Sony Announcements (Page 3)

From Sony Electronics Inc.:

Sony Electronics Expands Vlogging Line-Up with New ZV-1F Camera

A perfect first compact camera with a fast wide-angle lens and many of the advanced camera technology known to Sony’s ZV cameras

SAN DIEGO, CA – October 13, 2022 – Today Sony Electronics Inc. announced the newest addition to its popular ZV lineup – the ZV-1F compact vlog camera. The ZV-1F is designed for content creators stepping up to a compact camera that packs advanced video and still capabilities with easy-to-use features, advanced connectivity, and a focus on sustainability.

“We’re thrilled to add the new ZV-1F to our very popular ZV camera lineup,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “With the rise of vertical video and new platforms that make it easier than ever to become a content creator, the ZV-1F is an all-in-one camera solution that delivers superior quality with easy-to-use features and wireless sharing. This is the perfect solution for content creators looking to improve their video quality.”

High-Quality Stills, Video, and Audio

The ZV-1F was designed for vloggers and content creators to capture high-quality content in a compact form factor. These features and technologies include:

• Ultra-wide 20mm¹ F2.0 prime lens, perfect for selfie-style recording
• Background bokeh in both stills and video to make the subject easily stand out
• Compact and lightweight, weighing approximately 8.1 ounces² (229 grams)
• Face Priority AE (auto exposure) that automatically adjusts the brightness based on the subject’s face, even in situations with large changes in lighting.
• High precision focusing and Eye AF (autofocus) for humans and animals³, with touchscreen operation
• Directional 3-Capsule Mic and wind screen provide clear voice recording and reduced background noise in windy or loud conditions
• Steady and smooth footage with Active Mode⁴ image stabilization
• S&Q mode⁵ to shoot in both slow motion at 5x slower speed⁶ and quick motion at 60x faster⁷ hyperlapse speed

Designed for Easy Content Creation

The ZV-1F was developed for content creators of all levels, including those who may be stepping up to a compact camera for the first time. The camera is designed with a handful of features for easy content creation and streamlined editing, including:

• Vari-Angle LCD touch screen to easily change features and settings, including zoom⁸
• Background Defocus Function to quickly blur the background, even while recording video
• Product Showcase Setting to automatically and seamlessly shift focus between a face and products
• Self-timer⁹ for both stills and video
• Recording lamp and red frame on the screen to indicate when recording has started and stopped
• Ten preset Creative Look options to automatically add a specific look
• ‘Soft Skin Effect’ feature to add skin smoothing options as desired
• Compatible with the GP-VPT2BT¹⁰ Shooting Grip/tripod with Wireless Bluetooth™ control
• Accessory shoe¹¹ to easily attach an external microphone
• Remote camera control capabilities and simple file transfer for ? sharing to popular social media platforms with Sony’s new Imaging Edge Mobile Plus™¹² smartphone application
• Shot Mark¹³ to efficiently reference key clips or cut out and transfer specific 15, 30, or 60 second¹⁴ marked clips to their smartphone and post directly to social without editing.
• High-quality live-streaming device or web camera, with appropriate video streaming, conference application or similar software, when connected to a computer or smartphone via USB¹⁵

Supporting a Sustainable Future

The ZV-1F was designed with features and technology for sustainable future in mind. Recycled materials¹⁶ including SORPLASTM are used in both the camera body and bundled accessories like the newly-developed wind screen¹⁷ that have been adapted to maintain performance. Plant-based non-woven fabrics are used for product bags to reduce disposable plastic packaging.

Pricing and Availability

The new ZV-1F will be available in late October for approximately $500 USD and $650 CAD. It will be sold at a variety of Sony's authorized dealers throughout North America.

Orders

Order the Sony ZV-1F Vlogging Camera from B&H.

Notes:

1 35mm format equivalent

2 Not including battery and memory card

3 Still images only. Does not work with all types of animal

4 Slight image crop in Active Mode. Active Mode is not available when recording frame rate is 120 (100) p for normal movies and frame rate is 120 (100) fps for S&Q.

5 The recording format in S&Q mode is XAVC S HD. Sound recording is not possible. A Class 10 or higher SDHC/SDXC card is required. UHS speed class 3 or higher is required for 100 Mbps recording.

6 S&Q mode recording at 120 fps (frame rate) 24p (recording frame rate).

7 S&Q mode recording at 1 fps (frame rate) 60p (recording frame rate).

8 Users can select from zooms of 1.0/1.5/2.0/4.0x to quickly change the angle of view. In FHD, zooms of 1.5x and 2.0x use Clear Image Zoom and 4.0x uses digital zoom; in 4K, 1.5x ? uses Clear Image Zoom and 2.0x and 4.0x use digital zoom.

9 Not available when shooting movie in still image mode by pressing MOVIE button.

10 Sold separately

11 Since this model’s accessory shoe does not have electronic contacts, it does not support operation of an external flash, audio input, etc

12 Please use Imaging Edge Mobile Plus Ver. 1.0 or later. The Imaging Edge Mobile Plus app can be downloaded at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.

13 Two types of shot marks: Shot Mark1 and Shot Mark2

14 Depending on where the shot mark is added, the length of the cut-out video may be shorter than the set length.

15 When streaming via USB, the resolution is 1280 x 720 and the frame rate is 30 fps. To use this function, the OS on the PC or smartphone side must support UVC/UAC. When connecting to a mobile device equipped with a USB Type-C(R) port, please use a commercially available USB cable or terminal conversion adapter.

16 Recycled materials may not be available, depending on the time of production.

17 The wind screen fibres are made exclusively from recycled polyester. Recycled polyester may not be available, depending on the time of production

From Sony Electronics Inc.:

Sony Announces New Updates to Camera Remote SDK, adding enhanced functionality for Inspection and Drone applications

SAN DIEGO, CA – October 12, 2022 – Sony Electronics Inc. today launched an updated version (version 1.06) of its Camera Remote Software Development Kit (SDK), adding compatibility with Cinema Line Cameras, the FX6, FX3, and FX30 and key functionality to support third parties in the development of bespoke applications utilizing the industry-leading performance of Sony cameras1.

Version 1.06 of the Camera Remote SDK, which is available to download for free starting today, offers new features that are particularly important in the areas of inspection, and multi-camera production.

A newly added Drone GPS sync with location information transfer function enables linking GPS information to still images in real-time with high precision. This is done by sending “ImageID”2 from SDK.

New operational menu settings, including the Reset / Save Settings, provides smooth and efficient workflows, especially when multiple takes are needed in a row.

The new compatibility with FX6 offers basic control3 supported by Content Mobile Browser and allows for up to five units4 to be controlled in parallel.

“We are fully committed to enhancing the SDK experience and maintaining an open policy for partners to find new and different ways to benefit from our industry-leading camera technologies,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “We’ve been thrilled with all the innovation we’ve seen to date from developers and are excited to continue to build this strong momentum.” ? ?

The Camera Remote SDK can be used to control several cameras in the Sony camera range including newly added Cinema Line cameras, with the full list of compatible cameras available here.

About Camera Remote SDK

Camera Remote SDK allows users to control Sony’s cameras remotely from a computer, this includes changing the camera settings, to remote shutter release and live view monitoring. With this SDK, software developers can design bespoke applications tailored to business requirements, integrating Sony’s professional equipment for size-critical drone and speed camera systems, as well as other medical, education, government, and e-commerce functions.

Further details can be found at: https://pro.sony/ue_US/camera-remote-sdk.

Notes:

1 All apps require network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.

2 Arbitrary IDs can be given to captured images, and by recording the combination of GPS location information and IDs at the time of shooting, it is possible to associate captured images with GPS location information after shooting.

3 REC START/STOP, Iris, Shutter, Gain, ND, Zoom, Focus, and so on. Please read API reference for detail.

4 Sony tested connection up to 5 units. Based on Sony tests. The maximum number of units is different depending on the device or system.

Also, the press release from Sony Corporation:

Sony Announces free download of new updates to Camera Remote SDK

The new features will enhance functionality for Inspection and Drone applications and is available to download free from today

LONDON UK, 12th October 2022 – Today, Sony launched an updated version of its Camera Remote Software Development kit (SDK), adding compatibility with Cinema Line Cameras, the FX6, FX3, and FX30 and key functionality to support third parties in the development of bespoke applications utilising the industry-leading performance of Sony cameras.

Version 1.06 of the Camera Remote SDK, which is available to download for free from today, offers new features that are particularly important in the areas of inspection, drones and content creation.

A newly added ‘Drone GPS sync’ (Location Information Transfer) function enables to link GPS information to still images in real-time with high precision by sending “ImageID[iii]” from SDK.

New operational menu settings, including Reset / Save Settings, allow users to experience a smooth and efficient workflow.

The new compatibility with FX6 offers control functionality through Content Mobile Browser and allows for up to 5 unitsii to be controlled in parallel. With an expanded ISO range of up to 409600 and a 35mm full-frame sensor, the FX6 offers the ability to capture content in extremely low-light conditions.

Yasuo Baba, Director, Digital Imaging, Sony Europe BV said:

“Uptake of the Sony Camera Remote SDK increases every quarter and the breadth of companies with whom we are having conversations to utilise it, is both fascinating and professionally satisfying. We are seeing end use applications that are truly benefiting from the industry leading quality of Sony cameras and the enhanced video functionality of Version 1.06 means that we can continue this momentum. We are fully committed to enhancing the SDK experience and working with both existing and new partners to deliver true market innovation.”

Sony is a market leader in mirrorless full-frame (35mm) cameras, with the company’s cameras renowned for their speed, image quality, resolution compactness and wide lens line-up.

