Canon News (Page 13)

The Sigma 10-18mm F2.8 DC DN Contemporary Lens (review) is a fantastic addition to the RF mount APS-C lens options! Don't forget that this lens has a push-on lens hood (vs. a bayonet mount as we are used to).

Support this site by ordering the Sigma 10-18mm F2.8 DC DN Contemporary Lens from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada

Rent the Sigma 10-18mm F2.8 DC DN Contemporary Lens from Lensrentals.

From Sigma Corporation of America:

Pricing and availability of SIGMA 10-18mm F2.8 DC DN | Contemporary for Canon RF Mount announced

Ronkonkoma, NY – September 5, 2024 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the pricing and availability of the SIGMA 10-18mm F2.8 DC DN | Contemporary for the Canon EOS R camera system.

Originally announced in October 2023, this lens was first released concurrently for L-Mount, Sony E-mount and Fujifilm X Mount, and is now available for Canon RF Mount. This compact, versatile zoom is a perfect partner for the SIGMA 18-50mm F2.8 DC DN | Contemporary which was released for Canon RF Mount in June 2024. The new lens will be available through authorized retail partners in late September 2024 for a retail price of $659.

This is the world's smallest and lightest F2.8 zoom lens designed for APS-C format mirrorless systems*. On the Canon system, the lens covers a 16-28.8mm (35mm equivalent) focal range, with a fast F2.8 constant aperture. Paired with the 18-50mm F2.8 DC DN | Contemporary, this duo of lenses covers a 16-80mm (35mm equivalent) range with the same bright F2.8 maximum aperture, with a combined weight of under 550g (19.5 oz.)

* As an AF F2.8 zoom lens for mirrorless cameras with an APS-C sensor. As of October 2023 by SIGMA.

The SIGMA 10-18mm F2.8 DC DN | Contemporary uses an aspherical concave lens with a large polarization ratio and high refractive index in the first group, reducing the number of elements in the first group and shortening the overall length. Additionally, a new push-on petal type hood has been developed. Thanks to the new structure with a spring and lever which is not utilized by any other manufacturer, the hood has been made both thinner and smaller, which also contributes to the overall compactness of the lens.

The optical design of the lens delivers a short 11.6cm (4.6 in.) minimum focusing distance and a maximum magnification ratio of 1:4 at the wide end, allowing for close-up photography with pleasing background separation. The optical design also minimizes focus breathing, and the autofocus system delivers swift, quiet AF during both still and video use.

Thanks to its high optical quality and compact size, the SIGMA 10-18mm F2.8 DC DN | Contemporary lens is an excellent choice for travelers, adventure photographers, vloggers, and family photographers who want great image quality when paired with today's leading lightweight crop-sensor cameras on multiple platforms.

Learn more here: Sigma 10-18mm F2.8 DC DN Contemporary Lens

Launch schedule of SIGMA 10-18mm F2.8 DC DN | Contemporary for Canon RF Mount

SIGMA Corporation is pleased to announce the launch schedule of SIGMA 10-18mm F2.8 DC DN | Contemporary for Canon RF Mount.

Supplied accessories: LENS HOOD LH706-02, FRONT CAP LCF-67 III, REAR CAP LCR II

New Mount: Canon RF Mount

Launch date: September 26, 2024

* Product appearance and specifications are subject to change.

#SIGMA #SIGMA1018mmF28Contemporary #SIGMAContemporary #SIGMADCDN #SIGMARFMount

Create expressive images on the go with the world's smallest and lightest ultra-wide-angle zoom lens for APS-C cameras*.

* As an AF F2.8 zoom lens for mirrorless cameras with an APS-C sensor. As of October, 2023 by SIGMA.

[ Long-awaited Canon RF Mount addition ]

SIGMA's APS-C size mirrorless dedicated zoom lens, the 10-18mm F2.8 DC DN | Contemporary, will now be available for the Canon RF Mount. This addition allows users to enjoy high-performance, and high-quality SIGMA zoom lenses in native mount on their Canon RF Mount system even more.

A control algorithm including AF drive and communication speed optimization has been developed specifically for Canon RF Mount interchangeable lenses. In addition to realizing high-speed AF, the lens also supports Servo AF and in-camera aberration correction*. The mount is rubber-sealed to cater for use in a variety of environments.

* Available on supported cameras only.

Mount Conversion Service is available to convert other mounts of SIGMA 10-18mm F2.8 DC DN | Contemporary to Canon RF Mount.

[ Features ]

Large-aperture, ultra-wide-angle zoom with expressive imaging capabilities

By utilizing unique optics which have been designed to correct lens aberrations, the SIGMA 10-18mm F2.8 DC DN | Contemporary produces images that are sharp across the entire image.

Extremely compact and lightweight

The SIGMA 10-18mm F2.8 DC DN | Contemporary is the world’s smallest and lightest ultra-wide-angle zoom lens for APS-C cameras¹, with a length of 62.0mm, a maximum diameter of f72.2mm, and a weight of 270g². The lens can be carried around with ease or attached to an APS-C mirrorless camera and a gimbal to create an ultra-portable video setup.

