Put the Canon RF 85mm F2 Macro IS STM Lens on the EOS R50, and you have an impressive portrait kit in your hands. The images produced by that combination belie the cost, as the R50 and RF 85 F2 are priced at the bottom of their class.
Support columns often provide a great portrait background. Their subtle toning and (usually) white color do not compete for attention. In this case, the model's head was framed within one column, with two additional columns completing the backdrop.
Add a background-matching white coat and the 85 F2's background blur to make the model's hair and face grab the viewer's attention.
A larger version of this image is available here.
The Canon RF 135mm F1.8 L IS USM Lens delivers jaw-dropping imagery, and with portraiture on the schedule, this lens was my first choice for testing the Canon EOS R8.
The location was the Magnolia Plantation near Charleston, SC., where the Spanish moss and its reflection provide a beautiful, non-distracting foreground and background that emphasize the bridge and model. Even at a relatively long distance, the 135mm focal length and f/1.8 aperture combination on a full-frame camera creates nice background separation, especially making the subject pop.
The R8 brings Canon's outstanding AF system and full-frame image quality to an affordable price.
A larger version of this image is available here.
Tamron's FY2022 Financial Results are showing positive trending, including an increased forecast.
Also shared was "Tamron will continue to launch about 5 models a year in 2023."
From Sigma Corporation of America:
SIGMA Introduces 50mm F1.4 DG DN | Art for Full-Frame Mirrorless Cameras, Redefining the Standard Art Prime Lens
Ronkonkoma, NY – February 7, 2023 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the SIGMA 50mm F1.4 DG DN | Art lens. Redefining the standard lens in SIGMA's DG DN lineup (DG = full-frame, DN = mirrorless-exclusive), the 50mm F1.4 DG DN | Art expands the impressive line of fast F1.4 aperture primes with professional-level quality that the Art line is renowned for.
While further improving optical performance from the 50mm F1.4 DG HSM | Art, the new SIGMA 50mm F1.4 DG DN | Art achieves the ideal balance of the size, weight, and autofocus performance.
Designed for full-frame mirrorless cameras, this lens features outstanding edge-to-edge imaging performance with a completely new optical formula optimized for the short flange distance of mirrorless systems. Sagittal coma flare has been thoroughly improved, resulting in beautiful, rounded star images and a clean bokeh effect.
Featuring the new HLA autofocus driver (High-response Linear Actuator) first introduced in the 60-600mm DG DN OS | Sports lens, the 50mm F1.4 DG DN | Art achieves swift and silent autofocus, perfect for both still and video capture. With a dust- and splash-resistant build, a manual aperture ring with click and lock switches, an AFL button, and eleven rounded aperture blades for stunning bokeh rendering, this lens is an exceptional choice for all types of photography and video work, in the studio or on location.
The SIGMA 50mm F1.4 DG DN | Art will be available for Sony E-mount and L-Mount cameras at Authorized US Dealers for $849 in late February 2023.
Exclusively designed for full-frame mirrorless cameras
The new standard for artistic expression.
Supplied accessories: Case, Petal Type Hood with lock (LH782-02), Front Cap (LCF-72mm III), Rear Cap (LCR II)
Available mounts: L-Mount, Sony E-mount
* The appearance and specifications of the products are subject to change. * Sony E-mount lenses are developed, manufactured and sold in accordance with the E-mount specifications licensed under a license agreement with Sony Corporation. * L-Mount is a registered trademark of Leica Camera AG.
The highest level of expressive performance, high-speed AF, and compactness?all combined in perfection. The new standard for "Art F1.4" large-aperture standard prime.
Designed with a focus on sophisticated optical performance and tremendous expressive power, SIGMA’s Art line delivers high-level artistic quality. The newest addition to the F1.4 series, which has become synonymous with the Art line, is the SIGMA 50mm F1.4 DG DN | Art, a large-aperture standard lens designed exclusively for full-frame mirrorless cameras. While retaining the concept of the original SIGMA 50mm F1.4 DG HSM | Art that defined the reputation of the Art F1.4 series, SIGMA has reexamined from the very beginning what is truly important in a standard lens used in a wide range of shooting situations. By incorporating all the latest technologies, this lens has achieved a high degree of compatibility between the optimum size and high-speed AF required for today's mirrorless systems, while maintaining the highest-class optical performance. In addition to the brightness of the large F1.4 aperture and the large, beautiful bokeh effect, various aberrations have been optimally balanced in pursuit of uniform and balanced image quality throughout the entire image range, from the center to the edges of the frame. The result is the new "Art F1.4 50mm," a lens that is truly all-around capable in terms of expressive performance, maneuverability, and usability, and is designed to help photographers create their best work. Introducing the 50mm F1.4 DG DN | Art, SIGMA's ideal "standard" lens.
[Key Features]
1. The "Art F1.4" standard with uncompromising optical performance
Based on the latest optical design technology, the lens incorporates 14 elements in 11 groups, with 3 aspherical lenses and 1 SLD glass element. The lens effectively suppresses various aberrations such as astigmatism and field curvature, which cannot be corrected in-camera. Despite the large aperture of F1.4, the image performance on the periphery of the image has been optimized, and sagittal coma flare has been minimized to the extent that the lens can withstand even challenging star and night scenes, with demanding severe point light source imaging, from wide open. In addition to clear image quality with no color blur throughout the entire image circle, the large, natural bokeh beauty of F1.4 can be fully utilized in photography.
2. High-speed AF for nimble and comfortable shooting
The SIGMA 50mm F1.4 DG DN | Art is the first in the Art line exclusively designed for full-frame mirrorless cameras to adopt the “HLA” linear motor (High-response Linear Actuator). In addition, by using a single double-sided aspheric lens as the focus element, the lens offers fast and quiet focusing and high tracking performance despite its large aperture. With a maximum aperture of 1.4 and a high-performance AF system, the lens can be used in a variety of situations, including shooting in dark places, shooting moving subjects, snapshots, and even video.