The Camera Remote SDK can be used to control several cameras in the Sony camera range including newly added Cinema Line cameras, with the full list of compatible cameras available here.

These cameras all benefit from Sony’s renowned Exmor R™ and Exmor RS™ CMOS image sensors, which give resolutions from 12 to 61 MP; as well as Sony’s BIONZTM image processing engines; and can be used with over 70 E-mount lenses.

About Camera Remote SDK

Camera Remote SDK allows users to control Sony’s cameras remotely from a computer, from changing the camera settings, to remote shutter release and live view monitoring. With this SDK, software developers can design bespoke applications tailored to business requirements, integrating Sony’s professional equipment for size-critical drone and speed camera systems as well as other medical, education, government, and e-commerce functions.

Further details can be found at: www.sony.eu/businesssolutions.

Trademarks and registered trademarks are the property of their respective owners.

[i] REC START/STOP, Iris, Shutter, Gain, ND, Zoom, Focus, and so on. Please read API reference for detail.

[ii] Sony tested connection up to 5 units. Based on Sony tests. The maximum number of units is different depending on the device or system.

[iii] Arbitrary IDs can be given to captured images, and by recording the combination of GPS location information and IDs at the time of shooting, it is possible to associate captured images with GPS location information after shooting.

From Sony Electronics:

Sony Electronics Expands Cinema Line with New 4K Super 35 Camera for Future Filmmakers

LOS ANGELES, CA – September 28, 2022 – Sony Electronics Inc. is pleased to announce the newest addition to the brand's prestigious Cinema Line – the FX30 (model ILME-FX30). The new FX30 is a 4K Super 35 compact cinema camera that offers many professional features of the Cinema Line, such as Dual Base ISO, Log shooting modes, and user-imported LUTs (Look Up Tables) at a price point that appeals to many aspiring filmmakers.

In addition to introducing the new FX30, Sony announced two new CFexpress Type A Memory Cards – CEA-G320T and CEA-G640T. Both are large capacity cards that support high-speed performance with a maximum writing speed.

"The new FX30 is a great fit for a wide range of filmmakers," said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. "As part of our Cinema Line, it is an attractive addition for seamless integration into large productions. Additionally, by incorporating many professional features found in our flagship cinema cameras, it is a perfect camera for up-and-coming filmmakers that are working with tight budgets."

Creating a Cinematic Look

The FX30 offers next-generation filmmakers cinematic expression with the latest imaging systems. It features a new back-illuminated 20.1 megapixels APS-C Exmor R™ CMOS sensor (Super 35 format) with a dual base ISO (800/2500) to deliver high sensitivity, low noise, and 14+1 stops of latitude.

The FX30 supports a variety of video recording codecs. It can shoot in high frame rates, including 4K at 120fps and full HD at 240fps2. The FX30 also features the ability to shoot 4K Super 35 (16:9) by oversampling from 6K at up to 60fps. Both 16:9 recording modes can shoot at 10-bit 4:2:2 while the HDMI Type-A port outputs 4K, 16-bit RAW3 for an external recorder4.

Like the rest of the Cinema Line, the FX30 features Log shooting modes by enabling Cine El, Cine El Quick, and Flexible ISO modes for recording with the S-Log3 gamma curve, which allows more flexibility when color grading. All three modes allow video shooting while monitoring with an appropriate LUT to preview the final image. In addition, the FX30 includes a selection of built-in cinematic looks, such as Sony's S-Cinetone™, and can shoot single stills. The camera offers advanced image processing capabilities with the BIONZ XR processing engine for natural gradations and realistic color reproduction.

Designed to Support Creators' Needs

The FX30 features Sony’s fast and reliable still and video autofocus, with settings including:

• Real-time Eye AF (human, animal or bird5)
• Real-time Tracking
• Detailed AF settings
• AF Assist6

Creatives also have more control when using the Focus Map7, which makes it easy to visualize depth of field, and Breathing Compensation8 to offer a stable angle of view when focusing. The camera includes effective stabilization for run and gun shoots using Active Mode9 thanks to the optical in-body 5-axis image stabilization. The FX30 also includes time code sync10.

The FX30 incorporates other features that retain the spirit of the Cinema Line, including:

• New customizable list-style main menu screen for quick access to frequently used items
• New standby movie screen that provides an unobstructed view of the subject
• Buttons and dials dedicated to movie shooting

The FX30 also includes added functionality to assist with the creative workflow, such as post-production editing using embedded LUT, and EI metadata11. ? This metadata is available using the latest version of Sony’s Catalyst Prepare12 or Catalyst Browse applications. A new "Catalyst Prepare Plugin" for Adobe Premiere Pro was released in August.

Easy Operation and a Compact Form Factor

Compact and lightweight, the FX30 has a flat-top design with threaded accessory attachment points, making it easy to use for shooting handheld, capturing low-angle shots, mounting on a gimbal, or adding accessories. The FX30 also features an XLR handle unit13, which can be used to capture low-angle shots and also allows filmmakers to capture crystal clear audio through various audio inputs, including two XLR audio inputs and a 3.5 mm stereo mini jack for 4-channel recording. External microphones can be connected directly to the camera via the Multi Interface Shoe or microphone jack. The FX30 also features an internal stereo microphone for audio recording.

The FX30 are equipped with two memory card slots that are compatible with both CFexpress Type A cards and SDXC/SDHC cards, bringing wide range of shooting experiences to filmmakers. The FX30 is also compatible with the newly announced large capacity CFexpress Type A memory cards.14

The FX30 pairs advanced performance with outstanding reliability. It features an innovative heat dissipation structure for uninterrupted 4K/60p recording, reliable power for extended recording, and a durable magnesium alloy chassis. A comprehensive selection of E-mount lenses, high-performance microphones, and other essential components offers extraordinarily flexible systems for a broad range of creative needs.

Sony Future Filmmaker Awards

The new FX30 is an ideal choice for filmmakers actively working on or considering entering the Sony Future Filmmaker Awards, a major new annual awards program for short films. Sponsored by Sony and free to enter, the Awards set out to elevate original voices from around the globe with a fresh perspective on storytelling. For more information, please visit: www.sonyfuturefilmmakerawards.com. ?

?Pricing and Availability

The FX30 enables ultimate creative freedom and comes with an option to purchase with or without the XLR handle15.

The new FX30 (supplied with the XLR handle) will be available in late October for approximately $2,200USD and $2,900 CAD. It will be sold at a variety of Sony's authorized dealers throughout North America.

The new FX30B, (supplied without the XLR handle) will also be available in late October for approximately $1,800 USD and $2,400 CAD. It will be sold at a variety of Sony's authorized dealers throughout North America.

Orders

Order the Sony FX30 at B&H.

The FX30 will also be compatible with the new version of Camera Remote SDK (Version 1.06), a development kit for software that enables remote operation and configuration changes.

CFexpress Type A Memory Cards: CEA-G320T and CEA-G640T

The compact and high-performance CFexpress Type A memory card CEA-G320T will be available in October for approximately $650 USD and $850 CAD (CEA-G320T),while the CFexpress Type A memory card CEA-G640T16 will be available in December for approximately $1,250 USD and $1,630 CAD. In addition to the existing 80GB and 160GB cards, large capacity 320GB and 640GB cards will be added to the series.17

These large capacity cards support high-speed performance with a maximum writing speed of up to 700MB/s and Video Performance Guarantee "VPG400", which offers sustained writing speeds of up to 400MB/s, and enables 4K 120p high bit rate video shooting.

The new large capacity cards have achieved TOUGH specification, which means they have been certified to be waterproof, dustproof, and robust enough to support stable long-term shooting in various environments. 18

Orders

Order the Sony CFexpress A cards from B&H.

Notes:

1 S-Log3 movies, Sony tests.

2 With approx. 38 % image crop. Post-production editing or S&Q mode recording required. In case of S&Q mode, data must be recorded to a CFexpress Type A memory card when the frame rate is 120 (100 in PAL) fps or higher.

3 With a choice of 59.94p / 50p / 29.97p / 25p / 23.98p frame rates and color spaces

4 Supported devices are as follows: as of September 2022, ATOMOS NINJA V and NINJA V+ HDR monitor-recorder support planned. ? For further details, please contact ATOMOS.

5 Accurate focus may not be achieved with certain subjects in certain situations.

6 Not available when using the SELP1650, SEL18200LE or A-mount lenses.

7 The Focus Map function cannot be used in the following conditions: When shooting stills, when the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when using the SEL16F28. For other lenses, please use the latest lens software.

8 Angle of view and image quality may change slightly when this feature is turned on. Breathing Compensation is not available for unsupported lenses, 120p (100p) movie recording, S&Q recording at 120p (100p), or stills. The compatibility of lenses is limited. Please see Sony support page for lens compatibility. https://www.sony.net/dics/breathing/

9 Slight image crop in Active Mode. "Standard" setting is recommended for focal lengths of 200 mm or longer. Active Mode is not available when recording at frame rates of 120 (100) fps or higher, including S&Q.

10 VMC-BNCM1 is required for time code synchronization. VMC-BNCM1 requires the following annotations. The availability of the VMC-BNCM1 (product number: A-5051-506-A) may vary depending on the country or region. Refer to the following support site for inventory confirmation and purchase. https://www.sony.net/SonyInfo/Support/

11 This metadata includes Embedded LUT, Image stabilization, Breathing Compensation, Camera rotation and Movie mark

12 Software download page URL: https://www.sony.net/disoft/

13 FX30B ? does not include the XLR-H1 handle unit. The XLR-H1 handle unit will also be available as a stand-alone item, which will be available in early 2023.