¹ As an AF F2.8 zoom lens for mirrorless cameras with an APS-C sensor. As of October, 2023 by SIGMA. ² The values are for Canon RF Mount.

Ideal for landscapes, travel, video and online content creation

With ultra-wide focal length, portable body and razor-sharp optics, the SIGMA 10-18mm F2.8 DC DN | Contemporary is the perfect portable option for landscape, travel, interior and street photography. It also boasts impressive video capability owing to its bright F2.8 aperture, which makes it well-suited to shooting in low-light environments and creating a shallow depth-of-field. The ultra-wide angle-of-view is ideal for hand-held vlogging that requires the capture of both the subject and the environment.

[ Key Specifications ]

The following specifications are for Canon RF Mount:

Lens Construction: 13 elements in 10 groups
(3 FLD, 1 SLD and 4 aspherical lenses)
Angle of view (APS-C):106.6° (W) - 73.4° (T)
Number of diaphragm blades: 7 (rounded diaphragm)
Minimum aperture: F22
Minimum focusing distance: 11.6cm (W) - 19.1cm (T) / 4.6in. (W) - 7.6in. (T)
Maximum magnification ratio: 1:4 (W) - 1:6.9 (T)
Filter size: 67mm
Dimensions (Max. Diam. x Length): 72.2 x 62.0mm / 2.8 x 2.4 in.
Weight: 270g / 9.5 oz.

[ Accessories: Supplied ]

LENS HOOD LH706-02:0085126 941093
FRONT CAP LCF-67 III:0085126 929473
REAR CAP LCR II (Canon RF Mount):0085126 941468

[ Accessories: Optional ]

SIGMA WR PROTECTOR 67mm
SIGMA PROTECTOR 67mm
SIGMA WR UV FILTER 67mm
SIGMA WR CIRCULAR PL FILTER 67mm:

Just posted: Sigma 28-105mm F2.8 DG DN Art Lens Review.

This lens is a high-performer.

Please share!

Support this site by ordering the Sigma 28-105mm F2.8 DG DN Art Lens (or anything else) from B&H | Adorama | WEX

Support this site by ordering the Sigma 28-105mm F2.8 DG DN Art Lens from B&H | Adorama | WEX

From Sigma Corporation of America:

SIGMA announces 28-105mm F2.8 DG DN | Art lens, a new fast-aperture zoom with extended reach

Ronkonkoma, NY – September 5, 2024 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the SIGMA 28-105mm F2.8 DG DN | Art zoom lens for full-frame mirrorless camera systems. Spanning many popular focal lengths in a single fast-aperture zoom, this is an exciting addition to the product line.

The SIGMA 28-105mm F2.8 DG DN | Art is a surprisingly compact, full-frame, wide-angle to telephoto zoom lens with a fast constant aperture. Available for Sony E-mount and L-Mount, this lens covers several popular focal lengths from 28mm to 105mm, including the very popular 85mm focal length for portraiture, remaining at F2.8 through the entire range.

Featuring HLA (High-response Linear Actuator) autofocus, and optical performance that lives up to the standard of Art line lenses, the SIGMA 28-105mm F2.8 DG DN | Art joins SIGMA’s selection of fast-aperture zoom lenses in the Art line, offering photographers and videographers a variety of premium standard zoom options depending on their personal style. Like the 24-70mm F2.8 DG DN II | Art and the 28-45mm F2.8 DG DN | Art, the new 28-105mm F2.8 includes a lockable aperture ring with click/declick function, as well as two AFL buttons and a zoom lock switch. Additionally, the dust- and splash-resistant design and water-and oil-repellant coating on the front element makes it suitable for shooting both stills and video in inclement weather.

A minimum focusing distance of 15.8 inches (40cm) at all focal lengths, and maximum magnification ratio of 1:3.1 at the telephoto end add to the versatility of this new zoom lens. This lens also features a rounded twelve-blade diaphragm, which helps to keep the large-aperture unit as small as possible.

Measures have been taken to minimize changes in optical performance due to differences in zoom and focus positions, including the use of a difficult-to-process large-diameter FLD glass in the first group to suppress aberrations in each group. In addition, the use of 5 aspherical lens elements has enabled the lens to achieve both a wide zoom range of 28mm to 105mm and a large-aperture of F2.8, while reducing its overall size.

By thoroughly reducing the weight of each part, the lens is kept under 2 pounds while achieving both a wide zoom range and an F2.8 aperture. The lens barrel near the mount is made of magnesium rather than aluminum, ensuring rigidity while reducing the weight of these parts alone by two-thirds. The lens will retail for $1,499 and will be available in late September 2024.

Learn more in the review: Sigma 28-105mm F2.8 DG DN Art Lens

Exclusively for mirrorless cameras | Compatible with full-frame cameras
A | Art
SIGMA 28-105mm F2.8 DG DN | Art

Beyond Standard.

