Camera Gear Review News (Page 7)

Image quality, vignetting, and distortion test results are now available on the Sony FE 70-200mm F4 Macro G OSS II Lens Review.

Here are some comparisons:

Compared to the Sony FE 70-200mm F4 G OSS Lens

Compared to the Sony FE 70-200mm F2.8 GM OSS II Lens

Compared to the Canon RF 70-200mm F4 L IS USM Lens

Compared to the Tamron 70-180mm f/2.8 Di III VXD Lens

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Image quality, vignetting, flare, and distortion test results, along with standard product images, are now available on the Sony E PZ 16-50mm F3.5-5.6 OSS Lens Review.

This lens is tiny, ultra-light, and affordable (especially in used condition).

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Just posted: Alpine Astro Baader AstroSolar BDSF 3.8 Digital Solar Filter Review.

Now is a good time to prepare to photograph the April 2024 total solar eclipse.

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Just posted: Canon RF 100-300mm F2.8 L IS USM Lens Review

Outstanding lens.

Please support this site by sharing this review!

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Just posted: Canon RF 28mm F2.8 STM Lens Review.

The RF 28 will become a most-loved lens. Sample pictures will be added soon.

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Image quality, vignetting, and distortion test results, along with specs and measurements are now available on the Canon RF 100-300mm F2.8 L IS USM Lens page.

Can you find a zoom lens sharper wide open than this one? This lens optically performs better with extenders than even the big white RF prime lenses do with them.

Here is the comparison to the Canon EF 300mm f/2.8L IS II USM Lens. Incredibly, the zoom lens matches the sharpness of this impressive prime lens, including in the corners.

Add the 1.4x, and the zoom lens still matches, even exceeds in the corners, the optical performance of the prime.

At this point, you are not likely surprised that the zoom lens keeps up with the prime with the 2x extender mounted. I seldom appreciate the image quality produced with a 2x extender in the optical path, but the EF 300mm F2.8 IS II lens was one of the best with-2x performers, and the RF 100-300mm lens performs similarly (with slightly more but easily correctable lateral CA).

Creating high-grade with-extender image quality vastly increases the versatility of this zoom lens, and brings another outstanding zoom lens, the Canon EF 200-400mm f/4L IS USM, into the radar.

This 200mm wide-open aperture comparison shows no winner. The 420mm vs. 400mm f/4 comparison also shows no winner, and ditto in the 600mm vs. 560mm f/5.6 comparison (though the RF lens has more lateral CA).

Many other comparisons are available:

Compared to the Canon RF 70-200mm F2.8 L IS USM Lens.

Compared to the Canon RF 100mm F2.8 L Macro IS USM Lens.

With 2x compared to the RF 400 with 2x.

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Image quality, vignetting, and distortion test results are now available on the Canon RF 28mm F2.8 STM Lens page.

This tiny lens has an impressive sharpness to size, weight, and price ratio.

Compared to the Canon EF 40mm f/2.8 STM Pancake Lens

Compared to the Canon RF 35mm F1.8 IS STM Macro Lens (at f/2.8)

Compared to the Canon RF 24mm F1.8 Macro IS STM Lens (at f/2.8)

Compared to the Canon EF 28mm f/2.8 IS Lens

Compared to the Canon RF 50mm F1.8 STM Lens (at f/2.8)

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Just posted: Canon EOS R100 Review

Mostly, this review contains only minor updates to the expectations. The R100 is an extremely lightweight, compact, and affordable camera that produces excellent image quality.

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Just Posted:

Sachtler aktiv10 Fluid Head Review
Sachtler flowtech 100 Tripod Review

This Sachtler kit is expensive, but the quality of the movements it enables and its fast setup speed are worth the price to serious videographers.

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The Canon EOS R100 is here, and it is time to set up this camera for use. Following are the 32 steps taken to prepare an out-of-the-box R100.

