Canon News (Page 12)

This just in from ProGrade Digital:

Refresh Pro is now Free

ProGrade DigitalProGrade Digital is now offering Refresh Pro as a free software product. Refresh Pro continues to stand out as a revolutionary product in the removable storage market. ProGrade Digital created this product to solve several issues with flash memory that no one was addressing. The first issue that Refresh Pro solves is that flash memory slows down over time. See our whitepaper on this topic here.

Refresh Pro sanitizes a card to bring it back to factory-fresh speed. This sanitize function is available in hard drives and some removable storage formats but ProGrade Digital created the ability to enable this function on all ProGrade Digital Memory cards. Refresh Pro can run this process in seconds compared to doing a secure format, level 2 on a Mac which can take considerably longer. ProGrade was also the first company to commercially make the Sanitize function available on SD cards through customization of its exclusive Firmware shipped with all Refresh Pro enabled SD cards.

The second issue that Refresh Pro solves is that flash memory wears out over time and Refresh Pro can check the long-term health of ProGrade Digital memory cards to enable the user to see how much useful life is left on their card before an important shoot.

Finally, Refresh Pro enables the ability to update the firmware on the ProGrade Digital memory card. Most people are familiar with updating the firmware on their camera and even on their lens. What many people don’t realize is that when new cameras are introduced to the market or as existing cameras have new codecs added, memory cards need to have their firmware updated to optimize the memory for these new functions to ensure 100% compatibility.

The technology development that has gone into Refresh Pro is extensive and in order to accomplish all the functions listed above, ProGrade Digital created customized firmware in the ProGrade Digital readers and cards that was necessary to function with the software to detect, alter and update the memory card. * Originally ProGrade Digital offered Refresh Pro as a subscription because of the extensive development that went into the software and the development that takes place on an on-going basis to update the software to work with the ever-changing pace of technology in the Mac and Windows computers, the new and existing cameras and the advances in memory cards.

*These functions require a ProGrade Digital memory card with the “R” logo on the label, a ProGrade Digital reader with the “R” logo on the box and Refresh Pro software.

Seeing the vital importance of all these functions for the hard-working creators, photographers, and filmmakers, ProGrade Digital is making Refresh Pro free for all customers.

For customers that purchased a Refresh Pro license within the last 12 months, ProGrade is proactively issuing a refund of their subscription. (ProGrade Digital will issue a refund to the original purchase method used for the purchase. Check your next statement for this credit.) Customers with an active license can update to Refresh Pro 4.0 in the Refresh Pro software by clicking on the “About” menu. Customers who had a license that expired are not eligible for this refund; they can download the free copy of Refresh Pro v4.0 from the ProGrade website here.

The ProGrade Digital Team

Get your ProGrade Digital cards and readers at B&H.

Just posted: Sigma 24-70mm F2.8 DG DN II Art Lens Review

Destined to be the next best-seller.

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Support this site by ordering the Sigma 24-70mm F2.8 DG DN II Art Lens (or anything else) from B&H | Amazon (all available countries) | WEX | Camera Canada

Rent the Sigma 24-70mm F2.8 DG DN II Art Lens from Lensrentals.

Image quality, vignetting, flare, and distortion test results are now available on the Sony FE 16-25mm F2.8 G Lens page.

This is a compact, lightweight, sharp lens. Here are some comparisons.

Compared to the Sony FE 16-35mm F2.8 GM II Lens

Compared to the Sony FE PZ 16-35mm F4 G Lens

Compared to the Sony FE 12-24mm F2.8 GM Lens

Compared to the Sigma 16-28mm F2.8 DG DN Contemporary Lens

Compared to the Sigma 14-24mm f/2.8 DG DN Art Lens

Compared to the Tamron 17-28mm f/2.8 Di III RXD Lens

Support this site by ordering the Sony FE 16-25mm F2.8 G Lens (or anything else) from B&H | Sony | Adorama | Amazon (all available countries) | WEX | Camera Canada

Rent the Sony FE 16-25mm F2.8 G Lens from Lensrentals.

Please share!

Image quality, vignetting, and distortion test results, along with specs, measurements, and standard and varied product images, are now available on the Sigma 24-70mm F2.8 DG DN II Art Lens page.

As I just said in the press release, this lens's predecessor, the Sigma 24-70mm f/2.8 DG DN Art Lens, is less than 4 years old and, remarkably, the #1 best seller at B&H — out of 1,782 mirrorless lenses.

Here are some image quality comparisons.

Compared to the Sigma 24-70mm f/2.8 DG DN Art Lens

Compared to the Sony FE 24-70mm F2.8 GM II Lens

Compared to the Sigma 28-70mm F2.8 DG DN Contemporary Lens

Compared to the Tamron 28-75mm f/2.8 Di III VXD G2 Lens

Compared to the Canon RF 24-70mm F2.8 L IS USM Lens

Many more image quality comparisons are available — create your own using the site's tools.

From a measurements and specifications perspective, here is the Sigma 24-70mm F2.8 DG DN II compared to the 24-70mm f/2.8 DG DN Art Lens. Here is the visual comparison (the version II lens is to the left):

Here is the rotated and extended with hoods version:

Support this site by ordering the Sigma 24-70mm F2.8 DG DN II Art Lens (or anything else) from B&H | Adorama | WEX

Please share!

This lens's predecessor, the Sigma 24-70mm f/2.8 DG DN Art Lens, is less than 4 years old and, remarkably, the #1 best seller mirrorless lens at B&H — out of 1,782 lenses.

Order the Sigma 24-70mm F2.8 DG DN II Art Lens at B&H.

From Sigma Corporation of America:

SIGMA Announces 24-70mm F2.8 DG DN II | Art Lens, an Upgraded Follow-Up to its Popular Standard Zoom for Full-Frame Mirrorless Cameras

Ronkonkoma, NY – May 16, 2024 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the SIGMA 24-70mm F2.8 DG DN II | Art lens. This is the second generation of the highly successful SIGMA 24-70mm F2.8 DG DN | Art. The new lens has undergone a significant evolution, including enhanced optical performance, AF speed and operability, while also achieving a more compact size than the original.