14 The newly announced CEA-G320T and CEA-G640 CFexpress Type A memory cards.

15 FX30B comes without the XLR handle while the FX30 model which comes with the XLR handle

16 To use CEA-G640T memory card with the following cameras, the camera software version must be as listed below. Alpha 1 (Ver.1.31 or later), Alpha 7S III (Ver.2.11 or later), and FX3 (Ver.2.00 or later).

17 1 GB = one billion bytes. A portion of this card capacity is used for system files and may vary.

18 Actual performance may vary. Based on environmental conditions and usage. Sony does not guarantee damage to recorded data or card based on every situation or condition.

From Sony Electronics Inc.:

Sony Electronics Launches the FR7, the World’s First*1 Pan-Tilt-Zoom Camera to Combine a Full-frame Image Sensor, Lens Interchangeability, and Remote Shooting Functionality

Sony’s Cinema Line PTZ camera opens new creative and cinematic possibilities for content creators, from filmmakers to live event or music video producers

LOS ANGELES, CA – September 6, 2022 – Sony Electronics Inc. announces today the latest addition to its Cinema Line, the ILME-FR7, an E-mount interchangeable lens camera with a full-frame image sensor and built-in pan/tilt/zoom (PTZ) functionality. Its versatile remote control and cinematic features open creative possibilities in studio, live production and filmmaking settings.

A high-performance full-frame image sensor and the expressive scope of Sony’s extensive E-mount lens*2 lineup work with remote pan/tilt/zoom control, high flexibility in zoom capability and wide angle shooting to break through location and space limitations. It also offers the cinematic look and operability that have made Sony digital cinema cameras push the boundaries of the filmmaking industry, plus versatile connectivity and efficient multi camera workflow support.

“The cinematic look and feel is rapidly becoming the norm in broadcasting and live production as it opens up new ways to tell a narrative,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “In parallel, over the last 2 years, we’ve seen a steep rise in content created remotely or in small locations where access is difficult. At Sony, we are always listening to our customers. We are thrilled to announce the FR7 that combines the flexibility of a standard PTZ camera with stunning visuals through advanced cinematic features.”

Uncompromised Image Quality in a PTZ Form Factor

The FR7 features a back-illuminated 35mm full-frame CMOS image sensor Exmor R™ with approximately 10.3 effective megapixels and wide 15+ stop latitude*3 in a pan tilt zoom (PTZ) camera for the first time. In addition to wide dynamic range, low noise, and cinematic full frame bokeh, this amazing sensor also delivers high sensitivity that allows ISO to be expanded up to 409,600*4 when shooting in low light.

The FR7 features Sony’s E-mount and can mount a wide range of E-mount lenses*2, including the G Master™ series with stunning resolution and bokeh effect. A choice of focal lengths ranging from 12 mm to 1200 mm*5 gives users comprehensive creative control.

A number of Cinema Line features are built into the camera to deliver a cinematic look and feel including:

The Sensitivity setting allows ISO to be expanded up to 409,600*4 when shooting in low light.

A 15+ stop latitude*3 allows smooth highlights and low noise levels.

A number of preset scene files are included including S-Cinetone for natural mid-tones that are essential to healthy-looking skin color, plus soft colors and gorgeous highlights. Since the target look can be created while shooting, time can be saved in post-production. In the Cine EI mode, base sensitivity can be set to either ISO 800 or ISO 12800 to match lighting conditions and to minimize noise while maintaining a consistent look. This mode is ideal for post-production, as it allows the use of Sony’s original S-Log3 gamma, wide S-Gamut3 and S-Gamut3.Cine color spaces.

Shooting up to 120fps 4K (QFHD) and 240 fps FHD*6 slow-motion is possible, again creating that emotional possibility offered by a cinematic look.

Easy Operation for Storytelling from New Angles

With a new dedicated web application, pan, tilt, zoom, focus, record, playback, and all camera settings can be intuitively controlled from a tablet or computer web browser. Multiple people can monitor FR7 footage remotely at the same time. Multi camera monitoring is also enabled, allowing multiple cameras to be viewed remotely on one device. With its integrated remotely controllable pan/tilt mechanism, the FR7 can be mounted on a tripod, on a ceiling with the dedicated CIB-PCM1, or in other locations with limited access so that subjects can be unobtrusively followed and recorded from unique viewpoints. It is also compatible with Sony’s RM-IP500 remote controller*7 for multi-camera production, expanding creative potential while reducing the need for dedicated staff in production studios and other shooting situations. A single RM-IP500 unit can remotely control up to 100 PTZ cameras and provide precious joystick-controlled pan, tilt, and zoom operation. ?

The supplied infrared remote controller will also support the FR7’s simple operation.

Variable PTZ Movements for Smooth Camera Work

Pan and tilt speed can be continuously varied from 0.02 degrees per second to 60 degrees per second, supporting a wide range of stable and smooth camera movements. The pan angle range is from -170° to +170°, and the tilt angle range is from -30° to +195°.

Up to 100 Preset Camera Positions

The FR7 can memorize up to 100 camera position presets.*8 The built-in web application and optional RM-IP500 remote controller allow up to 100 camera position presets to be recalled. Presets include camera direction, zoom, and focus, and can be recalled at the touch of a button.

The FR7 will also support S700 protocol via Ethernet, enabling control of this product from Sony’s Remote Control Panel (RCP) and Master Setup Unit (MSU) with a firmware update*9.

Real-time Eye AF and Real-time Tracking

Fast Hybrid AF and pan/tilt/zoom functionalities combine to focus on static or fast-moving subjects precisely and smoothly over a wide area, to avoid blurred images, even when a shallow depth of field is used.

The integrated BIONZ XR™ engine realizes detection performance for pinpoint eye focus even when subjects are looking at steep angles, allowing the operator to concentrate on composing the best shot. Touch Focus can be used to initiate focusing with Real-time Tracking on the desired subject when using the FR7’s web application, with Real-time Eye AF if an eye is detected.

Sony’s Built-in Electronically Controlled Variable ND Filter

The built-in electronic variable ND filter allows seamless ND adjustment. An Auto ND function keeps exposure constant by automatically adjusting the ND filter to match changing light. Remote control is also possible, allowing exposure control at a distance from the camera.

Versatile Interfaces for Various Production Workflows

The FR7 is built to integrate and adapt to many workflow scenarios, from simple plug and play to more complex high-end productions, thanks to a comprehensive selection of video inputs and outputs, IP streaming, power supply, and synchronization with other devices.

Internal XAVC Recording and External RAW Output

A rare feature in a PTZ camera, the FR7 also features dual media slots that support CFexpress Type A and SDXC memory cards. The ability to record high-quality XAVC-I footage with metadata makes the FR7 an excellent choice for a wide variety of video production applications.

CFexpress Type A cards are particularly well suited to high bitrate 4K movie production, with high-speed write capability that ensures stable recording of high volume, high frame rate data. Simultaneous recording, relay recording, interval recording, and proxy recording are also supported. The SDI output can deliver a 16-bit RAW signal to a compatible external recorder (sold separately).

Professional Video and Audio Interface

HDMI Type A and 12G-SDI connectors are provided for video output as well as optical output*10 for long transmission.

The AUDIO IN (XLR type 5-pin) connector will receive signal from an external microphone or audio device. AUDIO CH-1 and CH-2 use a single connector.

Ethernet Connectivity

Camera control, video and audio transfer, and power supply can also be carried out via a single LAN cable, simplifying cabling requirements.

The FR7 LAN (network) connector supports a variety of streaming protocols, including RTSP, SRT and NDI ® |HX*11, perfect for working in an IP based environment.

The FR7 can be powered from an external PoE++ (Power over Ethernet Plus Plus)*12 device via a standard network cable, eliminating the need for separate power supply cabling.

Multicamera Production Synchronization

The Timecode IN connector receives timecode for synchronization with an external device, while the GENLOCK receives synchronization signals in multi camera setups.

Additionally, red/green tally lights are provided on the camera’s side panels, allowing performers and staff to easily identify the on-air and preview cameras in multi camera setups in studio or on location. ?

Pricing and Availability

The new FR7 will be available in November 2022 for approximately $9699.99 USD and $12,399.99 CAD. The FR7K, which includes the FR7 and SELP28135G lens, will be available for $12,199.99 USD and $15,699.99CAD while the CIB-PCM1 ceiling bracket will be available for $119.99 USD and $159.99 CAD. It will be sold at a variety of Sony's authorized dealers throughout North America.

The FR7 will be showcased for the first time on Sony’s booth at IBC 2022 in Amsterdam from September 9th to 12th. A product video on the new FR7 can be viewed here:

To see it in action, visit here:

Exclusive stories and exciting new content shot with the new FR7 as well as Sony's other imaging products can be found at www.sonycine.com a site created to educate and inspire all fans and customers of Sony Cinema Line.

Orders

Order the Sony FR7 PTZ Camera from B&H.

###

Notes:

*1 As of Sept 6th. 2022 product announcement, compared to cameras with integrated pan/tilt mounts, Sony survey.

*2 When using the SEL100400GM, SEL200600G, SEL400F28GM, and SEL600F40GM, please use after fixing the pan/tilt with the locking mechanism of the camera.

*3 S-Log3 recording. Sony measurement.

*4 Custom mode.

*5 SEL20TC teleconverter is required.

*6 10% crop, approximately.

*7 Sold separately.

*8 RM-IP500 software version 2.2 or later required.

*9 Update in early of 2023.

*10 Optical output requires SFP+ module (sold separately).