3. High performance, yet slim and compact
The development of the SIGMA 50mm F1.4 DG DN | Art was focused on slimming down the lens barrel by reducing the weight of a focus lens and optimizing the lens unit layout, to pursue the "optimum size" for mirrorless systems without compromising the "maximum emphasis on optical performance" concept of SIGMA’s Art line. This lens has succeeded in achieving both top-class performance, and the size required for a light and mobile photographic tool.
4. Full range of functions and high build quality
The lens barrel is equipped with a Focus Mode switch, an Aperture ring click switch to turn the click on and off, an Aperture ring lock switch to prevent unintended operation, and an AFL button to assign any function from the camera. These features are designed for intuitive operation during shooting. The lens is equipped with a dust and splash resistant structure, and the front element of the lens is applied with a water and oil repellent coating, making it suitable for a wide range of shooting environments. The lens is compact, lightweight, and easy to use, while at the same time ensuring high build quality assured by the Aizu factory's reliable processing technology of "Made in Japan".
DG DN "Art F1.4" series lineup includes 5 lenses from 20mm to 85mm
[Additional Features]
[Key Specifications]
The figures below are for the L-Mount version:
Lens Construction: 11 groups, 14 elements (1 SLD, 3 aspherical)
Angle of view: 46.8°
Number of diaphragm blades: 11 (rounded diaphragm)
Minimum aperture: F16
Minimum focusing distance: 45cm / 17.8 in.
Maximum magnification ratio: 1:6.8
Filter size: 72mm
Dimensions (Max. Diam. x Length): 78.2 x 109.5mm / 3.1 x 4.3 in.
Weight: 670g / 23.6 oz.
[Product Barcode]
L-Mount: 0085126 315696
Sony E-mount: 0085126 315658
[Accessories: Supplied]
Product Name / Barcode
Petal Type Hood with Lock LH782-02: 0085126 940409
Front Cap LCF-72 III: 0085126 929633
Rear Cap LCR II: (for L-Mount) 0085126 937256
Rear Cap LCR II: (for Sony E-mount) 0085126 929879
[Accessories: Optional]
Product Name / Barcode
SIGMA USB DOCK UD-11 for L-Mount: 0085126 878696
SIGMA WR CERAMIC PROTECTOR 72mm: 0085126 931810
SIGMA WR PROTECTOR 72mm: 0085126 930950
SIGMA PROTECTOR 72mm: 0085126 931087
SIGMA WR UV FILTER 72mm: 0085126 930691
SIGMA WR CIRCULAR PL FILTER 72mm: 0085126 930820
Orders
Support this site by ordering the Sigma 50mm F1.4 DG DN Art Lens from B&H.
Announcement Video
Sony's 2022 Q3 financial results are available on the Investor Relations page.
Presentation (track ET&S Segment for the Entertainment, Technology & Services Segment, I&SS for the Imaging and Sensing Solutions segment)
Speech Transcript
Financial Statements
Supplementary Information
Webcast
This report shows the Entertainment, Technology & Services and Imaging and Sensing Solutions divisions looking strong.
Check out today's B&H Deal Zone for big savings on:
See today's full list of B&H Deal Zone Deals.
Worth browsing: Deals of the Week at B&H.
Some standout deals include:
You can try searching, but there are no marmot photography workshops available. At least, I didn't find one.
Certainly, you could talk someone into providing a custom marmot photo tour, but there is a reason (or multiple reasons) why such tours are not readily available. I'll start the list. We don't value marmots and marmot photos enough to spend our time and funds chasing them.
However, these small animals are fun to hang out with, and they are easily cute enough to be photo-worthy.
I photographed these creatures in three national parks last year. This marmot was a Rocky Mountain National Park resident. However, a couple of coyotes were attempting to end that residency. Thus, survival was at the top of this wary marmot's priority list, and the high rock perch advantaged the marmot in this competition.
Marmots, and animals in general, vary on their minimum people distance. In relation to close shooting distance, experience, observation, and acclimation are the photographer's keys to getting the best wildlife images. Marmots in people-frequented areas of national parks tend to be quite tolerant of people.
However, getting too close is not good for photos or the critter being photographed — the subject departs.
When an interesting subject is discovered, photograph it for the insurance shots. Then, if the situation warrants, slowly move a bit closer, perhaps not directly toward the subject. Repeat until, or better yet, just before, the animal shows the least discomfort with your presence.
This image represents what I felt was near this marmot's minimum people distance. It is alert and wary, but his concern is not me.
The marmot presented a variety of poses, but most were looking toward the sides. Composition involves many factors, but the simple one in this scenario was that the critter should be looking into the frame. Placing it high in the frame helps convey the lookout role.
Sorry, I'm not opening a marmot-specific photography tour this year. But, I may have a couple of openings in my elk rut instructional photo tour in September.
A larger version of this image is available here.
From Sigma Global:
Firmware update for SIGMA Global Vision lenses in Sony E-mount
Thank you for purchasing and using our products. We would like to announce that a new firmware update is now available for SIGMA Global Vision lenses in Sony E-mount listed below.
[Applicable products]
·SIGMA 24mm F3.5 DG DN | Contemporary in Sony E-mount Ver.02
·SIGMA 90mm F2.8 DG DN | Contemporary in Sony E-mount Ver.02
[Benefit of the update]
AF assist function during video recording is now supported.
*Only SONY camera models with AF assist function are supported.
The focus distance shown on the screen during manual focus has been optimized.
