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 Tuesday, October 29, 2024

I have a fresh-from-the-factory Canon EOS R1 in my hands, and it is time to set it up. I use the following steps to prepare a new (or reset to factory settings) R1 for use. While the number of steps in this setup guide may seem daunting, the process is not difficult. You've got this.

  1. Open the box, find the battery, place it in the charger, and plug it in.
  2. record the serial number, and add the camera to your insurance policy (you're covered, right?)
  3. While the battery is charging, unpack the other needed items from the box.
  4. Consider downloading and installing the latest Canon imaging software, Canon Digital Photo Pro (DPP) and EOS Utility, to ensure support for your camera model.
  5. Insert a memory card (we'll format the card in a later step), insert a charged battery, and power the camera on.
  6. The language, and then date, time, and zone setup prompts will appear during the first startup. Use the rear control dial and set button to update this information.
  7. Scroll through all of the menu tabs to configure the camera as follows:
  8. Shooting Menu, Tab 1: Img type/size: Use the top control dial to set RAW to "RAW", and use the rear control dial to set JPEG/HEIF to "-" (RAW image files provide the highest quality, making them especially valuable for post-processing)
  9. Shooting Menu, Tab 3: Picture Style: Neutral with Sharpness = 1 (the low contrast "Neutral" picture style provides a histogram that best shows the available dynamic range. I change the Picture Style to "Standard" when processing in DPP. Most other software will ignore this setting.)
  10. Shooting Menu, Tab 4: White balance: AWB W (White) (I seldom use another white balance setting while shooting (it doesn't change the RAW-captured image), though I often adjust white balance modestly during post-processing)
  11. Shooting Menu, Tab 4: Lens Aberration Correction: All options "OFF" (Includes Peripheral illumination correction, Distortion correction, Digital Lens Optimizer, Chromatic aberration correction, and Diffraction correction. I suggest that most photographers enable Chromatic aberration correction. Expect non-Canon software to ignore these settings.)
  12. Shooting Menu, Tab 4: High ISO speed NR: Low (or Off) (noise reduction is destructive to image details — I prefer to add noise reduction sparingly during post-processing. Expect non-Canon software to ignore this setting.)
  13. Shooting Menu, Tab 6: Release shutter without card: OFF (only in a retail store would you want to press the shutter release without saving the image file)
  14. Shooting Menu, Tab 7: Customize Quick Controls: AF, One Shot - Servo, Drive mode, Anti-flicker shoot, Subject to detect, Focus bracketing, Pre-continuous Shooting, IS Mode, AF-MF, Switch focus/control ring, Eye control (pressing the "Q" button provides direct access to these settings)
  15. Shooting Menu, Tab 8: Image review: Review duration: 4 sec. (the Viewfinder review option is disabled by default, avoiding interference with the shooting process)
  16. Shooting Menu, Tab 8: Blackout-free display: ON
  17. Shooting Menu, Tab 9: Shooting info. disp.: Screen info. settings: Enable 1, 2, and 3; edit screen 2 to show only: Basic shooting info and Electronic level; edit screen 3 to show only: Basic shooting info, Histogram, and Electronic level
  18. Shooting Menu, Tab 9: Shooting info. disp.: VF info/toggle setting: Enable 1, 2, and 3 (default); edit screen 2 to show only: Electronic level; edit screen 3 to show only: Histogram and Electronic level
  19. Shooting Menu, Tab 9: Shooting info. disp.: Grid display: 3x3 (sometimes the 3x3 grid is helpful for alignment checking while not complicating the view)
  20. Shooting Menu, Tab 9: Shooting info. disp.: Histogram disp: RGB, Small (show the brightness levels of each channel separately and do not let the graph to take up much space in the display as it can affect the perceived composition)
  21. Shooting Menu, Tab 9: Electronic level size: Small (great new feature)
  22. Shooting Menu, Tab 9: Shooting info. disp.: Vertical exp level: Off
  23. Shooting Menu, Tab 9: Display frame rate set: Smooth (ideal for fast action and when battery life is not a concern)
  24. AF Menu, Tab 2: Subject to detect: Select Auto, People, Animals, Vehicles, or None per your current shooting scenario