1. Record serial number, and add camera to the insurance policy
2. Open the box, find the battery, place it in the charger, and plug it in.
3. Consider downloading and installing the latest Canon imaging software to gain support for the latest camera model(s). Canon Digital Photo Pro (DPP) and EOS Utility are the options I include in the install.
4. Insert a memory card (we'll format the card in a later step), insert a charged battery, and power the camera on.
5. The date, time, and time zone setup display will show at the first startup. Use the rear cross keys and set button to update this information.
6. Set the camera's mode to Av, Tv, or M (some modes may provide only a subset of available menu options) and press the menu button.
7. Shooting Menu, Tab 1: Image quality: Use the top control dial to set RAW to "RAW", and use the rear direction keys to set JPEG to "-" (RAW image files provide the highest quality and are especially valuable for post-processing work)
8. Shooting Menu, Tab 1: Auto Lighting Optimizer: Off (my choice is to adjust the images later)
9. Shooting Menu, Tab 2: White balance: AWB W (White) (I seldom use another white balance setting while shooting, though I often adjust white balance modestly during post-processing)
10. Shooting Menu, Tab 3: Picture Style: Neutral with Sharpness = 1 (Note: the low contrast "Neutral" picture style provides a histogram that best shows the available dynamic range. I usually change the Picture Style to "Standard" in DPP after capture.)
11. Shooting Menu, Tab 3: Lens Aberration Correction: All options "OFF" (I suggest that most photographers enable Chromatic Aberration correction, enable others to taste)
12. Shooting Menu, Tab 3: High ISO speed NR: Low (noise reduction is destructive to images details, so I prefer to add noise reduction sparingly during post-processing)
13. Shooting Menu, Tab 4: Continuous AF: Disable (I want the camera to focus only when I half-press the shutter release)
14. Shooting Menu, Tab 5: MF peaking settings: On (highlight in-focus detail in red during manual focusing)
15. Shooting Menu, Tab 6: Image review: Review duration: 4 sec.
16. Shooting Menu, Tab 7: Shooting info. disp.: Screen info. settings: Enable 1, 2, and 4; edit screen 2 to show only: Basic shooting info and Histogram
17. Shooting Menu, Tab 7: Shooting info. disp.: VF info/toggle setting: Enable 1 and 3 (the default); edit screen 3 to show only Histogram
18. Shooting Menu, Tab 7: Shooting info. disp.: Grid display: 3x3 (sometimes the 3x3 grid is helpful for alignment checking while not complicating the view)
19. Shooting Menu, Tab 7: Shooting info. disp.: Histogram disp: RGB, Small (show the brightness levels of each channel separately and do not let the graph to take up much space in the display as it can affect the perceived composition)
20. Shooting Menu, Tab 7: Disp performance: Smooth (select Smooth if shooting fast action and battery life is not a concern, select Power saving otherwise.)
21. Playback Menu, Tab 5: Playback information display: 1 and 2 only; change view 2 histogram to RGB
22. Wireless Settings Menu, Tab 1: Airplane mode: Off (only choose this setting if not using the camera's wireless features)
23. Function Settings Menu, Tab 1: Format card (always format a memory card in the camera before using it — all data on the card will be lost)
24. Function Settings Menu, Tab 1: Auto Rotate: On computer (images are properly rotated when viewed on a computer, but are always oriented to fill the LCD when viewed on the camera)
25. Function Settings Menu, Tab 2: Beep: Disable (most will find your camera's beep annoying)
26. Custom Functions Menu, Tab 4: Custom Functions(C.Fn): C.Fn II:Others 5: Retract lens on power off: Disable (I opt for off to prevent a carefully-selected focus distance from resetting when the camera auto powers off)
27. Custom Functions Menu, Tab 4: Copyright information: enter as desired
28. Display Level Settings Menu, Tab 1: Menu Display: Standard (novices may appreciate this feature)
29. Display Level Settings Menu, Tab 1: Mode guide: Disable (novices may appreciate this feature)
30. Display Level Settings Menu, Tab 1: Feature guide: Disable (novices may appreciate this feature)
31. My Menu: Add My Menu 1: Register your most-used options
32. With a lens mounted and a subject focused on, adjust the viewfinder diopter until the scene is sharp

I make additional menu and other setting changes based on current shooting scenarios, but this list covers my initial camera setup process.

To copy this configuration means you intend to shoot as I do, including in RAW-only format. While this setup works optimally for me, you should adjust the camera setup to your needs.

If you can't remember your menu setup parameters, keeping an up-to-date list such as this one is a great idea. Anytime the camera is set to the factory state, such as when serviced or when acquiring an additional camera, the list will ensure all settings are quickly re-established.

More Information

Canon EOS R100

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The short answer is "Get both." Otherwise, read on.

In this comparison, we look at a pair of stand-out professional-grade lenses in the ultra-popular 70-200mm focal length range, frequently used for photographing people and people participating in events, including sports. Landscape and product photography are two additional popular uses for these lenses. In addition to being so useful, lenses in this class also represent some of the longest focal length and widest aperture combinations available in an affordable, easily carryable lens.

Canon has long had a pair of 70-200mm image stabilized lens options in their lineup, and while their sizes and weights were reasonable, these were relatively long, heavy, fixed-size lenses that commanded a significant chunk of space in the case, requiring a horizontal position in most backpacks. Canon's first mirrorless 70-200mm lens option, the retracting RF 70-200mm F2.8 L IS USM Lens amazed us with its dramatically reduced size and weight, and the image quality produced by this lens was just as impressive.

