower price is practically the only reason to choose otherwise. Before the II, the a1 version I was my ultimate choice, and leads to the question I'm asking. Should I get the Sony a1 II or keep the Sony a1?

Check out the a1 II vs. a1 specification comparison and the visual comparison of these cameras. What are the differences between the Sony Alpha 1 II and the Alpha 1?

Let's get the short list out of the way first. I already gave you the answer, but I'll put a bullet beside it. Here are the Sony a1 advantages over the a1 II:

• Lower price

When the a1 II was announced, the a1 was immediately discounted by $1,000.00. That discount is not a factor for those considering an upgrade, except that the lower new camera cost may put downward pressure on the used camera sale price, directly impacting the upgrade cost. The items on the next list must be worth the additional expense for the II purchase to be logical.

Here are the a1 II's advantages:

• 0.03 to 1 second Pre-Capture of up to one second and Continuous Shooting Speed Boost
• 8.5-stop IBIS vs. 5.5
• Improved grip ergonomics
• New C5 button
• 4-axis articulated LCD
• 3.2" LCD with 2.1 million dots vs. 1.44 million dots
• AF-dedicated AI processor
• Insect, vehicle (planes, trains, and automobiles), and Auto subject detection modes
• Improved eye detection for animals and humans (by 30%) and birds (50% improvement).
• Upgraded human pose estimation
• XS and XL Spot AF area options
• 30 ms electronic Shutter lag vs. 42
• Video improvements, including AF performance, auto framing, movie self-timer, breathing compensation, import and embed of up to 16 custom LUTs
• 2.5Gbps Ethernet vs. 1Gbps, and Wake on LAN vs. no
• Stacked exposure mode dial
• FDA-EP21 enhanced eyecup additionally included

Serious photographers chasing wildlife and other action subjects will find the first bullet worth the upgrade cost. Pre-Capture is game-changing.

Other individual improvements, such as AF and IBIS performance, will also be worth the upgrade cost to many photographers, and the cumulative enhancements show the II to be a solid upgrade.

Still, the price difference is a factor, and the a1 is still the outstanding performer it always was.

Those of us considering the a1 to a1 II upgrade must consider that the value of our current cameras will continue to decline, and a fresh camera with a full warranty has value.

Learn more: Sony Alpha 1 II

Support this site by ordering the Sony Alpha 1 II (or anything else) from B&H | Sony | Adorama | WEX | Camera Canada

Just posted: Canon EOS R5 Mark II.

As with the R1 review, most of the R5 II content has been in place for weeks, but with over 20,000 images captured with this camera, I'll call the review done.

This is my favorite camera.

Support this site by ordering the Canon EOS R5 Mark II from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

Rent the Canon EOS R5 Mark II from Lensrentals.

Image quality test results from the Canon EOS R7 are now available for Tamron 11-20mm F/2.8 Di III-A RXD Lens.

This is a great ultra-wide zoom lens option for APS-C, now including the RF mount options.

Please share.

The Tamron 11-20mm F/2.8 Di III-A RXD Lens can now be ordered in RF mount (search for the RF version) from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada

Rent the Tamron 11-20mm F/2.8 Di III-A RXD Lens from Lensrentals.

The Tamron 11-20mm F/2.8 Di III-A RXD Lens (review) can now be ordered in RF mount (search for the RF version) from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada

From Tamron Americas:

TAMRON Announces the Launch of Its First CANON RF mount Lens

The compact, lightweight, fast-aperture F2.8 ultra wide-angle zoom

Commack, NY, November 26, 2024 – Tamron announces the launch of TAMRON’s first CANON RF mount lens, 11-20mm F/2.8 Di III-A RXD (Model B060), an ultra wide-angle zoom lens for APS-C mirrorless cameras at $659 USD / $899 CAD on December 12, 2024.

The 11-20mm F2.8 is a fast-aperture zoom lens covering a focal length range from ultra wide-angle 11mm to 20mm , with a maximum aperture of F2.8 across its full range of focal lengths. With a surprisingly compact and lightweight design for a fast ultra wide-angle zoom lens, the lens feels well balanced when attached to a compact APS-C mirrorless camera body, making it ideal for daily use.

Despite its small, lightweight design, the lens delivers high-level imaging power with its uncompromising optical design. Wide macro shooting is possible at 11mm with an MOD (Minimum Object Distance) of 0.15m (5.9in) and maximum magnification ratio of 1:4, and its stunning close-range shooting performance enables creative use of perspective at the wide end.

The lens also incorporates an AF drive system with an RXD (Rapid-eXtra-silent stepping Drive) stepping motor unit that is remarkably quiet. The lens accurately captures not only still images but also video. It is highly practical, with Moisture-Resistant Construction, Fluorine Coating, and other features designed for outdoor shooting, letting users easily enjoy the high image quality of this ultra wide-angle fast -aperture F2.8 lens under a range of conditions.

PRODUCT HIGHLIGHTS

1. Fast-aperture ultra wide-angle zoom lens

The 11-20mm F2.8 (full-frame equivalent of 17.6-32mm) allows for the capture of landscapes and architecture with the dynamic perspective unique to ultra wide-angle lenses. It is also well-suited for indoor group portraits and real estate photography by leveraging its wide-angle focal lengths. At the telephoto end, it supports everyday snapshots with its natural field of view close to one’s view, all while delivering soft and beautiful bokeh with its F2.8 aperture.