  25. AF Menu, Tab 4: Servo 1st image priority: Focus priority (accurate focus is more critical to me than the timing)
  26. AF Menu, Tab 5: Limit AF Areas: Enable Spot AF, 1-point AF, Flexible Zone AF 1, Whole area AF, Spot AF Tracking Off, 1-point AF Tracking Off (limit the options to those you expect to use, note the tracking off options)
  27. AF Menu, Tab 5: Orientation linked AF point: Separate AF pts: Pt only (instructs the camera to individually save the selected AF points for vertical and horizontal orientation)
  28. AF Menu, Tab 6: MF peaking settings: Peaking: On, Level: Low
  29. Playback Menu, Tab 3: Magnification: Magnificatn (apx) 10x (allows one button press during playback to zoom deeply into the image); Maintain position: Enable (maintains the position within the image when changing images)
  30. Playback Menu, Tab 4: Playback information display: 1 and 2 only; change view 2 histogram to RGB
  31. Playback Menu, Tab 4: Highlight Alert: Enable (overexposed and nearly overexposed pixels will blink during image review)
  32. Playback Menu, Tab 4: Playback grid: 3x3
  33. Networking Menu, Tab 1: Airplane mode: On (if not using wireless functions)
  34. Tools Menu, Tab 1: Format card (always format a memory card in-camera before using it — all data on the card will be lost)
  35. Tools Menu, Tab 1: Auto Rotate: On computer (images are properly rotated when viewed on a computer but are always oriented to fill the LCD when viewed on the camera)
  36. Tools Menu, Tab 2: Beep: Disable (probably no one wants to hear your camera's beep)
  37. Tools Menu, Tab 4: Power saving: Screen dimmer: Disable (resolves an annoyance — the LCD is as useful off as dimmed)
  38. Tools Menu, Tab 5: Custom shooting mode (C1, C2, C3): Auto update set: Enable; Program modes as desired
  39. Tools Menu, Tab 6: Copyright information: enter as desired, your name and company name are logical choices
  40. Customized controls Menu, Tab 1: Customize buttons: Multi-function button: Dial function and press info to set details: Top row: Drive mode, AF area, Exposure compensation; Second row: One shot - Servo, ISO, Flash exposure compensation; LCD panel illumination button: Eye control
  41. Customized controls Menu, Tab 2: Multi function lock: All unchecked (Disables the lock feature in case I inadvertently select it by not turning the power switch far enough)
  42. Customized controls Menu, Tab 3: RF lens MF focus ring sensitivity: Linked to rotation degree (turns off the variable manual focus ring adjustment rate)
  43. Customized controls Menu, Tab 5: Eye control: Eye control: On; Pointer display settings: Color: White, Display size: Small
  44. Customized controls Menu, Tab 5: Eye control: Calibration (CAL): (follow the guided instructions to set up this feature, performing numerous calibration attempts improves this feature's accuracy)
  45. Custom Functions Menu, Tab 1: Restrict shooting modes: On; I deselect Fv and select C2 and C3.
  46. Custom Functions Menu, Tab 1: Bracketing auto cancel: OFF (I want to control when AEB (Auto Exposure Bracketing) is enabled and disabled)
  47. Custom Functions Menu, Tab 1: Bracketing sequence: -0+ (if images are captured in brightness sequence, they are easier to work with during post-processing. Capturing the darkest image first means quickly securing the first frame)
  48. Custom Functions Menu, Tab 3: Continuous shooting speed: 40, 20, and 10
  49. Custom Functions Menu, Tab 4: Default erase option: [Erase] selected (less safe to inadvertent deletion, but one less step press is required to delete an image)
  50. Custom Functions Menu, Tab 4: Av setting without lens (permits camera setup without mounting the intended lens)
  51. Custom Functions Menu, Tab 5: Retract lens on power off: OFF (prevents a carefully selected focus distance from resetting when the camera auto powers off)
  52. My Menu: Add My Menu 1; Register the following options: Focus bracketing, Pre-cont. shooting, Shutter mode, IS (Image Stabilizer) mode, Format card, Number of bracketed shots; reorder menu items as desired
  53. My Menu: Add My Menu 2; Register the following options: Blackout free display, Display (exposure) simulation (the "Off" setting is helpful when using flash), Date/Time/Zone (primarily for checking the time); reorder menu items as desired
  54. While looking at the menu through the EVF, adjust the diopter until the scene is sharp for your eye

