Sony News (Page 14)
DJI has announced a new wireless mic system:
DJI Mic 2: Elevating Professional Audio Recording Excellence
with Unparalleled Quality, User-Centric Design, and Exceptional Stability
Jan 17, 2024 – DJI, the global leader in civilian drones and innovative camera technology, today announced the launch of the new DJI Mic 2, setting a new benchmark in audio recording solutions. With DJI Mic 2, creators can expect an exceptional experience, marked by high-quality recording functions, user-friendly designs, and remarkable stability.
"DJI Mic 2 represents a leap forward in audio recording technology. We've combined high-quality recording functions, user-friendly designs, and noteworthy stability to empower content creators with the tools they need to capture extraordinary audio, no matter where their creativity takes them," said Paul Pan, Senior Product Line Manager at DJI.
Pro Audio Recording Functions in Pocket-Size
At the heart of DJI Mic 2 lies the promise of capturing brilliance in different sounds. It's equipped with omnidirectional recording capabilities, thoughtfully optimized for vocal clarity, ensuring that the audio content of users shines in various scenarios. Whether content creators are producing engaging vlogs, conducting insightful interviews, or recording in diverse environments, DJI Mic 2 guarantees that their audio is of high quality.
DJI Mic 2 also features intelligent noise-canceling technology1, a game-changer for content creators working in bustling urban areas or crowded rooms. This innovative feature effectively reduces environmental noise, delivering clear vocals and uninterrupted audio recordings. Regarding windy or fast-moving scenarios, DJI Mic 2 has included windscreen to lower wind noise, ensuring clean sound capture in windy outdoor scenarios.
As an added layer of protection for the user's audio, DJI Mic 2 offers the Safety Track feature. It allows content creators to record a second track at -6dB alongside the primary audio track, safeguarding against unexpected audio level spikes. Even in the midst of audibly complicated environments such as rock concerts, DJI Mic 2 delivers balanced results with remarkable ease.
User-Friendly Design for a Seamless and Intuitive Experience
DJI Mic 2 is not just developed with technical advancement, but also designed with users in mind. Its sleek and smart aesthetic is elevated by a premium metal charging case that not only has a minimalistic appearance but also offers a newly added locking latch, which provides a secure and reliable solution to prevent accidental drops for peace of mind during use.
To suit the style and preferences of different users, DJI Mic 2 is available in two transmitter colors: Shadow Black and Pearl White2. Shadow Black adds a discreet, high-tech appearance to the Mic 2 setup, while Pearl White offers an elegant alternative for those seeking a light-tone colorway.
When it comes to getting started, DJI Mic 2 simplifies the process. The system is ready to use anytime, anywhere. Users can just open the charging case, and DJI Mic 2 will then spring to life, automatically pairing the receiver and transmitters while charging them. Additionally, DJI Mic 2 can be seamlessly connected to DJI Osmo Action 4, DJI Osmo Pocket 3 and smartphone devices3 via Bluetooth, while also offering hassle-free compatibility with various recording devices through USB-C, Lightning Adapters, as well as 3.5mm TRS analog output.
DJI Mic 2 also puts control at the fingertips of the user with its effortless touchscreen operation. A 1.1-inch OLED touchscreen paired with a precision dial provides quick access to critical information. Content creators will be able to adjust volume, gain, brightness, and more with ease, achieving the optimal audio setup smoothly.
With magnetic attachment for quick concealment, the transmitters feature a user-friendly clip-on design that simplifies the process of attaching them to clothing. DJI Mic 2 even offers dual-channel recording, allowing content creators to capture audio from two sources simultaneously, simplifying multi-source recording and enhancing efficiency during post-production.
To further expand the creative horizons of the user, DJI offers practical accessories4 such as the DJI Lavalier Mic and DJI Mic 2 Charging Case.
