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In the recently shared Bull Elk Among the Pines image, I suggested that thinking like a landscape photographer should be a top priority, seeing and capturing the environmental wildlife photo option when the right scenario unfolds. Still, I can't resist the in-your-face shot when it is availed.
The Canon EOS R5 Mark II and RF 100-500mm F4.5-7.1 L IS USM Lens teamed for this image. The compact size and light weight of this combination made it ideal for the long hike required to get to this enormous bull, the focal length range enabled fast adjustment to quickly capture a wide range of compositions, and the delivered image quality is outstanding.
A larger version of this image is available here.
ISO 1000
8192 x 5464px
Image quality test results from a second lens are now available in the Canon RF 14-35mm F4 L IS USM Lens Review.
The first lens was tested on the EOS R5, and the second lens was tested on the EOS R5 Mark II, but the camera difference does not influence these results.
Here is the comparison between the two lenses.
Primarily at question were the first lens's 35mm results. The second lens delivered sharper center of the frame results at 35mm, but the periphery results are not quite as good. The first lens was sharper in the periphery at 20, 24, and 28mm.
Please share!
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Tamron shared the Full Year 2024 Financial Results.
The report shows strong numbers and a positive outlook. However, the "Photographics Products (Own-Brand)" increases are not coming from America or Europe.
Just posted: Kondor Blue 501 Arca-Type Pivot Camera Plate Review.
John Reilly shares the solution to his fluid head mounting problem.
Support this site by ordering the Kondor Blue 501 Arca-Type Pivot Camera Plate (or anything else) from B&H | Adorama | Amazon (all available countries)
"Your Ultimate Camera Companion" [Lowepro]
Learn more about the Lowepro ProTactic Lite SLX 120 AW III Sling Bag (Black, 5L) at B&H (in stock, used model available at huge savings).
From Sony Electronics:
Sony Electronics Enhances Creators’ Cloud with Addition of Direct Transfers to Google Drive or Adobe Lightroom
SAN DIEGO, CA – Feb. 4, 2025 – Sony Electronics Inc. has made updates to its Creators’ Cloud platform, enhancing the Creators’ App1 to streamline content management for creators with new automated cloud transfer options. Based on feedback from the creative community, this latest update simplifies workflows by enabling direct uploads from select Sony cameras2 to Google Drive or Adobe Lightroom, empowering creators to seamlessly integrate their work into widely used editing and storage solutions.
This release of version 2.6.0 of the Creators’ App marks another step forward in Sony’s ongoing commitment to supporting the creative process with practical, user-driven enhancements, that give creators powerful, intuitive tools to move from shooting to sharing with minimal steps, with fewer technical barriers.
Overview of Creators’ Cloud System Capabilities:
The Creators' Cloud platform enhances flexibility, control, and efficiency for photographers and videographers by offering an all-in-one platform for remote camera operation, content management, and seamless media transfer. This comprehensive ecosystem empowers modern content creators with a suite of innovative apps designed to streamline every stage of the creative process.
From capturing footage to editing and finalizing projects, the platform offers specialized tools that cater to the unique needs of photographers and videographers. The Monitor & Control (M&C) app provides real-time, mobile-based control over camera settings, ideal for complex shooting environments, while the Creators' App acts as a central hub for connectivity, facilitating camera-to-phone transfers, live streaming, and cloud uploads3. Then, for postproduction, the Catalyst Prepare Plugin accelerates workflows with metadata-driven tools for fast, precise edits, compatible with DaVinci Resolve and Adobe Premiere Pro, simplifying the editing process while delivering professional-grade results.
What’s New:
The recent updates brought further optimized workflow with features like a USB connection for stable monitoring, a Shutter Angle Display, improved iris control, and enhanced smartphone transfer options. In addition, upgraded live streaming capabilities streamline YouTube integration for faster setup and operation.
Key Feature Highlights of Creators’ App v2.6.0:
- Automatic Cloud Transfer to Google Drive or Adobe Lightroom: In response to creator requests for a faster, more seamless workflow, this new feature allows users to automatically transfer images and videos to external cloud storage providers, offering immediate accessibility for collaborative editing and organization across platforms.