I make additional menu and other setting changes based on current shooting scenarios, but this list covers my initial camera setup process.

To copy this configuration means you intend to shoot as I do, including in RAW-only format. While this setup works optimally for me, you should adjust the camera setup to your needs.

If you can't remember your menu setup parameters, keeping an up-to-date list such as this one is a great idea. Anytime the camera is set to the factory state, such as when serviced or when acquiring an additional camera, the list will ensure all settings are quickly re-established. Consider saving the camera settings to a card (Tools menu, tab 5, Save/load cam settings on card) for an easy restore or replication. The setup file can be copied to a computer drive for long-term storage.

More Information

Canon EOS R1

Support this site by ordering the Canon EOS R1 from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX

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Post Date: 10/29/2024 9:00:00 AM ET   Posted By: Bryan
 Thursday, October 24, 2024

Just posted: Sony FE 85mm F1.4 GM II Lens Review.

Outstanding lens.

Please share!

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Posted to: Canon News, Sony News   Category: Camera Gear Review News
Post Date: 10/24/2024 9:00:00 AM ET   Posted By: Bryan
 Tuesday, October 15, 2024

Just posted: Canon RF 28-70mm F2.8 IS STM Lens Review.

This lens has the right attributes to become super popular.

Please share!

Support this site by ordering the Canon RF 28-70mm F2.8 IS STM Lens from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

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Posted to: Canon News   Category: Camera Gear Review News
Post Date: 10/15/2024 11:48:53 AM ET   Posted By: Bryan
 Friday, October 4, 2024
 Tuesday, October 1, 2024

Image quality test results are now available on the Sony FE 85mm F1.4 GM II Lens page.

These results look great.

Compared to the Sony FE 85mm F1.4 GM Lens

Compared to the Sigma 85mm f/1.4 DG DN Art Lens

Compared to the Canon RF 85mm F1.2 L USM Lens

Please share!

Support this site by ordering the Sony FE 85mm F1.4 GM II Lens at B&H, Sony, Adorama, Amazon, or WEX (orders open at 12:00 PM EDT on Thu, 8/29/2024).

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Posted to: Canon News, Sony News   Category: Camera Gear Review News
Post Date: 10/1/2024 8:41:00 AM ET   Posted By: Bryan
 Monday, September 30, 2024
 Thursday, September 5, 2024

Image quality test results from the Canon EOS R7 are now available in the Sigma 10-18mm F2.8 DC DN Contemporary Lens Review.

This is a great little lens!

Support this site by ordering the Sigma 10-18mm F2.8 DC DN Contemporary Lens from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada

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Posted to: Canon News, Sony News   Category: Camera Gear Review News
Post Date: 9/5/2024 8:00:00 AM ET   Posted By: Bryan

The Sigma 10-18mm F2.8 DC DN Contemporary Lens (review) is a fantastic addition to the RF mount APS-C lens options! Don't forget that this lens has a push-on lens hood (vs. a bayonet mount as we are used to).

Support this site by ordering the Sigma 10-18mm F2.8 DC DN Contemporary Lens from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada

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From Sigma Corporation of America:

Pricing and availability of SIGMA 10-18mm F2.8 DC DN | Contemporary for Canon RF Mount announced

Ronkonkoma, NY – September 5, 2024 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the pricing and availability of the SIGMA 10-18mm F2.8 DC DN | Contemporary for the Canon EOS R camera system.

Originally announced in October 2023, this lens was first released concurrently for L-Mount, Sony E-mount and Fujifilm X Mount, and is now available for Canon RF Mount. This compact, versatile zoom is a perfect partner for the SIGMA 18-50mm F2.8 DC DN | Contemporary which was released for Canon RF Mount in June 2024. The new lens will be available through authorized retail partners in late September 2024 for a retail price of $659.

This is the world's smallest and lightest F2.8 zoom lens designed for APS-C format mirrorless systems*. On the Canon system, the lens covers a 16-28.8mm (35mm equivalent) focal range, with a fast F2.8 constant aperture. Paired with the 18-50mm F2.8 DC DN | Contemporary, this duo of lenses covers a 16-80mm (35mm equivalent) range with the same bright F2.8 maximum aperture, with a combined weight of under 550g (19.5 oz.)

* As an AF F2.8 zoom lens for mirrorless cameras with an APS-C sensor. As of October 2023 by SIGMA.

The SIGMA 10-18mm F2.8 DC DN | Contemporary uses an aspherical concave lens with a large polarization ratio and high refractive index in the first group, reducing the number of elements in the first group and shortening the overall length. Additionally, a new push-on petal type hood has been developed. Thanks to the new structure with a spring and lever which is not utilized by any other manufacturer, the hood has been made both thinner and smaller, which also contributes to the overall compactness of the lens.