The advancement of optical design has shortened the total optical length, and the lens barrel has been made slimmer by thoroughly downsizing the zoom mechanism. In addition, the lens barrel has been downsized by placing buttons and switches directly on the lens barrel. The weight has been reduced by approximately 10% compared to the SIGMA 24-70mm F2.8 DG DN | Art. By driving the lightweight focus group with the high-thrust HLA, autofocus is significantly swifter than the original version.

6 FLD glass elements, 2 SLD glass elements, and 5 double-sided aspheric lenses are used. Aberrations are highly corrected through advanced optical design made possible by advanced basic technologies in both design and manufacturing, including the use of new glass materials and aspherical lenses with thin walls and high degrees of asphericity. In particular, sagittal coma flare is heavily corrected to achieve MTF characteristics surpassing those of the highly-acclaimed 24-70mm F2.8 DG DN | Art. The high level of flare resistance also results in point images, such as stars, at the periphery of the image being closer to ideal points.

A close-focusing distance of 6.7 inches (17cm) at the wide end at 1:2.7 magnification* adds to the versatility of this lens, and the addition of a click/de-click and lockable aperture ring, along with an additional AF-L button for vertical orientation still or video capture, are additional enhancements of this second-generation lens. The zoom lock switch, which disengages when zooming, is inherited from the SIGMA 24-70mm F2.8 DG DN | Art. Manual focus can be switched between Linear and Non-linear response (L-Mount only). A splash- and dust-resistant structure, plus water and oil-repellent coating on the front element, add to durability.
* close-focusing distance of 13.4 inches (34cm) with 1:4 magnification at 70mm

The new SIGMA 24-70mm F2.8 DG DN II | Art lens builds on the success and popularity of the original 24-70mm F2.8 DG DN | Art, and offers an impressive upgrade with added features and performance in a more compact package that is perfect for working pros in both still and video applications. Offered in Sony E-mount and L-Mount, the lens will be available through authorized retailers in late May 2024 and will sell for $1,199.

Exclusively for mirrorless cameras | Compatible with full-frame cameras

A | Art
SIGMA 24-70mm F2.8 DG DN II

A classic, evolved.

• Rendering performance worthy of the flagship name
• Improved portability and expanded feature set
• A wealth of professional functions including high-speed autofocus

Supplied accessories: CASE, LENS HOOD LH878-05, FRONT CAP LCF-82 III, REAR CAP LCR II

Available mounts: L-Mount, Sony E-mount

Launch date: May 30, 2024

* The appearance and specifications of the products are subject to change.

* Sony E-mount lenses are developed, manufactured and sold in accordance with the E-mount specifications licensed under a license agreement with Sony Corporation.

* L-Mount is a registered trademark of Leica Camera AG.

#SIGMA #SIGMA2470mmF28IIArt #SIGMAArt #SIGMAArtZoom #SIGMADGDN

The Art 24-70mm F2.8, evolved on all levels:

Rendering performance, functionality, and portability.

The SIGMA 24-70mm F2.8 DG DN II | Art is SIGMA's flagship lens that has evolved significantly from the previous model by incorporating the most advanced technologies available to SIGMA from design to production. Compared to the previous SIGMA 24-70mm F2.8 DG DN | Art, the SIGMA 24-70mm F2.8 DG DN II | Art has improved resolving power throughout the entire zoom range, and also benefits from functional enhancements such as the addition of an aperture ring and high-speed AF with a redesigned AF motor, HLA (High-response Linear Actuator). The lens is also approximately 7% smaller and 10% lighter. This 24-70mm F2.8 Art zoom is a versatile and high-performance tool that will help photographers and filmmakers unlock their creative potential.

[Key Features]

1. Rendering performance worthy of the flagship name

The SIGMA 24-70mm F2.8 DG DN II | Art is the successor to the SIGMA 24-70mm F2.8 DG DN | Art, which is known for its high optical performance, and has further improved resolution throughout the zoom range. The lens has high sharpness throughout the entire image from its maximum aperture, even on high-resolution cameras. Focusing on enhancing its rendering performance, the brightness of F2.8 produces a large, beautiful bokeh effect, and allows users to experience the power of a flagship lens in all types of visual expression. In addition to its advanced close-up capability and resistance to flare and ghosting, the lens is designed to minimize focus breathing.

High optical performance across the entire image and zoom range

The optical design of the lens includes 6 FLD glass elements, 2 SLD glass elements, and 5 aspherical lens elements to thoroughly suppress various aberrations throughout the entire zoom range. In particular, sagittal coma flare has been well controlled to achieve consistently high resolution all the way to the periphery of the image. By also effectively correcting lateral chromatic aberration, high resolution, beautifully rendered images can be achieved, free from color fringing can be achieved.

Incorporating 5 aspherical lenses

The use of 5 high-precision aspherical lenses enables both high optical performance with minimal aberration correction and a compact optical design. The SIGMA's only manufacturing base, the Aizu factory’s ultra-high-precision aspherical molding technology makes it possible to produce the thin, highly polarized aspherical lenses that are essential for the construction of this lens. This has brought about a higher degree of freedom in optical design.

Excellent close-up capability

The lens has excellent close-up capability with a minimum focusing distance of 17cm / 6.7in. at the wide end and a maximum magnification ratio of 1:2.7. This is useful when composing close-up shots of a subject, or when shooting in tight spaces where it is difficult to get a good distance from the subject.

* Be extremely careful that the front lens element does not hit the subject when photographing. Remove the lens hood when photographing at the minimum focusing distance at the wide-angle end.

Designed to minimize flare and ghosting

Flare and ghosting, which reduce image quality, have been largely eliminated using advanced simulation technology, ensuring the lens renders rich, high-contrast results in all conditions. In addition, Nano Porous Coating and Super Multi-layer Coating have been applied to help suppress flare and ghosting to the utmost degree. High backlight resistance enables clear and sharp images under any lighting conditions.