• Constant F2.8 aperture across a versatile 28-105mm zoom
• Superb portability thanks to a weight of less than 1kg
• Professional features, fast AF and excellent build quality

Supplied accessories: CASE, LENS HOOD LH878-07, FRONT CAP LCF-82 III, REAR CAP LCR II

Available mounts: L-Mount, Sony E-mount

Launch date: September 26, 2024

* Product appearance and specifications are subject to change.

* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.

* L-Mount is a registered trademark of Leica Camera AG.

#SIGMA #SIGMA28105mmF28Art #SIGMAArt #SIGMAArtZoom #SIGMADGDN

Harness the power of this versatile and portable F2.8 optic with an extended 28-105mm focal range – a standard zoom that goes well beyond standard.

The SIGMA 28-105mm F2.8 DG DN | Art is not just another standard zoom lens. With a powerful wide-angle to medium telephoto focal length and a bright F2.8 aperture throughout, this full-frame mirrorless zoom combines outstanding optical performance, superb build quality and a range of pro-grade features to make it one of the most versatile optics on the market for mirrorless systems.

The lens is built to tackle a huge range of subjects and situations, from expansive low-light landscapes to portraits with big, beautiful bokeh, and thanks to SIGMA's latest optical technology and the use of large diameter elements including FLD, SLD and five aspherical elements, it is able to do so with superb clarity and sharpness. This allows the lens to deliver exceptional versatility without compromising on optical quality. The lens also includes high-speed AF with HLA technology, a rugged dust- and splash-resistant structure, and various functions such as an aperture ring, all packed into a compact and lightweight body weighing less than 1kg, making it an exceptional all-round choice for both stills and video.

[Key Features]

1. Constant F2.8 aperture across a versatile 28-105mm zoom

Many conventional zoom lenses which have a reach up to 105mm do not offer a constant F2.8 aperture, usually dropping to F4 at the long end. But the SIGMA 28-105mm F2.8 DG DN | Art delivers the same impressive light-gathering and depth-of-field benefits across the whole focal range. The lens offers all of this along with extremely high optical performance thanks to the thorough suppression of optical aberrations within each lens group. And with its outstanding close-focusing capability when zoomed in, macro-style results are also possible.

A versatile F2.8 aperture perfect for portraits and low light

With its fast aperture across the whole focal range, the SIGMA 28-105mm F2.8 DG DN | Art is a true workhorse lens that can be used for almost any type of photography. Scenic photographers can shoot wide-angle landscapes, using the F2.8 aperture for low-light scenes and twilight urban views, while the middle focal lengths tackle dimly lit documentary and street subjects, allowing shutter speeds one stop faster than comparable lenses. At the long end, popular portrait focal lengths from 85mm and 105mm, combined with the F2.8 maximum aperture, produce a shallow depth-of-field that will isolate a subject impressively against large and beautiful bokeh.

Fill the frame with superb close-up performance

Achieving a minimum focus distance of just 40cm across its entire zoom range, the SIGMA 28-105mm F2.8 DG DN | Art can get you closer to your subject, filling the frame with detail and texture. At its 105mm setting, this creates a very useful maximum magnification ratio of 1:3.1 for powerful macro-style results.

Superior optical performance across the full zoom and focus range

The SIGMA 28-105mm F2.8 DG DN | Art operates without compromise, suppressing aberrations very effectively within each lens group, and throughout the entire zoom and focal range. This ensures the lens has a consistent performance even with such a long zoom range. This is thanks to the lens’s premium optical design, which includes two FLD, one SLD and five aspherical elements, the first grouping of which uses a large-diameter 66.4mm element that is extremely difficult to produce and only available thanks to SIGMA’s advanced manufacturing technology at its sole production base in Aizu, Japan.

Designed to minimize flare and ghosting

Using advanced simulation technology, flare and ghosting have been largely eliminated, ensuring that the lens renders rich, high-contrast results in all conditions. In addition, SIGMA's Nano Porous Coating and Super Multi-Layer Coating have been applied to further suppress flare and ghosting.

Minimal focus breathing

Vital for filmmakers who demand consistent framing, the lens has been designed to keep focus breathing to a minimum. This ensures that any changes to the angle-of-view due to focus shift are minimized across the entire zoom range, ensuring natural-looking focus pulls when recording video, and easier image alignment when focus stacking.

2. Superb portability thanks to a weight of less than 1kg

Standard zooms should be small and light enough for all-day hand-held shooting, so the SIGMA 28-105mm F2.8 DG DN | Art has been designed with portability in mind. It combines five aspherical elements effectively in place to shorten the overall length, and a magnesium-alloy construction around the mount, keeping the weight of the lens to less than 1kg. This ensures the lens has superb portability similar to shorter standard zoom lenses, while providing a wider zoom range.

Excellent optical performance in a streamlined body

By using five aspherical elements in its optical construction, SIGMA has succeeded in significantly shortening the lens's total length without any compromise to sharpness and image quality. This advanced configuration was only made possible by continuous technological innovation and cutting-edge manufacturing processes at SIGMA's sole production base in Aizu, Japan.