2. Compact and lightweight

Designed with APS-C mirrorless cameras in mind, the 11-20mm F2.8 provides a compact and lightweight form, measuring just 3.3” (84.2mm) in length and weighing 12 oz. (340g), allowing you to shoot without worrying about weight. When used with a compatible APS-C mirrorless camera body, you’ll enjoy handheld shooting of still images and find it comfortable to shoot video even when using a compact tripod or gimbal.

3. AF/MF Switch and TAMRON Lens Utility Compatibility

The CANON RF mount includes an AF/MF switch. Additionally, the lens features a Connector Port for users to easily update the lens to the latest firmware via TAMRON Lens Utility™ software.

4. Outstanding optical performance

The optical construction uses 12 elements in 10 groups including two GM (Glass Molded Aspherical) lens elements to maintain high resolution across the entire image area. It also incorporates one XLD (eXtra Low Dispersion) and two LD (Low Dispersion) lens elements to effectively suppress aberrations, ensuring clear image quality. Additionally, the BBAR-G2 (Broad-Band Anti-Reflection Generation 2) Coating minimizes ghosting and flare, faithfully rendering details even in backlit conditions.

5. MOD of 5.9” (0.15m) and maximum magnification ratio of 1:4

With an MOD of 5.9” (0.15m) at 11mm and a maximum magnification ratio of 1:4, the 11-20mm F2.8 surpasses traditional ultra wide-angle zoom lenses in its close-up capabilities. This allows for wide-angle macro photography and creative shallow depth of field effects, enhancing subject prominence against blurred backgrounds.

6. High performance autofocus system for both still and video use

Equipped with TAMRON’s proprietary RXD motor unit, the autofocus system delivers high-speed and high-precision focusing. It accurately captures moving subjects and is suitable for both still photography and video. Its quiet RXD stepping motor is ideal for capturing moments where noise may be a concern, or silence is required.

7. High convenience and protective features

• 67mm filter size, same as most other TAMRON lenses for mirrorless cameras
• Enhanced overall lens design for user-friendly operation
• Moisture-Resistant Construction
• Fluorine Coating

SPECIFICATIONS

Model: B060 Focal Length: 11-20mm (17.6-32mm full-frame equivalent field-of-view) Maximum Aperture: F2.8 Angle of View (diagonal): 101° 44’-68° 7’ (for APS-C mirrorless format) Optical Construction: 12 elements in 10 groups Minimum Object Distance: 5.9” / 0.15m / 5.9 (WIDE), 9.4” / 0.24m (TELE) Maximum Magnification Ratio: 1:4 (WIDE) / 1.76 (TELE) Filter Size: Ø67mm Maximum Diameter: Ø73mm Length*: 3.3” (84.2mm) Weight: 12 oz. (340g) Aperture Blades**: 7 (circular diaphragm) Minimum Aperture: F16 Standard Accessories: Flower-shaped hood, Front and Rear caps Mount***: Canon RF mount

* Length is the distance from the front end of the lens to the lens mount face.

** The circular diaphragm stays almost perfectly circular up to two stops down from maximum aperture.

Specifications, appearance, functionality, etc. are subject to change without prior notice.

*** The lens for Sony E-mount previously launched on June 24, 2021; the lens for FUJIFILM X mount previously launched on May 30, 2023.

This product is developed, manufactured, and sold under license from Canon Inc.

Full review: Tamron 11-20mm F/2.8 Di III-A RXD Lens

From Tamron Americas:

Tamron Lens Firmware Update Enhances AF Performance During Zooming and Supports Continuous Shooting with Sony a9 III

For 70-180mm F/2.8 Di III VC VXD G2 (Model A065)

Commack, NY, November 25, 2024 – TAMRON announces a new firmware update scheduled for release on November 25, 2024, at 11PM ET for the TAMRON 70-180mm F/2.8 Di III VC VXD G2 (Model A065) for Sony E-mount.

With this new firmware update, AF performance during zooming is improved when shooting videos and still images in AF-C mode. Additionally, with the Sony a9 III, when the focus mode is set to AF-S, DMF, or MF, the lens will support continuous shooting at up to approximately 120 frames per second.

Users can update to the latest firmware by visiting the TAMRON Lens Utility Download Page on TAMRON’s global website.

Full review: Tamron 70-180mm F2.8 Di III VC VXD G2 Lens.

Support this site by ordering the Sony FE 28-70mm F2 GM Lens at B&H | Sony | Adorama | WEX | Camera Canada

From Sony Electronics:

Sony Electronics Announces Its First Constant F2 Aperture Zoom Lens: The Full-Frame 28-70mm F2 G Master™

The Unique Combination of a Versatile Focal Range, Large F2 Aperture, and Compact Form Factor

SAN DIEGO, Nov. 19, 2024 - Sony Electronics Inc. introduces the 28-70mm F2 G Master, the first¹ Sony zoom lens with a constant F2 aperture and 77th lens in the Sony E-Mount lineup. This full-frame lens offers a versatile focal range from 28mm to 70mm while delivering prime-like² bokeh with its constant F2 aperture. Despite its wide aperture and zoom range, the 28-70mm F2 G Master remains compact, lightweight, and well-balanced, making it ideal for both photography and video applications. This combination of zoom range, large aperture, and compact design makes this an innovative and versatile lens for portrait, sports, wedding, event, and video professionals.