- Enhanced Smartphone Transfer and Efficiency Options: The latest smartphone transfer feature enables creators to move content to their devices while shooting, ensuring uninterrupted productivity. With “differential transfer,” only new or unsent files are transferred, maximizing efficiency and reflecting Sony’s commitment to streamlining repetitive tasks.
- Expanded Storage Options Tailored to User Needs: Creators’ Cloud now provides four cloud storage plans, including a free 5GB for all Creators’ Cloud users (25GB free for Sony camera owners), and premium tiers up to 500GB, addressing the storage demands of both casual users and professionals4. This flexible structure responds to feedback for scalable, affordable storage solutions.
- Enhanced Remote Control via Smartphone: With advanced control options, users can now adjust camera settings directly from their5 mobile devices, enhancing creative flexibility. This feature continues to evolve based on the needs and insights of the Sony creator community.
These updates are available immediately and continue Sony’s mission of fostering an inclusive ecosystem that grows in response to the needs of the creator community.
To download the latest Creators‘ Cloud updates and for further details on compatibility, please visit:
https://creatorscloud.sony.net
To download the latest version of the Creator’s App, please visit: https://creatorscloud.sony.net/catalog/en-us/creatorsapp/index.html
Notes:
1 Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.
2 Creators’ App supported cameras include FX3, FX30, a1 II, a1, a9 III, a7R V, a7S III, a7 IV, a7CR, a7C II, a6700, ZV-E1, ZV-E10 II, ZV-1 II, ZV-1F, ILX-LR1. For other models not listed, Imaging Edge Mobile app is available. Monitor & Control App supported cameras include BURANO, PXW-Z200/HXR-NX800, FX6, FX3, FX30, a1, a9 III, a7R V, a7S III, a7 IV, ZV-E1. App compatibility may require a camera firmware update. See sony.com/electronics/support/downloads to download the latest camera firmware.
3 Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.
4 A portion of which is used for data management functions.
5 Creators’ App supported cameras include FX3, FX30, a1 II, a1, a9 III, a7R V, a7S III, a7 IV, a7CR, a7C II, a6700, ZV-E1, ZV-E10 II, ZV-1 II, ZV-1F, ILX-LR1. For other models not listed, Imaging Edge Mobile app is available. App compatibility may require a camera firmware update. See sony.com/electronics/support/downloads to download the latest camera firmware.
Entire careers are made around photographing vehicles, so most of us will not go beyond dabbling in this genre. Still, dabbling is great fun (and could generate a profit if you get good at it).
To get started, you need a vehicle subject. Fortunately, these are plentiful and available nearly everywhere. Find something old, new, special (such as because you own it), or just for sale. The car can be yours, a friend's, a client's, or someone willing to trade car time for pictures.
Next, you need a place to put the car, and the background matters. Even with the car filling the width of the image (with some breathing room on both sides and the bottom), the background (and some foreground) is often a huge percentage of the image. A supportive background will minimally be nondistracting, especially void of strongly contrasting lines intersecting the perimeter of the vehicle that compete for attention. Even if blurred, the background should be void of clashing colors. Mow the grass and remove leaves and other distractions/detractions.
Even small cars are large, so a large space is optimal, and that option is often outdoors, including in yards, parking lots, etc. For inside shoots, find a large garage (including a commercial parking garage), warehouse, airplane hanger, etc.
Clean the car. Of course, one of Bryan's Laws of Photography is that if you wash the car, it will rain. Still, give it a go.
Show love to the wheels and tires as they are the car's soul and have a primary role to play. Tire shine will give the tires a deep, rich, better-than-new look, but understand the penalty. The tire shine I've used holds dirt and makes the tires virtually uncleanable, creating an always-dirty look. The easiest way to get them clean is to replace them.
In some locations and times of the year, insects landing on the vehicle can be problematic, and they seem to be attracted to a clean vehicle. Usually, they are easy to remove in post-processing, but when they start accumulating in greater numbers or land on features that are not easily replaced by the healing or cloning brush tools, chasing them away is a better idea.
Cars (most, at least) are reflective, so consider what is reflecting in the body and windows. A large open space often works well, leaving primarily the sky to reflect. Also, consider using a circular polarizer filter.