Announced just over 1 year later, Canon RF 70-200mm F4 L IS USM Lens provided the second mirrorless option, featuring the same relative advantages as the F2.8 version.

The primary difference between these lenses from a use perspective is the maximum aperture opening. An f/2.8 aperture provides twice as much light to the imaging sensor as f/4, allowing it to do the same work in far darker conditions.

A wider aperture creates a shallower depth of field that results in a stronger background blur, and that is another big advantage of the f/2.8 lens.

While those two differences are tied directly to the required build specifications, the f/2.8 lens's modest image quality advantage is the result of optical design quality. The RF 70-200mm F2.8 vs. F4 lens image quality comparison shows the F2.8 lens as sharp (resolution and contrast) or sharper at f/2.8 as the f/4 lens at f/4. Equalized at f/4, the F2.8 lens has an advantage, and the two lenses perform more similarly at f/5.6.

The F2.8 lens has less lateral and spherical CA overall, shows modestly fewer flare effects at narrow apertures, and stopped down 1 stop, has less peripheral shading at 200mm f/4. The F2.8 lens has slightly better bokeh, creates better sunstars, and has less pincushion distortion at 200mm. The F4 lens has slight focus shift at narrow apertures and close focus distances.

Thanks primarily to the smaller lens elements required to create an f/4 aperture vs. an f/2.8 aperture, the F4 lens's big advantages are a considerably smaller size, lighter weight (about 2/3 as much), and lower price (about 43% less).

The Canon RF 70-200mm F2.8 L IS USM Lens vs. Canon RF 70-200mm F4 L IS USM Lens comparison shows the just-mentioned size and weight benefits of the f/4 aperture.

The F2.8 lens has a tripod mount ring, an advantage for rotating a camera mounted on a tripod or monopod, but the F4 lens isn't heavy enough to require such for balance purposes. The F4 lens has a modest maximum magnification advantage (0.28x vs. 0.23x). The F4 lens's zoom ring is located behind the focus ring and closer to the rear of the lens (an advantage), and its control ring positioned at the front of the lens is easier to use vs. the F2.8 lens's rear position. The F2.8 lens's hood has a filter adjustment window (that I don't like).

If the size, weight, and price differences are not an issue, get the F2.8 lens. I choose the F2.8 version most frequently, including for freezing low light action such as sports on a cloudy day, after the sun sets, or indoors, creating a stronger background blur, and creating starburst effects. This lens version is also the best option for portraits, weddings, and stage events. I also use this lens version for product photography and other close work where focus shift is not tolerable.

Otherwise, the F4 lens has your name on it. If hiking and traveling are on the agenda, small and light are likely more important than the f/2.8 aperture, and I likely have the F4 lens in my pack.

As hinted in the short answer, the ideal kit will include both lenses.

Support this site by ordering the Canon RF 70-200mm F2.8 L IS USM Lens from B&H | Adorama | Canon USA | Amazon USA | WEX

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Rent the Canon RF 70-200mm F2.8 L IS USM Lens and Canon RF 70-200mm F4 L IS USM Lens from Lensrentals.

Just posted: Canon BG-R10 Battery Grip Review.

The BG-R10 is one of my most-used and highest-valued accessories.

Used BG-R10 prices are influenced by the current $50.00 instant savings promotion on the new BG-R10. B&H currently has three used Canon BG-R10 Battery Grips in stock. Conditions from 9+ to "Like New" are priced at only $244.95 to $262.95.

Adorama also has a couple of BG-R10s starting at $221.00.

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After presenting the Canon EOS R8 compared to the EOS R6 Mark II, I was asked how the Canon EOS R8 compared to the EOS R6. Good question, so let's answer it.

The Canon EOS R8 vs. EOS R6 specification comparison, along with the visual comparison of these cameras, highlight most of the "What are the differences between the Canon EOS R8 and the EOS R6?" answer.