“Our goal with the 28-70mm F2 G Master was to create a high-performing zoom lens that could be a strong single lens alternative to multiple primes,” said Yang Cheng, Vice President of Imaging Solutions, Sony Electronics Inc. “We prioritized a lightweight design during the engineering process as we knew that was a critical factor for real-life, practical use. And in a manner that only Sony can do, we were able to deliver a small, standard F2 zoom lens that does not sacrifice image quality. We’re proud to add this to our G Master series and believe it is one of the most innovative lenses ever offered to professionals.”

Sharp Imagery and Beautiful Bokeh

The 28-70mm F2 G Master produces extremely sharp corner-to-corner results throughout the entire zoom range, even while shooting wide open at F2. The high-resolution output is made possible by the three XA (extreme aspherical) elements and three aspherical elements built within the lens that minimize aberrations. The lens also features a floating focusing system that helps maintain internal stability. This focusing mechanism enables an impressive minimum focusing distance of up to 14.8 inches (0.38m) throughout the entire zoom range.

Staying true to the G Master lens lineage, the lens’ aperture up to F2 produces extraordinary bokeh, ideal for creating images that showcase a shallow depth of field. The 28-70mm F2 amplifies the G Master bokeh standards through a newly designed 11-blade circular aperture unit. Chromatic aberrations, which cause color fringing within photos, are effectively minimized with three Super ED (extra-low dispersion) elements and one ED element built within the lens. Additionally, Sony’s Nano AR Coating II reduces flare and internal reflections, ensuring clear images, even when strong light sources are present in the frame.

Compact, Lightweight Design Without Compromising Quality

The 28-70mm F2 G Master is one of the most advanced mirrorless camera lenses manufactured with a total 20 different lens elements arranged within 14 internal groups. Despite the advanced optical design, the lens remains compact at 3.6 x 5.5 inches (92.9 x 139.8mm) and lightweight at approximately 32.3 ounces (918g). The combination of imaging performance and a compact form factor offers an innovative solution that meets the demands of industry professionals.

Precise Autofocus Tracking with Instant Response

Reliable and responsive autofocus is delivered through the lens’ four XD (extreme dynamic) linear motors powered by advanced control algorithms. This smooth performance system provides accurate and quick focus tracking, often essential in many professional use cases like weddings and sports. This lens is fully compatible with Sony’s Alpha 9 III‘s high-speed continuous shooting capabilities of up to 120 frames per second³ with AF/AE (autofocus/autoexposure) tracking, even while zooming.

Designed for High-Performance Video Shooting

Along with its F2 aperture, the zoom range of the 28-70mm G Master provides a versatile video option that can cover standard field-of-view shots and tighter compositions up to 70mm. This lens minimizes focus breathing through its build and compatibility with the Breathing Compensation feature on various Alpha bodies⁴. Its high autofocus performance ensures reliable focus even when recording in high frame rates up to 4K 120p / FHD 240p⁵. Additionally, the XD linear motors and newly developed aperture unit operates silently, preventing any lens noise from being captured during filming.

The lens is ideal for gimbal use with a minimal zoom extension of approximately .68 inches. The compact form factor and short external zoom helps maintain gimbal balance, even at varying focal lengths.

Operability and Reliability for Versatile Control

Key control features include Linear Response MF for intuitive manual focusing, adjustable zoom ring torque, and an aperture ring with a click ON/OFF switch. The lens also offers two customizable focus hold buttons, an iris lock switch, and an AF/MF switch. The 28-70mm F2 G Master has an 86mm filter diameter and a convenient window on the lens hood for variable filter adjustments.

For durability, all buttons and switches are sealed with silicone gaskets, and critical areas are designed to resist dust and moisture⁶. This ensures reliability, even while using in challenging outdoor environments. Additionally, a fluorine coating on the front element repels contaminants for easy cleaning.

Pricing and Availability

The 28-70mm F2 G Master will be available in December 2024 for approximately $2,899.99 USD and $3,999.99 CAD. It will be sold at a variety of Sony's authorized dealers throughout North America.

¹ As of the November 2024 announcement, Sony survey

² Sony survey

³ Sony test conditions. Maximum continuous shooting speed may be lower in some conditions. Continuous shooting speed may vary depending on the lens used in the AF-C focus mode. Refer to Sony’s lens compatibility support page for details.

⁴ Angle of view and image quality may change slightly when this function is [ON]. Effective compensation may not be achieved in all situations. See camera compatibility info at: https://www.sony.net/dics/breathing/

⁵ Depending on the camera and settings used.