Smarter design means lower weight

Constant F2.8 zoom lenses can be heavy, but by optimizing the design and materials of each part of the SIGMA 28-105mm F2.8 DG DN | Art, SIGMA has achieved a remarkably light weight of less than 1kg. The use of magnesium-alloy rather than aluminum for the lens barrel around the mount has reduced the weight of these parts alone by two-thirds, while ensuring rigidity.

3. Professional features, fast AF and excellent build quality

In addition to high-speed AF delivered by its linear motor HLA (High-response Linear Actuator), the SIGMA 28-105mm F2.8 DG DN | Art packs in a range of features that help deliver the best possible results in every shooting situation. These include a dust- and splash-resistant structure and water- and oil-repellent coating, as well as a zoom lock switch, a de-clickable aperture ring, AFL buttons and the focus ring for easier handling including shooting with MF.

A linear motor HLA for rapid and accurate AF

The lens incorporates a linear motor HLA (High-response Linear Actuator) that delivers a maximum drive speed, ensuring responsive, precise and smooth AF. With its high level of quietness, the motor also provides noise-free video capability.

An aperture ring for improved ergonomics

For quick changes to exposure, or a more traditional way of shooting, the lens is equipped with a dedicated aperture ring, allowing the user to change aperture via the lens if preferred. An aperture ring click switch is a useful tool for film-makers, and a lock switch helps ensure the aperture ring is not knocked out of its setting accidentally.

Two AFL buttons* for added customization

Located on the side and on top of the barrel, two customizable AFL buttons can easily be reached in either horizontal or vertical shooting positions, ensuring more ergonomic handling.

* Assignment of functions is limited to supported cameras and assignable functions vary depending on the camera.

Zoom lock switch to keep the zoom ring secure

The lens is equipped with a zoom lock switch that holds the zoom mechanism in place at its wide end, preventing it from extending unintentionally under its own weight when carried. The lock can be released by the switch, or by turning the zoom ring for a faster and more flexible workflow.

Weather-resistant structure for challenging conditions

The lens has a dust- and splash-resistant structure* that keeps it free of contaminants in harsh outdoor environments. The front element also features a water- and oil-repellent coating that helps keep it clean in adverse shooting conditions.

* The structure is designed to be dust- and splash-resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.

Petal-type hood

A dedicated petal-shaped hood is supplied. A locking mechanism is provided for secure attachment.

[ Additional Features ]

• Lens construction: 18 elements in 13 groups (2 FLD, 1 SLD, 5 aspherical elements)
• Inner focus system
• Compatible with high-speed autofocus
• HLA (High-response Linear Actuator)
• Compatible with Lens Aberration Correction
  * Only cameras that are compatible with the function are allowed to use this function. Also, the items that can be corrected may vary depending on the camera, or automatic correction may be performed.
  * On a camera that allows selecting ON/OFF for lens aberration correction, set the various aberration corrections to ON (AUTO) from the camera menu.
• Supports DMF and AF+MF
• Compatible with AF assist (for Sony E-mount only)
• Nano Porous Coating
• Super Multi-Layer Coating
• Water- and Oil-Repellent Coating (front element)
• Aperture ring
• Aperture ring click switch
• Aperture ring lock switch
• AFL button (2 locations)
  * Assignment of functions is limited to supported cameras and assignable functions vary depending on the camera.
• Focus Mode switch
• Zoom Lock switch (Locks at wide end)
• Support for switching between linear and non-linear focus ring settings (for L-Mount only)
  * Only cameras that are compatible with the system are allowed to use the system.
• Dust- and Splash-Resistant Structure
  * The structure is designed to be dust- and splash-resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.
• Petal-type hood with lock LH878-07
• Compatible with SIGMA USB DOCK UD-11 (sold separately / for L-Mount only)
• Designed to minimize flare and ghosting
• Every single lens undergoes SIGMA’s proprietary MTF measuring system
• 12-blade rounded diaphragm
• High-precision, durable brass bayonet mount
• Mount Conversion Service available
• "Made in Aizu, Japan" craftsmanship

[ Key Specifications ]

The following specifications are for L-Mount.

Lens Construction: 18 elements in 13 groups
(2 FLD, 1 SLD, 5 aspherical)
Angle of view: 75.4 - 23.3°
Number of diaphragm blades: 12 (rounded diaphragm)
Minimum aperture: F22
Minimum focusing distance: 40cm / 15.8 in.
Maximum magnification ratio: 1:3.1 at f=105mm
Filter size: 82mm
Dimensions (Max. Diam. x Length): 87.8 x 157.9mm / 3.5 x 6.2 in.
Weight: 995g / 35.1 oz.

[ Accessories: Supplied ]

LENS HOOD LH878-07
FRONT CAP LCF-82 III
REAR CAP LCR II

[ Accessories: Optional ]

SIGMA USB DOCK UD-11 for L-Mount
SIGMA WR CERAMIC PROTECTOR 82mm
SIGMA WR PROTECTOR 82mm
SIGMA PROTECTOR 82mm
SIGMA WR UV FILTER 82mm
SIGMA WR CIRCULAR PL FILTER 82mm

Review

Sigma 28-105mm F2.8 DG DN Art Lens

Just posted: Tamron 28-300mm F4-7.1 Di III VC VXD Lens Review.