Stability and Reliability in Every Recording
Stability is a hallmark of DJI Mic 2, ensuring that the audio recordings of the user are consistently outstanding. DJI Mic 2 is equipped with 8GB of internal storage per transmitter, offering up to 14 hours of uncompressed 48kHz 24-bit audio recording5. This ensures that content creators can record for extended periods without worrying about storage constraints.
DJI Mic 2 stands out significantly due to its cutting-edge 32-bit float internal recording6 capability. This feature not only delivers high-quality recording but also adapts seamlessly to complex sound environments, capturing nuances of sounds, from quiet whispers to booming decibel levels. This level of flexibility provides greater reliability in erratic noise scenarios and offers more options for post-production fine-tuning.
When it comes to range and battery life, DJI Mic 2 shines. It offers an impressive maximum audio transmission range of up to 250 meters7 (820 ft.) in open, unobstructed environments without interference. This range caters to common scenarios such as live streaming, studio recording, and outdoor recording. Plus, each transmitter and receiver has a remarkable 6-hour operating time8, which can be extended to a generous 18 hours with the charging case, making it perfect for extended content creation sessions.
Price and Availability
The DJI Mic 2 is available to order from store.dji.com and authorized retail partners, with shipping starting today, in the following configurations:
The DJI Mic 2 (2 TX + 1 RX + Charging Case) retails for $349, and includes a DJI Mic 2 Receiver, two DJI Mic 2 Transmitters (Shadow Black), a DJI Mic 2 Charging Case, DJI Mic 2 Camera Audio Cable (3.5mm TRS), a DJI Mic 2 Mobile Phone Adapter (Type-C), a DJI Mic 2 Mobile Phone Adapter (Lightning), two DJI Mic 2 Windscreens, two DJI Mic 2 Clip Magnets, a DJI Mic USB-C Charging Cable and a DJI Mic 2 Carrying Bag.
The DJI Mic 2 (1 TX + 1 RX) retails for $219, and includes a DJI Mic 2 Receiver, a DJI Mic 2 Transmitter (Shadow Black), a DJI Mic 2 Camera Audio Cable (3.5mm TRS), a DJI Mic 2 Mobile Phone Adapter (Type-C), a DJI Mic 2 Mobile Phone Adapter (Lightning), a DJI Mic 2 Windscreen, a DJI Mic 2 Clip Magnet, a DJI Mic Splitter Charging Cable, and a DJI Mic 2 Carrying Pouch. The DJI Mic 2 Transmitter (Shadow Black) and DJI Mic 2 Transmitter (Pearl White) can also be purchased separately at $99 each. The DJI Lavalier Mic retails at $39 and DJI Mic 2 Charging Case retails at $69.
Orders
Get the DJI Mic 2 at B&H or Adorama.
Footnotes:
1. Intelligent noise canceling of DJI Mic 2 cannot be enabled when the transmitter is connected to a smartphone via Bluetooth.
2. Both the DJI Mic 2 (2 TX + 1 RX + Charging Case) combo and the DJI Mic 2 (1 TX + 1 RX) combo come with transmitter(s) in Shadow Black. DJI Mic 2 Transmitter (Pearl White) is sold separately.
3. The transmitter needs to be worked with third-party video recording software when connected to smartphones via Bluetooth. For more details on compatibility, refer to the product page on the official DJI website.
4. Sold Separately.
5. Each transmitter has 8 GB of internal storage to store up to 14 hours of uncompressed 48kHz 24-bit audio.
6. Internal recording of DJI Mic 2 cannot be used when the transmitter is connected to a smartphone via Bluetooth.
7. Measured with FCC compliance in an unobstructed environment without interference (160 m under CE). This data is for reference only. Actual transmission distance may vary depending on the environment.
8. Tested with both transmitters connected to the receiver, without backup recording, and the receiver connected to a camera with the Camera Audio Cable (3.5mm TRS).
Check out the tiny X nano S Touchscreen TTL Wireless Flash Trigger that Godox just introduced — order it at B&H.