[Applicable products]
·SIGMA 35mm F1.2 DG DN | Art in Sony E-mount Ver.04
·SIGMA 45mm F2.8 DG DN | Contemporary in Sony E-mount Ver.04
·SIGMA 105mm F2.8 DG DN MACRO | Art in Sony E-mount Ver.02
[Benefit of the update]
AF assist function during video recording is now supported.
*Only SONY camera models with AF assist function are supported.
[Applicable products]
·SIGMA 100-400mm F5-6.3 DG DN OS | Contemporary in Sony E-mount Ver.03
[Benefit of the update]
AF assist function during video recording is now supported.
*Only SONY camera models with AF assist function are supported.
*If the firmware of this product is Ver. 01, it is not possible to update the lens firmware via the camera. Please contact our Customer Support Department for the firmware update to be performed by us.
[How to update]
Please select the applicable product from the following page, go to the download page, click “Sony E-mount” and follow the update procedure. https://www.sigma-global.com/en/support/purpose/firmware/?mode=search&product_category=lens
*After the update is complete, be sure to remove the battery pack from the camera and reinsert it.
The Yellow Mounds make all the Badlands National Park top photography locations lists. They are beautiful, intriguing, and worthy of their position on those lists.
However, creating great images that include these mounds is not easy. Of course, lighting changes everything, and dramatically reducing the image quality challenge on this day was natural spotlighting that, incredibly, illuminated the feature highlights of this scene.
As is often the case, the Canon EOS R5 and RF 24-105mm F4 L IS USM Lens combination was outstanding for this landscape photograph. The RF 24-105 is relatively compact, has an excellent general-purpose focal length range, consistently produces impressively sharp images, and was my primary lens for over two weeks in this park last year.
A larger version of this image is available here.
From ProGrade Digital:
ProGrade Digital Announces 3rd Generation CFexpress Type B 1TB Memory Cards
The CFexpress 1TB Gold Memory Cards Provide Dramatically Improved Specifications Needed for Longer Duration, High-Resolution Video Applications at Very Attractive Price Points
San Jose, CA January 19, 2023, 8:00 am — ProGrade Digital, Inc., founded with a mission to provide the highest quality professional grade digital memory cards and workflow solutions, announces its new 3rd generation of 1TB CFexpress™ Type B Gold memory cards. This new generation features the same industry-leading quality of ProGrade current 2nd generation CFexpress cards - leveraging PCIe, Gen 3 interconnect with NVMe 1.3 host controller interface. ProGrade Digital 3rd generation CFexpress 1TB cards provide read speeds of up to 1,700MB/s and burst write speeds of up to 1,500MB/s and sustained write speeds of up to 1,300MB/s – ideally suited for high-resolution video capture applications. ProGrade Digital is also introducing a 3rd generation 512GB CFexpress Type B Gold memory card with read speeds of up to 1,700MB/s, burst write speeds of up to 1,500MB/s and sustained write speeds of up to 800MB/s. The 512GB card will be shipping in February 2023. All new 3rd generation CFexpress Gold cards now clearly state the sustained write speed on the front label. This additional messaging clearly states the real-world capability of our cards - especially critical for high performance video capture applications.
“The introduction of our 3rd generation CFexpress 1TB Gold cards provides the large capacity and dramatically improved performance needed for a very broad range of video capture needs,” said Wes Brewer, founder, and CEO of ProGrade Digital. “Our re-introduction of a 1TB capacity point, at 1,300MB/sec sustained write speed, ensures that nearly all video capture modes can be utilized while also providing our traditionally high read speeds for quick offloading.”
ProGrade Digital CFexpress Type B 1TB Gold Memory Cards:
CFexpress Type B 1TB Delivers:
Orders
Order ProGrade Digital CFexpress Memory Cards from B&H.
*Refresh Pro™ functionality requires ProGrade Digital Refresh Pro™ software application and a ProGrade Digital card and reader. This is a great way to monitor card health and restore the card back to factory-fresh conditions.
Image quality test results are now available on the Sigma 60-600mm F4.5-6.3 DG DN OS Sports Lens page.
The new Sigma 60-600mm F4.5-6.3 DG DN OS Sports Lens does not feature the Sigma 60-600mm f/4.5-6.3 DG OS HSM Sports Lens optical design, and the new design nicely outperforms the old one.
Support this site by ordering the Sigma 60-600mm F4.5-6.3 DG DN OS Sports Lens from B&H | Adorama | WEX
Rent the Sigma 60-600mm F4.5-6.3 DG DN OS Sports Lens from Lensrentals.
Please share!
Learn more about the new Apple 14" and 16" MacBook Pro M2 Pro and M2 Max at B&H.
Learn more about the new Apple Mac mini M2 at B&H.
Some forward-looking product news from Sony Electronics:
Sony Electronics Announces Development of New 300mm F2.8 G Master OSS Telephoto Full-Frame E-mount Lens, Targeting to Launch in Early 2024
SAN DIEGO, CA – Jan. 17, 2023 – Today, Sony Electronics announced the development of the long-awaited full-frame E-mount 300mm F2.8 G Master OSS Telephoto Lens, with a target launch date in early 2024.
Large-aperture super-telephoto lenses such as the FE 400mm F2.8 G Master™ OSS and FE 600mm F4 G Master™ OSS are highly acclaimed by sports and wildlife photographers around the world for their outstanding resolution and autofocus (AF) performance, as well as being remarkably lightweight. The new lens will feature the incredible high-resolution and spectacularly beautiful bokeh true to Sony's acclaimed line of flagship G Master™ series lenses, while also offering a far-reaching 300mm focal length and F2.8 large aperture. This combination will deliver a new elevated shooting experience for all professional sports, news and event photographers and videographers looking to capture decisive moments with higher image quality.