*11 NDI® is a registered trademark of NewTek, Inc. NDI®|HX is a technology of NewTek, Inc. An NDI®|HX Upgrade must be purchased from NewTek.

*12 Conforms to IEEE802.3bt (Type 4, Class 8). Internal recording and playback are not available when PoE++ power is used.

*13 Within the Cinema Line series. As of September 2022.

From Sony EU:

Sony Unlocks In-Camera Forgery-Proof Technology

Sony today announced the availability of its in-camera forgery proof photo technology for corporate business users. Using digital signatures processed at capture, Sony technology supports detection of any modification to an image, thus protecting it from fraudulent usage.

Following widespread issues with unauthorised editing and misconduct around digital photo data, Sony has developed forgery-proof technology, based on standard cryptography, for corporate users to safeguard images against future misuse.

With Sony’s in-camera signing mode activated, images are immediately cryptographically signed by the camera processor upon capture. Following this, any pixel modification, tampering or potential forgery will cancel the image signature, as the image manipulation will be detected by the customer’s own certificate server during examination.

Available on the Alpha 7 IV camera, with expansion to other models to be considered in sequence, this new functionality streamlines the lengthy process required from image submission through to verification, all with the addition of extra security.

The Alpha 7 IV also combines a 33.0MP full-frame back-illuminated Exmor R™ CMOS image sensor with BIONZ XR™ imaging engine to deliver high-speed processing and outstanding resolution.

Sony’s new forgery-proof signing mode ensures the secure creation and transmission of images based on cryptographic methods, as the fundamental need for certifying unmodified and secure images grows in many applications, across multiple industries.

This technology is particularly applicable for passports and ID verification but goes further in tackling image manipulation in the media, medical and law enforcement fields. For the insurance and construction sectors, this technology will offer a secure foundation for inspection and recording of damage.

Yasuo Baba, Director of Digital Imaging and European Product Marketing at Sony, commented: “It is Sony’s missions to strengthen business solutions with cutting-edge imagery technology and our in-camera digital signing is a real gamechanger for combatting image manipulation and forgery across multiple industries. Whilst appropriate adaptations for each industry need to be made, the digital signature is multilingual and can be used internationally, enabling organisations worldwide to streamline mandatory image signing with Sony technology.”

Currently compatible with the Alpha 7 IV, and subject to receipt of a license to enable Sony’s signing mode, this facility will be available for business users with plans for further model expansion to follow. In tandem, Sony will continue to examine how we can utilise our industry-leading imaging technology to further support enhanced security across multiple industries, with plans to expand the line-up of supported cameras hereafter.

From Sony Electronics:

Sony Electronics Launches New ECM-G1 Shotgun Microphone

Versatile Microphone is Ideal for Vlogging and Offers High Quality Sound Anywhere, Anytime

SAN DIEGO, CA – July 13, 2022 – Sony Electronics Inc. today introduces the new ECM-G1 microphone for enhanced video recording through high-quality sound collection. The new ECM-G1 was designed for vloggers and video content creators seeking a compact, high-quality microphone. With ambient sound suppression and clear frontal sound collection, creators can enjoy excellent sound quality when capturing content.

Enhance Standard of Video Recording with High-Quality Sound

Clear, high-quality sound plays an important role when capturing video content. The ECM-G1 includes a large-diameter (14.6 mm) microphone capsule that provides clear sound collection while suppressing noise, which improves the quality of video production.

The ECM-G1 is the perfect accessory for video content creators on-the-go as it captures clear voices, includes a wind screen to reduce wind noise when shooting outdoors and has an optimized structure to suppress frequency vibration noise with anti-vibration dampers. When connected via the MI (Multi Interface) shoe, the cableless design even eliminates cable-transmitted vibration noise.

Ambient Sound Suppression and Clear Frontal Sound Collection

Clear sound collection when facing the front of the camera, the ECM-G1 super-cardioid[i] and ambient sound suppression to ensure only wanted audio is captured, an ideal feature when recording in selfie mode. The ECM-G1 is also highly effective in capturing clear conversation audio indoors by reducing echo pickup from walls and voice reverberation.

Enjoy High-Quality Sound Anywhere, Anytime

The microphone’s MI Shoe support enables additional power options and cable-free operation for even greater flexibility. The power is supplied directly from the camera to the microphone – even when shooting with the vari-angle LCD monitor open horizontally.

The ECM-G1 is ultra-light and compact, weighing just 1.2 ounces (34 grams) and measuring 1 inch x 2 inches x 1.9 inches (W x H x D: 28.0 mm x 50.8 mm x 48.5 mm), making it easy to use anywhere, anytime. The microphone’s compact size and weight provides flexibility and mobility, even when using gimbals and grips. In addition, due to its small size, the front of the microphone remains out of the frame, even when using a wide-angle lens. Its compact form factor also allows creators to easily look through the camera viewfinder without the microphone touching their forehead.

The new ECM-G1 also includes a microphone jack and recording cable[ii], making it compatible[iii] with a wide range of devices[iv] with a 3.5mm mic jack, giving users the ultimate flexibility for various shooting requirements. ?

Pricing and Availability

The new ECM-G1 will be available in August 2022 for approximately $150.00 USD and $190.00 CAD. Pre-sale opens tomorrow, July 13, 2022 at 10:00AM (EDT)/ 7:00AM (PDT) at a variety of Sony authorized dealers in North America, with an expected customer ship date of August 22, 2022.

Orders

Support this site by ordering the Sony ECM-G1 Shotgun Microphone from B&H.

Notes:

[i] This directionality is achievable with only one microphone capsule, resulting in small physical size, while allowing sound from the desired frontal area to be emphasized more effectively than by a general unidirectional microphone. The frontal extent of the sound collection area is wider than that of super-directional microphones, but super-cardioid microphones are generally more compact

[ii] 3.5 mm TRS – TRS cable

[iii] A commercially available conversion adapter may be required. Regarding device compatibility, please refer to the respective device manufacturers’ specifications

[iv] Compatibility not guaranteed with all products

[v] Sell-in quantity, from April 2021 to March 2022

From Sony:

Sony Electronics Introduces Three Wide-angle E-Mount APS-C Lenses

The E PZ 10-20mm F4 G, E 15mm F1.4 G and E 11mm F1.8 Bring Sony’s E-mount Lineup to 70 Lenses and Offer Wide-angle Views, Outstanding Image Resolution, and Compact Designs

SAN DIEGO, CA – June 1, 2022 – Sony Electronics Inc. today has expanded its E-mount lens lineup with the introduction of the power zoom G lens E PZ 10-20mm F4 G (model SELP1020G), versatile G lens E 15mm F1.4 G (model SEL15F14G), and the ultra-wide prime E 11mm F1.8 (model SEL11F18). The three newest additions bring Sony’s E-mount lens family to a total of 70 different models, offering more options than ever for still, video and hybrid content creators.

The first new lens, the E PZ 10-20mm F4 G is the world’s smallest and lightest[i], ultra-wide angle, constant F4 APS-C power zoom lens. This compact zoom lens brings together outstanding G Lens imagery, impeccable autofocus (AF) performance, and versatile power zoom. The end result is a lens that remains a constant length throughout the zoom range and offers refined visual expression and operability that only a power zoom lens can provide.

The second new lens, the E 15mm F1.4 G, offers beautiful shallow depth of field plus superb G lens resolution in a versatile APS-C lens design, empowering users with vast creative potential. This compact and lightweight prime lens delivers dynamic imagery, and includes excellent AF (autofocus) capabilities, along with high operability and control. The E 15mm F1.4 G is great for both still and cinematic imagery.

The E 11mm F1.8 is a compact large aperture, ultra-wide APS-C prime lens designed for vloggers and shooting video on the go. With a 35mm full-frame equivalent of 16.5mm, this lens delivers outstanding corner-to-corner resolution, gorgeous bokeh and fast, reliable AF for dramatic expression and stunning selfie-style content.

“Amidst the ever-changing camera market, Sony’s commitment to creating industry-leading tech for all its customers is unwavering,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. ? “In recent years we’ve seen a growing customer demand for video-and-vlogging-first products that are lightweight and include creator-driven features. We see the APS-C platform as the perfect option for these video-first and hybrid creators, and we’re dedicated to creating new products that will allow them to capture and create in ways they never could before.”

E PZ 10-20mm F4 G

Outstanding Image Quality and Dynamic Perspectives

The E PZ 10-20mm F4 G provides an extremely wide angle of view with a 10-20mm zoom range and a clean and clear image from corner to corner at all zoom settings. Three aspherical elements are ideally positioned to suppress field curvature and astigmatism, both of which are common problems in ultra-wide-angle lenses. The optical path also includes two ED (Extra-low Dispersion) glass elements that effectively subdue chromatic aberration. An ED aspherical element further contributes to high resolution to the image edges.

A circular aperture and carefully designed control of spherical aberration work together to deliver naturally rendered G Lens bokeh that can contribute to impressive imagery.

The minimum autofocus distance is 8 inches (0.2 meters) with a maximum magnification of 0.14x, while minimum manual focus distance is 5 to 6.7 inches (0.13 to 0.17-meters) with a maximum magnification of 0.18x.

Advanced AF Performance for Both Stills and Video

With astonishing AF performance that gives still and video shooters unprecedented freedom, it uses two linear motors for focus drive, delivering fast, quiet AF.

Fast, reliable AF can smoothly track subjects when shooting high frame rate video, and reliably follow fast-moving subjects when shooting stills continuously at high speed. The new lens also reduces focus breathing so that angle-of-view variations are minimized for smooth, stable video.