The optical design of the lens delivers a short 11.6cm (4.6 in.) minimum focusing distance and a maximum magnification ratio of 1:4 at the wide end, allowing for close-up photography with pleasing background separation. The optical design also minimizes focus breathing, and the autofocus system delivers swift, quiet AF during both still and video use.

Thanks to its high optical quality and compact size, the SIGMA 10-18mm F2.8 DC DN | Contemporary lens is an excellent choice for travelers, adventure photographers, vloggers, and family photographers who want great image quality when paired with today's leading lightweight crop-sensor cameras on multiple platforms.

Learn more here: Sigma 10-18mm F2.8 DC DN Contemporary Lens

Launch schedule of SIGMA 10-18mm F2.8 DC DN | Contemporary for Canon RF Mount

SIGMA Corporation is pleased to announce the launch schedule of SIGMA 10-18mm F2.8 DC DN | Contemporary for Canon RF Mount.

Supplied accessories: LENS HOOD LH706-02, FRONT CAP LCF-67 III, REAR CAP LCR II

New Mount: Canon RF Mount

Launch date: September 26, 2024

* Product appearance and specifications are subject to change.

#SIGMA #SIGMA1018mmF28Contemporary #SIGMAContemporary #SIGMADCDN #SIGMARFMount

Create expressive images on the go with the world's smallest and lightest ultra-wide-angle zoom lens for APS-C cameras*.

* As an AF F2.8 zoom lens for mirrorless cameras with an APS-C sensor. As of October, 2023 by SIGMA.

[ Long-awaited Canon RF Mount addition ]

SIGMA's APS-C size mirrorless dedicated zoom lens, the 10-18mm F2.8 DC DN | Contemporary, will now be available for the Canon RF Mount. This addition allows users to enjoy high-performance, and high-quality SIGMA zoom lenses in native mount on their Canon RF Mount system even more.

A control algorithm including AF drive and communication speed optimization has been developed specifically for Canon RF Mount interchangeable lenses. In addition to realizing high-speed AF, the lens also supports Servo AF and in-camera aberration correction*. The mount is rubber-sealed to cater for use in a variety of environments.

* Available on supported cameras only.

Mount Conversion Service is available to convert other mounts of SIGMA 10-18mm F2.8 DC DN | Contemporary to Canon RF Mount.

[ Features ]

Large-aperture, ultra-wide-angle zoom with expressive imaging capabilities

By utilizing unique optics which have been designed to correct lens aberrations, the SIGMA 10-18mm F2.8 DC DN | Contemporary produces images that are sharp across the entire image.

Extremely compact and lightweight

The SIGMA 10-18mm F2.8 DC DN | Contemporary is the world’s smallest and lightest ultra-wide-angle zoom lens for APS-C cameras1, with a length of 62.0mm, a maximum diameter of f72.2mm, and a weight of 270g2. The lens can be carried around with ease or attached to an APS-C mirrorless camera and a gimbal to create an ultra-portable video setup.

1 As an AF F2.8 zoom lens for mirrorless cameras with an APS-C sensor. As of October, 2023 by SIGMA. 2 The values are for Canon RF Mount.

Ideal for landscapes, travel, video and online content creation

With ultra-wide focal length, portable body and razor-sharp optics, the SIGMA 10-18mm F2.8 DC DN | Contemporary is the perfect portable option for landscape, travel, interior and street photography. It also boasts impressive video capability owing to its bright F2.8 aperture, which makes it well-suited to shooting in low-light environments and creating a shallow depth-of-field. The ultra-wide angle-of-view is ideal for hand-held vlogging that requires the capture of both the subject and the environment.

[ Key Specifications ]

The following specifications are for Canon RF Mount:

Lens Construction: 13 elements in 10 groups
(3 FLD, 1 SLD and 4 aspherical lenses)
Angle of view (APS-C):106.6° (W) - 73.4° (T)
Number of diaphragm blades: 7 (rounded diaphragm)
Minimum aperture: F22
Minimum focusing distance: 11.6cm (W) - 19.1cm (T) / 4.6in. (W) - 7.6in. (T)
Maximum magnification ratio: 1:4 (W) - 1:6.9 (T)
Filter size: 67mm
Dimensions (Max. Diam. x Length): 72.2 x 62.0mm / 2.8 x 2.4 in.
Weight: 270g / 9.5 oz.