Lighting a large subject is challenging. The easiest high-quality lighting is a broad sky immediately after the sun sets or, for those preferring to get started early, before the sun rises. A cloudy day and a low sun at your back also work well. Light painting the exterior at night provides a different look and, potentially, a different look to every image.
Especially if shooting at dawn or dusk, turn on the car lights to add life to the vehicle. Adding a touch of interior light can work well.
Camera selection is easy. Unless the car is in motion, even entry-level cameras can perform this job well.
Lens selection is more critical, but there are many good options depending on the desired look.
The basics always apply, and perspective plays an especially big role for big subjects that are easy to get close to. 2x farther from the camera means 2x smaller in appearance. If the camera is close to the front of the car, the back of the car will be rendered considerably smaller. That size difference is OK if that is the look you want.
Shooting from a high position, such as from a ladder, enables a top view with reduced perspective distortion (and a different looks at the vehicle's shape). Shooting at car level from the front, back, or side and not too close can reduce visible perspective distortion, and moving back is always certain to reduce perspective distortion.
Select the focal length or focal length range that supports the desired perspective and composition within the working space. Select the aperture for thedesired depth of field and background blur.
This BMW image was captured just after sunset on a clear day, with the car strategically positioned to show only sky reflection in the windows. The 85mm f/1.2 combination yielded a strong background blur despite the relatively distant subject. The slightly forward of straight on camera position meant that most of the visible portion of the car was within the plane of sharp focus.
A larger version of this image is available here.
ISO 100
8192 x 5464px
Just posted: Canon RF 16-28mm F2.8 IS STM Lens Review.
This lens is a great addition to the RF lineup.
Support this site by ordering the Canon RF 16-28mm F2.8 IS STM Lens (or anything else) from B&H | Adorama | Canon USA | WEX | Camera Canada
Rent the Canon RF 16-28mm F2.8 IS STM Lens from Lensrentals.
What Canon USA announced:
The Data Is In: Canon Claims #1 Spot in Multiple Camera and Lens Categories
MELVILLE, NY, January 30, 2025 – Canon U.S.A., Inc., a leader in digital imaging solutions is proud to announce that the EOS R6 Mark II was the top selling full-frame camera in the U.S. in 2024* and Canon has solidified the number one spot in multiple categories for cameras and lenses in the U.S. This includes:
#1 in Interchangeable Lens Cameras*
#1 in Mirrorless Cameras*
#1 in Full-Frame Mirrorless Cameras*
In addition to the above, Canon is also number one in full-frame cameras, lenses and mirrorless lenses*. Since the introduction of the EOS R system, Canon has continued its development of innovative products with cameras such as the EOS R1 and EOS R5 Mark II and lenses including the RF24mm F1.4 L VCM and RF50mm F1.4 L VCM. For the professional photographer on the sidelines of world-class sporting events, to portrait or wedding photographers looking to capture a moment of a lifetime and the family photographer who is documenting the hustle and bustle of everyday life - Canon cameras and lenses are a strong addition to the gear bags of any visual storyteller looking for high-quality images and video.
“Customers are Canon’s greatest strength, and we strive to exceed their expectations – with hard work, quality products and innovation front and center, we’ve reached number one within the industry in the U.S.,” said Hiroto Kato, vice president, Business Planning & Strategy. “At the core of Canon is our employees who have helped to achieve this great success while empowering our visual storytellers.”
To learn more about Canon’s EOS R system visit: www.usa.canon.com/cameras/eos-r-system and to explore the world of Canon RF lenses, visit: www.usa.canon.com/pro/rf-lens-world
*Source: Circana, LLC, Retail Tracking Service, US, Detachable Lens and Lenses, Filters, Adaptors, and Caps Subcategories, Digital Lens Type(s): Digital SLR, Mirrorless Detachable Lens, Sensor Size: Full Frame, Lens Mount Type: Any, Imaging Accessory Type(s): Prime Lens, Zoom Lens, and Mirrorless Detachable Lens, Unit Sales by Brand, 12 Months Ending December 2024.
From Canon USA:
Canon Launches imagePROGRAF PRO-310 Inkjet Printer
MELVILLE, N.Y., January 30, 2025 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the launch of the imagePROGRAF PRO-310 Professional Inkjet Printer, a 13-inch device for professional and prosumer photographers, students, and others looking for a home printer that can generate excellent color reproduction while possessing longevity and durability.