From Think Tank Photo:
Designed for the photographer who has a lighter kit and wants a smaller less bulky bag, the BackLight Sprint is a slim, lightweight backpack that is ideal for hiking or treks around town.
Despite its slim profile, the pack will hold a standard-sized camera body and the trifecta of zoom lenses. A minimal but plush harness systems provides comfortable, all-day carry and two large side pockets each fit a 32 oz Nalgene water bottle or can be used to carry a tripod.
KEY FEATURES:
- Back-panel access to your camera gear without taking the pack off, allowing you to work out of the bag without getting your harness dirty, wet, muddy or icy
- Slim, lightweight backpack for the minimalist photographer
- Front pocket offers 2 liters of capacity for personal gear and opens vertically on the right side for easy access without taking off the pack
Check out the new compact Backlight Sprint Backpack at Think Tank Photo.
The background is a significant percentage of most wildlife (and people) images, and the sky often provides a good background option, even when it is white. Clouds make the sky white, and clouds make the light soft, wrapping around the subject and taming the shadows.
White clouds also cause the camera's auto exposure to calculate for a dark result. I prefer to use a manual exposure with auto ISO when photographing wildlife. These settings permit rapid shutter speed changes to accommodate the animal, with the camera taking care of the proper image brightness with its ISO selection. The sheep was also white, and positive exposure compensation was managing this issue when mountains were in the background.
The white sky background opportunity developed suddenly enough that I chose to get the shot vs. risking missing it while changing a second camera setting. Fortunately, the Canon EOS R5 RAW image did not have a problem with the +1.6 stops of post-processing adjustment.
When the background is white (or black, or any other solid color), the background can easily be extended on the sides of the image void of subject details. In this case, a canvas size increase to the left and top in the matching color would provide space for creativity, including adding words.
A larger version of this image is available here.
ISO 100
8192 x 5464px
Just posted: Canon RF-S 10-18mm F4.5-6.3 IS STM Lens Review.
This lens fills a void in the Canon lineup. I intend to add sample photos to this review.
Please share!
Support this site by ordering the Canon RF-S 10-18mm F4.5-6.3 IS STM Lens (or anything else) from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada
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Just posted: Canon RF 200-800mm F6.3-9 IS USM Lens Review.
Note that the review still needs sample photos added. Wildlife has been uncooperative, but I didn't want to hold back the rest of the review for that matter.
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Order the Canon RF 200-800mm F6.3-9 IS USM Lens from B&H | Adorama | Canon USA | WEX | Camera Canada
Rent the Canon RF 200-800mm F6.3-9 IS USM Lens from Lensrentals.
For infrequent, casual underwater photography, it is challenging justify the cost, carry and storage size and weight, and maintenance of an underwater housing for your DSLR or mirrorless camera, especially when the phone already in your pocket is said to be "waterproof".
When reading your smartphone's specifications, you may learn that it (such as an iPhone 14 Pro or iPhone 14 Pro Max) is "Splash, Water, and Dust Resistant3 — Rated IP68 (maximum depth of 6 meters up to 30 minutes) under IEC standard 60529"
But, you always follow the footnotes, and 3 teaches you that the:
"iPhone 14 Pro and iPhone 14 Pro Max are splash, water, and dust resistant and were tested under controlled laboratory conditions with a rating of IP68 under IEC standard 60529 (maximum depth of 6 meters up to 30 minutes). Splash, water, and dust resistance are not permanent conditions. Resistance might decrease as a result of normal wear. Do not attempt to charge a wet iPhone; refer to the user guide for cleaning and drying instructions. Liquid damage not covered under warranty." [Apple]
As you know, "water resistant" is not "waterproof". This footnote suggests that getting an underwater housing to protect the expensive phone is a smart move, and a phone in a relatively compact underwater housing is a great option for the infrequent, casual underwater photography goal.