Minimal focus breathing

The lens has been designed to suppress focus breathing. The change in angle-of-view due to focus shift across the entire zoom range is minimized, creating a natural-looking focus pulls when recording video.

2. Improved portability and expanded feature set

The body of the SIGMA 24-70mm F2.8 DG DN II | Art is approximately 7% smaller in size and 10% lighter in weight than the previous model, while improving usability by adding an aperture ring and two AFL buttons. Despite the reduction in size and added features, the lens maintains SIGMA’s renowned excellent build quality, with the uncompromisingly precise and robust construction expected of a professional photographic tool.

Highly portable lens body

While the number of lens elements used in its construction is the same as that of the previous model, the overall length has been shortened owing to an advanced optical design. In addition, the more efficient mechanical design has resulted in a highly portable lens body with a maximum diameter of 87.8mm / 3.5in., length of 120.2mm / 4.7in., and weight of 745g / 26.3oz.*

* These figures are for L-Mount.

Excellent build quality

Simultaneously focusing on reducing the size and weight of the lens body, the use of metal parts for the zoom extension unit and other parts, as well as the robust internal structure ensure rigidity during use, such as when operating the ring, pressing buttons, and carrying the lens. The design emphasizes the lens’ longevity and reliability as a tool, which cannot be achieved by solely pursuing a compact and lightweight body.

Equipped with an aperture ring

The lens is equipped with an aperture ring as well as an aperture ring click switch and an aperture ring lock switch, allowing for aperture operation suitable for various shooing situations.

Equipped with two AFL buttons

The lens is equipped with two AFL buttons*, to which a range of functions can be assigned via the menu on selected cameras, one more than the previous model. In addition to the side, the additional button has been positioned on the top to facilitate button operation when the camera is held in vertical orientation.

* Functions can be assigned on supported cameras only. Available functions may vary depending on the camera used.

3. A wealth of functions including high-speed autofocus

In addition to high-speed AF with HLA (High-response Linear Actuator), the SIGMA 24-70mm F2.8 DG DN II | Art has a full range of features including weather resistance such as a dust and splash resistant structure* and water and oil repellent coating, as well as a zoom lock switch. The lens delivers the best possible results in every shooting situation.

* The structure is designed to be dust and splash resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.

Incorporating a linear motor HLA

The lens incorporates a linear motor HLA (High-response Linear Actuator) for the AF actuator. The high output HLA makes the maximum drive speed more than three times faster than the previous model*, ensuring responsive AF shooting.

* Compared by the maximum drive speed of the SIGMA 24-70mm F2.8 DG DN II | Art with that of the SIGMA 24-70mm F2.8 DG DN | Art (It is different from the actual time for AF to focus).

Dust and splash resistant structure and water and oil repellent coating

In addition to a dust and splash resistant structure, the front element of the lens features a water and oil repellent coating, allowing users to shoot without concerns even in harsh outdoor environments.

Equipped with a zoom lock switch at the wide end

The lens is equipped with a zoom lock switch that locks the lens at the wide end and prevents the barrel from extending unintentionally under its own weight. The lock can be released not only by the switch but also via zoom operation, allowing for flexible handling of even impromptu shooting.

Includes petal-type hood with lock

A dedicated petal-shaped hood is supplied. A locking mechanism is provided for secure attachment.

[ Additional Features ]

• Lens construction: 19 elements in 15 groups (6 FLD, 2 SLD, 5 aspherical elements)
• Inner focus system
• Compatible with high-speed autofocus
• HLA (High-response Linear Actuator)
• Compatible with Lens Aberration Correction
  * Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model.
  * On cameras where lens aberration correction is controlled with "ON" or "OFF" in the camera menu, please set all aberration correction functions to "ON" (AUTO).
• Supports DMF and AF+MF
• Compatible with AF assist (for Sony E-mount only)
• Nano Porous Coating
• Super Multi-Layer Coating
• Water- and Oil-Repellent Coating (front element)
• Aperture ring
• Aperture ring click switch
• Aperture ring lock switch
• AFL button (2 buttons)
  
* Function can be assigned on supported cameras only. Available functions may vary depending on the camera used.
• Focus Mode switch
• Support for switching between linear and non-linear focus ring settings (for L-Mount only)
  * Function available on supported cameras only.
• Dust- and Splash-Resistant Structure
• Petal-type hood with lock LH875-05
• Compatible with SIGMA USB DOCK UD- (sold separately / for L-Mount only)
• Designed to minimize flare and ghosting
• Every single lens undergoes SIGMA's proprietary MTF measuring system
• 11-blade rounded diaphragm
• High-precision, durable brass bayonet mount
• Mount Conversion Service available
• "Made in Aizu, Japan" craftsmanship

[ Key Specifications ]

The following specifications are for L-Mount.
Lens Construction: 19 elements in 15 groups
(6 FLD, 2 SLD, 5 aspherical elements)
Angle of view: 84.1 - 34.3°
Number of diaphragm blades: 11 (rounded diaphragm)
Minimum aperture: F22
Minimum focusing distance: 6.7 (W) - 13.4 (T) in. / 17 (W) -34 (T) cm
Maximum magnification ratio: 1:2.7 (W) - 1:4 (T)
Filter size: 82mm
Dimensions (Max. Diam. x Length): 3.5 x 4.7 in. / 87.8 x 120.2mm
Weight: 26.3 oz. / 745g

[ Accessories: Supplied ]

LENS HOOD LH878-05: 0085126 941406
FRONT CAP LCF-82 III: 0085126 930028
REAR CAP LCR II for L-Mount: 0085126 937256
REAR CAP LCR II for Sony E-mount: 0085126 929879

[ Accessories: Optional ]

SIGMA USB DOCK UD for L-Mount: 0085126 878696
SIGMA WR CERAMIC PROTECTOR 82mm: 0085126 931834
SIGMA WR PROTECTOR 82mm: 0085126 930974
SIGMA PROTECTOR 82mm: 0085126 93 00
SIGMA WR UV FILTER 82mm: 0085126 930714
SIGMA WR CIRCULAR PL FILTER 82mm: 0085126 930844

Orders

Order the Sigma 24-70mm F2.8 DG DN II Art Lens at B&H.