The imagePROGRAF PRO-310, designed to provide superior light resistance for long-term preservation of high-quality printed works, adopts the newly developed pigment ink, "LUCIA PRO II"1 – featuring 10 colors – to help meet the needs of professional photographers who want to print high-quality photos while preserving the appeal of their work for the future.
“The PRO-310 is designed to assist our customers achieve vivid colors while offering easy and efficient output, and we are excited to deliver the ability for users to make professional-looking prints and layouts to help meet their dynamic needs and continue to deliver exceptional results.” said Shuji “Steve” Suda, vice president of Canon U.S.A., Inc.
Designed for excellent color reproduction
The Canon imagePROGRAF PRO-310 adopts a newly developed LUCIA PRO II1 pigment ink system designed to help improve the image quality from previous models while also enhancing resistance to light. Improved black density on art paper was achieved by changing the formulation and material of matte black ink. The reformulated Chroma Optimizer is designed to give the surface a clear coat of transparent ink that helps suppress bronze phenomena and helps reduce uneven glossiness.
Improved longevity and durability
The pigment ink, "LUCIA PRO II," adds wax to ink to help provide scratch resistance, designed to make it easier to handle in framing, packaging, transportation, display, and other situations where the print could be easily damaged, while allowing for long-term appreciation and preservation.
For efficiency, a nozzle recovery system works to help ensure that is a clog is detected in one nozzle, other will automatically compensate, contributing to the reduction in the frequency of head cleanings while working to prevent print waste due to banding.
A built-in skew correction mechanism straightens paper fed diagonally from the top tray or manual feed tray, working to reducing printing errors by stabilizing output for thick paper and other paper types.
Canon is proud to announce the imagePROGRAF PRO-310 has registered for EPEAT Gold designation as a product, which, if awarded, would show that it has met EPEAT’s most demanding set of criteria for sustainability leadership in electronics1. The new model contributes to Canon’s commitment to sustainability by eliminating the use of polystyrene foam in product packing in favor of recyclable corrugated cardboard.
Availability and Pricing
The Canon imagePROGRAF PRO-310 is scheduled to be available February 2025 for a Manufacturer's Suggested Retail Price (MSRP) of $899.99
Orders
The Canon imagePROGRAF PRO-310 Inkjet Printer is in stock at B&H.
# # #
*Actual prices set by dealer and may vary. Specifications and availability are subject to change without notice.
1 Newly developed ink (released in January 2024) is used for 10 colors. Matte Black uses the same ink as imagePROGRAF GP-4000/2000 (released in September 2021).
2 Electronic Product Environmental Assessment Tool. An environmental assessment system established by GEC (the Green Electronics Council), American NPO, for the purpose of developing and promoting the market for environmentally friendly products.
Canon has added full year 2024 financial results to the Investor Relations page.
Presentation Material
Results
Presentation Material and Speech Summary
Q&A Session Summary
Quotes and Information From the Presentation Material.
"4Q sales of cameras and laser printers up more than 10%"
"Full-year net sales up 7.9%, exceeded record high sales of 2007, achieved 4.5 trillion yen sales target for 2025, one year ahead of schedule"
Net camera sales were +6.5% vs. 2023, and imaging operating profit was +3.9%.
Forecasted net camera sales for 2025 are +8.2%, and forecasted net imaging profits are +11.8%.
Buy your Canon cameras, lens, and accessories at B&H.
Nextorage has announced 6 new CFexpress 4.0 Type B memory cards, 3 in the Advanced Edition series, and 3 in the Standard Edition series.
"Both series utilize TLC NAND Flash Memory and support the CFexpress 4.0 standard, offering backward compatibility with CFexpress 2.0 host devices. The NX-B3AE Series complies with VPG400 standards for stable video recording, while the NX-B3SE Series is ideal for still images especially for portraits, landscapes, and product shots." [Nextorage]
Check out the fast new Nextorage NX-B3AE Series CFexpress 4.0 Type A Memory Cards at B&H.
Check out the also fast Nextorage NX-B3SE Series CFexpress 4.0 Type A Memory Cards at Amazon.