⁶ Not guaranteed to be 100% dust and moisture proof

Support this site by ordering the Sony Alpha 1 II (or anything else) from B&H | Sony | Adorama | WEX | Camera Canada

From Sony Electronics:

Sony Electronics Announces Second-Generation Flagship Alpha 1 II

A Combination of High Resolution, Speed, and AI Recognition Designed for Professionals

SAN DIEGO, Nov. 19, 2024 – Today Sony Electronics Inc. introduces the Alpha 1 II, its new flagship full-frame camera. This mirrorless camera brings together some of the most requested and beloved features of Sony's high-end camera lineup into one body, designed to be the most reliable and strongest choice for any professional application. The Alpha 1 II combines high resolution, speed, and cutting-edge AI-driven technology to meet the output and workflow needs of professional photographers and videographers. Designed for professionals at the top of their game, the Alpha 1 II is an ideal hybrid tool for photojournalism, wildlife, sports, portraiture, weddings, and commercial work.

Key features of the Alpha 1 II include:

• High-resolution full-frame Exmor RS® stacked CMOS sensor with an approximate effective 50.1 MP (megapixels)
• Up to 30 fps (frames-per-second) blackout-free continuous shooting with AF/AE (autofocus/autoexposure) tracking¹
• AI processing unit bringing advanced AI-based subject recognition performance and a new “Auto” recognition mode that automatically detects subjects
• High-speed anti-distortion shutter reduces rolling shutter effect for clear undistorted images
• Pre-Capture of up to one second² and Continuous Shooting Speed Boost
• Improved optical image stabilization of up to 8.5 stops (center) and 7.0 stops (periphery) for still images and a new Dynamic active Mode for videos
• Updated processing algorithms for improved image noise reduction at mid-to-high ISO sensitivities
• Up to 8K 30p / 4K 120p and 10-bit 4:2:2 video recording with Breathing Compensation, Auto Framing, and import User LUTs
• Updated ergonomics and a lightweight design of approximately 743 grams (1 lb, 7.3 oz)

“The original Alpha 1 was a groundbreaking release in 2021, and since then Sony has continued to raise the bar, year over year. When developing the successor to our esteemed flagship model, we made it our mission to incorporate feedback from the industry and the community of Alpha 1, Alpha 7R V and Alpha 9 III users. The result is a powerhouse of a camera - our highest-performing, most balanced, utilitarian tool on the market,” said Yang Cheng, Vice President of Imaging Solutions, Sony Electronics Inc. “The Alpha 1 II stays true to the Alpha 1’s foundational core of high resolution and speed but is amplified with a dedicated AI processing unit and enhanced ergonomics. It is sure to be seen as Sony’s strongest and most reliable hybrid camera ever created.”

High Resolution, Speed, and AI Combination

The Alpha 1 II camera’s exceptional reliability and versatility arises not just from strength of any single feature, but from the combination of its resolution, speed, and AI capabilities coexisting to amplify one another. Here is a breakdown of each:

High Resolution: The Alpha 1 II produces high-resolution images with a wide dynamic range through the full-frame Exmor RS® stacked CMOS sensor with approximately 50.1 effective MP resolution. This resolution performance is further enhanced by the latest BIONZ XR® image processing engine. With a separate AI processing unit handling many of the subject recognition capabilities, the camera’s image processing engine now has increased bandwidth to enhance other features.

Speed: The camera offers blackout-free high-speed continuous shooting with AF/AE tracking at up to 30 fps⁶, which can track complex movements with AF/AE calculations at up to 120 times per second⁷. The camera also includes the highly requested Pre-Capture function, which allows images to be captured up to one second before the shutter button is pressed⁸. For additional high-speed performance, users can activate the Continuous Shooting Speed Boost feature that can temporarily increase frame rates in high-action moments.

AI Processing Unit: The Alpha 1 II features Sony’s acclaimed AI processing unit, enabling Real-time Recognition AF. This technology strengthens Sony’s legacy of industry-leading auto focus and allows the user to accurately track animals, birds, insects, and various vehicles. It also introduces Sony’s human pose estimation, that instantly recognizes and tracks a person’s head and torso even when they’re moving or looking away. The Alpha 1 II also brings the latest evolution to Sony’s Real-time Recognition AF, featuring a new “Auto” mode that enables automatic subject recognition without the need to select a specific subject mode⁹.

Stable Performance and Advanced Video Capabilities

A major advancement of the Alpha 1 II is the improved optical image stabilization of up to 8.5 stops in the center (compared to 5.5 stops on the original Alpha 1) and 7.0 stops in the periphery¹⁰. The high-speed anti-distortion shutter minimizes rolling shutter effect, delivering clear, undistorted images. The camera also features updated processing algorithms that reduce noise at mid-to-high ISO sensitivities without sacrificing image detail.

The Alpha 1 II maintains the same impressive video capabilities of its successor with the ability to shoot up to 8K 30p with 10bit 4:2:2 color depth, as well as high frame recording capabilities of 120p for 4K. In addition, it features a newly supported Dynamic active Mode for increased stability of video capture¹¹. The camera has a variety of features that support streamlined video creation including Breathing Compensation, Auto Framing, and import User LUTs capabilities.