[ Accessories: Supplied ]

LENS HOOD LH706-02:0085126 941093
FRONT CAP LCF-67 III:0085126 929473
REAR CAP LCR II (Canon RF Mount):0085126 941468

[ Accessories: Optional ]

SIGMA WR PROTECTOR 67mm
SIGMA PROTECTOR 67mm
SIGMA WR UV FILTER 67mm
SIGMA WR CIRCULAR PL FILTER 67mm:

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Posted to: Canon News, Sony News   Category: Camera Gear Review News
Post Date: 9/5/2024 8:00:00 AM ET   Posted By: Bryan

Just posted: Sigma 28-105mm F2.8 DG DN Art Lens Review.

This lens is a high-performer.

Please share!

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Posted to: Canon News, Sony News   Category: Camera Gear Review News
Post Date: 9/5/2024 8:00:00 AM ET   Posted By: Bryan
 Friday, August 30, 2024

Just posted: Tamron 28-300mm F4-7.1 Di III VC VXD Lens Review.

What would a superzoom lens add to your kit?

Please share!

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Posted to: Canon News, Sony News   Category: Camera Gear Review News
Post Date: 8/30/2024 8:44:37 AM ET   Posted By: Bryan
 Tuesday, August 20, 2024

Image quality are now available on the Sony E 16-50mm F3.5-5.6 OSS II PZ Lens page.

The version I bar was not set high, and the II easily cleared it.

Compared to the Sony E 16-50mm F3.5-5.6 OSS PZ Lens

Here are more comparisons:

Compared to the Sony E 16-55mm F2.8 G Lens

Compared to the Sigma 18-50mm F2.8 DC DN Contemporary Lens

Support this site by ordering the Sony E 16-50mm F3.5-5.6 OSS II PZ Lens (or anything else) from B&H | Sony | Adorama | WEX | Camera Canada

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Posted to: Sony News   Category: Camera Gear Review News
Post Date: 8/20/2024 9:00:00 AM ET   Posted By: Bryan
 Monday, August 19, 2024

Just posted: llano Fast Dual Camera Battery Charger Review.

If your Canon LP-E6NH and Sony NP-FZ100 batteries are in the same condition as mine, this review will be highly relevant.

The llano Fast Dual Camera Battery Charger is available at Amazon, where the user reviews are quite positive. Use coupon code llano0420 to save 10% (use code llano15DE to save 15% at Amazon DE).

Amazon US: Canon LP-E6NH | Sony FZ100
Amazon UK: Canon LP-E6NH | Sony FZ100
Amazon CA: Canon LP-E6NH | Sony FZ100
Amazon DE: Canon LP-E6NH | Sony FZ100

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Posted to: Canon News, Sony News   Category: Camera Gear Review News
Post Date: 8/19/2024 9:00:00 AM ET   Posted By: Bryan

The Canon EOS R5 Mark II begins shipping tomorrow. Are you ready?! Receiving a camera as incredible as this one is exciting, and using it is super fun. Enjoy the anticipation.

I've been updating the Canon EOS R5 Mark II review page, and now is a good time to re-read it.

The Canon EOS R5 Mark II Setup page may also be soon relevant to you.

If you didn't preorder the Canon EOS R5 Mark II, now is the next best time to do so: B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

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Posted to: Canon News   Category: Camera Gear Review News
Post Date: 8/19/2024 9:00:00 AM ET   Posted By: Bryan
 Wednesday, August 14, 2024

Just posted: Canon RF-S 3.9mm F3.5 STM Dual Fisheye Lens Review.

Niche lens that inspires creativity.

Support this site by ordering the Canon RF-S 3.9mm F3.5 STM Dual Fisheye Lens (or anything else) from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

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Posted to: Canon News, Sony News   Category: Camera Gear Review News
Post Date: 8/14/2024 9:00:00 AM ET   Posted By: Bryan
 Monday, August 12, 2024
 Friday, August 9, 2024

Noise test results are now available on the Canon EOS R5 Mark II page.

Read the image quality discussion.

Support this site by ordering the Canon EOS R5 Mark II from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

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Posted to: Canon News   Category: Camera Gear Review News
Post Date: 8/9/2024 9:00:00 AM ET   Posted By: Bryan
 Thursday, August 8, 2024

Resolution test results from the Canon RF 85mm F1.2 L USM Lens are now available on the Canon EOS R5 Mark II page.

As expected, these results appear identical to the R5 results — excellent.