Sony will continue to expand its attractive lens line-up to meet the demands and maximize the creative possibilities for all types of creators, including professionals, and expand the possibilities of artistic expression.
Additional details and specifications on the new FE 300mm F2.8 G Master OSS Telephoto Lens will be released at a later date.
From Sony Electronics:
Sony Electronics Introduces New Standard Zoom with Launch of the Ultra-Wide FE 20-70mm F4 G Lens
New Addition to Sony’s E-mount G Lens Line-Up Offers Versatile Zoom Range, Outstanding Image Quality, and Supreme Autofocus Performance
SAN DIEGO, CA – Jan. 17, 2023 –Sony Electronics is redefining its standard zoom category of lenses with the introduction of the full-frame E-mount 20-70mm F4 G (model: SEL2070G) that boasts a versatile zoom range, a remarkably compact and lightweight form-factor, and a constant F4 aperture throughout the zoom range. With impressive Sony G LensTM image quality, high speed accuracy and tracking autofocus (AF), and a smart design for maximum mobility and operability, this new lens is designed for a wide range of creators. The FE 20-70mm F4 G is the perfect choice for a variety of content capturing scenarios including vlogging, video production, portraits, and landscapes.
“The FE 20-70mm F4 G is our 71st E-mount lens and is redefining the standard zoom in our G Lens category to meet the needs to today’s content creators,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “Having tools that creators can utilize to create both still and video content is ever more important. The FE 20-70mm F4 G ranges from 20mm to 70mm in a compact form-factor — this is an excellent lens option for hybrid content creators and those seeking versatility in a standard zoom.”
Compact with a Standard Zoom Range Ideal for Hybrid Creation
With an unprecedentedlyi wide 20mm to 70mm zoom range and constant F4 aperture, the FE 20-70mm F4 G offers outstanding optical performance in a compact and lightweight form-factor. Combined with a compact Sony AlphaTM brand mirrorless body, this lens can deliver superb image quality in just about any situation at all focal lengths. The versatility of this lens makes it an ideal selection for still, video, and hybrid content creation.
A key benefit of a zoom lens that includes a 20mm offering is its ability to maintain a wide-angle-of-view when shooting video with a 16:9 or 2.35:1 aspect ratio. This allows content creators to capture more within a single frame, which is critical when vlogging or selfie-style shooting. The wide-angle also provides content creators with additional flexibility to crop their frames in the post-production process to increase the effectiveness of image stabilization. This is an increasingly popular editing technique that benefits creators who are filming without the stabilization support of a gimbal.
Image Quality Consistent with the G Lens Line-Up
With Sony’s latest technology, the new lens boasts unique G Lens image quality in a surprisingly compact and lightweight package. With two AA (advanced aspherical) elements, one aspherical element, three ED (Extra-low Dispersion) glass elements, and one ED aspherical element, this lens simultaneously corrects chromatic and spherical aberration for extremely high optical performance across the whole zoom range. Optimized coatings add high flare and ghost resistance for extraordinary contrast and clarity.?
Beautiful bokeh is achieved with full-frame image sensors and is further enhanced by a 9-blade circular aperture and optimally controlled spherical aberration. This combination supports the naturally rendered bokeh, offering impressive, memorable imagery.
The FE 20-70mm F4 G has a minimum focus distance of up to 11.8” (30 cm) at the wide end and up to 9.8” (25 cm) at the telephoto end of the zoom range when using AFii, making it easy to maneuver around subjects to find the ideal angle.
Maximizes Camera AF Performance for Stills and Video
The lens’s focus group is driven by two of Sony’s latest XD (extreme dynamic) linear motors, providing a fast, quiet, low-vibration focus drive. Thrust efficiency has been significantly improved over previous modelsiii, resulting in up to a 60% increase in AF speediv. Because tracking performance has been improved by about two times compared to previous modelsv, moving subjects are tracked with consistent reliability and precision. Reliable tracking is achieved when shooting continuous stills of fast-moving subjects at up to 30 frames per second with the Alpha 1 cameravi and can smoothly record when shooting video at a high frame rate.
Video Performance Designed for Refined Imagery
The FE 20-70mm F4 G features the latest lens technology to reduce focus breathing, as well as focus and axial shift when zooming. This lens has also been carefully designed for quiet operation when shooting movies, with advanced XD linear motors and a newly developed aperture unit that dramatically reduces noise and vibration.? ?
The Alpha brand series cameras’ Active Modevii image stabilization is highly effective at the wide 20mm end of the FE 20-70mm F4 G zoom range. This can be particularly useful for shooting smooth, stable handheld footage while walking.
Focus is especially critical when shooting high-resolution 4K or 8K movies. The FE 20-70mm F4 G’s compact design and XD linear motors work with Alpha series camera bodies to easily acquire accurate focus and smoothly track fast-moving subjects. The ability to leave focusing to the camera when solo shooting can be a huge advantage.
In addition, the Linear Response MFviii ensures that the focus ring responds directly and linearly to subtle control when focusing manually and an independent aperture ring offers direct, intuitive aperture control.
High-Level Operability and Reliability for Any Environment
The new FE 20-70mm F4 G’s independent focus, zoom, and aperture rings feature optimized diameter, width, and positioning for full control when shooting stills as well as maximum versatility when recording video.
Customizable focus hold buttons are provided in two locations for easy access and convenient control. A focus mode switch on the side of the lens makes it possible to switch between autofocus and manual focus to quickly adapt to changing shooting conditions. To offer additional creative control, the FE 20-70mm F4 G is compatible with circular polarizing filters despite being a wide-angle zoom lens. It also includes an Iris Lock switch to prevent unwanted changes while shooting.
Lastly, the FE 20-70mm F4 G has a dust and moisture resistant designix and the front lens element features a fluorine coating that repels fingerprints, dust, water, oil, and other contaminantsx.