From Canon USA:

CANON DEVELOPS EOS R1 AS FIRST FLAGSHIP MODEL FOR EOS R SYSTEM

New Image Processing System Further Improves AF and Image Quality

MELVILLE, N.Y., May 15, 2024 - Canon U.S.A., Inc. today announced that its parent company, Canon Inc. announced today that it is currently developing the EOS R1, a full-frame mirrorless camera, as the first flagship model for the EOS R SYSTEM equipped with an RF mount and is aiming for a 2024 release.

The EOS R1 is a mirrorless camera geared toward professionals that brings together Canon’s cutting-edge technology and combines top-class performance with the strong durability and high reliability sought in a flagship model. This camera will dramatically improve¹ the performance of both still images and video and meet the high requirements of professionals on the frontlines of a wide range of fields including sports, news reporting, and video production.

This camera employs the newly developed image processor DIGIC Accelerator in addition to the pre-existing processor DIGIC X. The new image processing system, composed of these processors and a new CMOS sensor, enables large volumes of data to be processed at high speeds and delivers never-before-seen advancements in Auto Focus (AF) and other functions.

By combining the new image processing system and deep learning technology to an advanced degree, Canon has achieved high-speed and high-accuracy subject recognition. For example, subject tracking accuracy has been improved so that in team sporting events where multiple subjects intersect, the target subject can continually be tracked even if another player passes directly in front of them. In addition, the AF “Action Priority” function recognizes subject movement by rapidly analyzing the subject’s status. In moments during a sports game when it is difficult to predict what will happen next, this function automatically determines the player performing a certain action, such as shooting a ball, as the main subject and instantly shifts the AF frame, thereby helping to capture decisive moments of gameplay.

The combination of the new image processing system and deep learning technology will help to improve image quality. Canon implements the image noise reduction function, which has been previously developed and improved as part of the software for PCs, as a camera function to further improve image quality and contribute to user creativity.

Canon is working on field tests for this camera and will support capturing definitive and impactful moments at international sporting events to be held in the future.

Going forward, Canon will continue to expand the EOS R SYSTEM lineup of fascinating cameras and RF lenses, thereby continuing to meet the demands of a wide range of users and contribute to the development of photography and video culture.

¹ In comparison to EOS R3 (released in November 2021)

Image quality test results are now available on the Sony FE 24-50mm F2.8 G Lens page.

Covering a common set of general-purpose focal lengths, this lens has many comparisons available. I'll get you started.

Compared to the Sony FE 24-70mm F2.8 GM II Lens

Compared to the Sigma 28-70mm F2.8 DG DN Contemporary Lens

Compared to the Tamron 28-75mm f/2.8 Di III VXD G2 Lens

Support this site by ordering the Sony FE 24-50mm F2.8 G Lens (or anything else) from B&H | Sony | Adorama | Amazon (all available countries) | WEX | Camera Canada

Rent the Sony FE 24-50mm F2.8 G Lens from Lensrentals.

Please share!

Just posted: Tamron 11-20mm F/2.8 Di III-A RXD Lens Review.

This is a great ultra-wide zoom lens option for APS-C, and it is coming to the RF mount later this year.

Please share.

Support this site by ordering the Tamron 11-20mm F/2.8 Di III-A RXD Lens (or anything else) from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada

Rent the Tamron 11-20mm F/2.8 Di III-A RXD Lens from Lensrentals.

From Capture One:

With the release of Capture One 16.4.0 on May 14, 2024, we introduced Capture One Studio and Live for Studio, a desktop app and an iPad companion app for crews working in highly collaborative, studio-like environments.

Capture One 16.4.0 contains new features and improvements, like Client Viewers (Studio), AI Crop (Pro, Studio), Multiple Compare Variants (Studio), new Tokens (Studio), easier access to the Adjustments Clipboard, faster AI Masking, faster Sessions on macOS, Save Destination options when tethering, along with other Fujifilm and Sony tethering improvements.

Introducing Capture One Studio and Live for Studio

Capture One Studio is a new tier in our desktop product lineup. It includes all the features of Capture One Pro, introduces new Studio features, and integrates some features that were previously available for Capture One Enterprise users only.

Live for Studio is a new, free iPad companion app designed to complement Capture One Studio on macOS and enhance on-set collaboration. Share folders or albums from Capture One Studio and anyone can view, follow, rate, and color-tag images on an iPad. All on the same local network, no internet required.

Get the full details of this update in the release notes.

Get Capture One at B&H.

The new SanDisk 4TB and 8TB Desk Drive SSDs are on sale and in stock at B&H.

From Western Digital:

Western Digital Now Offers a Fast, Powerful 8TB Desktop SSD to Help Creators Unlock the Potential of Their Digital Content

Western Digital Corp. (NASDAQ: WDC) has expanded its SanDisk portfolio with the new 8TB* SanDisk® Desk Drive, its highest capacity yet on an external desktop solid state drive (SSD). Featuring the speed and reliability of an SSD, this new class of drives gives content creators and business professionals an easy way to back up and access their high-resolution photos, videos and files quickly in a single, convenient location. From photo and video pros to tech enthusiasts, there are a growing number of digital creators generating massive amounts of content who need flexible high-capacity storage solutions to do more, faster.

“As digital content creation continues to soar, there is an increasing need for high-performing and high-capacity storage solutions to help manage and preserve it. Expanding our SSD portfolio is the first step in offering creators backup solutions that deliver the speed and flexibility they need to unlock their creativity,” says Susan Park, Vice President, Consumer Solutions, Western Digital. “By next year, we expect to double the capacity of the SanDisk Desk Drive from 8TB to 16TB on a single desktop SSD.”