Improved Ergonomics and Workflow Operability

The Alpha 1 II has been redesigned based on customer feedback including an evolved 3.2-type LCD monitor with a highly requested 4-axis multi-angle that can be freely adjusted to any angle. The Alpha 1 II’s camera body design has improved ergonomics, with many design elements borrowed from the acclaimed Alpha 9 III. Design evolutions include the grip, an enhanced quick release shutter button, and an additional “C5” custom button for added convenience. In addition, the camera is compatible with the VG-C512 vertical grip that provides additional ergonomic support and extended battery performance.

For professionals seeking real-time image transfer solutions, the Alpha 1 II supports 2.5GBASE-T via wired LAN. Images and videos can be transmitted via stable, high-speed 5G communication when the camera is paired with Sony’s PDT-FP1 portable data transmitter (sold separately). Additionally, images and videos can be automatically transferred direct to Adobe Lightroom™ or Google Drive™ through the latest version of Sony's cloud storage service, Creators' Cloud¹³.

In a world of expanding technology and increasing AI, the ability to authenticate a photograph is now more critical than ever before. Images captured with the Alpha 1 II will be compatible¹⁴ with Sony’s Camera Authenticity Solution that stores detailed camera information¹⁵ within the image files. This aids media agencies and photojournalists in their growing fight against manipulated imagery and AI-generated fakes. This solution will be available through a separate upgrade license and scheduled after December 2024¹⁶.

Additional Accessories and Plastic-Free Packaging

For additional battery support, the Alpha 1 II comes with the new BC-ZD1 Dual-Battery Charger that rapidly charges two Z batteries (model NP-FZ100) simultaneously in 155 minutes to full charge¹⁷. In addition, the Alpha 1 II includes a new deep-type padded eyepiece cup (model FDA-EP21) accessory for an alternative viewing support option. A standard eyepiece comes attached to the camera by default but can be swapped with the deep pad option based on the user’s preference.

The Alpha 1 II is the first Alpha series camera (excluding ZV series cameras) to use Sony’s Original Blend Material for eco-conscious packaging. The materials used for packaging are a unique mix of bamboo, sugarcane, and recycled paper. This makes the packaging entirely free of plastic¹⁸.

Pricing and Availability

The Alpha 1 II will be available in December 2024 for approximately $6,499.99 USD and $8,499.99 CAD. It will be sold at a variety of Sony's authorized dealers throughout North America.

Notes:

¹ When using electronic shutter. Sony test conditions. Maximum continuous frame rate may be lower in some shooting conditions. Continuous shooting speed may vary depending on the lens used in AF-C focus modes. Visit Sony’s support web page for lens compatibility information.

² Maximum pre-capture time may be less in some situations. High continuous shooting speeds can cause an increase in camera temperature. Pre-capture may be limited to protect the device in high ambient temperature conditions.

³ CIPA 2024 standards. Pitch/Yaw/Roll compensation. FE 50mm F1.2 GM lens. Long exposure NR off.

⁴ Dynamic Active Mode is not available when shooting in 8K or at frame rates of 120 fps or higher.

⁵ Including a battery and standard media card.

⁶ When using electronic shutter. Sony test conditions. Maximum continuous frame rate may be lower in some shooting conditions. Continuous shooting speed may vary depending on the lens used in AF-C focus modes. Visit Sony’s support web page for lens compatibility information.

⁷ At shutter speeds of 1/125 sec. or higher. May be less depending on shooting conditions and the lens used.

⁸ Maximum pre-capture time may be less in some situations. High continuous shooting speeds can cause an increase in camera temperature. Pre-capture may be limited to protect the device in high ambient temperature conditions.

⁹ When Auto is selected the camera will normally recognize the subject type automatically, but the wrong type may be selected in some situations. In such cases manually selecting the intended subject type may solve the problem.

¹⁰ CIPA 2024 standards. Pitch/Yaw/Roll compensation. FE 50mm F1.2 GM lens. Long exposure NR off.

¹¹ Dynamic Active Mode is not available when shooting in 8K or at frame rates of 120 fps or higher.

¹² The VG-C5 vertical grip is sold separately.

¹³ Priory settings in the Creators' Cloud mobile application "Creators' App" or "Creators' Cloud Web" is necessary. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information. For regional app/service availability, click here https://creatorscloud.sony.net/catalog/en-us/servicearea.html

¹⁴ The Camera Authenticity Solution is available through a separate upgrade license, and this will be supported in a camera software update after December 2024. As of the announcement day, support for the Camera Authenticity Solution is available to select media.

¹⁵ Metadata including provenance information, authenticity of the image captured with the camera, and 3D depth information are embedded into the captured image as an in-camera digital signature.

¹⁶ The Camera Authenticity Solution is available through a separate upgrade license, and this will be supported in a camera software update after December 2024. As of the announcement day, support for the Camera Authenticity Solution is available to select media.

¹⁷ Simultaneous two-battery charging requires a USB PD (30 W min.) compatible power and cable (3 A min.) The CHARGE lamp will turn off when battery charge level exceeds 90% (operational charge). Continue charging for another 30 minutes to achieve a full charge. Actual performance varies based on settings, environmental conditions, and usage.

¹⁸ Not including materials used in coatings and adhesives.

Full reviews of these four lens models are available, and you can support this site by ordering the new lenses using the links provided.