Pricing and Availability
The new FE 20-70mm F4 G will be available in March 2023 for approximately $1,099 USD and $1,499 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.
Orders
Preorders start Wed, Jan 18th, 2023, at 10:00 AM ET.
Support this site by ordering the Sony FE 20-70mm F4 G Lens from B&H.
###
Notes:
i January 2023, Sony survey of full-frame constant F4 standard zoom lenses.
ii 0.25 throughout the zoom range when focusing manually.
iii Compared to the SEL2470Z.
iv Compared to the SEL2470Z. Sony test conditions.
v Compared to the SEL2470Z. Sony test conditions.
vi “Hi+” continuous shooting mode. Effective at 1/125 sec. or higher shutter speed. In AF-C mode at shutter speeds of 1/250 sec. or higher the maximum continuous frame rate will depend on the shooting mode.
vii With a compatible camera. Active Mode causes a slight reduction in angle of view.
viii This feature also works effectively with cameras such as the a7 IV and FX6 AF Assist function, giving creators enhanced artistic control.
ix Not guaranteed to be 100% dust and moisture proof.
x While making it easier to wipe off any contaminants that do become attached to the lens surface.
Sony E PZ 16–50 mm F3.5–5.6 OSS Lens firmware update version 02 is available for download: Windows | Mac.
Firmware Version 02 incorporates the following fixes and enhancements:
Get the Sony E PZ 16–50 mm F3.5–5.6 OSS Lens at B&H.
The Sony Alpha 7R V is here and it is time to set up this camera for use. Following are the 35 steps taken to prepare an out-of-the-box a7R V.
I make additional menu and other setting changes based on current shooting scenarios but this list covers my initial camera setup process.
To copy this configuration means you intend to shoot as I do - including in RAW-only format. While this setup works great for me you should adjust the setup to your needs.
If you can't remember your menu setup parameters keeping an up-to-date list such as this one is a great idea. Consider saving the camera settings to a card for an easy restore.
More Information
Order the Sony Alpha 7R V at B&H | Adorama | Amazon | WEX.
Rent the Sony Alpha 7R V from Lensrentals.
RRS's long-awaited version II Pano-Gimbal head is on the streets!
Just posted: Really Right Stuff PG-02 MK2 Pano-Gimbal Head Review.
This head features another really great (and innovative) RRS design.
Please share!
Another great lens choice from Sigma:
SIGMA Introduces 60-600mm F4.5-6.3 DG DN OS | Sports Lens, the World's First and Only 10x Ultra-Telephoto Zoom for Mirrorless Camera Systems
Ronkonkoma, NY – January 12, 2023 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the 60-600mm F4.5-6.3 DG DN OS | Sports lens. This is the world's first and only* mirrorless 10x ultra-telephoto zoom. The second full-frame mirrorless zoom lens in the SIGMA Sports line, covering standard (60mm) to ultra-telephoto (600mm), along with 1:2.4 maximum magnification (at 200mm), and weighing just 5.5 pounds (2.5kg), this lens offers exceptional versatility and is offered in Sony E-mount and L-Mount.
The SIGMA 60-600mm F4.5-6.3 DG DN OS | Sports is designed to be the one essential lens for travel, outdoor sports, wildlife, and safari that can cover it all from standard to ultra-tele, plus close-ups, all without ever swapping lenses; and it offers an impressive 6 stops of Optical Stabilization at the telephoto end and 7 stops at the standard end.
The newly designed HLA (High-response Linear Actuator) focusing motor delivers unprecedented fast and precise autofocusing, and dual action zoom allows for both the precision of the zoom ring and the swift, intuitive response of the push-pull action on the front end of the barrel. The three AFL buttons are easy to operate in any orientation, and the Zoom Lock switch can be locked at all marked focal distances.
The mount connection, manual focus ring, zoom ring, switches, switch panel and exterior connection are dust and splash resistant** to prevent dust and dirt from entering the lens, which are likely in the many outdoor situations where this lens is designed to perform.
A completely new optical design was created to for the DG DN (DG = full-frame, DN = mirrorless-exclusive) version of the 60-600mm featuring both SLD and FLD glass elements, and a multi-material structure is employed to balance durability and portability.
The SIGMA 60-600mm F4.5-6.3 DG DN OS | Sports will be offered for $1,999 through authorized SIGMA America retailers, and will be available beginning mid-February, 2023.
Order the Sigma 60-600mm F4.5-6.3 DG DN OS Sports Lens from B&H.
Watch Sigma's presentation:
* As an interchangeable lens exclusively for mirrorless, as of December, 2022 by SIGMA
**The structure is designed to be dust and splash resistant, and is not waterproof.
Exclusively for mirrorless cameras | Compatible with full-frame cameras
S | Sports
SIGMA 60-600mm F4.5-6.3 DG DN OS
The decisive moment, captured exactly as intended.
Supplied accessories: Case, Hood (LH1144-02), Cover Lens Cap (LC-740E), Shoulder Strap, Tripod Socket (TS-121), Front Cap (LCF-105 III), Rear Cap (LCR II)
Available mounts: L-Mount, Sony E-mount
* The appearance and specifications of the products are subject to change.
* Sony E-mount lenses are developed, manufactured and sold in accordance with the E-mount specifications licensed under a license agreement with Sony Corporation.
* L-Mount is a registered trademark of Leica Camera AG.
#SIGMA #SIGMA60600mmSports #SIGMASports #SIGMADGDN
The world's first and only* mirrorless 10x ultra-telephoto zoom, now available from SIGMA.