Refined Expression and Control for Video

The E PZ 10-20mm F4 G features a new electronic power zoom system that ensures direct, responsive control and adjustable zoom speed. Even the subtlest zoom ring rotation is precisely detected and immediately converted to actual zoom operation. Users have extensive control of zoom speed and operation from the lens, the camera and even compatible remote controls to support creative opportunities not possible with other zoom lenses. Power zoom minimizes camera shake so that solo shooters can produce smooth, stable imagery. Moreover, the lens uses internal zoom and focus mechanisms, to maintain a constant length when zooming or focusing. Shifts in the lens’ center of gravity are minimal, making it a great choice for stable vlogging and gimbal-mounted video shooting.

A constant F4 at all focal settings makes it possible for the lens to maintain stable image quality when recording. In addition, buttons can be assigned on compatible bodies for convenient custom zoom control[ii].

Unequalled Mobility and Handling

The E PZ 10-20mm F4 G is 20% lighter than its predecessor (SEL1018), making it the smallest and lightesti lens in its class with a total weight of just 6.3 ounces (178 grams). The compact power zoom lens E PZ 10-20mm F4 G is designed to maximize control and versatility for video as well as stills with a focus ring, zoom ring and zoom lever. A customizable focus hold button and focus mode switch have been thoughtfully thaincorporated to easily adapt in changing shooting conditions. Users can attach 62mm screw-on filters, such as variable ND filters, for more creative control. The lens has also been designed to be dust and moisture resistant[iii] to provide extra reliability.

E 15mm F1.4 G

G Lens Resolution and Beautiful Bokeh

The E 15mm F1.4 G lens has a wide 15mm view with impressive G lens resolution. Three aspherical elements in an advanced optical design effectively compensate for distortion and deliver excellent corner-to-corner resolution, despite the lens’ wide 15 mm angle of view. The addition of one ED (Extra-low Dispersion) glass element and one Super ED glass element effectively suppresses chromatic aberration.

The large F1.4 maximum aperture, precisely controlled spherical aberration and circular aperture mechanism make it easy to produce smooth, background bokeh for an artist effect.

With a minimum focusing distance of 6.7 inches (0.17 meters) and maximum magnification of 0.15x when manual focus is used[iv], impressive close-ups can be achieved for both stills and video.

AF Performance That Makes Full Use of Camera’s Speed Potential

Fast, precise, quiet AF and tracking for both stills and video is achieved with two advanced linear motors. This maximizes the speed potential of the camera body used to maintain accurate focus, even when focusing on fast-moving subjects.

The E 15mm F1.4 G uses Sony’s latest lens technology to reduce focus breathing so that angle-of-view variations are minimized for smooth, stable video. It also supports the breathing compensation function provided in compatible Alpha series bodies[v], minimizing breathing that can hinder post-shoot editing.

Excellent Control and Reliability for Stills and Video

Linear Response MF (manual focus) ensures that the focus ring responds directly and linearly to subtle control when focusing manually. Focus ring rotation translates directly to a corresponding change in focus, so control is immediate, repeatable and precise.

By combining aspherical elements and an effective design, this lens achieves a large aperture and high resolution in a lightweight 7.7 ounces (219 grams) lens that is only 2.6 inches (66.6 mm) in diameter and 2.74 inches (69.5 mm) in length. Despite its compact dimensions, the E 15mm F1.4 G includes an aperture ring for direct, intuitive control with an aperture click switch that can be switched ON or OFF: ON for tactile feedback that lets the user “feel” the stops, or OFF for smooth, continuous, silent aperture control. The OFF setting enables smooth and stable control for video and is also ideal when silent operation is essential.

A focus hold button and focus mode switch are also provided for extra flexibility. The focus mode switch makes it possible to quickly switch between AF and MF as needed.

A wide angle of view, compact dimensions, and light weight make it ideal for shooting starry skies, landscapes, architecture, and indoor scenes, as well as subjects that require mobility such as sports.

The E 15mm F1.4 G is designed with dust and moisture resistance[vi] providing extra reliability for outdoor use in challenging conditions.

E 11mm F1.8

Designed for Vlogging and Delivers Superb Resolution and Exquisite Bokeh

The E 11mm F1.8’s ultra-wide angle of view and compact size are ideal for vlogging which includes selfie-style recording at arm’s length as well as interior shots and images that make expressive use of depth of field. Three aspherical elements and three ED (Extra-low Dispersion) glass elements achieve consistently high resolution in the entire image frame. The aspherical lenses are carefully positioned to compensate for distortion and deliver excellent corner-to-corner resolution even with the aperture wide open. The addition of ED glass further suppresses chromatic aberration and effectively reduces color fringing that is more likely to occur in the image periphery.

The large F1.8 maximum aperture of this lens makes it easy to achieve deep and natural background bokeh. Users can blur the background, so they stand out clearly when vlogging, or create beautiful blur in ultra-wide night scenes. Precisely controlled spherical aberration and a circular aperture mechanism further contribute to the smooth bokeh produced by this unique lens.

With a minimum focusing distance of 4.7 inches (0.12 meters) and maximum magnification of 0.2x[vii] the lens can deliver impressive close-ups for both stills and videos.

Optimized for Video

Two advanced linear motors provide fast, precise, quiet AF and tracking for both stills and video, maximizing the speed potential of the camera body used to reliably maintain accurate focus even on moving subjects. Linear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually so it feels immediate and precise.

Sony’s latest lens technology greatly reduces focus breathing[viii] and angle-of-view variations are minimized for smooth, stable video. The E 11mm F1.8’s ultra-wide 11 mm angle of view makes vlogging against a wide background easier than ever.

Compact and Lightweight with Exceptional Control and Reliability

Its small size and light weight are great for mobility and handling for lengthy walk-around shooting sessions. The E 11mm F1.8 boasts a large F1.8 maximum aperture in a compact, lightweight lens. It weighs 6.4 ounces (181 grams) and is only 2.6 inches (66 mm) in diameter and 2.26 inches (57.5 mm) in length - a perfect match for compact APS-C format bodies. The lens’ dust and moisture resistant design[ix] provides extra reliability.

Despite its compact dimensions, this lens offers flexible, intuitive control with features such as a focus hold button and focus mode switch. An alternative function chosen by the user can be assigned to the focus hold button from the body menu. The E 11mm F1.8 also accepts front filters, which is a feature that is often lacking on ultra-wide-angle lenses.

Pricing and Availability

The E PZ 10-20mm F4 G will be available in July for approximately $750.00 USD and $950.00 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

The E 15mm F1.4 G will be available in July for approximately $750.00 USD and $950.00 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

The E 11mm F1.8 will also be available in July for approximately $550.00 USD and $700.00 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

Orders

Preorders will begin on 6/2 at 10:00 AM. Support this site by ordering through the links below:

Order the Sony E 10-20mm F4 PZ G Lens from B&H | Adorama | WEX

Order the Sony E 15mm F1.4 G Lens from B&H | Adorama | WEX

Order the Sony E 11mm F1.8 Lens from B&H | Adorama | WEX

Notes [i] As of June 2022, Sony survey of interchangeable ultra-wide-angle APS-C zoom lenses for mirrorless cameras (when ready to shoot).

[ii] Zoom operation depends on the body used. Refer to the help guide for details

[iii] Not guaranteed to be 100% dust and moisture proof.

[iv] 0.2 meters and 0.12x when autofocus is used

[v] Compatibility info at: https://www.sony.net/dics/breathing/ Available in movie mode only. Angle of view and image quality may change slightly when this function is used. Compensation may not be able to cover all situations.

[vi] Not guaranteed to be 100 % dust and moisture proof.

[vii] 0.15 meters and 0.13x when autofocus is used

[viii] It also supports the breathing compensation function provided in compatible a series bodies. Compatibility info at: https://www.sony.net/dics/breathing/ Available in movie mode only. Angle of view and image quality may change slightly when this function is used. Compensation may not be able to cover all situations.

[ix] Not guaranteed to be 100% dust and moisture proof

From Sony Marketing Inc.:

Dear customers

Notice of release date of "FE 24-70mm F2.8 GM II" lens for digital single-lens camera a E mount

Thank you for your continued patronage of Sony products.

At the time of the press announcement on April 27, 2022 (Wednesday), the release date was set to "scheduled to be released in the summer of 2022". Digital single-lens camera a E mount lens "FE 24-70mm F2.8 GM II" We would like to inform you that the release date has been decided.

[Target product]

Digital single-lens camera a E mount lens "FE 24-70mm F2.8 GM II"

[Release date]

[April 27, 2022 (Wednesday) announcement] Scheduled to be released in the summer of 2022 – June 10, 2022 (Friday)

Learn more here: Sony FE 24-70mm F2.8 GM II Lens

From Sony Marketing Inc.:

Dear customers

Notice regarding release date and supply of digital single-lens camera a E mount lens "FE PZ 16-35mm F4 G (SELP1635G)"

Thank you for your continued patronage of Sony products.

The release date of "FE PZ 16-35mm F4 G (SELP1635G)", which was announced on April 21, 2022 (Thursday), has been decided. In addition, we have suspended order acceptance, but we will inform you as there are changes in the supply status.

[Target product]

Digital single-lens camera a E mount lens "FE PZ 16-35mm F4 G"

[Release date]

[Notice on Thursday, April 21, 2022] Scheduled to be released in the summer of 2022 ? Friday, May 27, 2022

[About product order acceptance]

After the announcement on April 21, 2022 (Thursday), it was stated that "order acceptance will be suspended", but the suspension of order acceptance will be canceled after 10:00 am on May 19, 2022 (Thursday). However, we will consider it as a "product that takes time to deliver".

