Bridalveil Falls, Yosemite National Park This Bridalveil Falls view is from "Bridalveil Falls View" which is of course in Yosemite National Park. Bridalveil Falls View, on Northside Drive in the Yosemite Valley, is a great late-day photography location. 40mm f/9.0 1/100s ISO 100 |
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Yosemite National Park High Country I timed my trip to Yosemite National Park with a couple of key points in mind. I wanted to go before kids got out of school as this park gets extremely crowded during peak season. I wanted to be able to get to Glacier Point and I wanted to be able to go across Tioga Pass to the east side of the park. This meant pushing the arrival date to later so that snow removal can take place. 135mm f/5.6 1/400s ISO 100 |
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Upper Yosemite Falls, Yosemite National Park Upper Yosemite Falls in rages as the biggest snow pack in 70 years melts from the Yosemite National Park high country. The sun shining through clouds provided unique lighting for the falls. I framed this image so that the lines of the stone valley walls angled or curved throughout the composition. 102mm f/8.0 1/100s ISO 100 |
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Tunnel View, Yosemite National Park Tunnel View in Yosemite National Park is an iconic scene, which of course means that this scene is common in photographs. However, the quantity of images captured here does not diminish the beauty of the scene or the images captured here. 24mm f/8.0 1/200s ISO 100 |
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Forest Fire Regeneration, Yosemite National Park This area in Yosemite National Park is regenerating after a forest fire. Fire-darkened trees and their shadows strongly contrast with the bright new growth. And of course, a granite backdrop is not hard to find in Yosemite National Park. 24mm f/11.0 1/30s ISO 200 |
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Vernal Falls, Yosemite National Park This is Vernal Falls in Yosemite National Park after a 200%-of-normal snow pack winter - reportedly the most snow in 70 years. Keeping the lens dry enough to shoot with was a challenge. 58mm f/8.0 1/60s ISO 100 |
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Upper and Lower Yosemite Falls, Yosemite National Park Upper and Lower Yosemite Falls are two of the most visible Yosemite National Park falls. This view, with the Acorn Woodpecker-holed tree, is from Cook's Meadow. 24mm f/11.0 1/40s ISO 160 |
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Valley View, Yosemite National Park In this Valley View picture, the Merced River flows through the foreground with El Capitan and Bridalveil Falls being the most notable background elements. 24mm f/8.0 .4s ISO 100 |
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Vernal Falls, Yosemite National Park Picture Vernal Falls is one of the most popular Yosemite National Park attractions - and for a good reason. This shot was obviously taken from the top of the falls - while leaning on a fence. The area just above the falls features a lot of smooth granite rock - that invites playing in the water there. However, that is a very bad idea as Yosemite's granite is very slippery when wet. Signs warn of this danger. 24mm f/11.0 1/80s ISO 200 |
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Yosemite Valley Chapel, Yosemite National Park The Yosemite Valley Chapel is a must-shoot subject in Yosemite National Park. A cloudy day provided soft lighting for my chapel picture. For this composition, I kept grass along the entire bottom of the frame and granite across most of the top. The sidewalk curves into the centered (and level) chapel, framed by trees - with the trunks on the right sweeping over the chapel. 60mm f/8.0 1/20s ISO 100 |
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Yosemite National Park Granite Streaks of tan and black are not typically the first vision one has when thinking about granite, but Yosemite National Park's granite is beautiful. Capturing detail is a good job for a telephoto lens. This was a good cloudy-day composition. 300mm f/8.0 1/20s ISO 100 |
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Giant Sequoias, Mariposa Grove, Yosemite National Park A clump of immense sequoia trees grow up from the earth in Mariposa Grove, Yosemite National Park. Shooting the sequoias under cloudy skies eliminates the hot spots that must be avoided on a sunny day. 35mm f/11.0 .5s ISO 100 |
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Towering Pines and Cathedral Rocks, Yosemite National Park Pointing an ultra-wide angle lens upward will emphasize the diminishing line effect - causing these tall pines to slope noticeably inward while framing the large granite alls of Cathedral Rocks. I kept a clean, grass-only bottom edge of the frame and similarly, only sky and clouds intersect the top of the frame. 17mm f/11.0 1/80s ISO 100 |
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Yosemite Valley, Tunnel View, Yosemite National Park The Yosemite Valley, as seen from Tunnel View, is spectacular. In this frame, I used El Capitan and Bridalveil Falls to frame the valley. A late afternoon sun provides warm, direct light on the falls and walls while clouds throw interesting shadows into the frame. 67mm f/8.0 1/200s ISO 100 |