Support this site by ordering the Canon EOS R5 Mark II from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

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Posted to: Canon News   Category: Camera Gear Review News
Post Date: 8/8/2024 9:00:00 AM ET   Posted By: Bryan
 Wednesday, August 7, 2024

I have a fresh-from-the-factory Canon EOS R5 Mark II in my hands, and it is time to set it up. I use the following steps to prepare a new (or reset to factory settings) R5 II for use. While the number of steps in this setup guide may seem daunting, the process is not difficult. You've got this.

  1. Open the box, find the battery, place it in the charger, and plug it in.
  2. record the serial number, and add the camera to your insurance policy (you're covered, right?)
  3. While the battery is charging, unpack the other items you want from the box.
  4. Consider downloading and installing the latest Canon imaging software, Canon Digital Photo Pro (DPP) and EOS Utility, to ensure support for your camera model.
  5. Insert a memory card (we'll format the card in a later step), insert a charged battery, and power the camera on.
  6. The language, and then date, time, and zone setup prompts will appear during the first startup. Use the rear control dial and set button to update this information.
  7. Scroll through all of the menu tabs to configure the camera as follows:
  8. Shooting Menu, Tab 1: Img type/size: Use the top control dial to set RAW to "RAW", and use the rear control dial to set JPEG/HEIF to "-" (RAW image files provide the highest quality, making them especially valuable for post-processing)
  9. Shooting Menu, Tab 3: Picture Style: Neutral with Sharpness = 1 (the low contrast "Neutral" picture style provides a histogram that best shows the available dynamic range. I change the Picture Style to "Standard" when processing in DPP. Most other software will ignore this setting.)
  10. Shooting Menu, Tab 4: White balance: AWB W (White) (I seldom use another white balance setting while shooting (it doesn't change the RAW captured image), though I often adjust white balance modestly during post-processing)
  11. Shooting Menu, Tab 4: Lens Aberration Correction: All options "OFF" (Includes Peripheral illumination correction, Distortion correction, Digital Lens Optimizer, Chromatic aberration correction, and Diffraction correction. I suggest that most photographers enable Chromatic aberration correction. non-Canon software ignores these settings)
  12. Shooting Menu, Tab 4: High ISO speed NR: Low (or Off) (noise reduction is destructive to image details — I prefer to add noise reduction sparingly during post-processing. Expect non-Canon software to ignore this setting.)
  13. Shooting Menu, Tab 6: Release shutter without card: OFF (only in a retail store would you want to press the shutter release without saving the image file)
  14. Shooting Menu, Tab 7: Customize Quick Controls: AF, One Shot - Servo, Drive mode, Anti-flicker shoot, Subject to detect, Focus bracketing, Pre-continuous Shooting, IS Mode, AF-MF, Switch focus/control ring, Eye control (pressing the "Q" button provides direct access to these settings)
  15. Shooting Menu, Tab 8: Image review: Review duration: 4 sec. (the Viewfinder review option is disabled by default, avoiding interference with the shooting process)
  16. Shooting Menu, Tab 8: Blackout-free display: ON
  17. Shooting Menu, Tab 9: Shooting info. disp.: Screen info. settings: Enable 1, 2, and 3; edit screen 2 to show only: Basic shooting info and Electronic level; edit screen 3 to show only: Basic shooting info, Histogram, and Electronic level
  18. Shooting Menu, Tab 9: Shooting info. disp.: VF info/toggle setting: Enable 1, 2, and 3 (default); edit screen 2 to show only: Electronic level; edit screen 3 to show only: Histogram and Electronic level
  19. Shooting Menu, Tab 9: Shooting info. disp.: Grid display: 3x3 (sometimes the 3x3 grid is helpful for alignment checking while not complicating the view)
  20. Shooting Menu, Tab 9: Shooting info. disp.: Histogram disp: RGB, Small (show the brightness levels of each channel separately and do not let the graph to take up much space in the display as it can affect the perceived composition)
  21. Shooting Menu, Tab 9: Shooting info. disp.: Electronic level size: Small (great new feature)
  22. Shooting Menu, Tab 9: Shooting info. disp.: Vertical exp level: Off
  23. AF Menu, Tab 2: Subject to detect: Select Auto, People, Animals, Vehicles, or None per your current shooting scenario
  24. AF Menu, Tab 4: Servo 1st image priority: Focus priority (accurate focus is more critical to me than the timing)