Here are the R8 advantages over the R6:

• Newer imaging sensor featuring 24.2 MP resolution vs. 20.1
• Improved AF algorithms
• Autofocuses in slightly brighter conditions (EV -6.5 to 21 vs.EV -6.5 to 20)
• 1/16000 sec. electronic shutter
• 40 fps continuous shooting with electronic shutter vs. 20
• RAW Burst Mode with 0.5-second Pre-Shooting
• 2 hour max movie continuous recording time vs. 29 min 59 sec.
• Depth Compositing available in-camera
• USB 3.2 Gen 2 vs. USB 3.1 Gen 2
• Smaller: 5.22 x 3.39 x 2.76" vs. 5.45 x 3.84 x 3.48" (132.5 x 86.1 x 70.0mm vs. 138 x 97.5 x 88.4mm)
• Lighter: 16.3 oz vs. 24.0 oz (461g vs.680g)
• Considerably less expensive list price (though R6 promotions are equalizing this factor)
• Has a stills/video switch
• Has a Multi-Function Shoe

Here are the R6 advantages over the R8:

• In-Body Image Stabilization
• 1/8000 sec. electronic first curtain shutter vs. 1/4000
• 0.5" (12.7mm) EVF vs. 0.39" (9.9mm) with 2.36 million dots vs. 3.69, 0.76x magnification vs. 0.70x
• Anti-smudge coating on LCD
• 1/250 sec. X-Sync vs. 1/200
• 12 fps shooting with electronic first curtain vs. 6
• Dual memory card slots
• Higher capacity LP-E6NH battery vs. LP-E17, 510 shots vs 370 (LCD), 380 shots vs. 200 (EVF)
• Has a battery grip available
• Has a joystick, a rear dial, and additional buttons
• Has 3 custom modes vs. 2

While both cameras have signification advantages that should be carefully considered, the R8 delivers impressively for the lower list price. As mentioned, the R6 promotions are now equalizing this difference.

Have a difference to add? Email it to me.

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Just posted: Sigma 14mm F1.4 DG DN Art Lens Review.

Designed for astrophotography.

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Let's compare the Canon EOS R100 to the least expensive camera in Canon's current DSLR lineup, the EOS Rebel T7 (2000D).

The Canon EOS Rebel T7 / 2000D is shown behind the R100 above.

Here is the EOS R100 vs. Rebel T7 specification comparison. Also view the complete visual comparison of these cameras.

What are the differences between the Canon EOS R100 and the Rebel T7? Here are the R100 advantages:

• Electronic Viewfinder with far more information available and 100% coverage vs. 95%
• 0.95x Viewfinder Magnification vs. 0.80x
• 7 years newer
• DIGIC 8 vs. DIGIC 4+
• 3,975 AF points vs. 9
• AF working range of EV -4 – 20 vs. EV 0 – 18 (center point only, EV 1 – 18 for other 8)
• Face and Eye Detection and Tracking
• 384 Zone Metering vs. 63
• Metering to EV -2 – 20 vs. EV 1 – 20
• ISO 100–12800 (in 1/3- or 1-stop increments), H (25600) vs. 100–6400 (in 1-stop increments), H (12800)
• LCD with 1,040,000 dots vs. 920,000
• 1/250 X-Sync vs. 1/200
• Lens Aberration Correction
• Continuous Shooting with AF at 3.5 fps vs. 3.0 for 6 RAW images vs. 11
• C-RAW format
• Bluetooth
• Smaller: 4.6 × 3.4 × 2.7" vs. 5.1 x 4.0 x 3.1" (116.3 x 85.5 x 68.8mm vs. 129.0 x 101.3 x 77.6mm)
• Lighter: 12.6 vs. 16.75 oz (356 vs. 475g)

Here are the Rebel T7 advantages:

• Optical Viewfinder with instant response
• One additional button plus a Flash button
• Exposure Compensation of +/-5 EV in 1/3 or 1/2 stop increments vs. +/-3 EV in 1/3 stop increments
• Has 1/2-stop shutter speed increments available
• Built-in flash rated to 9 GN vs. 6
• NFC
• Battery rated to 500 shots (CIPA) vs. 320 with EVF
• Noticeably less expensive

I would find it difficult to go back to the limitations of a DSLR. Still, those with an extremely limited budget may find the T7 to be the right camera for them.

Support this site by ordering the Canon EOS R100 from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX

Order the Canon EOS T7 from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX

It is always interesting to compare a camera to its predecessor, and the Canon EOS M50 Mark II gets that distinction for the Canon EOS R100. The R100 is shown to the left of the M50 II in the image above.

Here is the EOS R100 vs. M50 Mark II specification comparison. Also available is the complete visual comparison of these cameras.