Learn more and preorder here: Sony FE PZ 16-35mm F4 G Lens

From Sony:

Sony Electronics Introduces New FE 24-70mm F2.8 GM II, the World’s Smallest and Lightest F2.8 Standard Zoom Lens

Newest G Master™ Series Lens in Sony’s Mirrorless E-mount Lineup with Industry-leading Optical Design, Unique Actuator Technologies, Advanced Autofocus and More

SAN DIEGO, CA – April 27, 2022 – Sony Electronics Inc. announced today the 67th lens in its mirrorless E-mount lineup – the highly-anticipated, FE 24-70mm F2.8 GM II (model – SEL2470GM2). Sony developed the world’s lightest F2.8 standard zoom lens[i] using its leading lens technology to deliver stunning resolution and beautiful bokeh known to Sony’s “G Master” series. The FE 24-70mm F2.8 GM II is one of the most versatile lenses in the line-up and was created for photographers, videographers, and hybrid content creators.

“Six years have passed since Sony released the first 24-70 mm F2.8 G Master and in that time, our customers’ needs have changed,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “We are always listening to our community and have designed the new FE 24-70mm F2.8 GM II around feedback from creators. Knowing the 24-70 mm focal length is extremely popular, it was imperative that we continue improving to bring our most advanced technology to such a critical lens in our customers’ kit. Today, we are thrilled to introduce the world’s smallest and lightest F2.8 standard zoom lens.”

Evolved Image Quality in a Zoom Lens that Rivals Prime Lenses[i]

The FE 24-70mm F2.8 GM II is great for a compact yet versatile set up and allows users to capture extremely sharp, detailed imagery for both stills and video. The new lens features high resolution across the frame—even with the aperture wide open. A completely redesigned optical path features five aspherical elements, including two high-precision XA (extreme aspherical) elements. The FE 24-70mm F2.8 GM II also includes two ED (extra-low dispersion) plus two Super ED glass elements. Combined with a new floating focus mechanism, the lens effectively controls chromatic aberration, astigmatism, distortion and coma so that outstanding resolution is achieved throughout the image area at all zoom and aperture settings.

Even when shooting in challenging lighting conditions, the FE 24-70mm F2.8 GM II achieves excellent clarity by effectively subduing flare and ghosting. This is thanks to Sony’s original Nano AR Coating II, which produces a uniform anti-reflecting coating on the lens surface. The FE 24-70mm F2.8 GM II produces stunning bokeh throughout the zoom range with beautiful and almost perfectly circular bokeh with its advanced optical design and a newly developed 11-blade aperture unit.

In this new 24-70 mm design, this lens delivers outstanding close-up performance with a minimum focusing distance of 8.25 inches (0.21 meters) at 24 mm and 12 inches (0.30 meters) at 70 mm, and with a maximum magnification of 0.32x.

Fast and Precise Autofocus

The FE 24-70mm F2.8 GM II achieves reliable focus by using four of Sony’s original XD (extreme dynamic) Linear Motors, a floating focus mechanism and advanced lens control – even when shooting a fast-moving subject. In addition, the lens supports up to 30 fps[ii] continuous shooting for stills and 4K 120p video recording with autofocus.

The FE 24-70mm F2.8 GM II enables full AF tracking performance even when shooting stills with the aperture stopped down, making it possible to use deeper depth of field to ensure that moving subjects remain in sharp focus when shooting continuously[iii]. The lens’ AF tracking performance while zooming is approximately two times better than the previous model[iv].

Refined Capabilities for Creative Filmmaking

With its constant F2.8 maximum aperture, astounding AF performance, versatile control, and solid reliability, the FE 24-70mm F2.8 GM II is designed for all types of video applications. The FE 24-70mm F2.8 GM II offers extremely quiet AF operation, thanks to the XD Linear Motors and a newly developed aperture unit. Using the latest lens technology, the FE 24-70mm F2.8 GM II reduces focus breathing, focus shift and axial shift when zooming for smooth video footage. This lens also supports the breathing compensation function[v] provided in compatible Alpha series cameras.

As an added benefit for advanced video creation, the newest lens includes Linear Response MF (manual focus) that ensures high repeatability when focusing manually as the focus ring responds directly and repeatedly to subtle control. It also includes an aperture ring making manual aperture/iris control fast, direct, and easy. The dedicated iris ring enables click-less control to achieve smooth depth of field transitions.

Unrivaled Mobility

Designed to perfectly pair with Sony’s compact Alpha™ system E-mount cameras, the FE 24-70mm F2.8 GM II is the world’s smallest and lightesti 24-70 mm F2.8 zoom in its class and offers unprecedented shooting flexibility and freedom in a wide range of situations. The FE 24-70mm F2.8 GM II weighs just 24.6 ounces (695 grams), approximately 20% less (7 ounces) than the original 24-70 mm F2.8 G Master. The lens’ length has been reduced by 16 mm, and overall volume has been reduced by approximately 18%.

Reliability and Improved Control

The new FE 24-70mm F2.8 GM II was developed based on feedback from professionals to offer even better control and usability than preceding models. This model includes:

• Zoom smoothness switch to adjust zoom ring torque either Tight or Smooth
• A newly added aperture ring with click ON/OFF switch and iris lock switch
• Two customizable focus hold buttons
• The focus ring that responds directly and linearly to subtle control when focusing manually
• New lens hood design with opening to control circular polarizing filters (dia. 82mm)
• The center of gravity back toward the mount for improved handling and operation
• An updated dust and moisture resistant[vi] design provides extra reliability for outdoor use in challenging conditions. The buttons and switches are fitted with rubber gaskets, and a rubber ring seals the lens mount. The front lens element also features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that become attached to the lens surface.

Pricing and Availability

The new FE 24-70mm F2.8 GM II will be available in June for approximately $2,300.00 USD and $3,000.00 CAD and will be sold at a variety of Sony’s authorized dealers throughout North America.

Orders

Preorders begin at 10:00 AM ET on Thu, Apr 28th. I expect this lens to be hard to get for a long time and recommend preordering immediately at that time.

Support this site by ordering the Sony FE 24-70mm F2.8 GM II Lens from B&H | Adorama | Amazon USA | WEX

More Information

Watch the Sony FE 24-70mm F2.8 GM II Lens page for more information.

Videos

A product video of the new FE 24-70mm F2.8 GM II

Notes

[i] MTF chart comparison

[ii] When paired with the Alpha 1. “Hi+” continuous shooting mode. Effective at 1/125 seconds or higher shutter speed. In AF-C mode at shutter speed of 1/250 seconds or higher. The maximum continuous frame rate will depend on the shooting mode.

[iii] With a compatible camera and the camera’s [Aperture Drive in AF] parameter set to [Focus Priority]. See Sony’s support page on the web for camera compatibility info.

[iv] Sony tests. Compared to SEL2470GM.

[v] Compatibility info at: https://www.sony.net/dics/breathing/ Available in movie mode only. Angle of view and image quality may change slightly when this function is used. Compensation may not be able to cover all situations.

[vi] Not guaranteed to be 100% dust and moisture proof

From Sony Japan (translated):

Dear customers,

Notice and apology for postponement of release of "FE PZ 16-35mm F4 G (SELP1635G)" lens for digital single-lens camera a E mount

Thank you for your continued patronage of Sony products.

At the time of the press announcement on March 22, 2022 (Tuesday), the release date was set to "April 28, 2022 (Thursday)". Digital single-lens camera a E mount lens "FE PZ 16-35mm" Regarding "F4 G", we have decided to postpone the release due to the impact of global distribution delays. The new release date is scheduled for the summer of 2022, but we will announce it as soon as it is confirmed.

We sincerely apologize for the inconvenience caused to customers who are looking forward to the release as it is just before the release. We will do our utmost to deliver the product as soon as possible, and we appreciate your understanding.

[Target product]

Digital single-lens camera a E mount lens "FE PZ 16-35mm F4 G"

[Release date]

At the time of announcement on March 22, 2022 (Tuesday): Released on April 28, 2022 (Thursday) – Scheduled to be released in the summer of 2022

[Acceptance of product orders]

After this announcement, we have decided to suspend the acceptance of orders from our distributors and the acceptance of orders from customers at the Sony store.

* The release date and resumption of order acceptance will be announced on the product information page as soon as it is confirmed.

B&H is indicating June 24th is the estimated ship date.

Order the Sony FE PZ 16-35mm F4 G Lens from B&H | Adorama | Amazon | WEX

From Sony:

Sony Electronics Announces the World’s Lightest Constant F4 Wide-Angle Power Zoom Lens, the Compact FE PZ 16-35mm F4 G™

Latest Addition to Sony’s E-mount Lens Line-Up Offers Evolved Image Quality and Operability for Full-Frame, Content Creation

SAN DIEGO, CA – March 22, 2022 – Sony Electronics Inc. today introduced the FE PZ 16-35mm F4 G (model SELP1635G) – a wide-angle power zoom with evolved image quality, high performance AF (autofocus), and superior operability designed to meet the needs of today’s creators.

Developed with Sony’s vast expertise in lens design, the FE PZ 16-35mm F4 G delivers outstanding performance and control in the world’s lightest[i] full-frame wide-angle power-zoom lens with a constant F4 aperture. The compact hybrid lens offers refined image quality, reliable G lens rendering, and industry-leading AF performance in a remarkably compact form factor that will appeal to both photo and video content creators. The FE PZ 16-35mm F4 G is ideal for everything from video production and vlogging to street and landscape photography, offering a variety of outstanding hybrid features such as incredible resolution, beautiful bokeh, and fast and precise AF. In addition, Sony’s newest lens offers advanced video features including an innovative power zoom function and refined capabilities such as an independent aperture control ring for even more creative control.