Image quality test results are now available on the Canon RF 16-28mm F2.8 IS STM Lens page.
The expected step-above image quality is seen in these results.
Compared to the Canon RF 15-30mm F4.5-6.3 IS STM Lens
Compared to the Canon RF 14-35mm F4 L IS USM Lens
Compared to the Canon RF 15-35mm F2.8 L IS USM Lens
There are many additional relevant comparisons available.
Please share!
Support this site by ordering the Canon RF 16-28mm F2.8 IS STM Lens (or anything else) from B&H | Adorama | Canon USA | WEX | Camera Canada
Rent the Canon RF 16-28mm F2.8 IS STM Lens from Lensrentals.
Canon EOS R5 C firmware update version 1.1.0.1 is available for download.
Firmware Version 1.1.0.1 incorporates the following fixes and enhancements:
- Enables functions to be used without limitation in conjunction with the new Battery Pack LP-E6P. This makes it possible to shoot 59.94P with RAW LT.
- Enables the display of the digital tele-converter icon on [Main Recording Displays] of [DISP Level 2].
- Adds the ability to apply Full-Screen display to an external display according to OSD Output setting when using [Peripheral Border Display].
- Adds function [Tracking by Touch priority] for starting tracking by touching the LCD.
- Enables the AF Frame and Focus Guide to be moved by dragging.
- Adds [Protect Images] and [Rating] during FTP Transfer. (Photo Mode)
- Adds the [Motion Vector For Digital IS] menu option. Default [Disable]*
[Disable]: Prevents a phenomenon that may cause the image to shake along with the subject when recording a subject (such as a person or an animal) with a large amount movement. - Changes the menu option name of [PTP Connection/GP-E2] in [USB Mode] in [System Setup] to [Canon App(s)/GP-E2]. For Android devices, please select [Canon App(s)/GP-E2].
- Adds support for the RF-Mount Cinema Lens: CN7x17 KAS T/R1
- Support for Magnification chromatic aberration correction
- Support for Peripheral Illumination Correction.
- Support for Distortion aberration correction
- Displaying T number.
- Enables the remote operation from the camera and RC-V100 (Focus/Zoom/Iris)
- Enables the remote operation from Browser Remote (Focus/Zoom/Iris)
- Enables the zoom operation by joystick on camera body.
- Support for Dual Pixel CMOS AF autofocus
- Support for [Dual Pixel Focus Guide].
- Support for [Push Auto Iris] and [Auto Iris]
- Fixes minor issues.
- The accuracy of the timecode when the camera is turned off and the [Time Code Run] setting is set to [Free Run] has been improved.
#1 to #10 were added in Version 1.0.9.1. #11 was added in Version 1.1.0.1. For details, please refer to the user manual (latest version) for this product.
Caution:
- Please use an SD/SDHC/SDXC memory card that is 512MB or greater to perform the firmware update.
- Firmware version 1.1.0.1 is for updating EOS R5 C cameras running firmware version 1.0.0.1 - 1.0.9.1. If your camera's firmware is already version 1.1.0.1, it is not necessary to update the firmware. Once the camera is updated to the latest version, it cannot be restored to a previous version.
- Please refrain from loading menu settings generated using the most recent firmware version to a product running an old firmware version, as doing so may affect camera operations.
- Firmware update must be performed in VIDEO mode.
Get the Canon EOS R5 C at B&H.
Canon EOS C80 firmware update version 1.0.2.1 is available for download.
Firmware Version 1.0.2.1 incorporates the following fixes and enhancements:
- Adds support for Frame.io Camera to Cloud.
Available in regions served by Frame.io. - Enables the display of the digital tele-converter icon on [Main Recording Displays] of [DISP Level 2].
- Adds the ability to apply Full-Screen display to an external display according to OSD Output setting when using [Peripheral Border Display].
- Adds [1920x1080P] to [SDI Output Signal] option.
- Adds [CAMERA<=>MEDIA] to assignable button menus [CAMERA] and [REMOTE A].
- Fixes minor issues.
- The accuracy of the timecode when the camera is turned off and the [Time Code Run] setting is set to [Free Run] has been improved.