The SanDisk Desk Drive key features include:

• Capacity – 4TB and 8TB capacities* for photo and video collections, CAD files or 3D renders, large AI-generated files, music libraries, important documents, and more.
• Performance – Faster content access, for even the heaviest files like 8K videos, with read speeds up to 1,000 MB/s¹ – up to 4x faster than a desktop HDD³.
• Backup – Quickly back up photos, videos, and files with SSD speeds using Apple Time Machine or make backups automatic with the included downloadable Acronis® True Image™ for Western Digital backup software².
• Design – The compact, modern style, recognized as a 2024 Red Dot Design Award recipient⁴, maximizes desk space and feels natural in any professional or home setting.
• Compatibility – Works with Windows® or macOS out of the box with exFAT formatting, using the included USB Type-CTM cable.

Featuring a three-year limited warranty⁵, the 4TB* SanDisk Desk Drive (U.S. MSRP $379.99) and 8TB* SanDisk Desk Drive (U.S. MSRP $699.99) are available now for purchase at the Western Digital Store and authorized SanDisk retailers, e-tailers, and distributors.

Again, the new SanDisk 4TB and 8TB Desk Drive SSDs are on sale and in stock at B&H.

* 1TB = 1,000,000,000,000 bytes. Actual user capacity less.

¹ Up to 1000 MB/s read speeds. Based on internal testing; performance may be lower depending upon host device, interface, usage conditions, and other factors. 1MB=1,000,000 bytes.

² Download and installation required. Terms and conditions apply. User account registration may be required.

³ Based on internal testing against the 8TB WD My Book desktop HDD.

⁴ The “Red Dot” is an award recognizing high design quality. The international “Red Dot” jury awards the seal of quality to products that feature outstanding design.

⁵ See www.sandisk.com/wug.

I've been using Nextorage's CFexpress Type A cards for a few months, trusting them for my most important shoots, including the total solar eclipse and my daughter's university graduation.

Review: Nextorage CFexpress Type A Memory Card

From Nextorage:

CFexpress™ Type A Memory Card NX-A1PRO Series/NX-A1SE Series Now on Sale Nextorage Corporation

(President: Katsuyuki Honda; Kawasaki City, Kanagawa Prefecture, Japan) announces the release of the NX-A1PRO and NX-A1SE series of CFexpress Type A memory cards on 9th May 2024 at Amazon.com.

NX-A1PRO Series

• NX-A1SE1920G Best-in-class read and write speeds of up to 950 MB/s and 950 MB/s, respectively [1] [2]
• Minimum continuous write speed of 850 MB/s for high-speed continuous shooting [1] [2]
• Stable high-speed continuous shooting and movie recording with our unique low power consumption technology
• VPG400 compatible

NX-A1SE Series

• Best-in-class read up to 950 MB/s[1], write up to 950 MB/s[1]
• High-capacity lineup for long time video recording
• VPG200 compatible

In the photographic and imaging industry, where camera performance continues to evolve and image quality and resolution continue to increase, we are launching the CFexpress Type A memory cards to meet the needs for recording video and still images at the highest image quality.

Expands its product portfolio for professional imaging with the addition of CFexpress Type A memory cards to its existing SD memory card and CFexpress Type B memory card products. We are expanding our product lineup for consumers to meet the photographic needs of more customers.

The NX-A1PRO series is a CFexpress Type A memory card for professional users who handle high-speed continuous shooting and high bit-rate video.

Best-in-class write/read speeds.

The maximum transfer rate of 950 MB/s for both write and read, the highest level in its class, and the minimum continuous write speed of 850 MB/s are achieved. [1] [3] The number of consecutive shots possible during high-speed continuous shooting has been increased, and the buffer memory release time has been shortened. This reduces the number of missed shots at the desired moment.

Dynamic Auto Power Save, a unique low-power consumption technology that stabilizes video recording.

Nextorage's unique power saving technology, "Dynamic Auto Power Save," reduces power consumption by up to 88% compared to the case without.[1]

In addition to reducing power consumption during video recording, thermal throttling* is also suppressed by reducing the temperature rise of the card itself. (*Thermal throttling: a control function that attenuates the transfer rate to prevent thermal runaway)

This enables stable video recording.

It also reduces the camera's battery consumption, which contributes to extending the available shooting time.[1]

VPG400 compliant, as required for professional video shooting.

All capacities comply with the Video Performance Guarantee VPG400 (minimum guaranteed continuous write speed: 400 MB/s). It has the specifications required for professional video recording.

Abundant lineup of capacities for various applications

80 GB/160 GB capacity lineup for high-speed continuous shooting of still images and VPG200 for video shooting requiring.

High capacity 320 GB/640 GB available.

The CFexpress Type A is now available to professional users who have not yet used the CFexpress Type A. We want our customers to experience the performance of our 40GB capacity at an affordable price.

The NX-A1SE series is a CFexpress Type A memory card for video creators who shoot long, high-quality videos.

Best-in-class write/read speeds.

Achieves a class-leading maximum write/read transfer rate of 950 MB/s. [1] Reduces data transfer time after shooting.

High-capacity lineup for long-time video recording

The high-capacity lineup of 480 GB,960 GB and 1,920 GB supports long-time movie recording, and is ideal for switching from SD cards, as it dramatically improves shooting time and data transfer speeds compared to SDXC UHS-II memory cards.

VPG200 compliant for stable, high quality video recording

All capacities comply with the Video Performance Guarantee VPG200 (guaranteed minimum continuous write speed: 200 MB/s). It has the specifications required for professional video recording.

Durability[3]

Both the NX-A1PRO and NX-A1SE series are durable and come with a 5-year warranty in accordance with CompactFlash Association regulations.

Heat resistance: -10 °C to 70 °C (guaranteed operating temperature)

Shock resistance (EIA-364-27A compliant)

X-ray resistant (ISO7816-1 compliant)

UV resistant (ISO7816-1 compliant)

Magnetic resistance (based on Nextorage's own testing)

Electrostatic resistance (conforms to IEC 61000-4-2)

Sales Price and Sales Information

NXA1PRO & A1SE series will be available at the Amazon.com Nextorage store, from May, 2024

Selling price

NX-A1PRO Series

NX-A1PRO640G $749.99
NX-A1PRO320G $439.99
NX-A1PRO160G $229.99
NX-A1PRO80G $164.99
NX-A1PRO40G $89.99

NX-A1SE series

NX-A1SE1920G $899.99
NX-A1SE960G $499.99
NX-A1SE480GB $199.99

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Nextorage CFexpress Type A Memory Cards are available at Amazon.