“The needs of our community are our top priority. As the content creation landscape continues to evolve and the worlds of still imaging and video continue to merge, we are constantly developing new products to meet this growing demand for hybrid content creators,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “With an advanced feature set and unmatched portability and flexibility, The FE PZ 16-35MM F4 G is perfectly designed to meet these evolving needs and ensure that today’s creators can realize their full vision.”

Evolved Image Quality for Photos and Videos

The FE PZ 16-35MM F4 G offers an extraordinary blend of breathtaking resolution and beautiful bokeh in a lightweight, compact lens. The optical path includes two AA (advanced aspherical) elements and a conventional aspherical element for an accurate image across the frame and 16-35mm zoom range. One Super ED (extra-low dispersion), and one ED glass element control chromatic aberration, while one ED aspherical element controls both chromatic and spherical aberration.

The use of AA elements in an advanced optical design also ensures excellent close-up performance throughout the zoom range – minimum focusing distance is 11 inches (0.28 meters) at 16mm and 9.5 inches (0.24 meters) at 35mm, with a maximum magnification of 0.23x. Additionally, an optimized coating effectively suppresses flare and ghosting for clear, well-defined images.

A circular aperture and carefully designed control of spherical aberration work together to deliver smooth, deep full-frame bokeh that adds visual impact.

High-Performance Autofocus

The FE PZ 16-35mm F4 G utilizes two XD (Extreme Dynamic) Linear motors to control autofocus. The fast response and smooth, quiet operation of this system gives users new creative freedom. With Sony’s flagship Alpha 1 body it is possible to maintain accurate focus while shooting stills continuously at up to 30fps (frames per second)[i] and up to 120fps in movie mode.

Focus is especially critical when shooting slow motion 4K up to 120fps or 8K movies[ii]. The FE PZ 16-35mm F4 G works with Alpha cameras[iii] to reliably focus, and smoothly and silently track even fast-moving subjects. High-thrust XD Linear Motors, optimized optics, and responsive control add up to extraordinarily precise AF performance while keeping the lens compact with internal focus.

Advanced Features for Video Including a New Power Zoom Function

Based on feedback from leading creators, Sony specifically designed the FE PZ 16-35MM F4 G to deliver the refined imagery and control for today’s video needs. It features the latest lens technology to reduce focus breathing as well as focus and axial shift when zooming to ensure the highest quality video is easily captured. Focus, zoom, and aperture operation are also extremely quiet, greatly reducing noise and vibration that can interfere with movie recording.

For the first time in a Sony Alpha lens the FE PZ 16-35mm F4 G uses four XD linear motors for the power zoom function in addition to the two XD linear motors used for focus. With this newly designed electronic power zoom system, the FE PZ 16-35mm F4 G provides advanced control with the response and immediacy of non-powered manual zoom. It features both a zoom ring and a zoom lever with variable zoom speed that makes it easy to execute super-slow, fast or constant-speed change in focal length. Power zoom also minimizes camera shake or movement that can occur when operating a traditional zoom ring, and when used with compatible cameras, users can customize the zoom ring direction to suit shooting conditions. Zoom can also be controlled with the zoom lever on compatible cameras. Remote operation is also possible when using the Imaging Edge™ Mobile app[iv].

As an added benefit, users can operate buttons and controls on compatible cameras or accessories for convenient zoom control, including the GP-VPT2BT Bluetooth Grip and Remote Commander RMT-P1BT to remotely control zoom while the camera is mounted on a gimbal[v].

Furthermore, Linear Response MF ensures high repeatability as the focus ring responds directly and repeatably to subtle control when focusing manually. An aperture ring makes manual aperture/iris control fast, direct, and easy. The aperture ring includes a switch that can select aperture click stops that are ideal for photography or de-click operation for smooth iris control which is ideal for video.

Superior Mobility, Control and Reliability

World-class design and technology come together to deliver a compact, lightweight lens that also includes focus, zoom and aperture/iris rings and power zoom for unprecedented mobility and handling.

Using internal focus and internal zoom, the overall length of the lens remains constant during use for ideal balance and handling. Consistent balance makes this lens an ideal choice for gimbal-mounted movie shooting or use with a matte box. The focus ring can be easily controlled while shooting movies, and the adjacent focus and zoom rings are different sizes so they can be easily operated by feel while viewing the monitor.

More convenient features on the FE PZ 16-35mm F4 G include the Iris Lock Switch that can be engaged to prevent the aperture ring from being accidentally moved between the auto and F4 - F22 settings and the customizable focus hold button for convenient control.

As the world’s lightest[i] F4 wide-angle power-zoom lens, the FE PZ 16-35MM F4 G weighs just 12 ounces (353 grams), 30% less than the Vario-Tessar T* FE 16–35 mm F4 ZA OSS and is just 3.17 inches x 3.47 inches (80.5mm x 88.1mm) in size with a filter diameter of f72mm. The lens also has a dust and moisture resistant design[vi], as well as a fluorine front element coating to keep it clean and reliable for outdoor use.

Pricing and Availability

The new FE PZ 16-35mm F4 G will be available in June 2022 for approximately $1,200.00 USD and $1,500.00 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

Orders

Order the Sony FE PZ 16-35mm F4 G Lens from B&H | Adorama | WEX

A product video on the new FE PZ 16-35MM F4 G:

Notes

[i] Hi+” continuous shooting mode. Effective at 1/125 sec. or higher shutter speed. In AF-C mode at shutter speeds of 1/250 sec. or higher the maximum continuous frame rate will depend on the shooting mode.

[ii] 4K: 3,840 x 2,160 pixels. 8K: 7,680 x 4,320 pixels.

[iii] Compatibility info at: https://www.sony.net/dics/breathing/

Available in movie mode only. Angle of view and image quality may change slightly when this function is used. Compensation may not be able to cover all situations.

[iv] Download Imaging Edge app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information. Membership to Imaging Edge account and app on smartphone required with connection to WiFi. See Imaging Edge terms and conditions/privacy policy for details.

[v] Zoom operation depends on the body used. Refer to the help guide for details.

[vi] Not guaranteed to be 100% dust and moisture proof.

It is great to see imaging sensor technology moving forward. Jump to 5:44 to see and read about the 2-layer transistor pixel stacked CMOS imaging sensor under development:

From Sony:

Sony Electronics’ is the No. 1 Mirrorless Camera Brand and No. 1 Mirrorless Lens Brand for 2021 in North America

2021 Marks the 8th Consecutive Year that Sony Holds the #1 Share in Full-Frame Mirrorless

SAN DIEGO, CA – February 16, 2022 – Sony Electronics Inc. – a worldwide leader in digital imaging– continues to lead the industry in bringing mirrorless technology to the world. Following a year of innovative product introductions such as the Alpha 1, Sony Electronics announced today that it was the number one mirrorless camera brand[i] and full-frame mirrorless camera brand in 2021[ii]. This past year also marks the 8th consecutive year Sony has held the #1 position in full-frame mirrorless cameras[i]. And lastly, Sony has announced it was the number one mirrorless lens brand in 2021[iii] as well.

The success of the lineup of full-frame cameras, including the Alpha 7S, Alpha 7R and Alpha 9 series, has been paramount to Sony’s strong sales numbers. These have been complemented by the popularity of the Alpha 7 III, which continued to be the No. 1 selling full-frame interchangeable lens camera line for the 4th year in a row[iv]. For lenses, Sony’s full lineup of 65 different E-mount models highlighted by their flagship G Master™ series continues to drive industry growth.

Additionally, newer innovations such as the new Alpha 7 IV have started to set early sales records. For the week of December 19-25, 2021, the Alpha 7 IV had the highest single-week sales of any mirrorless interchangeable lens camera line in the last four years[v].

“We are always listening to our customers’ feedback, advancing our innovation and creating the best possible tools for all types of content creators,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “Finding new ways to empower our community is our top priority and we are honored that so many continue to choose Sony to tell their stories and bring their creative visions to life.”

A variety of additional stories and exciting new content shot with Sony products can be found at www.alphauniverse.com, Sony’s community site to educate, inspire and showcase work from fans and customers of the Sony Alpha brand.

Footnotes

[i] Source: The NPD Group/Retail Tracking Service, U.S., Detachable Lens Camera, Mirrorless Detachable Lens, Based on Dollars, Annual 2021.

Source: The NPD Group/Retail Tracking Service, Canada, Detachable Lens Camera, Mirrorless Detachable Lens, Based on Dollars, Annual 2021.

[ii]Source: The NPD Group/Retail Tracking Service, U.S., Detachable Lens Camera, Sensor Size: Full Frame, Mirrorless Detachable Lens, Annual 2021.

Source: The NPD Group/Retail Tracking Service, Canada, Detachable Lens Camera, Sensor Size: Full Frame, Mirrorless Detachable Lens, Based on Dollars, Annual 2021.

[iii] Source: Sony Internal Research, U.S., Lenses Filters Adapters and Caps, Imaging Accessory Type: Prime Lens and Zoom Lens, Lens Mount Type: Canon EF-M, Canon RF, Sony E-Mount, Fujifilm G, Fujifilm X, Hasselblad, Leica, L-Mount, Nikon 1, Nikon Z, Leica M, Jan 2021-Dec. 2021.