From Sigma Corporation of America:

SIGMA Announces Pricing and Availability of DC DN Prime Lenses for Canon RF Mount

Ronkonkoma, NY – November 19, 2024 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce pricing and availability of four prime F1.4 DC DN | Contemporary lenses for the Canon EOS R mirrorless camera system. The four lenses are the 16mm F1.4 DC DN | Contemporary, 23mm F1.4 DC DN | Contemporary, 30mm F1.4 DC DN | Contemporary, and 56mm F1.4 DC DN | Contemporary.

Development of these four primes for Canon RF Mount was initially announced on April 23, 2024, alongside the 10-18mm 2.8 DC DN | Contemporary and 18-50mm F2.8 DC DN | Contemporary lenses, both of which were released earlier this year.

With the release of these new lenses, SIGMA now offers a total of six APS-C format DC DN lenses for the Canon EOS R System. All six of these lenses are also available for several other mirrorless camera systems including Sony E-mount, L-Mount, and Fujifilm X Mount. The 16mm F1.4 DC DN | Contemporary, 30mm F1.4 DC DN | Contemporary and 56mm F1.4 DC DN | Contemporary are additionally offered for Nikon Z mount and Micro Four Thirds.

The 30mm F1.4 DC DN | Contemporary will retail for $369 and the 56mm F1.4 DC DN | Contemporary will retail for $529. These lenses will be available for purchase on December 5, 2024.

The 16mm F1.4 DC DN | Contemporary will retail for $489, and the 23mm F1.4 DC DN | Contemporary will retail for $599. These lenses will be available for purchase on January 23, 2025.

The addition of these four premium SIGMA lenses for Canon RF Mount adds to SIGMA's growing lineup of lenses for all major camera systems.

[ Launch schedule of four SIGMA F1.4 prime lenses for Canon RF Mount ]

SIGMA Corporation is pleased to announce the launch date of SIGMA 30mm F1.4 DC DN | Contemporary and SIGMA 56mm F1.4 DC DN | Contemporary for Canon RF Mount, as well as the approximate launch schedule of SIGMA 16mm F1.4 DC DN | Contemporary and SIGMA 23mm F1.4 DC DN | Contemporary for Canon RF Mount.

Launch date: December 5th, 2024 (Thursday)

SIGMA 30mm F1.4 DC DN | Contemporary Supplied Accessories: LENS HOOD LH586-01, FRONT CAP LCF-52 III, REAR CAP LCR II Mount: Canon RF Mount

SIGMA 56mm F1.4 DC DN | Contemporary Supplied Accessories: LENS HOOD LH582-01, FRONT CAP LCF-55 III, REAR CAP LCR II Mount: Canon RF Mount

Approximate launch schedule: January 2025

SIGMA 16mm F1.4 DC DN | Contemporary Supplied Accessories: PETAL-TYPE HOOD LH716-01, FRONT CAP LCF-67 III, REAR CAP LCR II Mount: Canon RF Mount

SIGMA 23mm F1.4 DC DN | Contemporary Supplied Accessories: PETAL-TYPE HOOD LH554-01, FRONT CAP LCF-52 III, REAR CAP LCR II Mount: Canon RF Mount

* This product is developed, manufactured and sold under license from Canon Inc.

#SIGMA #SIGMAContemporary #SIGMADCDN #SIGMARFMount #SIGMA16mmF14Contemporary #SIGMA23mmF14Contemporary #SIGMA30mmF14Contemporary #SIGMA56mmF14Contemporary

[ Long-awaited Canon RF Mount addition ]

SIGMA's APS-C size mirrorless dedicated prime lenses, the SIGMA 16mm F1.4 DC DN | Contemporary, SIGMA 23mm F1.4 DC DN | Contemporary, SIGMA 30mm F1.4 DC DN | Contemporary and SIGMA 56mm F1.4 DC DN | Contemporary will now be available for the Canon RF Mount. These additions allow users to enjoy high-performance, and high-quality SIGMA prime lenses in native mount on their Canon RF Mount system.

A control algorithm including AF drive and communication speed optimization has been developed specifically for Canon RF Mount interchangeable lenses. In addition to realizing high-speed AF, the lens also supports Servo AF and in-camera aberration correction*. The mount is rubber-sealed to cater for use in a variety of environments.

* Available on supported cameras only.

Mount Conversion Service is available to convert other mounts of SIGMA 16mm F1.4 DC DN | Contemporary, SIGMA 23mm F1.4 DC DN | Contemporary, SIGMA 30mm F1.4 DC DN | Contemporary and SIGMA 56mm F1.4 DC DN | Contemporary to Canon RF Mount, once they launch.

Stop back here on Tuesday, November 19th at 9:00 EST (6:00 PST, 14:00 GMT, 23:00 JST) for the Sony Alpha 1 II reveal.

Be sure to support this site using the provided links to order the Sony Alpha 1 II at B&H.

Image quality, vignetting, flare, and distortion test results are now available on the Canon RF 70-200mm F2.8 L IS USM Z Lens Review.

Don't miss the outstanding with-extender performance.

Compared to the Canon RF 70-200mm F2.8 L IS (no Z) Lens

Compared to the Canon RF 100-300mm F2.8 L IS USM Lens

The 70-200 Z is slightly sharper with a 2x than the 100-300 is.