Now, AquaTech teamed with Joby to create a new underwater phone housing to meet this need. From Joby:
JOBY SeaPal
The Premium Waterproof Phone Case that Unleashes Your Creativity Underwater
- A complete ecosystem for smartphone content creation underwater, encompassing outdoor, adventure travel, surfing and other water sports
- Compatible with iPhone 12 / 13 / 14 / 15 and Samsung Galaxy S22 / S23
- Designed by AquaTech: water housings manufacturer for the world’s best ocean creators for over 20 years
JOBY – the reference brand for content creator gear that empowers creators and helps uplift their creativity announces the launch of the JOBY SeaPal: a premium waterproof phone case designed in partnership with AquaTech that takes content creation to new levels, unlocking new creative possibilities to produce stunning footage in and around water.
JOBY has always focused on uplifting the potential of content creators who dream big, supporting their creative journey with a product ecosystem that simplifies content production, making it faster and better while having fun. The launch of the JOBY SeaPal waterproof phone case marks the introduction of an additional creative playground for expert creators, combining JOBY’s deep understanding of the content creators’ needs with AquaTech’s technical know-how of ocean photography for guaranteed reliability.
Fully compatible with iPhone 12/13/14/15 and Samsung Galaxy S22/S23, JOBY SeaPal is the safest ecosystem for smartphone content creation, dedicated to surfers looking to capture epic, wave-riding shots, creators who want to share the beauty of coral reefs or mobile travel vloggers engaged in water activities such as kitesurfing, jet skiing, snowboarding or waterpark adventures. Additionally, JOBY SeaPal is the perfect companion for expert creators on the go who don’t have space to carry bulky, waterproof camera casings or want a quicker alternative to an action camera.
Designed by AquaTech to ensure waterproof, shockproof and dustproof capabilities, JOBY SeaPal allows creators to trust their phones are fully enclosed and protected at all times without fear of damage.
The new JOBY SeaPal collection not only includes the phone case (case depth rated to 10m / 33ft with glass lens port), but also a Bluetooth shutter grip, and a quick release split water dome port with cover, that enables the creation of breathtaking content both above and beneath the water’s surface.
Above water, the clear soft membrane means users can maintain full control of their phones, allowing full navigation of the screen as normal. Below the water surface, the Bluetooth Shutter Grip establishes a connection with the phone to ensure that no action shots are missed.
With JOBY SeaPal, JOBY and AquaTech have created a reliable and versatile ecosystem that empowers mobile content creators to deliver exceptional content whilst enjoying their journey out in the water.
The JOBY SeaPal Collection consists of:
SeaPal Waterproof Case - $239.95 / £219.99
SeaPal 6" Dome - $199.95 / £169.99 [a great option for split under/over water shots]
SeaPal Bluetooth Shutter Grip - $159.95 / £139.99
SeaPal GoMount - $17.95 / £15.99
SeaPal 6" Dome Cover - $19.95 / £16.99
SeaPal Sports Leash - $19.95 / £16.99
The JOBY SeaPal Waterproof Case for Smartphone is in stock at B&H.
What is the best underwater smartphone case? The JOBY SeaPal Waterproof Case for Smartphone is a great option. A low end option is the AquaTech AxisGO, and a high end option is the SeaLife SportDiver Underwater Housing for Smartphones.
This buck had a doe locked down during the rut. We named her "Dosi" doe (as in dosido, the dance move). The name seemed fitting as she was the object of his desire and frequently leaped to a new location with the buck following close behind.
As I said before, the Canon EOS R5 and RF 400mm F2.8 L IS USM Lens combination was the perfect choice for photographing white-tailed deer in the Shenandoah National Park woods.
The 400mm focal length permitted close enough working distances to avoid obstructions, and that focal length combined with the f/2.8 aperture blurred the abundant foreground and background distractions.
In this composition, I took advantage of the obstructions to create a frame for the buck, which was unusually cooperative for a couple of minutes, posing in the sunlight.