The SIGMA 60-600mm F4.5-6.3 DG DN OS | Sports is a high-power ultra-telephoto zoom lens exclusively for full-frame mirrorless cameras with a unique 10x focal length. The latest optical design delivers high optical performance throughout the entire zoom range, even with 10x zoom, which makes it capable of capturing any scene in high definition. The newly developed linear motor "HLA (High-response Linear Actuator)" delivers unprecedentedly fast and precise autofocusing. In addition, the newly developed algorithm "OS2" enables image stabilization of 7 stops at the wide end and 6 stops at the telephoto end. Of course, it is also equipped with Dual Action Zoom, Dust and Splash Resistant Structure, as well as a wealth of customizable functions and specifications of SIGMA's Sports line to meet the needs of various shooting environments and situations. With its many features and stellar optical performance, this lens captures the moment with a rich sense of dynamism.
The SIGMA 60-600mm F4.5-6.3 DG DN OS | Sports is a one-of-a-kind ultra-telephoto zoom lens which combines high magnification with an extremely high level of image quality and mobility.
* As an interchangeable lens exclusively for mirrorless, as of December, 2022 by SIGMA
[Key Features]
1. The one and only 60-600mm zoom lens, able to handle every situation from standard to ultra-telephoto all by itself
The SIGMA 60-600mm F4.5-6.3 DG DN OS | Sports is an ultra-telephoto 10x zoom lens for full-frame mirrorless cameras that covers a zoom range of 60-600mm, a range only available from SIGMA. It enables users to seamlessly capture scenes from close-ups to long distance shots without changing lenses, even in difficult situations such as air shows or professional sports events.
Stable and high optical performance throughout the entire zoom range
SIGMA employed the latest optical design to effectively correct chromatic aberrations that tend to occur in the ultra-telephoto range using a variety of high quality materials, including FLD and SLD glass elements. The lens is capable of capturing every moment with uncompromising high image quality in the unique focal length range of 60-600mm.
The minimum focusing distance is 45cm at the wide end, and at the focal length of 200mm, the lens offers a maximum magnification ratio of 1:2.4, allowing users to also enjoy the lens as a telephoto macro lens, adding to its overall versatility.
High-speed AF owing to newly developed motor "HLA" to capture the decisive moment
The autofocus of the SIGMA 60-600mm F4.5-6.3 DG DN OS | Sports makes use of the newly developed linear motor "HLA (High-response Linear Actuator)". This high-output linear motor and advanced electronic control realize a quiet autofocus with unparalleled high speed and high precision. The new motor also enables high focus-following performance, ensuring that the decisive moment is not missed in sports photography and any other situation where the subjects are in motion, from motor vehicles to birds in flight.
Newly developed optical stabilizer algorithm "OS2" with high compensation capability of up to 7 stops
The OS (Optical Stabilizer) function employs SIGMA's newly developed algorithm "OS2". The new algorithm significantly improves image stabilization performance, with 7 stops at the wide end and 6 stops at the telephoto end. This allows the lens to capture powerful and dynamic moments with a rich sense of motion.
The lens is equipped with two OS modes: Mode 1 is suitable for general shooting, and Mode 2 is best suited for fast panning shots, for example in motorsports and other dynamic situations. In Mode 2, an acceleration sensor combined with SIGMA's Intelligent OS, an algorithm specially designed for panning shots, enable effective image stabilization even when the camera is moved vertically or diagonally, regardless of the horizontal and vertical orientation of the lens. This means that the movement of the subject can be expressed without losing the effect of panning shots.
Multi-material structure for lightweight and strong robustness
The lens features a multi-material structure, in which materials such as magnesium, CFRP*1, and TSC*2 are optimally arranged according to their characteristics. As a result, the lens barrel is lighter in weight while retaining the same robustness as previous models, thereby providing high versatility in a variety of scenes and applications.
*1 Carbon Fiber Reinforced Plastic, a light but strong material used in the interior and exterior fittings of aircraft, among many other applications.
*2 Thermally Stable Composite, a polycarbonate with a thermal expansion rate similar to that of aluminum. Its high affinity to metal parts contributes to high manufacturing quality standards.
Dual Action Zoom for intuitive framing
The lens supports Dual Action Zoom, allowing users to use both rotary zooming by rotating the zoom ring and straight zooming by grasping the tip of the lens. This enables both precise and quick operation in any given situation.
Dust and Splash Resistant Structure for security in various shooting situations
The mount connection, manual focus ring, zoom ring, switches, switch panel and exterior connection are all dust and splash resistant* to prevent dust and dirt from entering the lens. Further, the front element of the lens features a water and oil repellent coating to facilitate maintenance when water droplets or dust adhere to the lens.
* The structure is designed to be dust and splash resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.
2. High customizability and build quality of SIGMA's Sports line
The SIGMA 60-600mm F4.5-6.3 DG DN OS | Sports is equipped with substantial features of SIGMA's Sports line standard of high-mobility, high-performance lenses. Manufactured in SIGMA's sole production base in Aizu, Japan, the lens features an exceptional build quality that combines robustness with practicality and a high level of precision in every single detail.
Customizable functions
Equipped with a Focus Limiter switch, the lens enables users to limit the focus driving range during AF when necessary, allowing quick and precise focusing.
Further, the lens features three AFL buttons* ready to be assigned to preferred functions using the camera. The AFL buttons are easy to operate regardless of how the camera is oriented or which settings are used.
For the L-Mount version, the SIGMA USB DOCK UD-11 can be used to set OS operation or focus limiter range for the Custom Mode switch.
* Only on compatible cameras. Available functions may vary depending on the camera used.
Interchangeable Tripod Socket
The lens body incorporates an Arca Swiss compatible magnesium alloy tripod socket. The leg can be removed and replaced with other interchangeable tripod sockets (sold separately) or attached to a monopod, allowing for a multitude of different uses and situations.