#1 to #6 were added in Version 1.0.1.1. #7 was added in Version 1.0.2.1. For details, please refer to the user manual (latest version) for this product.
Caution:
- Please use an SD/SDHC/SDXC memory card that is 512MB or greater to perform the firmware update.
- Firmware version 1.0.2.1 is for updating cameras running firmware version 1.0.0.1 - 1.0.1.1. If your camera's firmware is already version 1.0.2.1, it is not necessary to update the firmware. Once the camera is updated to the latest version, it cannot be restored to a previous version.
- Please refrain from loading menu settings generated using the most recent firmware version to a product running an old firmware version, as doing so may affect camera operations.
Get the Canon EOS C80 at B&H.
I usually instruct my wildlife photography workshop participants to first think like a landscape photographer, prioritizing seeing and capturing the environmental wildlife photo option when the right scenario unfolds. While I love tight wildlife portraits, those are often more readily available than an image of the animal in a beautiful landscape.
Following such advice is complicated by using a long focal length prime lens, especially those in the 600mm F4 class. While these lenses create the best tightly framed, blurred background wildlife imagery, prime lenses require sneaker zoom to adjust the amount of the scene in the composition, and wildlife is not often patient enough to wait for the long sneaker zooming this narrow angle of view requires to sufficiently change the composition.
The long-lens environmental portrait strategy that more frequently works is watching for distant animals. On this afternoon, my crew was photographing a relatively close bull when another bull appeared far behind us at almost the perfect distance for 600mm. I say almost because the composition was slightly tight. Capturing some additional canvas in subsequent images enabled stitching a slight panorama that provided a little breathing room to the pines.
A common problem with long focal length long-distance photography is heat shimmer. While this image is mostly void of that problem, small indications of it still exist.
Join me to photograph the elk rut in Rocky Mountain National Park this September (2025). I recently learned that a repeat tour participant had to cancel their reservation for both weeks due to medical reasons, so I have one opening for each or both weeks of this not previously announced yet filled tour.
Special Offer: Sign up for both weeks and get two bonus days plus transportation from and to Denver.
Learn more: Elk Rut in Rocky Mountain National Park Photo Tour
Contact me for more information or to sign up.
A larger version of this image is available here.
ISO 640
8907 x 6054px
A huge bull elk is a spectacular sight, especially when it is in rut mode. What if that was the view in your camera's viewfinder? I have that opportunity for you.
Join me to photograph the elk rut in Rocky Mountain National Park this September (2025). I just learned that a repeat tour participant had to cancel their reservation for both weeks due to medical reasons, so I have one opening for each or both weeks of this not previously announced yet filled tour.
Special Offer: Sign up for both weeks and get two bonus days plus transportation from and to Denver.
Learn more: Elk Rut in Rocky Mountain National Park Photo Tour
Contact me for more information or to sign up.
The 1/125 sec. shutter speed used for this image is often too slow to stop the motion of wildlife. However, elk are usually relatively still when bugling.
With the camera in manual exposure mode with auto ISO selected and the top dial configured for shutter speed, a quick roll of the dial enabled fast adjustment to a slow shutter speed when the elk's motion paused. The result was the camera immediately auto selecting a considerably lower and less noisy ISO setting than was in use moments before.
Aperture is the third image brightness component of manual exposure. I photograph wildlife with a wide-open aperture unless increased depth of field is desired, such as when multiple animals are in the frame.
A larger version of this image is available here.
ISO 1000
8113 x 5408px
Check out the fast new Nextorage NX-A2SE Series CFexpress 4.0 Type A Memory Cards and NX-SA1PRO USB 40Gbps Reader (with large heat sink) at Amazon.
The VPG200-rated cards feature:
- Max. read speed: 1,900 MB/s
- Max. write speed: 1,700 MB/s
- Minimum sustained write speed: 1,500 MB/s
We're going to like this lens. The Canon RF 16-28mm F2.8 IS STM Lens page has information about (including MTF charts) and expectations for this model.
Support this site by ordering the RF 16-28mm F2.8 IS STM from B&H | Adorama | WEX
Please share!