What would a superzoom lens add to your kit?

Please share!

Support this site by ordering the Tamron 28-300mm F4-7.1 Di III VC VXD Lens (or anything else) from B&H | Adorama | WEX | Camera Canada

"Capture One 16.4.5 is a service release containing new features and improvements, such as Multiple Folders in Live for Studio, support for Canon R5 Mark II and Canon R1, and bug fixes." [Capture One]

Get the full details of this update in the release notes.

Get Capture One at B&H.

Canon EOS R5 C firmware update version 1.0.8.1 is available for download (Canon USA).

Firmware Version 1.0.8.1 incorporates the following fixes and enhancements:

1. Adds the following size option to the Focus Guide function:
   -Normal/Large
2. Enables the display of Markers during playback.
3. Enables the following functions to be assigned as options to the Select Dial: -Iris
   -Shutter
   -ISO/Gain
   -White Balance Mode
   -White Balance Mode (K)
   -White Balance Mode (CC)
   -Select Subject
4. Enables the Shutter Speed option to be assigned to the Top Grip control dial, the Top control dial, and Control Ring.
5. Enables the AF frame position to be reset by pushing the Joystick. (Video Mode)
6. Adds the following thickness option to the Continuous AF frame:
   -Normal/Slightly Thick/Thick.
7. Adds supports for the lens correction function that is included with EOS VR Utility Version 1.4 or later.
8. Fixes minor issues.
9. Fixed an issue in which, when quickly switching from Video mode to Photo mode without stopping at with specific lenses attached, the LCD monitor may go black for approx. 30 seconds, during which the camera becomes unresponsive.

* 1-8 are the changes in Version 1.0.7.1, and 9 is the addition in Version 1.0.8.1.

For details, please refer to the user manual (latest version) for this product.

Caution:

1. Please use an SD/SDHC/SDXC memory card that is 512MB or greater to perform the firmware update.
2. Firmware version 1.0.8.1 is for updating EOS R5 C cameras running firmware version 1.0.0.1 - 1.0.7.1.
   If your camera's firmware is already version 1.0.8.1, it is not necessary to update the firmware. Once the camera is updated to the latest version, it cannot be restored to a previous version.
3. Please refrain from loading menu settings generated using the most recent firmware version to a product running an old firmware version, as doing so may affect camera operations.
4. Firmware update must be performed in VIDEO mode.

Get the Canon EOS R5 C at B&H.

Canon has released a new version of Digital Photo Professional, EOS Utility, and other camera software.

Changes for Digital Photo Professional 4.19.10:

• Supports EOS R5 Mark II

To install the updates, select "Check for updates" on the application's Help menu. Alternatively, download here. (thanks, Scott!)

Just posted: llano Fast Dual Camera Battery Charger Review.

If your Canon LP-E6NH and Sony NP-FZ100 batteries are in the same condition as mine, this review will be highly relevant.

The llano Fast Dual Camera Battery Charger is available at Amazon, where the user reviews are quite positive. Use coupon code llano0420 to save 10% (use code llano15DE to save 15% at Amazon DE).

Amazon US: Canon LP-E6NH | Sony FZ100
Amazon UK: Canon LP-E6NH | Sony FZ100
Amazon CA: Canon LP-E6NH | Sony FZ100
Amazon DE: Canon LP-E6NH | Sony FZ100

The Canon EOS R5 Mark II begins shipping tomorrow. Are you ready?! Receiving a camera as incredible as this one is exciting, and using it is super fun. Enjoy the anticipation.

I've been updating the Canon EOS R5 Mark II review page, and now is a good time to re-read it.

The Canon EOS R5 Mark II Setup page may also be soon relevant to you.

If you didn't preorder the Canon EOS R5 Mark II, now is the next best time to do so: B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

Just posted: Canon RF-S 3.9mm F3.5 STM Dual Fisheye Lens Review.

Niche lens that inspires creativity.

Support this site by ordering the Canon RF-S 3.9mm F3.5 STM Dual Fisheye Lens (or anything else) from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

Rent the Canon RF-S 3.9mm F3.5 STM Dual Fisheye Lens from Lensrentals.

Please share!

Image quality test results are now available on the Tamron 28-300mm F4-7.1 Di III VC VXD Lens page.

See the optical performance of this new super zoom lens.

Compared to the Canon RF 24-240mm F4-6.3 IS USM Lens

Compared to the Sony FE 24-240mm F3.5-6.3 OSS Lens

Compared to the Tamron 28-200mm f/2.8-5.6 Di III RXD Lens

Compared to the Tamron 50-300mm F/4.5-6.3 Di III VC VXD Lens

Please share!