Note:

[1] Capacity is shown as 1 trillion bytes equals 1 TB and 1 billion bytes equals 1 GB. Actual usable space will be less than indicated due to the system file area.

[2] Data speed under our specified conditions. Speeds may vary depending on measurement conditions.

[3] All durability values are based on Nextorage test conditions. IEC degree of protection IP6X: Proven to be totally impervious to dust.

IEC degree of protection IP5X: Proven to be impervious to dust to the extent that it can cause harm.

IEC degree of protection IPX8: No water ingress after 72 hours of submersion in tap water at room temperature at a depth of 5 m.

IEC degree of protection IPX7: No water ingress after 30 minutes of temporary submersion in tap water at room temperature at a constant depth of 1 m. Insertion and extraction resistance: The UHS-I connector has passed 10,000 insertion and extraction tests. Insertion/withdrawal resistance: Has passed 10,000 times insertion/withdrawal test with UHS-I connector.

X-ray/UV resistance: Complies with ISO7816-1 international standard.

Electrostatic discharge resistance: ±15kV in an air discharge has been verified in accordance with IEC61000-4-2 specified by IEC (International Electrotechnical Commission). 2,500 gauss is equivalent to about 30,000 times stronger than the electromagnetic field emitted by a typical microwave oven. Design, specifications and prices are subject to change without notice.

Image quality, vignetting, flare, and distortion test results, along with specs and standard product images, are now available on the Tamron 11-20mm F/2.8 Di III-A RXD Lens page.

This is the Tamron lens coming to the RF mount later this year. The full review is coming soon.

Here is a relevant comparison: Compared to the Sigma 10-18mm F2.8 DC DN Contemporary Lens

Support this site by ordering the Tamron 11-20mm F/2.8 Di III-A RXD Lens (or anything else) from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada

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From Canon USA:

Canon Adds Six Visionary Filmmakers to Explorers of Light Program to Inspire the Next Generation of Video Professionals

MELVILLE, N.Y., May 2, 2024 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced six filmmakers will join its celebrated Explorers of Light program, welcoming a new class of storytellers focused on the craft of cinematography.

For nearly three decades, the Explorers of Light program has brought together a roster of distinguished photographers to inspire, teach, and collaborate with visual artists and content creators of all skill levels. Explorers of Light past and present include multi-hyphenate creative professionals such as Academy Award®-winner Jimmy Chin (Free Solo, Meru) and Emmy® -winner Lauren Greenfield (Generation Wealth, The Queen of Versailles). With today’s addition of six new members dedicated to the art of motion, the program officially expands its scope beyond still photography to foster creativity among the global filmmaking community.

Canon’s newest Explorers of Light include cinematographers Christine Ng, Claudia Raschke, David Klein, ASC, and Shana Hagan, ASC, as well as directors Matthew Heineman and Rudy Valdez.

Brian Mahar, senior vice president and general manager, Canon U.S.A., Inc., said, “For 30 years, the Explorers of Light program has been a platform for education and inspiration. Today, we are proud to widen the aperture on the craft of visual storytelling by welcoming a group of filmmakers known for their boundary-breaking cinematography and commitment to mentorship. Each of our newest members will add incredible value to the program and to the filmmaking community at large.”

The new class of award-winning Explorers of Light will join the 35 current members of the program to share their unique perspectives and decades of industry experience with aspiring creatives.

Meet Canon’s Newest Explorers of Light (EOLs):

Christine Ng, Cinematographer (Poker Face, ZIWE, Between the World and Me)

About Christine: Christine Ng is a Hong Kong-born, New York-raised cinematographer and a graduate from New York University’s Tisch School of the Arts. Her cinematography work spans commercials, music videos, documentaries and narrative. The first commercial she shot was filmed on a Canon EOS 5D Mark II and Canon lenses and aired during Super Bowl XLVI. The first feature-length documentary Christine shot was the Emmy®-nominated and Critic’s Choice Award-winning Everything is Copy for HBO. Named a Rising Star of Cinematography by American Cinematographer in 2022, Christine’s work has screened at festivals worldwide including SXSW®, Palm Springs International Film Festival, Outfest®, LA Film Festival, Tribeca Film Festival, New York Film Festival, IFFBoston and many more. In addition, she shot the film adaptation for Ta-Nehisi Coates’s critically acclaimed Between The World and Me. She shot three episodes of Issa Rae’s latest show, Rap Sh!t and two seasons of Ziwe, a variety show produced by A24 for Showtime. Most recently, she shot four episodes of Rian Johnson’s TV series, Poker Face starring Natasha Lyonne for Peacock.

• Top Gear Picks: RF50mm F1.2 L USM, RF100mm f/2.8 L Macro IS USM, RF28-70mm F2 L USM, RF70-200mm F2.8L IS USM, RF 24-105mm F2.8 L IS USM Z, vintage Canon K-35 Primes, the Canon 50mm f/0.95mm “Dream Lens,” and a 3D printed Totoro figurine.
• Advice for Filmmakers: “Stay humble and true to yourself, always say yes to every opportunity when you’re starting out. You never know who you will meet and how that initial meeting will influence your career later.”
• What it Means to be a Canon EOL: “It is such a prestigious honor to be included in the Explorers of Light program. I’ve always shot with Canon since I first discovered photography, so it is incredibly humbling to be recognized by the Canon team.”

Claudia Raschke, Cinematographer (Julia, My Name is Pauli Murray, RBG)

About Claudia: Claudia Raschke is a world-renowned cinematographer, best known for her ability to bring rich tones of the motion picture to a diverse spectrum in films, from purely commercial ventures, through feature-length documentaries, to lower budget works of art. Among her notable award-winning films are: Academy Award® -nominated and Emmy® -winning RBG, God is the Bigger Elvis; Academy Award® -short-listed Mad Hot Ballroom, Julia, Boys State; Peabody Award-winning Black Magic and My Name is Pauli Murray; Critics Choice Award-nominated Fauci and The House of Hammer, as well as documentary series’ for National Geographic®, Discovery, Showtime®, and CNN. Currently, Claudia is in production of an eight-part documentary series for the History Channel® to be released in 2025.