A larger version of this image is available here.
ISO 100
8192 x 5464px
Image quality, distortion, flare, and vignetting test results are now available on the Canon RF 24-105mm F2.8 L IS USM Z Lens page.
Here are some comparisons to get you started:
Compared to the Canon RF 24-70mm F2.8 L IS USM Lens
Compared to the Canon RF 24-105mm F4 L IS USM Lens
Compared to the Canon RF 24-105mm F4 L IS USM Lens (at f/4)
Order the Canon RF 24-105mm F2.8 L IS USM Z Lens from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada
Rent the Canon RF 24-105mm F2.8 L IS USM Z Lens from Lensrentals.
Please share!
Image quality, distortion, flare, and vignetting test results are now available on the Canon RF 200-800mm F6.3-9 IS USM Lens page.
Note that 1485mm is the longest focal length I have enough working distance and a small enough chart to test. Thus, the 2x results were captured a bit short of the lens's capability.
I'll share the wide-open aperture comparisons. Consider also comparing the lenses at the shared widest aperture.
Compared to the Canon RF 100-500mm F4.5-7.1 L IS USM Lens
Compared to the Canon RF 100-400mm F5.6-8 IS USM Lens
Compared to the Canon RF 600mm F11 IS STM Lens
Compared to the Canon RF 800mm F11 IS STM Lens
Compared to the Sigma 150-600mm f/5-6.3 DG DN OS Sports Lens
Compared to the Sony FE 200-600mm F5.6-6.3 G OSS Lens
Please share!
Order the Canon RF 200-800mm F6.3-9 IS USM Lens from B&H | Adorama | Canon USA | WEX | Camera Canada
Rent the Canon RF 200-800mm F6.3-9 IS USM Lens from Lensrentals.
Lensrentals just shared their annual top rented photo and video products of the year lists.
Canon and Sony dominate the lists.
Now go rent something, a great option for trying new gear or for getting otherwise unaffordable gear to use for a short duration.
Just posted: Sigma 70-200mm F2.8 DG DN OS Sports Lens Review.
Another great Sigma lens option.
Support this site by ordering the Sigma 70-200mm F2.8 DG DN OS Sports Lens (or anything else) from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada
Rent the Sigma 70-200mm F2.8 DG DN OS Sports Lens from Lensrentals.
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From Capture One:
Express is coming to an end
We're constantly working to improve our tools for you. And to give you the best creative and collaborative experience, we need to focus on our main products. This means that starting January 30, 2024, Capture One Express will no longer be available.
You’ll be able to use Express until January 30, and all your images and edits will also be available until this date.
Starting January 30, you won’t be able to download or use Express from our website. Also, you can’t activate any Express license keys after January 30, even though you downloaded the license key before this date.
We’ll end all support for Express after January 30.
You can easily transfer your images and edits from Express to Pro. Just open your Express Catalog in Pro and keep creating.
You have three options:
a. Export your edits to TIFF, JPEG, or other formats.
b. Export your RAW files with or without adjustment metadata by choosing Export Originals.
c. Access Finder (macOS) or File Explorer (Windows) and extract them manually.
Get Capture One at B&H.
Just posted: Tamron 70-180mm F2.8 Di III VC VXD G2 Lens Review.
This is a great little lens.
Support this site by ordering the Tamron 70-180mm F2.8 Di III VC VXD G2 Lens (or anything else) from B&H | Amazon (all available countries) | Adorama | WEX | Camera Canada
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"Capture One Pro (16.3.2) is a service release containing bug fixes, a new preference for cameras capable of saving to both card and Capture One during tethered shooting, and support for new camera models."
New camera support includes:
Sony Alpha 7C R
Sony Alpha 7C II
Get the full details of this update in the release notes.
Get Capture One at B&H, where it is on sale for less than half price — only $139.00 (reg. $299.00).