Support this site by ordering the Tamron 28-300mm F4-7.1 Di III VC VXD Lens (or anything else) from B&H | Adorama | WEX | Camera Canada

Noise test results are now available on the Canon EOS R5 Mark II page.

Read the image quality discussion.

Support this site by ordering the Canon EOS R5 Mark II from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

Resolution test results from the Canon RF 85mm F1.2 L USM Lens are now available on the Canon EOS R5 Mark II page.

As expected, these results appear identical to the R5 results — excellent.

Support this site by ordering the Canon EOS R5 Mark II from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

Tamron as shared the 1st Quarter 2024 Financial Results.

A selection of quotes:

"The interchangeable lens camera market grew by approximately 10% in both volume and value, driven by strong performance in mirrorless cameras."

"The interchangeable lenses market grew by approximately 10% in volume basis and approximately 25% in value basis."

"Net Sales and Operating Income showed double-digit or higher increase in all segments."

"Net Sales significantly increased by approximately 1.4 times and Operating Income significantly increased by approximately 1.7 times YoY."

"Achieved record high Net Sales and Operating Income for the 1st half of the year."

1H: "Sales of mainstay Photographic Products Segment increased by approximately 1.4 times"

"Own-Brand products sales are expected to increase by double digits due to new model launches and sales recovery in Europe and US markets."

"OEM products sales in the 1st half far exceeded the plan, leading to revised sales forecast decrease in the 2nd half compared to the 1st half. However, the initial sales forecast in the 2nd half, which are planned to decrease YoY revised upward to double-digit growth."

"The initial forecast for single-digit increase in Sales and Operating Income has been revised doble-digit increase by maintaining a high profitability due to higher gross profit from higher sales and favorable foreign exchange efforts."

Tamron now plans to introduce 7 new lens models in 2024, up from 6 in the original plan, and up from 5 in 2022 and 2023.

From Manfrotto:

MANFROTTO EXPANDS THE BEST-SELLING BEFREE TRAVEL TRIPOD RANGE

• Packed with features, carry-on size. Super compact travel companions ready for the road with the performance and versatility for any shot, in every location.
• Available in aluminium and carbon fibre, these new Befree models confirm Befree as the lightweight tripod of choice for Pro creators using the latest mirrorless cameras
• 3 New Models for Professionals looking for performance on-the-go including an Arca-compatible model, hybrid model suited to both photo and video and a standalone tripod that can be paired with a head of choice.

August 7th - Manfrotto, the world-leading manufacturer of professional photography, video, and cinema production equipment with over 50 years of experience, announces the addition of 3 new models to its top-selling Befree travel tripod range. Designed for creators using the latest mirrorless cameras, the new Befree tripods offer a lightweight, feature-rich solution for on-the-go photography and videography.

With the rise in popularity of mirrorless cameras and the increasing demand for high-performance, portable equipment, Manfrotto is meeting the needs of professional photographers and hybrid creators with the launch of these new Befree models.

Expanding the existing product range, the new additions offer a seamless blend of cutting-edge technology and exceptional performance, positioning them as the must have travel companion to ensure the best shots of any travel experience.

Catering to different scenarios and offering solutions for professionals working in various contexts – whether it is capturing captivating images on-the-go or creating high quality video content, the new Befree tripods provide the precision and reliability required by today’s travel professionals.

Designed to provide the best-in-class solutions for photographers and creators seeking enhanced creativity and functional design in a lightweight package, the new models are available in both aluminium and carbon fibre, providing options for users who value durability and lightweight constructions.

The new Befree models include a full Arca-compatible model for professional photographers, a hybrid model for creators looking capture both photos and videos, and for the first time ever, a standalone tripod leg option that can be paired with the user’s preferred head.

Befree Advanced AS (Aluminium $199.95, Carbon $289.95)

A must have addition to the portfolio for on the road professional photographers working with mirrorless, the Befree Advanced AS is a flexible, reliable tripod kit for users to directly mount different accessories such as a L bracket, camera cage or tele lens collar mount to suit the shoot they have planned without needing a QR plate interface. Fully Arca-compatible, the Befree Advanced AS is made in Italy to certified industry payload standards.

Befree GT PRO 3-Way (Aluminium $329.95, Carbon $429.95)

For travel hybrid creators that are often on the road and need a tripod kit that is compact but versatile to capture mesmerising pictures and unprecedented video footage, the new Befree GT PRO 3-Way is the go-to professional travel tripod for any trip. This hybrid tripod works seamlessly for photo and video applications thanks to the levelling column and 3-Way head with fluid pan and tilt movements for both vertical and landscape video.

Befree GT PRO tripod legs (Aluminium $199.95, Carbon $299.95)

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I have a fresh-from-the-factory Canon EOS R5 Mark II in my hands, and it is time to set it up. I use the following steps to prepare a new (or reset to factory settings) R5 II for use. While the number of steps in this setup guide may seem daunting, the process is not difficult. You've got this.