She is also a founding member of the NYC Kamera Kollektiv, a boutique agency for documentary and feature film cinematographers in New York City and a member of AMPAS.

• Top Gear Picks: Canon Cinema EOS C500 Mark II, Cinema EOS C300 Mark III, CN-E 35mm T1.5 L F, CN-E 50mm T1.3 L F, CN-E 135mm T2.2 LF, CINE-SERVO 17-120mm T2.95-3.9, COMPACT-SERVO 18-80mm T4.4 EF, a spot meter and a small sketchbook.
• Advice for Filmmakers: “Experiment as much as you can with the tech tools you have access to and create a playground to challenge yourself to think outside your limits. Be fierce and fearless.”
• What it Means to be a Canon EOL: “It is a distinct privilege and honor to join the ranks of the Explorers of Light program. Canon cameras and optics have been my top creative tools for documentary filmmaking for many years. I consider it a great opportunity to learn from other EOL artists and to share my process as a cinematographer with the Explorers of Light community.”

David Klein, ASC, Cinematographer (The Mandalorian, The Book of Boba Fett, Homeland)

About David: Cinematographer David Klein, ASC has spent over three decades perfecting his craft and captivating audiences with his visual storytelling.

His remarkable career includes lensing iconic indie film classics such as Clerks, Clerks II, Mallrats, Cop Out, Red State and Chasing Amy, with director Kevin Smith. In 2014 and 2016, Klein received Emmy® nominations for Outstanding Cinematography For A Single-Camera Series for his work as the Director of Photography on Showtime®'s Emmy® winning series Homeland. He also served as the Director of Photography for HBO dramas’ True Blood and Deadwood: The Movie where he earned a third Emmy® nomination in 2019.

Most recently, David has been on the forefront of virtual production shooting cutting-edge episodes of The Mandalorian and The Book of Boba Fett for Disney+.

• Top Gear Picks: EOS R5 C, CN-E 15.5-47mm T2.8 L SP, CN-E 30-105mm T2.8 LS, a set of Canon PL Cinema Primes, and a Suunto compass/inclinometer combo.
• Advice for Filmmakers: “Never forget it’s our job as cinematographers to tell the story in a unique way, but it’s also to be invisible. To paraphrase Roger Deakins, if somebody sees something I’ve shot and says ‘that was beautiful cinematography’ before they talk about the story, we have failed.”
• What it Means to be a Canon EOL: “Exploring light is quite literally what I do. On set and in pre-production, we’re always exploring new and unique ways to use light to tell stories differently. Canon is constantly pushing the envelope to deliver new ways to tell stories with tried and true tech, and it’s an honor to be named an Explorer of Light.”

Matthew Heineman, Director/Cinematographer (American Symphony, Retrograde, Cartel Land)

About Matthew: Matthew Heineman is an Academy Award®?-nominated, nine-time Emmy®?-winning, and two-time DGA Award winning-filmmaker. In 2019, he received a nomination for Outstanding Directorial Achievement of a First Time Feature Film Director from the Directors Guild of America for his narrative debut, A Private War — making Heineman and Martin Scorsese one of only two filmmakers ever nominated for both narrative and documentary DGA Awards. Heineman most recently directed American Symphony, which earned Academy Award®? and BAFTA nominations and won a PGA and two Critics' Choice Awards.

Heineman previously directed and produced Retrograde which was shortlisted for an Academy Award®?, won three Emmy®? awards, and was nominated for DGA and PGA Award. It also received a Producing Award from DOC NYC and was honored with the Edward R. Murrow Award for Feature Documentary. His previous film, The First Wave was also shortlisted for an Academy Award®? and won three Emmy®? awards, including Best Documentary. Heineman previously directed Cartel Land, which was nominated for an Academy Award®? and won three Emmy®? awards and a DGA Award; City of Ghosts, for which he won a DGA Award; and two seasons of the Emmy®?-winning docuseries The Trade. He also directed HBO’s Emmy®?-winning Tiger and The Boy From Medellin.

• Top Gear Picks: Canon Cinema EOS C500 Mark II, RF24-105mm F4 L IS USM, RF24-70mm F2.8L IS USM, RF70-200mm F2.8 L IS USM, EF-S 17-55mm f/2.8 IS USM
• Advice for Filmmakers: “When I was 21 years old, I heard documentarian Albert Maysles give a talk that would shape my view on filmmaking. He said, ‘If you end up with the film you started with, then you weren't listening along the way.’ Be open to the story changing. Don't be dogmatic. And this is something that I've held very close to my heart both in a macro sense (the films I choose to take on and how I find my way to them) and in a micro sense (within each shoot, shoot day, scene, lens change). Look around the frame at all times! I love embracing this type of unpredictability and adaptation inherent in making verité films. By doing so, my goal always is to try to humanize stories that often seem so far away or are relegated to stats or headlines.”
• What it Means to be a Canon EOL: “I am honored and thrilled to be in the company of so many incredible artists whose work I admire, including my dear friend Jimmy Chin. From Cartel Land though my most recent documentary American Symphony (including 6 projects in between), I’ve used Canon equipment in every project. I’m excited to share my knowledge and skillset with other cinematographers and story tellers around the world.”

Rudy Valdez, Director/Cinematographer (Choir, Carlos, The Sentence)

About Rudy: Rudy Valdez, a two-time Emmy®-winning filmmaker, is known for his commitment to telling engaging stories that explore a variety of cultural, social, and political themes. Through his distinct cinematic approach, Valdez captures the essence of human emotions and experiences, earning him critical praise and recognition as an influential figure in the film industry. Notable works include the Emmy®-nominated The Sentence, which follows his sister's journey through the criminal justice system, and Translators, a touching exploration of Latino families through the perspectives of their young translators. Valdez's recent projects include directing the docuseries Choir for Disney+ and the acclaimed Carlos, a documentary tracing the life of music legend Carlos Santana.