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The Canon EOS R5 and RF 400mm F2.8 L IS USM Lens combination was the perfect choice for the white-tailed deer I was photographing in the Shenandoah National Park woods.
The 400mm focal length permitted close enough working distances to avoid obstructions, and that focal length combined with the f/2.8 aperture blurred the abundant foreground and background distractions.
Then, this barred owl showed up. Obviously, owls are much smaller than deer, and suddenly, significantly more focal length was needed.
Fortunately, the friend I was shooting with solved that problem via a pair of extenders in his pocket. He opted to use the 1.4x on his lens, kindly loaning me the 2x.
The capability to go too 800mm was indispensable in this case.
After getting sharp insurance shots at faster shutter speeds, the exposure time was increased, decreasing the ISO setting for less noise. The keeper rate dropped, but only 1 sharp image was necessary, and the results surpassed that requirement.
A larger version of this image is available here.
ISO 250
8192 x 5464px
From Sony Electronics:
Sony Electronics Announces Custom Gridline License Available for Alpha Camera Bodies
Various camera bodies starting with the Alpha 7 IV, etc.
SAN DIEGO – Nov. 28, 2023. Today, Sony Electronics announces a new custom gridline license planned for the Alpha 7 IVi in March 2024 onward, and more camera bodiesii in the future.
The new license offers the ability to import up to 4 customized original gridlines. The gridlines can be displayed on EVF (electronic viewfinder) and LCD (Monitor on the rear of the camera) when shooting which makes for easier, more consistent images. For example, staff at schools, photo studios, theme parks, cruise ships, malls, etc. will now have the ability to update their cameras with ease and utilize this tool for quick and precise, more professional shots. Imported customized gridlines are replaceable and color gridlines are available. Once gridlines are registered, it can be displayed with HDMI output as well. After shooting, users can check the images with the grid lines overlayed on EVF and LCD.
“The ability to import customized gridlines into a mirrorless camera is an essential feature for all of our photographers to capture images consistently,” says Frank Lombardo, National Photography Manager for Inter-State Studio and Publishing. “These simple gridlines keep head sizes the same for all our products and improve our production time. They also allow us to know where the edge of print will be during capture.”
“With a focus to improve both the consistency and quality of school photography, this advancement is a great foundation to a platform geared for volume photographers across the globe. Sony’s commitment to continually innovate along with their unparalleled support aligns perfectly with Strawbridge Studio’s, Inc. mission to provide the best picture day experience for schools across the country,” says Nic Davidson, Director of Photography of Strawbridge Studios, Inc.
"Sony’s commitment and support for this industry is unprecedented, from their support in student photography across the US to their training of future photographers and videographers and now, developing a camera system that will radically change the volume photography space for years to come," says David Crandall, the Executive Director of School Photographers of America (SPOA).
“Now anyone can make a pattern, import it, then change and improve it to their liking. The possibilities are endless - simply rotate the four favorite patterns you need for the job at hand. Sony gives us real practical solutions, allowing the School, Sports and Volume Photography industry to produce better, more accurate compositions. The ability to import any four graphics, then scroll between them makes our jobs easier and results better than ever before,” says John Rak, member of the School Photographers Association of California (SPAC).
Not only can this be utilized as gridlines, they can also be used as partially filled transparency masks. In addition to school and sports photography, Sony has positioned this to be used for businesses such as cruise lines, theme parks, nature photography, ID photography, dentistry, and CG photography. Sony hopes that this custom gridline feature will help improve the creativity and work efficiency of photographers in a variety of industries.
The license will be available at a suggested retail price of $149 USD through the Upgrade and License Management Suite at https://ulms.sony.net as of Spring 2024.
Notes:
i A license must be downloaded from Sony’s camera upgrade website: pro.sony/ue_US/digital-imaging/custom-gridline and installed in the camera.
ii Future compatible models will be announced through the web site below: https://pro.sony/en_ME/digital-imaging/
Image quality test results are now available on the Sigma 70-200mm F2.8 DG DN OS Sports Lens page.