  25. AF Menu, Tab 5: Limit AF Areas: Enable Spot AF, 1-point AF, Flexible Zone AF 1, Whole area AF, Spot AF Tracking Off, 1-point AF Tracking Off (limit the options to those you expect to use, note the tracking off options)
  26. AF Menu, Tab 5: Orientation linked AF point: Separate AF pts: Pt only (instructs the camera to individually save the selected AF points for vertical and horizontal orientation)
  27. AF Menu, Tab 6: MF peaking settings: Peaking: On, Level: Low
  28. Playback Menu, Tab 3: Magnification: Magnificatn (apx) 10x (allows one button press during playback to zoom deeply into the image); Maintain position: Enable (maintains the position within the image when changing images)
  29. Playback Menu, Tab 4: Playback information display: 1 and 2 only; change view 2 histogram to RGB
  30. Playback Menu, Tab 4: Highlight Alert: Enable (overexposed and nearly overexposed pixels will blink during image review)
  31. Playback Menu, Tab 4: Playback grid: 3x3
  32. Networking Menu, Tab 1: Airplane mode: On (if not using wireless functions)
  33. Tools Menu, Tab 1: Format card (always format a memory card in-camera before using it — all data on the card will be lost)
  34. Tools Menu, Tab 1: Auto Rotate: On computer (images are properly rotated when viewed on a computer but are always oriented to fill the LCD when viewed on the camera)
  35. Tools Menu, Tab 2: Beep: Disable (probably no one wants to hear your camera's beep)
  36. Tools Menu, Tab 4: Power saving: Screen dimmer: Disable (resolves an annoyance — the LCD is as useful off as dimmed)
  37. Tools Menu, Tab 5: Custom shooting mode (C1, C2, C3): Auto update set: Enable; Program modes as desired
  38. Tools Menu, Tab 6: Copyright information: enter as desired, your name and company name are logical choices
  39. Customized controls Menu, Tab 1: Customize buttons: Multi-function button: Dial function and press info to set details: Top row: Drive mode, AF area, Exposure compensation; Second row: One shot - Servo, ISO, Flash exposure compensation; LCD panel illumination button: Eye control
  40. Customized controls Menu, Tab 1: Multi function lock: All unchecked (Disables the lock feature in case I inadvertently select it by not turning the power switch far enough)
  41. Customized controls Menu, Tab 2: Touch & drag AF settings: ON (great AF area selection option)
  42. Customized controls Menu, Tab 2: RF lens MF focus ring sensitivity: Linked to rotation degree (turns off the variable manual focus ring adjustment rate)
  43. Customized controls Menu, Tab 3: Customize buttons for playback: Set: Magnify/Reduce
  44. Customized controls Menu, Tab 4: Eye control: Eye control: On; Pointer display settings: Color: White, Display size: Small
  45. Customized controls Menu, Tab 4: Eye control: Calibration (CAL): (follow the guided instructions to set up this feature, performing numerous calibration attempts improves this feature's accuracy), a lens is optional during calibration
  46. Custom Functions Menu, Tab 1: Restrict shooting modes: On; I deselect Fv and select C2 and C3. Consider enabling A+ mode to let the camera make all decisions.
  47. Custom Functions Menu, Tab 1: Bracketing auto cancel: OFF (I want to control when AEB (Auto Exposure Bracketing) is enabled and disabled)
  48. Custom Functions Menu, Tab 1: Bracketing sequence: -0+ (if images are captured in brightness sequence, they are easier to work with during post-processing. Capturing the darkest image first means quickly securing the first frame)
  49. Custom Functions Menu, Tab 3: Continuous shooting speed: 30, 20, and 10
  50. Custom Functions Menu, Tab 4: Default erase option: [Erase] selected (less safe to inadvertent deletion, but one less step press is required to delete an image)
  51. Custom Functions Menu, Tab 4: Av setting without lens (permits camera setup without mounting the intended lens)
  52. Custom Functions Menu, Tab 5: Retract lens on power off: OFF (prevents a carefully selected focus distance from resetting when the camera auto powers off)
  53. My Menu: Add My Menu 1; Register the following options: Focus bracketing, Pre-cont. shooting, Shutter mode, IS (Image Stabilizer) mode, Format card, Number of bracketed shots; reorder menu items as desired
  54. My Menu: Add My Menu 2; Register the following options: Display (exposure) simulation (the "Off" setting is helpful when using flash), Date/Time/Zone (primarily for checking the time); reorder menu items as desired
  55. While looking at the menu through the EVF, adjust the diopter until the scene is sharp for your eye

I make additional menu and other setting changes based on current shooting scenarios, but this list covers my initial camera setup process.