Compared to the Sony FE 70-200mm F2.8 GM OSS II Lens

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Support this site by ordering the Canon RF 70-200mm F2.8 L IS USM Z Lens (or anything else) from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

Rent the Canon RF 70-200mm F2.8 L IS USM Z Lens from Lensrentals.

Sony's 2024 Q2 financial results are available on the Investor Relations page.

Presentation
(track ET&S for the Entertainment, Technology & Services Segment, I&SS for the Imaging and Sensing Solutions segment)

Speech Transcript
Financial Statements
Supplementary Information
Webcast

As in Q1, Sony's numbers are healthy.

Noise (196 samples) and resolution test results from the Canon RF 85mm F1.2 L USM Lens are now available on the Canon EOS R1 page.

As expected, the EOS R1 and R3 resolution and noise are essentially the same.

Note that the EOS R1 and R5 II noise levels are also the same when the final image size is matched at 24 MP. While the R5 II's pixel level noise is higher at its native resolution, matched final output size eliminates the mythical low resolution advantage.

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Support this site by ordering the Canon EOS R1 from B&H | Adorama | Canon USA | WEX

Rent the Canon EOS R1 from Lensrentals.

Just posted: Tamron 90mm F/2.8 Di III Macro VXD Lens Review.

Impressive lens.

Support this site by ordering the Tamron 90mm F/2.8 Di III Macro VXD Lens (or anything else) from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada

Rent the Tamron 90mm F/2.8 Di III Macro VXD Lens from Lensrentals.

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Sony ZV-E1 firmware update version 2.00 is available for download.

Firmware Version 2.00 incorporates the following fixes and enhancements:

1. Adapts the layout of shooting information on the display for both horizontal and vertical orientations
2. Allows you to select user LUTs via the Cinematic Vlog Set feature
3. Adds the Golden Ratio Grid option to the Grid Line Type setting menu
4. Allows the display of a specified aspect ratio marker on the shooting screen when shooting still images
5. Adds a function that allows you to narrow down played-back images using multiple filters (e.g. Rating)
6. Improves image quality when applying user LUTs
7. Adds a function that automatically creates still images with Shot Marks from movie frames after recordings
8. You can add a Shot Mark while shooting or playing a movie and use it as a mark for selecting, transferring, or editing the movie.
9. Increases the maximum number of images that can be recorded in one folder to 9,999
10. Displays the Wi-Fi signal strength when the Wi-Fi function is On
11. Allows the use of Focus Magnifier and Auto Magnifier in MF while using the Bright Monitoring feature
12. Allows notifications to be displayed when the latest software is available for your camera
13. You can now continue shooting while transferring captured photos and videos to a smartphone or tablet
    Note: Ver. 2.6.0 or later of the Creators' App is necessary. The Creators' App may not be available in some countries or regions. For more information, please visit the Creators' Cloud support website.
14. Transfer to smartphones and tablets can now be resumed even if interrupted in the middle of a transfer
    Note: Ver. 2.6.0 or later of the Creators' App is necessary. The Creators' App may not be available in some countries or regions. For more information, please visit the Creators' Cloud support website.
15. You can now transfer only the differences that have not yet been transferred to your smartphone or tablet, or add videos to be transferred during the transfer process
    Note: Ver. 2.6.0 or later of the Creators' App is necessary. The Creators' App may not be available in some countries or regions. For more information, please visit the Creators' Cloud support website.
16. Allows you to upload camera images directly to the Creators' Cloud
    Notes:
    Settings must be adjusted in the Creators' App in advance. For more information, please visit the Creators' App support website.
    Ver. 2.6.0 or later of the Creators' App is necessary. This service may not be available in some countries or regions. For more information, please visit the Creators' Cloud support website.
17. Adds support for the Network Streaming function Notes:
    Settings must be adjusted in the Creators' App in advance. For more information, please visit the Creators' App support website.
    Ver. 2.6.0 or later of the Creators' App is necessary. The Creators' App may not be available in some countries or regions. For more information, please visit the Creators' Cloud support website.
18. Adds support for the Monitor & Control app
    Note: The Monitor & Control app connects wirelessly to a camera and enables video monitoring and remote control with a smartphone or tablet device.
19. Ver. 2.1.0 or later of the Monitor & Control app is necessary. The Monitor & Control app may not be available in some countries or regions.
20. Improves the functionality and operational stability of the camera

Get the Sony ZV-E1 at B&H.

From Sony Electronics:

Sony Electronics Announces Firmware Roadmap for its Cinema Line

New firmware roadmap illustrates Sony’s commitment to the filmmaking community with continued investment in the Cinema Line

LOS ANGELES – Nov. 6, 2024: Sony Electronics announces upcoming firmware updates to its VENICE 2, FX6, FX3, FX30 and BURANO cameras, continuing its longstanding support for its cinema line cameras. The firmware will be available beginning next year through 2026.

“Firmware updates are an important way for Sony to continue to address the needs of our filmmaking community. Our Cinema Line is built for the future and the firmware will allow our products to continue to evolve with the needs of our filmmakers, especially at a time when the industry is undergoing incredible changes. This is yet another way Sony is looking to support the community,” said Theresa Alesso, President of Imaging Products and Solutions Americas, Sony Electronics.