Tele Converter for L-Mount (1.4x / 2.0x)
The L-Mount version of the lens is compatible with the SIGMA TELE CONVERTER TC-1411 (1.4x) and TC-2011 (2.0x). Using a tele converter, the focal length can be multiplied by 1.4x and even 2x, for AF-enabled shooting at ultra-telephoto focal lengths of up to 1200mm.
[Additional Features]
[Key Specifications]
The figures below are for the L-Mount version:
Lens Construction: 19 groups, 27 elements (2 FLD and 3 SLD)
Angle of view: 39.6-4.1°
Number of diaphragm blades: 9 (rounded diaphragm)
Minimum aperture: F22-32
Minimum focusing distance: 45-260cm / 17.8-102.4 in.
Maximum magnification ratio: 1:2.4 (at 200mm focal length)
Filter size: 105mm
Dimensions (Max. Diam. x Length): 119.4 x 279.2mm / 4.7 x 11.0 in.
Weight: 2,495g / 88.0 oz.
[Product Barcode]
L-Mount: 0085126 732691
Sony E-mount: 0085126 732653
[Accessories: Supplied]
Product Name / Barcode
Front Cap LCF-105 III: 0085126 929640
Cover Lens Cap LC-740E: 0085126 931193
Hood LH1144-02: 0085126 936785
Tripod Socket TS-121 (replaceable lens foot type): 0085126 936846
Rear Cap LCR II (for L-Mount) 0085126 937256
Rear Cap LCR II (for Sony E-mount) 0085126 929879
[Accessories: Optional]
Product Name / Barcode
SIGMA TELE CONVERTER TC-1411 for L-Mount: 0085126 825690
SIGMA TELE CONVERTER TC-2011 for L-Mount: 0085126 826697
SIGMA USB DOCK UD-11 for L-Mount: 0085126 878696
SIGMA WR CERAMIC PROTECTOR 105mm: 0085126 931865
SIGMA WR PROTECTOR 105mm: 0085126 931001
SIGMA PROTECTOR 105mm: 0085126 931131
SIGMA WR UV FILTER 105mm: 0085126 930745
SIGMA WR CIRCULAR PL FILTER 105mm: 0085126 930868
Orders
Order the Sigma 60-600mm F4.5-6.3 DG DN OS Sports Lens from B&H.
From DJI:
DJI Treats Mirrorless Camera Owners to New Travel Stabilizer DJI RS 3 Mini
DJI’s Industry-Leading Ronin Stabilizer Portfolio Broadened with New Mini Version
January 10, 2023 – DJI, the world’s leader in civilian drones and creative camera technology, today introduces DJI RS 3 Mini, a lightweight handheld travel stabilizer developed specifically to support today’s mainstream brands of mirrorless cameras and lenses. With a smaller and lighter body, the DJI RS 3 Mini continues the excellent stabilization performance of the RS 3 series, allowing users to create professional-grade content while traveling around landscapes or in urban locations. Furthermore, weighing less than 800 g (1.8 lbs), the gimbal can carry a weight of up to 2 kg (4.4 lbs), features Bluetooth shutter control, a 3rd generation stabilization algorithm, native horizontal and vertical switching, and a 1.4-inch color touchscreen.
“Since the introduction of DJI’s Ronin series for cinematography in professional environments, DJI has been working on bringing professional-grade technology to an increasing number of content creators,” said Paul Pan, Senior Product Line Manager at DJI. “The DJI RS 3 Mini is testament to DJI’s core value of bringing innovative stabilization technology to everyone with a love of capturing their moments in a photo or on video. Now, anyone with a mirrorless camera can experience the same industry-leading technology used on film sets and studios across the globe.”
With Just One Hand
The RS 3 Mini adopts an all-in-one design which is both compact and portable. At only 795 g (1.7 lbs) in vertical shooting mode, the RS 3 Mini is around 50% lighter than the RS 3 Pro and 40% lighter than the RS 3. This makes the device much easier to carry, and allows it to achieve great results with just one hand. It can be stored easily in a shoulder bag, and its weight makes it much more suited to traveling during longer outdoor shooting.
A Tool for Every Mirrorless Owner
With the ability to carry a weight of up to 2 kg (4.4 lbs), the RS 3 Mini supports a range of mainstream mirrorless camera and lens combinations, such as the Sony A7S3 + 24-70mm F2.8 GM lens, Canon EOS R5 + RF24-70mm F2.8 STM lens or Fuji X-H2S + XF 18-55 mm F2.8-4 lens, to name a few (see the full compatibility list here). A powerful motor ensures that even when the zoom reaches the maximum focal length, the footage captured remains stable, and there is no need to repeat balancing.
Native Vertical Shooting
In order to meet the needs of today’s vertical video creation, the RS 3 Mini features a freshly designed dual-layered quick-release plate. By attaching the quick-release plate to the vertical arm, vertical shooting can be achieved without the need for additional accessories, and the gimbal rotation angle is not limited, compared to traditional vertical mode. Short video social media content can be shot with ease. RS 3 Mini also features an upper plate with a new curved placement guide, which prevents the camera from rotating and loosening.
3rd Generation Stabilization
Lightweight and powerful, RS 3 Mini is a professional stabilizer that will bring an unprecedented, easy, and flexible landscape or street shooting experience to users of all levels, achieving portability and professionalism at the same time. DJI’s 3rd generation stabilization algorithm as found in the RS 3 Pro, has been utilized in the RS 3 Mini to provide outstanding performance, whether the user is running, shooting at a low angle or in flashlight mode. Content stability is ensured throughout shooting and professional-level image stabilization can be achieved regardless of the user’s experience. When users are shooting around human subjects, the RS 3 Mini achieves smooth camera movements effortlessly. Users don't need to pay too much attention to footwork and pace, as the RS 3 Mini can follow people steadily and switch between high and low angles for a more diverse range of shots. Dynamic 360°-rotation imaging delivers a strong visual impact and eye-catching shots.
