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It's always a big deal when Apple buys your company. Pixelmator just shared this announcement:
A new home for Pixelmator
Today we have some important news to share: the Pixelmator Team plans to join Apple.
We’ve been inspired by Apple since day one, crafting our products with the same razor-sharp focus on design, ease of use, and performance. And looking back, it’s crazy what a small group of dedicated people have been able to achieve over the years from all the way in Vilnius, Lithuania. Now, we’ll have the ability to reach an even wider audience and make an even bigger impact on the lives of creative people around the world.
What to expect
Pixelmator has signed an agreement to be acquired by Apple, subject to regulatory approval. There will be no material changes to the Pixelmator Pro, Pixelmator for iOS, and Photomator apps at this time. Stay tuned for exciting updates to come.
Thank you
We want to give a big thanks to our amazing users for your support over the past 17 years. Your feedback has played a huge role in shaping our apps into what they are today. As we step into this exciting new chapter, we can’t wait to share what’s next.
– Pixelmator Team
Who is Pixelmator?
"Pixelmator Pro is an image editor designed to make the most powerful professional image editing tools accessible to everyone. And with an extensive collection of tools for editing and retouching photos, creating graphic designs, painting, drawing vector graphics, and adding stunning effects, it’s the only image editor you’ll need." [Pixelmator]
I love it when only a 0.6-second shutter speed is needed to properly expose the Northern Lights. That setting indicates a super-bright show.
Not immediately apparent in a still photo is that the Northern Lights are often a fast action subject, and the dancing and pulsing light show is awesome. In a long exposure, that movement results in a blurry result. Wide aperture lenses (and, of course, a bright show) are optimal for capturing the aurora structure.
This night's display was extremely bright, permitting a relatively short 0.6-second exposure at f/1.4 and ISO 3200, and it was moving fast. Shooting straight up into the aurora is one of my favorite compositions, but the fast movement made guessing the ideal future composition challenging. It was exciting to anticipate and view the results.
We are at or near a solar maximum. Do you have the right Northern Lights lenses in your kit?
This night was the third over-4-hour road trip all-nighter in 4 days. I don't remember the tiredness, but as usual, the images were worth the effort.
A larger version of this image is available here.
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This is one of my favorite images from a recent photo trip to Denali National Park. The picture does not convey the significant time and effort involved in its capture, but images such as this one make it all worthwhile.
Dall sheep are awesome animals, and I counted on the also-awesome Canon EOS R5 II and RF 100-500mm F4.5-7.1 L IS Lens to bring home the images.
A larger version of this image is available here.
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Worth browsing: Deals of the Week at B&H.
Comet C/2023 A3 Tsuchinshan–ATLAS was in the sky, so, of course, it had to be photographed.
While single-exposure images of this comet looked nice, my upgraded tracking mount, a Sky-Watcher Star Adventurer GTi, was still in the box and longing for use.
This image is the result of stacking sixteen 30-second exposures using Deep Sky Stacker (DSS) software (it's free).
After aligning the mount and establishing the Canon EOS R5 Mark II settings, the shutter release button on a simple Vello Wired Remote Release was locked down (push down and slide forward), and the R5 II's continuous shooting mode captured about 45 minutes of images while I did something else. The middle 8 minutes of frames had the darkest sky and were selected for processing.
The Canon RF 70-200mm F2.8 L IS USM Lens was chosen because it had the desired focal length, it creates extremely sharp stars, and it has a rotating collar to add the rotation direction natively missing on the mount. It proved an outstanding choice.
A larger version of this image is available here.
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Just posted: Sony FE 85mm F1.4 GM II Lens Review.
Outstanding lens.
Please share!
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While supplies last or through 10-25-24 at 11:59PM ET, use coupon code SV24 at KEH Camera to save 15% on select used camera gear. Over 2,400 items areavaialble.
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Topaz Labs just introduced Gigapixel 8 and Photo AI 3.3.
The viewer's eye is drawn to contrast, which is lacking in a strongly blurred portion of the image. Thus, blurring the non-subject area aids in drawing the viewer's eye to the sharp-focused subject.
For this image, the telephoto compression and long distance beyond the subject create the background blur, and getting down into some close rocks takes the foreground out of focus, eliminating those distractions.
While I love the use of blur in photography, I rarely like foreground blur covering the subject's face.
A larger version of this image is available here.