As the founder of Bluff Road Films, Valdez is dedicated to amplifying meaningful stories while promoting diversity both in front of and behind the camera.

• Top Gear Picks: Canon Cinema EOS C500 Mark II, EOS R5 C, CN-E 50mm T1.3 L F, CN-E 35mm T1.5 L F, and a monopod
• Advice for Filmmakers: “Shoot. Shoot. Shoot. Shoot. As much as you possibly can. Find out what works for you.”
• What it Means to be a Canon EOL: “It is such a wonderful honor to be a Canon Explorer of Light. I was lucky enough to start my journey as a filmmaker around the same time that the Canon EOS 5D Mark II was introduced, allowing me an affordable camera that could produce the images as I saw them in my head.”

Shana Hagan, ASC, Cinematographer (Somebody Somewhere, Welcome to Flatch, The Kingmaker)

About Shana: Shana Hagan has shot Academy Award® and Emmy®-winning documentaries including the Academy Award®-winning Breathing Lessons, Academy Award®-nominated Walk Run Cha-Cha, Return to Space with Chai Vasarhelyi and Explorer of Light Jimmy Chin, The Kingmaker for director and Explorer of Light Lauren Greenfield, 63Up and Married in America with Michael Apted, The Conductor with Bernadette Wegenstein and twenty-one Sundance Film Festival selections, including Generation Wealth, Queen of Versailles, Taylor Swift: Miss Americana, and Shakespeare Behind Bars.

Shana’s scripted work includes projects with Paul Feig, Jenny Bicks and the Duplass Brothers, and the critically-acclaimed series Somebody Somewhere for HBO and Fox’s half hour docu-comedy Welcome to Flatch. She is a member of The American Society of Cinematographers, the DGA, AMPAS, ATAS, the ICG, the IDA and BAFTA.

Shana was the first woman to shoot on the hit reality series Survivor and was nominated for an Emmy® for her work on Survivor: China. She shot four seasons on NBC’s Parks and Recreation, was the Second Unit DP on Netflix’s Arrested Development, and has shot commercial spots for Disney, Electronic Arts, Kohl’s, the US Army, Kodak, Verizon and others.

Shana is also a U.S. State Department American Film Showcase Ambassador and has traveled globally to teach Master Class Workshops to young Ethiopian filmmakers. She enjoys mentoring students and has guest lectured at many film schools.

• Top Gear Picks: Canon Cinema EOS C300 Mark III, Cinema EOS C70, EOS R5 C, RF14-35mm f/4 ISUSM, RF24-70mm f/2.8 L IS USM, RF70-200mm F4 L IS USM and an old compass from the Girl Scouts.
• Advice for Filmmakers: “Don’t be afraid to ask questions when you need help with something. Find a mentor. Also take some of your own footage and edit it. You’ll find out what’s working and what’s not working, and it will allow you to make adjustments next time you’re out in the field shooting. I can’t stress how important this process is for young DPs.”
• What it Means to be a Canon EOL: “I’m so honored. Being an Explorer of Light reminds me to keep exploring the world through my camera, like I did as a kid, and to continue finding new and exciting ways to tell stories.”

For additional information, please visit: https://www.usa.canon.com/learning/inspiration/inspirational-stories-list/explorers-of-light

From Delkin Devices:

Delkin Launches NEW CFexpress™ Type B 4.0 – NOT THE REAL STORY

Poway, CA, May 1, 2024 – Delkin Devices, a manufacturer of flash storage solutions and camera accessories, is excited to announce the launch of their brand-new line of BLACK CFexpress™ Type B 4.0 Memory Cards, but that’s not the real story. The REAL story is why you should TRUST Delkin by learning why they choose to use pSLC flash in their cards.

NAND flash is a non-volatile memory chip that can hold data even without power, and it is the heart of all memory cards. Manufacturers have tried to make it more dense and smaller in order to store more data for less money, but the ultimate result is a reduction in longevity and performance. This is quite the opposite of what is good for NAND memory cards. Photographers and videographers need to store photos and videos quickly, yet on a robust card that has longevity.

SLC flash is the most rugged and expensive type of flash due to its incredible endurance and performance, although its biggest downside is high cost and relatively small capacity size. The latest version of SLC that keeps the longevity, but improves the capacity (and price), is called pSLC (Pseudo SLC), which is what Delkin uses in their line of BLACK CFexpress™ Type B 4.0 (as well as Delkin SD BLACK Rugged V90) memory cards.

pSLC can read twice as fast as TLC (Triple-Level Cell) or even QLC (Quad-Level Cell), which is used by most card makers today. In addition, it can also be written up to six times as fast. pSLC has a life span between 7,000 and 28,000 TBW (Terabytes Written) depending on card capacity, in comparison to other flash types that only support 300 to 2,000 TBW before they begin to lose data and slow down. Yes, NAND flash does not last forever – something the industry does not talk about.

For the greatest value, a BLACK CFexpress™ Type B 4.0 memory card will provide maximum reliability, performance and endurance, compared to other cards on the market. It will even generate less heat, as it programs faster and will run fast longer. pSLC uses 1/3 of the NAND in the card and in all cases has more chips and blocks available. For example, a 4TB card is used to build a 1.3TB capacity BLACK card – the added flash offers more spare blocks, as well as better management to keep the card working at 100% performance. This results in less frequent reformatting.

Limited Time Offer from Delkin

Purchase (1) Delkin BLACK CFexpress™ Type B 4.0 memory card and receive (1) FREE Delkin ONE Bag. Simply email Delkin a copy of your receipt (ddugal@delkin.com), along with your full name and mailing address, and the item will be shipped out within 5 business days.

Delkin Black memory cards at B&H.

Just posted: Sony E 16-55mm F2.8 G Lens Review.

This lens is a great choice for APS-C general-purpose use.

Support this site by ordering the Sony E 16-55mm F2.8 G Lens (or anything else) from B&H | Sony | Adorama | Amazon (all available countries) | WEX | Camera Canada

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