To copy this configuration means you intend to shoot as I do, including in RAW-only format. While this setup works optimally for me, you should adjust the camera setup to your needs.

If you can't remember your menu setup parameters, keeping an up-to-date list such as this one is a great idea. Anytime the camera is set to the factory state, such as when serviced or when acquiring an additional camera, the list will ensure all settings are quickly re-established. Consider saving the camera settings to a card (Tools menu, tab 5, Save/load cam settings on card) for an easy restore or replication. The setup file can be copied to a computer drive for long-term storage.

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More Information

Canon EOS R5 Mark II

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Rent the Canon EOS R5 Mark II from Lensrentals.

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Post Date: 8/7/2024 11:48:16 AM ET   Posted By: Bryan
 Tuesday, July 30, 2024

Just posted: Canon AD-E1 Multi-Function Shoe Adapter Review.

What is the Canon AD-E1 Multi-Function Shoe Adapter? Do you need one? Find out now.

Support this site by ordering the Canon AD-E1 Multi-Function Shoe Adapter (or anything else) from B&H | Adorama | Canon USA | WEX | Camera Canada

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Posted to: Canon News   Category: Camera Gear Review News
Post Date: 7/30/2024 9:00:00 AM ET   Posted By: Bryan
 Monday, July 29, 2024

I've been using a pair of Alpha 1 cameras for Sony lens testing and for field use when a Sony lens better fit the need. The flagship a1 is an outstanding camera. What are the differences between the Canon EOS R5 Mark II and the Sony Alpha 1?

Check out the R5 II vs. a1 specification comparison along with the visual comparison of these cameras.

Here is a summary of the R5 II's advantages:

  • Eye Control AF vs. no (dramatically faster AF point or area positioning)
  • Pre-continuous shooting (hindsight is far clearer than foresight, and recording an image of an action in the near past is game-changing)
  • AF working range of EV -7.5 to 21 vs. EV -4 – 20 (the Canon camera focuses in considerably darker environments)
  • 6144-zone metering vs. 1200-zone (more areas evaluated yields potential improvement in auto exposure results)
  • More framerate options – 30, 20, 15, 12, 10, 7.5, 5, 3, 2, and 1 compared to 30, 20, 15, and 5 (with electronic shutter, but the mechanical shutter adds 10, 8, 6, and 3)
  • Up to 8k DCI 60p RAW vs. 8K 30p
  • 2.1 million dot vari-angle LCD vs. 1.44 million tilt
  • CFexpress Type B and UHS-II SD slots vs. dual multi slot for UHS-II SD and CFexpress Type A (Type B cards are faster and less expensive than A cards, but A cards are smaller and faster than SD cards)
  • 8.5-stop IBIS vs. 5.5
  • Neural Network upscaling (2x larger in both dimensions to 179 megapixels) and noise reduction processing in camera (both with JPG output only)
  • High-Frequency Anti-Flicker shooting (evaluates the scene and precisely adjusts the shutter speed to avoid banding and flicker, including from LED signage)
  • 802.11ax Wi-Fi 6 GHz vs. 802.11ac (5 GHz)
  • 4-Channel 24-Bit LPCM Audio vs. 2-Channel 16-Bit
  • Modestly lighter
  • Far lower price

That is a solid list.

Here are the a1's advantages:

  • 50 megapixels vs. 45 megapixels (50 is my favorite, but 45 is close)
  • 3.8 ms imaging sensor readout speed vs. 6.3 (faster readout reduces electronic shutter issues)
  • +/- 5 stops exposure compensation vs. 3
  • 240 fps EVF vs. 120
  • Pixel Shift Multi Shooting (provides dramatically higher resolution after post processing, but everything in the frame must be still)
  • 0.64" (16mm) 9.44 million dot EVF vs. 0.50" (12.7mm) 5.76 million dots
  • 1/400 max flash sync vs. 1/250
  • Ethernet port vs. available with accessory grip
  • Modestly smaller

Comparing across brands is significantly challenged by the differing interface and ergonomics, and these two cameras have significant differences in those regards. Advantages will often be determined by personal preference.

The bottom line is that both cameras are incredible and my two favorites. However, the R5 II's $2,199.00 lower price makes it a considerably better deal.

If you have not already done so, order the R5 II immediately if you have even a remote interest in it.

More Information

Canon EOS R5 Mark II

Sony Alpha 1

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Posted to: Canon News, Sony News   Category: Camera Gear Review News
Post Date: 7/29/2024 9:00:00 AM ET   Posted By: Bryan
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