1. Open the box, find the battery, place it in the charger, and plug it in.
2. record the serial number, and add the camera to your insurance policy (you're covered, right?)
3. While the battery is charging, unpack the other items you want from the box.
4. Consider downloading and installing the latest Canon imaging software, Canon Digital Photo Pro (DPP) and EOS Utility, to ensure support for your camera model.
5. Insert a memory card (we'll format the card in a later step), insert a charged battery, and power the camera on.
6. The language, and then date, time, and zone setup prompts will appear during the first startup. Use the rear control dial and set button to update this information.
7. Scroll through all of the menu tabs to configure the camera as follows:
8. Shooting Menu, Tab 1: Img type/size: Use the top control dial to set RAW to "RAW", and use the rear control dial to set JPEG/HEIF to "-" (RAW image files provide the highest quality, making them especially valuable for post-processing)
9. Shooting Menu, Tab 3: Picture Style: Neutral with Sharpness = 1 (the low contrast "Neutral" picture style provides a histogram that best shows the available dynamic range. I change the Picture Style to "Standard" when processing in DPP. Most other software will ignore this setting.)
10. Shooting Menu, Tab 4: White balance: AWB W (White) (I seldom use another white balance setting while shooting (it doesn't change the RAW captured image), though I often adjust white balance modestly during post-processing)
11. Shooting Menu, Tab 4: Lens Aberration Correction: All options "OFF" (Includes Peripheral illumination correction, Distortion correction, Digital Lens Optimizer, Chromatic aberration correction, and Diffraction correction. I suggest that most photographers enable Chromatic aberration correction. non-Canon software ignores these settings)
12. Shooting Menu, Tab 4: High ISO speed NR: Low (or Off) (noise reduction is destructive to image details — I prefer to add noise reduction sparingly during post-processing. Expect non-Canon software to ignore this setting.)
13. Shooting Menu, Tab 6: Release shutter without card: OFF (only in a retail store would you want to press the shutter release without saving the image file)
14. Shooting Menu, Tab 7: Customize Quick Controls: AF, One Shot - Servo, Drive mode, Anti-flicker shoot, Subject to detect, Focus bracketing, Pre-continuous Shooting, IS Mode, AF-MF, Switch focus/control ring, Eye control (pressing the "Q" button provides direct access to these settings)
15. Shooting Menu, Tab 8: Image review: Review duration: 4 sec. (the Viewfinder review option is disabled by default, avoiding interference with the shooting process)
16. Shooting Menu, Tab 8: Blackout-free display: ON
17. Shooting Menu, Tab 9: Shooting info. disp.: Screen info. settings: Enable 1, 2, and 3; edit screen 2 to show only: Basic shooting info and Electronic level; edit screen 3 to show only: Basic shooting info, Histogram, and Electronic level
18. Shooting Menu, Tab 9: Shooting info. disp.: VF info/toggle setting: Enable 1, 2, and 3 (default); edit screen 2 to show only: Electronic level; edit screen 3 to show only: Histogram and Electronic level
19. Shooting Menu, Tab 9: Shooting info. disp.: Grid display: 3x3 (sometimes the 3x3 grid is helpful for alignment checking while not complicating the view)
20. Shooting Menu, Tab 9: Shooting info. disp.: Histogram disp: RGB, Small (show the brightness levels of each channel separately and do not let the graph to take up much space in the display as it can affect the perceived composition)
21. Shooting Menu, Tab 9: Shooting info. disp.: Electronic level size: Small (great new feature)
22. Shooting Menu, Tab 9: Shooting info. disp.: Vertical exp level: Off
23. AF Menu, Tab 2: Subject to detect: Select Auto, People, Animals, Vehicles, or None per your current shooting scenario
24. AF Menu, Tab 4: Servo 1st image priority: Focus priority (accurate focus is more critical to me than the timing)
25. AF Menu, Tab 5: Limit AF Areas: Enable Spot AF, 1-point AF, Flexible Zone AF 1, Whole area AF, Spot AF Tracking Off, 1-point AF Tracking Off (limit the options to those you expect to use, note the tracking off options)
26. AF Menu, Tab 5: Orientation linked AF point: Separate AF pts: Pt only (instructs the camera to individually save the selected AF points for vertical and horizontal orientation)
27. AF Menu, Tab 6: MF peaking settings: Peaking: On, Level: Low
28. Playback Menu, Tab 3: Magnification: Magnificatn (apx) 10x (allows one button press during playback to zoom deeply into the image); Maintain position: Enable (maintains the position within the image when changing images)
29. Playback Menu, Tab 4: Playback information display: 1 and 2 only; change view 2 histogram to RGB
30. Playback Menu, Tab 4: Highlight Alert: Enable (overexposed and nearly overexposed pixels will blink during image review)
31. Playback Menu, Tab 4: Playback grid: 3x3
32. Networking Menu, Tab 1: Airplane mode: On (if not using wireless functions)
33. Tools Menu, Tab 1: Format card (always format a memory card in-camera before using it — all data on the card will be lost)
34. Tools Menu, Tab 1: Auto Rotate: On computer (images are properly rotated when viewed on a computer but are always oriented to fill the LCD when viewed on the camera)
35. Tools Menu, Tab 2: Beep: Disable (probably no one wants to hear your camera's beep)
36. Tools Menu, Tab 4: Power saving: Screen dimmer: Disable (resolves an annoyance — the LCD is as useful off as dimmed)
37. Tools Menu, Tab 5: Custom shooting mode (C1, C2, C3): Auto update set: Enable; Program modes as desired
38. Tools Menu, Tab 6: Copyright information: enter as desired, your name and company name are logical choices
39. Customized controls Menu, Tab 1: Customize buttons: Multi-function button: Dial function and press info to set details: Top row: Drive mode, AF area, Exposure compensation; Second row: One shot - Servo, ISO, Flash exposure compensation; LCD panel illumination button: Eye control
40. Customized controls Menu, Tab 1: Multi function lock: All unchecked (Disables the lock feature in case I inadvertently select it by not turning the power switch far enough)
41. Customized controls Menu, Tab 2: Touch & drag AF settings: ON (great AF area selection option)
42. Customized controls Menu, Tab 2: RF lens MF focus ring sensitivity: Linked to rotation degree (turns off the variable manual focus ring adjustment rate)
43. Customized controls Menu, Tab 3: Customize buttons for playback: Set: Magnify/Reduce
44. Customized controls Menu, Tab 4: Eye control: Eye control: On; Pointer display settings: Color: White, Display size: Small
45. Customized controls Menu, Tab 4: Eye control: Calibration (CAL): (follow the guided instructions to set up this feature, performing numerous calibration attempts improves this feature's accuracy), a lens is optional during calibration
46. Custom Functions Menu, Tab 1: Restrict shooting modes: On; I deselect Fv and select C2 and C3. Consider enabling A+ mode to let the camera make all decisions.
47. Custom Functions Menu, Tab 1: Bracketing auto cancel: OFF (I want to control when AEB (Auto Exposure Bracketing) is enabled and disabled)
48. Custom Functions Menu, Tab 1: Bracketing sequence: -0+ (if images are captured in brightness sequence, they are easier to work with during post-processing. Capturing the darkest image first means quickly securing the first frame)
49. Custom Functions Menu, Tab 3: Continuous shooting speed: 30, 20, and 10
50. Custom Functions Menu, Tab 4: Default erase option: [Erase] selected (less safe to inadvertent deletion, but one less step press is required to delete an image)
51. Custom Functions Menu, Tab 4: Av setting without lens (permits camera setup without mounting the intended lens)
52. Custom Functions Menu, Tab 5: Retract lens on power off: OFF (prevents a carefully selected focus distance from resetting when the camera auto powers off)
53. My Menu: Add My Menu 1; Register the following options: Focus bracketing, Pre-cont. shooting, Shutter mode, IS (Image Stabilizer) mode, Format card, Number of bracketed shots; reorder menu items as desired
54. My Menu: Add My Menu 2; Register the following options: Display (exposure) simulation (the "Off" setting is helpful when using flash), Date/Time/Zone (primarily for checking the time); reorder menu items as desired
55. While looking at the menu through the EVF, adjust the diopter until the scene is sharp for your eye