I expect that you are going to like these results. Be sure to explore the range of focal lengths.
Let's look at some comparisons:
Compared to the Sony FE 70-200mm F2.8 GM OSS II Lens (then look at the price difference)
Compared to the Sigma 70-200mm f/2.8 DG OS HSM Sports Lens
Compared to the Tamron 70-180mm F2.8 Di III VC VXD G2 Lens
Compared to the Canon RF 70-200mm F2.8 L IS USM Lens
Support this site by ordering the Sigma 70-200mm F2.8 DG DN OS Sports Lens (or anything else) from B&H | Adorama | WEX | Camera Canada
Rent the Sigma 70-200mm F2.8 DG DN OS Sports Lens from Lensrentals.
Please share!
From Sony Electronics:
Sony Electronics and The Associated Press Complete Testing of Advanced In-Camera Authenticity Technology to Address Growing Concerns Around Fake Imagery
New In-Camera Signature Solution Attaches Digital Certificate to Photos at the Point of Capture to Certify Legitimacy
SAN DIEGO – Nov. 21, 2023 – Today, Sony Electronics announces the completion of a second round of testing for Sony’s in-camera authenticity technology with Associated Press. This in-camera digital signature allows for the creation of a birth certificate for images, validating the origin of the content.
Sony’s authenticity technology provides a machine-based digital signature, removing the opportunity for undetected manipulation at the start. The digital signature is made inside the camera at the moment of capture in the hardware chipset. This security feature is aimed at professionals wanting to safeguard the authenticity of their content and provides an extra layer of security to aid news agencies in their fight against falsified imagery.
“While the rapid evolution of generative AI (Artificial Intelligence) brings new possibilities for creative expression, it has also led to growing concern about the impact of altered or manipulated imagery in journalism,” says Neal Manowitz, President and COO of Sony Electronics. “The dissemination of false information and images has real world social impact that brings harm not only to our photojournalist and news agency partners, but to society as a whole. We care deeply about this challenge and are committed to using our resources to help solve it. Through Sony’s work on the steering committee for C2PA (Coalition for Content Provenance and Authenticity), we have helped set the current industry standard for the tracking of editing and manipulation of imagery. Additionally, our in-camera authenticity technology has shown valuable results, and we will continue to push its development towards a wider release.”
“Fake and manipulated images are a major concern for news organizations. Not only do they contribute to mis- and disinformation but ultimately, they erode the public’s trust in factual, accurate imagery,” said David Ake, AP Director of Photography. “We are proud to be working alongside Sony Electronics to create an authentication solution that can help combat this problem.”
Sony and AP’s most recent field test was completed during October of 2023. In this month-long test, both capture authentication and workflow process were evaluated. To accomplish this, Sony partnered with Camera Bits – the company behind the industry standard workflow tool, Photo Mechanic. Alongside Sony and AP, Camera Bits created technology in Photo Mechanic that preserves the camera’s digital signature all the way through the metadata editing process.
“We appreciate the significant challenge that manipulated imagery poses for our partners, and we are highly motivated to play a role in helping solve it,” says Dennis Walker, President and Founder of Camera Bits. “Photo Mechanic has been used by the photojournalism industry for 25 years and continues to evolve as the industry introduces new technology. We are committed to ensuring Photo Mechanic remains a trusted and authentic workflow solution.”
Sony’s new in-camera signature and C2PA authentication is planned for release in a firmware update in the newly announced Alpha 9 III, Alpha 1, and Alpha 7S III in the Spring of 2024 i.
Just posted: Tamron 17-50mm F4 Di III VXD Lens Review.
Find out how this record-setting lens performs!
Support this site by ordering the Tamron 17-50mm F4 Di III VXD Lens (or anything else) from B&H | Amazon (all available countries) | Adorama | Camera Canada | WEX
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