Effortless Connection
The Wireless Bluetooth Shutter function supports linking with the majority of today’s mainstream mirrorless cameras. After the initial linking, the camera will be ready automatically for action as soon as it is turned on, and users can directly control the video recording and photo capture functions via the record button on the gimbal, enabling them to concentrate on shooting straightaway. When using a Sony camera with a supported digital lens, users can also directly control the lens's optical or digital zoom via the front dial, eliminating the need for a camera control cable.
Control at Your Fingertips
For convenient control, a 1.4-inch full-color touchscreen, M-mode button to switch between the gimbal’s three custom modes and front dial for focusing, can all be found within easy one-handed reach.
Accessories a Plenty
Featuring a NATO port on the side of the body, the RS 3 Mini opens up more shooting options by connecting various accessories such as DJI’s Briefcase Handle, external fill lights or microphones.
Fantastic Power for a Day’s Shoot
The integrated battery handle of the RS 3 Mini provides up to 10 hours charge, meeting the needs of a day’s shoot. It supports charging during use and can be fully charged in as little as 2.5 hours.1
Make the Most with the Ronin App
The Ronin app has a wealth of smart shooting functions to help users get the most from their creations.
Price and Availability
DJI RS 3 Mini will be available for purchase today from authorized retailers and at www.store.dji.com with a price of USD $369. Full details can be found at www.dji.com/rs-3-mini
DJI Care Refresh
DJI Care Refresh is a comprehensive protection plan for DJI products and is now available for RS 3 Mini. Accidental damage is covered by the replacement service, including natural wear, collisions, and water damage. For a small additional charge, you can have your damaged product replaced if an accident occurs.
DJI Care Refresh (1-Year Plan) includes up to 2 replacements in 1 year. DJI Care Refresh (2-Year Plan) includes up to 3 replacements in 2 years. Other services of DJI Care Refresh include rewards for safe use, international warranty service, and free shipping. For a full list of details, please visit www.dji.com/support/service/djicare-refresh
Camera and lens compatibility can be found here: www.dji.com/support/compatibility
Orders
Learn more, and order the DJI RS 3 Mini from B&H.
From DxO:
DxO releases 1,693 new Optics Modules, providing unrivaled corrections for Canon EOS R6 Mark II, Fujifilm X-T5, Sony A7R V, and a selection of Sigma lenses
DxO’s Optics Modules offer unparalleled corrections, including unique lens softness improvements and distortion corrections that maximize field of view. DxO’s software now corrects more than 80,000 lens and camera combinations.
Paris (France): DxO, the company that has pioneered calibration-based optical corrections for 20 years, today announces its latest batch of Optics Modules. The release of 1,693 DxO Optics Modules includes support for the Canon EOS R6 Mark II, the Fujifilm X-T5, the Sony A7R V, five lenses from Sigma, and more.
For quality-conscious photographers, DxO Optics Modules are a wealth of individually tailored, laboratory-grade corrections, which present the most accurate and powerful route to improving image quality on the market. Superior to other optical correction software, DxO’s adjustments vastly improve results, whether they are applied to entry-level lenses or professional-grade glass.
Essentially, the performance of any lens can be boosted by processing RAW files with DxO software: PhotoLab, PureRAW, FilmPack, and ViewPoint.
A unique approach to defeating lens softness
All correction software offers digital sharpening to combat lens softness, but DxO’s approach is unique and superior, taking into account the varying levels of sharpness across a lens’s entire field of view. Rather than applying general sharpening across the entire image (as with lesser software), DxO Optics Modules target sharpening as required, such as when a lens gets progressively softer towards its edges.
As seen with the Sigma 65mm F2 DG DN, the boost in image quality by DxO Optics Modules makes it perform better in terms of sharpness and distortion (while also eliminating vignetting and aberrations). As illustrated below, nowhere is this clearer than in combating lens softness.
1. The uncorrected lens displays a significant difference in sharpness between the center of the frame and the corners.
2. Typically, photo editing software uses a generic profile to make a global correction across the entire image based on the sharpening required at the center.
3. Edge of frame sharpening from Adobe Lightroom® (left) and DxO Optics Modules (right). Unlike Adobe Lightroom, DxO Optics Modules are able to progressively increase corrections away from the frame’s center, allowing for a sharper overall image.
Sophisticated distortion corrections deliver greater image area
DxO’s Optics Modules frequently deliver a greater image area thanks to more refined assessments when correcting distortions. When needed, DxO Optics Modules give photographers the option to gain extra image area when compared with the crop applied as the result of Lightroom’s corrections.
Intelligent control of chromatic aberration
In addition, DxO’s Optics Modules remove chromatic aberrations — both longitudinal, and lateral. Chromatic aberrations vary depending on the focal length and distance, and DxO’s algorithms take these into account in order to perform more accurate corrections. Colored outlines are removed without degrading the image’s color or detail.
Vignetting accurately removed
Finally, vignetting is resolved, correcting the darker edges of the frame that can occur in certain lenses and at specific focal lengths.
The most exacting science, the highest quality
Each DxO Optics Module is created using individual camera and lens combinations. This means that any minor differences in the performance of a sensor can be measured across all the examples of it in a manufacturer’s lens mount range.
For instance, with the new Optics Modules for the Sigma 150-600mm F5-6.3 DG DN OS S, measurements were not made using just a single full-frame Alpha camera, but with almost every Sony camera on the market.
Latest DxO Optics Modules
The latest DxO Optics Modules update — available now — includes the following cameras and lenses, each optimized for specific camera and lens combinations:
Orders
Order your DxO Software direct from DxO.