[iv] Source: The NPD Group/Retail Tracking Service, U.S., Detachable Lens Camera, Sensor Size: Full Frame, Camera Family, Based on Units, Annual 2021, Annual 2020, Annual 2019, Annual 2018.

[v] Source: The NPD Group/Weekly Retail Tracking Service, U.S., Detachable Lens Camera, Digital Lens Type: Mirrorless Detachable Lens, Camera Family, Based on Dollars, Jan 2018-Dec 2021.

From Sony:

A new update to the latest version of the Visual Story app is now available for iOS (click HERE to download) and Android (click HERE to download). In addition to an overall improved user experience, the update Version 2.2 will include the following enhancements:

• iOS and Android versions of the Visual Story app will now be the same.
• Both iOS and Android versions will be able to upload videos to Live Gallery.
• Both iOS and Android versions will be able to upload video via USB direct, SD card and from the phone gallery/library.
• Improved Live Gallery and Story Gallery experience with added SNS links for sharing.

Visual Story on iOS is available to download for free HERE.

Visual Story on Android is available to download for free HERE.

Learn more about Visual Story here.

From Sony Electronics Inc.:

The Canadian Press Makes Sony Electronics its Exclusive Provider for Imaging Products

Canada’s Largest News Organization will outfit all journalists with Sony cameras and lenses

TORONTO, CANADA – January 31, 2022 – Sony Electronics, a global imaging leader, and The Canadian Press, Canada’s trusted national news agency, announced today that Sony would be the exclusive imaging products provider for the media company.

With more than 180 journalists, The Canadian Press produces real-time, bilingual multimedia news published by major digital, broadcast and print media. The switch to Sony will mean the photojournalists and videographers at The Canadian Press will use a variety of Sony cameras and lenses including the Sony Alpha 1 and Alpha 9 II products to quickly capture hundreds of powerful editorial photos and videos every day, ranging from large-scale global sporting events to local Canadian news, politics and lifestyle content.

“We are honored to announce this collaboration with The Canadian Press, a leader in delivering news and best-in-class multimedia content across Canada,” said Mark Saddleton, Sony Canada Country Head and Director of Sales. “The journalists at The Canadian Press have a front row seat for Canada’s biggest events across politics, sports and entertainment and we are delighted to support their visual storytelling.”

“Sony’s innovative technology takes the high quality of our visual journalism to a whole new level,” said Malcolm Kirk, President of The Canadian Press. “More than 600 media clients rely on our online CP Images archive as the go-to destination for contemporary and historic multimedia imagery of Canada’s people, places and events. That’s why we were looking for more than just a camera provider. We needed a true partner committed to helping us deliver first-rate visual journalism.”

“Sony’s commitment goes beyond providing lightweight equipment for handling fast action, hostile situations, and extreme weather conditions, without sacrificing image quality,” said Megan Leach, who manages visual journalists at The Canadian Press and heads up the planning and packaging department. “Our journalists truly appreciate how the silent camera performance allows them to stay behind the scenes, but more importantly, that Sony is responsive to our feedback.”

“From the outset, they’ve taken a relationship-driven approach to the upgrade, which will bring a unified look to our coverage since all our staff photographers and reporters will be shooting with the same brand of cameras for photos and videos for the first time “They understood the ongoing training and support was as critical as the technology. We’re thrilled to have their support as we expand our visual coverage and meet the future needs of our industry.”

The roll out of Sony imaging kits to Canadian Press journalists is already in progress, with distribution planned throughout early 2022.

Bad news regarding the chip shortage from Sony Marketing Inc. (translated):

Dear customers,

Notice and apology regarding temporary suspension of orders for digital imaging products

Thank you for your continued patronage of Sony products.

Currently, with regard to digital imaging products, parts procurement is delayed due to the effects of global semiconductor shortages.

Therefore, we will suspend the acceptance of orders from our distributors and customers at the Sony store as follows for specific models with tight supply.

In addition, we will inform you as follows because there is a change in the supply status of some products that are subject to suspension of order acceptance.

Suspension of order acceptance We will consider resuming order acceptance of the target product while observing the status of parts supply, and will separately inform you on the product information page.

We sincerely apologize for any inconvenience caused to our customers.

We will do our utmost to deliver the product as soon as possible, and we appreciate your understanding.

Record

From Sony Japan (translated):

Notice regarding supply of full-size mirrorless interchangeable-lens camera "a7 IV" (ILCE-7M4)

Thank you for your continued patronage of Sony products.

We have received orders for the digital single-lens camera "a7 IV" (ILCE-7M4), which we started accepting orders from December 7, 2021, far exceeding our expectations, and it will take time to deliver the product.

We are currently making every effort to meet the needs of our customers, so please wait for a while.

 
Order the Sony a7R IV from B&H, Adorama, and Amazon.

From Sony (translated):

Dear customers

Notice and apology regarding temporary suspension of orders for digital imaging products

Thank you for your continued patronage of Sony products.

Currently, with regard to digital imaging products, parts procurement is delayed due to the effects of global semiconductor shortages.

Therefore, we will suspend the acceptance of orders from our distributors and customers at the Sony store as follows for specific models with tight supply.

Regarding the resumption of order acceptance, we will consider it while observing the status of parts supply, and will inform you separately on the product information page.

We sincerely apologize for any inconvenience caused to our customers.

We will do our utmost to deliver the product as soon as possible, and we appreciate your understanding.

[About the model that has stopped accepting orders]

After December 3, 2021, we will suspend the acceptance of orders from our distributors and customers' orders at the Sony store.

Digital single-lens camera: VLOGCAM ZV-E10 series

[Click here for information on past product supply "Products subject to suspension of order acceptance"]

· Digital single-lens camera: a7 II series / a6400 series / a6100 body (black)

· Shotgun microphone: ECM-B1M

· Professional camcorder: PXW-Z190

· Digital video camera Handycam "HDR-CX680"

· Tripod "VCT-P300", Multipod "VCT-MP1"

 
Some of the above-listed products are still in stock at B&H.

From Sony:

Sony Electronics’ Airpeak S1 Professional Drone Now Available to Order

World’s Smallest Alpha Mirrorless Camera-Ready Professional Drone Will Ship on December 24, 2021

SAN DIEGO, CA – December 1, 2021 – Sony Electronics Inc. today announced the availability timing of the company’s first-ever professional drone, "Airpeak S1." The introductory model in the new Airpeak line, the S1 is the world's smallest drone that can be equipped with a full-size mirrorless interchangeable-lens Alpha camera, opening up a new world of creative possibilities for cinematographers and other visual storytelling professionals[i]. Pre-sale opens today, December 1, 2021, with an expected customer ship date of December 24, 2021.

Introduced to the public for the first time earlier this year, Airpeak S1 drone is designed for the professional user, and is compatible with a wide range of Sony’s camera bodies including the Alpha 1, Alpha 7S series, the Alpha 7R series, the Alpha 9 series, FX3 and others. It leverages proprietary technology and delivers for smooth maneuverability at high speeds with highly stable wind resistance, enabling high-quality aerial images and video content.

“We’re excited to now make the new Airpeak S1 drone available for purchase, and for the amazing set of possibilities this drone opens for cinematographers,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “The drone’s compact size, new software features and advanced imaging, sensing, AI and robotics reflect the high quality the industry respects Sony for, and enables content creators and commercial professionals to capture images and video not possible before.”

The drone includes “Airpeak Flight”[ii] iOS®-based application which integrates and monitors all hardware related to the drone, giving the operator real-time status display and updates on screen. "Airpeak Base"ii web application is also available, allowing the operator to manage the equipment, create advanced flight plans, run the same pattern repeatedly, and fully manage and troubleshoot flight logs. For multiple operators, Airpeak S1 also includes a dual operation mode so one user can operate the drone as another operates the gimbal and camera, while each can monitor the content being recorded.

An optional cloud service, “Airpeak Plus”ii is available by paid subscription and provides additional data storage, advanced geofencing options, and import/export of flight logs.

Airpeak S1 suggested retail price is around $9,000.00 and will ship with two (2) pairs of propellers, a remote controller, two (2) batteries and a battery charger. A third-party gimbal made specifically for Airpeak S1 will be sold separately. Pricing for Airpeak S1 accessories can be found https://electronics.sony.com/more/c/airpeak. The optional “Airpeak Plus” subscription service will retail for around $300.00 for a 12-month period, with the optional “Protect Plan” coverage also available.

For more information, please visit: https://electronics.sony.com/airpeak

With this Airpeak news, Sony Group Corporation expands the possibilities for professional creators, enables unprecedented visual expression and drives a sense of Kando. In addition to empowering video creators, Sony will promote co-creation activities for industry professionals[iii] in a wide range of fields such as system integrators and industrial partners to explore the benefits of drone uses.

Exclusive stories and exciting new content shot with the new Airpeak S1 and Sony's other imaging products can be found at www.alphauniverse.com and www.sonycine.com, sites created to educate and inspire fans and customers of Sony a - Alpha brand and Sony’s Cinema Line.

Airpeak S1 is made in Japan. Airpeak is a trademark of Sony Group Corporation.

Orders

Order your Sony Airpeak S1 Professional Drone from B&H.

Learn more at B&H Explora.

Notes

[i] Operating a drone in the United States is subject to federal law and regulations. State and local ordinances may also apply to certain operations. When operating an aircraft, it is the remote pilot/operator's responsibility to always comply with applicable laws, regulations, and ordinances.

[ii] Network services, content, and operating system and software are subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.

[iii] Those who use drones to provide products and services to customers. If you register as a professional supporter, you will receive emails about events sponsored by Sony, opportunities to experience aircraft flight, and the latest product information.