From Canon USA:
Canon U.S.A. Announces the New RF16-28mm F2.8 IS STM Lens: Elevating Content Creation for the Next Generation
MELVILLE, NY, January 22, 2025 – Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to unveil the new RF16-28mm F2.8 IS STM lens, joining the Canon RF28–70mm F2.8 STM as a more affordable f/2.8 zoom option for Canon mirrorless users. Designed for modern content creators, this lens delivers outstanding image quality, portability, and versatility—ideal for use across both photo and video.
Whether filming cinematic video or shooting intimate photo portraits, the RF16-28mm F2.8 IS STM provides sharp details and vibrant colors to elevate content with ease. Its compact, durable design makes it the perfect companion for creators working in both urban environments and remote locations, offering performance typically reserved for larger lenses.
Engineered for professionals and beginners alike, the RF16-28mm F2.8 IS STM combines fast autofocus, smooth aperture control, and outstanding optics. With the wide f/2.8 constant maximum aperture and ultra wide-angle zoom coverage, it captures high-resolution, crisp footage, while minimizing technical challenges, allowing creators to expand their creative vision. The lens also features focus breathing correction, which smooths video transitions during focus changes—an essential asset for filmmakers aiming for a polished, professional look in evolving shooting environments.
Additionally, the lens incorporates advanced stabilization systems for both stills and video. Coordinated control with Peripheral IS minimizes distortion at the edges of wide-angle shots, providing clear, crisp images across the entire frame. For video, coordinated control with Movie Digital IS enhances stabilization, making it perfect for handheld or highspeed shots, keeping footage steady and smooth even when walking or shooting in changing settings.
As demand for dynamic, high-quality content continues to grow, the RF16-28mm F2.8 IS STM stands out as an indispensable tool for photo and video content creators, landscape and travel enthusiasts, and everyday photographers alike—and the flexibility to meet the needs of today’s fast-paced digital world.
Pricing and Availability
The Canon RF16-28mm F2.8 IS STM Lens is available and currently scheduled to ship on February 11, 2025, for an estimated retail price of $1,149.00*.
* Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary.
Interesting release from Canon Inc.:
Canon develops CMOS sensor with 410 megapixels, the largest number of pixels ever achieved in a 35 mm full-frame sensor
TOKYO, January 22, 2025— Canon Inc. announced today that it has developed a CMOS sensor with 410 megapixels (24,592 x 16,704 pixels), which is the largest number1 of pixels ever achieved in a 35 mm full-frame sensor. This sensor is expected to be used in applications that demand extreme resolution in various markets including surveillance, medicine, and industry.
The newly developed CMOS sensor features a resolution equivalent to 24K (198 times greater than Full HD, and 12 times greater than 8K). This enables users to crop any part of the image captured by this sensor and enlarge it significantly while maintaining high resolution. While many CMOS sensors with a super-high pixel count are medium-format or larger, this extreme resolution sensor is compacted into a 35 mm full-frame format. This allows it to be used in combination with lenses for full-frame sensors, and it is expected to contribute to the miniaturization of shooting equipment. As data readout of a CMOS sensor tends to take longer as the number of pixels increases, achieving a CMOS sensor with a super-high pixel count requires advanced signal processing technology. The newly developed sensor employs a back-illuminated stacked formation in which the pixel segment and signal processing segment are interlayered and also includes a redesigned circuitry pattern. As a result, the sensor is capable of achieving a super-high readout speed of 3,280 megapixels per second, delivering video at 8 frames per second2.
This sensor3 also features a “four-pixel binning” function that virtually treats four adjoining pixels as one, thereby improving sensitivity and making it possible to capture brighter images. When this function is in use, the sensor can capture 100-megapixel video at 24 frames per second.
By leveraging the technology it has accumulated over many years as a leading imaging company, Canon has developed breakthrough products including CMOS sensors with super-high pixel count and ultra-sensitivity, and SPAD sensors, which detect faint traces of light even in dark areas. Canon will continue to advance its technology and contribute to the transformation and further development of society.
Additional information
The sensor is scheduled to be displayed at the Canon booth at SPIE Photonics West, a leading global conference for optics and photonics held in San Francisco from January 28-30, 2025.
1 As of January 21, 2025 (According to a survey by Canon).
2 Applies to both color and monochrome sensors
3 Monochrome sensor only
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