I make additional menu and other setting changes based on current shooting scenarios, but this list covers my initial camera setup process.

To copy this configuration means you intend to shoot as I do, including in RAW-only format. While this setup works optimally for me, you should adjust the camera setup to your needs.

If you can't remember your menu setup parameters, keeping an up-to-date list such as this one is a great idea. Anytime the camera is set to the factory state, such as when serviced or when acquiring an additional camera, the list will ensure all settings are quickly re-established. Consider saving the camera settings to a card (Tools menu, tab 5, Save/load cam settings on card) for an easy restore or replication. The setup file can be copied to a computer drive for long-term storage.

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Canon EOS R5 Mark II

Support this site by ordering the Canon EOS R5 Mark II from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

Rent the Canon EOS R5 Mark II from Lensrentals.

Learn more about the new Godox AD600Pro II All-in-One Outdoor Flash at B&H.

This is version II of the flashes used for the site's lens testing. They are a great value.

This flash is also available in the Flashpoint brand at Adorama.

I'm pulling a line item out of my long-forming and yet unpublished Bryan's Laws of Photography. That law is:

Bryan's Law of Following: Those you follow set the quality bar for your imagery. While you may not love your images as much when comparing them to the best, your path to producing great imagery will be shorter if you know what great is, if you have a goal. Follow the greats.

For example, I have long respected Ian Plant's work. He is a photographer I consider to be great and, therefore, follow.

Ian's compositional skills are outstanding, and his ability to combine composition with the perfect light makes his images impressive.

Next steps:

1. Check out Ian's website at https://ianplant.com/.
2. Sign up for Ian's free webinar to learn many of his favorite techniques for making artistic photos.
3. Consider signing up for Ian's Photo Masters Pro membership.
4. Through Aug 4th, save 25% on select ebooks and videos (some are free).

You, too, might start asking, "What would Ian do?" when approaching a composition.