What are the differences between the Canon EOS R100 and the M50 II? Here are the R100's advantages:

• RF mount and compatibility with RF lenses
• 3 years newer (but same imaging sensor and processing engine, ported OS)
• Built-in flash rated to 6 GN vs. 5
• USB Type-C vs. Micro-B
• LP-E17 Battery vs. LP-E12, 320 shots vs. 250 (EVF), 400 vs. 305 (LCD)
• Slightly smaller: 4.6 × 3.4 × 2.7" vs. 4.6 x 3.5 x 2.3" (116.3 x 85.5 x 68.8mm vs. 116.3 x 88.1 x 58.7mm)
• Slightly lighter: 12.6 vs. 13.7 oz (356 vs. 387g)
• Noticeably less expensive

Here are the M50 II's advantages:

• Vari-Angle, Touchscreen LCD
• Touch and Drag AF
• 10 fps without AF for up 10 RAW images vs. 6.5 fps for 6 fps
• 7.4 fps with AF vs. 3.5 fps
• Compatibility with EF-M lenses (small number of options)

Mostly, the R100 is the M50 II updated with an RF mount. Some continuous shooting speed and the Vari-Angle touchscreen were omitted, but the R100 is less expensive.

As always, send me a message if I missed a relevant difference.

The Canon EOS R50 became the Canon EOS R-series entry-level model, primarily due to it having the lowest price. Still, there seemed to be room for a lower-end model. About 3 months later, the Canon EOS R100 was announced — with a $200.00 lower price tag.

A compact, lightweight, entry-level camera with an ultra-low price begs the question: "What is missing?" Or, in this comparison, "Where did the $200.00 go?"

The Canon EOS R100 is shown to the left of the R50 in the image above. Check out the EOS R100 vs. R50 specification comparison, along with the complete visual comparison of these cameras.

What are the differences between the Canon EOS R100 and the R50? Here are the R50's advantages:

• 24.2 MP vs. 24.1 MP (the resolution difference is not noticeable, but the R50 has a newer imaging sensor)
• DIGIC X vs. DIGIC 8 and operating system port from M50 and M50 II
• More advanced AF area selection and subject detection
• Touch and Drag AF area selection
• Focus Bracketing
• Light Flicker avoidance mode
• Exposure compensation of +/-3 stops in 1/3- or 1/2-stop increments vs. +/- 2 EV in 1/3-stop increments
• ISO 100-32000, H (51200) vs. 100–12800, H (25600)
• Up 1/8000 sec. shutter in 1/2 or 1/3 stop increments vs. up to 1/4000 in 1/3 stop increments
• Full-featured electronic shutter mode with 35.3 ms readout vs. limited silent shooting mode (full auto only) with 78 ms readout
• Vari-angle touch screen Clear View LCD II with approx. 1.62 million dots vs. 1,040,000 dots. (not Vari-Angle or Touchscreen)
• Flash Exposure Compensation (FEC) of +/- 3EV vs. +/- 2EV
• Multi-function Shoe vs. Conventional Hot Shoe
• 2s+remote, 10s+remote shooting modes
• 12 fps 1st curtain electronic shutter continuous shooting with AF vs. 3.5
• 15 fps electronic shutter continuous shooting with AF vs. n/a
• HEIF, HDR PQ, HEVC
• 4K UHD 30 fps (uncropped, 6K oversampling, 10-bit) vs. 4K UHD 24 fps (cropped, 8-bit)
• FHD 120 fps vs. 60 fps
• Max movie duration 1:00 vs. 29:59
• Has an ISO button on top
• Has an electronic level
• Selectable Control Ring functionality vs. exposure compensation only
• Compatible with Control Ring on mount adapter
• Compatible with Canon USB Power Adapter PD-E1
• Compatible with the Canon RF 1.4x and 2x Extenders, RF 85mm F1.2 L USM DS Lens

What are the R100's advantages?

• E3 Remote Release Port
• Slightly Lighter: 12.6 vs. 13.2 oz (356 vs. 375g)
• Considerably less expensive

While the R50 holds most of the advantages, and some of them are compelling, the lower price line item on the R100's list holds significant weight.

Support this site by ordering the Canon EOS R50 from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX

Order the Canon EOS R100 from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX

Significant information is now available on the Canon EOS R100 page.

This is a remarkably inexpensive camera.

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Support this site by ordering the Canon EOS R100 from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

Image quality test results from the Canon EOS R7 have been added to the Canon RF 100mm F2.8 L Macro IS USM Lens Review.

The Canon RF 100mm F2.8 L Macro IS USM Lens in stock at Canon USA and can be ordered from B&H | Adorama | Amazon USA | WEX

Rent the Canon RF 100mm F2.8 L Macro IS USM Lens from Lensrentals.

Check out the Canon RF 100-300mm F2.8 L IS USM Lens page for information about and expectations for this outstanding new lens option.

The MTF chart comparison is especially interesting.

Support this site by ordering the Canon RF 100-300mm F2.8 L IS USM Lens from B&H | Adorama | Canon USA | WEX