The firmware updates will be available to download for free and include:

VENICE 2 VERSION 4.0

The Sony VENICE Camera System has been used on more than 500 productions including commercials, television and feature films since it was introduced, with the VENICE 2 digital cinema camera recognized as a world-class cinema camera for cinematographers around the world. VENICE 2 Version 4.0 firmware update is planned to be available August 2025 and will add:

Support of the EL Zone System™, created by three-time Academy award-nominated Director of Photography Ed Lachman, ASC. The EL Zone System™ is an intuitive tool that displays exposure values by using stops instead of IRE, bringing back the direct relationship between lighting and lens stops. The EL Zone System™ comes in addition to the existing tools in VENICE 2.

Based on users’ feedback, Version 4.0 will offer the ability to display frame lines in different colors, simplifying the ability to shoot images for multiple delivery formats.

Sony is pleased to continue to upgrade and evolve the VENICE 2 platform over the coming years, protecting the investment for owners and rental houses: Version 5.0 will be made available in 2026 and Version 6.0 in 2027.

FX3 VERSION 7.0 AND FX30 VERSION 6.0

Based on user feedback, the Sony FX3 and FX30 cameras will get a new firmware update in September 2025. This update to the menu system will standardize the user experience and operational menu across the entire Cinema Line. This will be beneficial for users that combine our multiple level of cameras for production or move throughout the line for different projects.

Other new features of this firmware will include:

A new "BIG 6" menu, similar to the BURANO and VENICE. The new BIG 6 menu will allow filmmakers to check and adjust key items at a glance, including ISO, frame rate, LUT, NDs, and more.

The addition of anamorphic de-squeeze 1.5x, due to the rise of anamorphic lens usage by cinematographers. This new ratio brings new flexibility in terms of lens selection.

The capability of HDMI RAW Output for Blackmagic RAW recording with Blackmagic Design’s Video Assist recorders.

FX6 VERSION 6.0

Sony is pleased to announce that FX6 now supports SDI RAW Output for Blackmagic RAW recording with Blackmagic Design’s Video Assist recorder.

FX6 Version 6.0 is planned for February 2026 and will include:

The FX6 will see a new “BIG 6” menu, similar to the BURANO and VENICE. The new BIG 6 menu will allow filmmakers to check and adjust key items at a glance, including ISO, frame rate, LUT, NDs, and more.

Camera data will no longer be overlaid on top of the image in the viewfinder (On-Screen Display (OSD)) to allow operators to see the full image and necessary data more clearly.

1 Sony recommends that users check update timing on Blackmagic Design’s Video Assist recorder.

BURANO VERSION 2.0

Planned to be released in March 2025, BURANO Version 2.0 offers many new features and improvements requested from the user community, including new recording formats, new 1.8x de-squeeze, and monitoring improvements.

Version 2.0 will include new recording formats including a new 3.8K Full Frame crop that leverages nearly the entire sensor and can shoot up to 120 fps. This new recording mode allows the filmmaker to prioritize faster sensor performance depending on the needs of their application. Other new recording formats include the addition of 24.00 fps to X-OCN 16:9 imager modes and the following:

Full Frame 3.8K 16:9 Mode Up to 120 fps

Super 35 4.3K 4:3 Mode (for Anamorphic) Up to 60 fps

Super 35 1.9K 16:9 Mode Up to 240 fps

BURANO Version 2.0 will also add 1.8x de-squeeze setting as well as additional high frame rate (S & Q) modes including 66, 72, 75, 88, 90, 96, 110 fps.

Version 2.0 also offers monitoring improvements, including standardized SDI video output for monitoring across X-OCN and XAVC and an improved on-screen display which places camera status information outside of the image. Version 2.0 will also include View Finder Gamma Display Assist while using S-Log3 for monitoring.

BURANO Version 2.0 also includes additional exposure tools (High/Low Key) derived from the flagship VENICE camera system. Version 2.0 will also expand white balance memory presets from 3 to 8 and support Active/High Image Stabilization in Full-Frame 6K and Super 35 1.9K 16:9 imager modes.

Finally, Version 2.0 will add breathing compensation and image stabilization metadata in X-OCN.

Availability

The new BURANO Version 2.0 will be available in March 2025. Filmmakers can easily download the update directly to their camera using a Mac or PC.

For more information, visit sonycine.com or follow us on Instagram @sonycine for more information.

Tamron as shared the 1st Quarter 2024 Financial Results.

A selection of quotes:

"Sales of Photographic Products is expected to increase by double digits even the sales of Own-Brand products decline slightly from the Aug. 8 forecast due to delay sales recovery in Europe and US, and a slowdown in the Chinese market in the 2nd half of 2024."

"Strong sales of OEM products is expected to exceed the Aug.8 forecast and is planned to increase by 1.4 times YoY."

"Strong sales in both own-brand and OEM products and the favorable foreign exchange effects led to upward revisions of both Sales and Operating Income following 1st and 2nd quarters."

"Before 2023: Approximately 5 new models. New medium-term(2024-2026) management plan policy: 6 to 7 new models a year to 7 new models in the first year(2024) of the plan."