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Yosemite National Park Ferns Bright green ferns stand out in this burned-out forest in Yosemite National Park. The lighting was not favorable for grand landscape photography this morning, but the very overcast sky was ideal for photographing the forest floor. 17mm f/11.0 1/4s ISO 100 |
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Reflection of Cathedral Rocks, Yosemite National Park Late May, after an unusually high snow pack, is not a good time to shoot reflections at Yosemite National Park. The Merced River was definitely not mirror-like. I was able to find this pond to get a reflective shot of the granite walls of Cathedral Rocks. 17mm f/11.0 1/125s ISO 100 |
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Stellar Jay on Granite The light-colored Yosemite National Park granite contrasts nicely with the beautifully-colored Stellar Jay. The Canon EF 24-105mm f/4 L IS USM Lens is not a good bird lens - unless the bird wants your lunch. 105mm f/9.0 1/250s ISO 400 |
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Snow Plant, Yosemite National Park An unusual plant found in Yosemite National Park is the snow plant. The snow plant, lacking any green for photosynthesis, feeds on fungi found in the soil. It often grows in the snow. 24mm f/16.0 10s ISO 100 |
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Half Dome During Storm, Yosemite National Park Timing is one of the laws of leadership. It also applies to photography. Timing can be planned, but it also happens by chance. On this day, I drove to Glacier Point in Yosemite National Park and was greeted with this scene. The next day, I talked to a photographer who spent 6 very cold hours waiting for the storm to clear enough to be able to simply see Half Dome. He gave up and left - just before I arrived. 108mm f/8.0 1/30s ISO 100 |
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Vertical View of Upper Yosemite Falls When working a scene, try shooting both vertically and horizontally. In this case, I liked both variants - making selection of my favorites a problem. 105mm f/8.0 1/80s ISO 100 |
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Mariposa Grove, Yosemite National Park Mariposa Grove in Yosemite National Park holds many giant sequoia trees. Here, a young tree is dwarfed by the trunk of the sequoia. 105mm f/11.0 .6s ISO 100 |
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Cook's Meadow, YNP Dark shadows from large pines lead to the deep green Cook's Meadow in Yosemite National Park. 24mm f/10.0 1/40s ISO 100 |
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Clear Evening at Glacier Point I seldom desire a clear sky for late day landscape photography, but sometimes must make the most of what I have to work with. For this image, I shot from a low position to cause an interesting pine tree growing out of the rocks to become an interesting silhouette in the blue sky. Half Dome does not need any help to be interesting, but the deep shadows around it help. 24mm f/11.0 1/50s ISO 100 |
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El Capitan, Yosemite National Park El Capitan rises out of the clouds in the Yosemite National Park valley. I kept this compsition simple, aiming to capture the drama of the weather conditions. 47mm f/11.0 1/100s ISO 100 |
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Sunset at Tunnel View The late day sun shines under the clouds to light the Yosemite Valley as seen from Tunnel View. The hard shadows from the granite walls close in on Bridalveil Falls while El Capitan reaches over its neighboring walls. 50mm f/9.0 1/40s ISO 100 |
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Layers of Glacier Point, Yosemite National Park The first layer in this Glacier Point, Yosemite National Park picture is a cold one - snow. Layers beyond the snow include Half Dome with a storm passing over it. 28mm f/11.0 1/6s ISO 100 |
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El Capitan and Bridalveil Falls from Valley View Valley View in Yosemite National Park is one of the best places to shoot El Capitan and Bridalveil Falls in the afternoon. While Yosemite offers opportunities for the most elite of athletic photographers, it is also a great place for those with difficulty getting around. Valley View is a small parking lot just off of Northside Dr. Many of the other great Yosemite National Park photo locations are similar. 40mm f/8.0 1/40s ISO 100 |
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Lupines, Yosemite National Park A carpet of purple lupines front a dead tree and pine trunks in the forest behind. These lupines were near Wawona in Yosemite National Park. 96mm f/16 1/4s ISO 100 |
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El Capitan Close-up El Capitan is so large that getting a closeup portrait of this mountain wall is not difficult. 108mm f/8.0 1/320s ISO 100 |
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Glacier Point, Yosemite National Park It was June 1st in the northern hemisphere, but I was shooting in light snow and temperatures were in the high 20s without wind chill factored in. More than light snow is hitting the top of Half Dome when this picture was captured. 70mm f/16.0 1/8s ISO 100 |
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Vernal Falls, Yosemite NP The sight of Vernal Falls is well worth the hike required to get to it. Be prepared to get wet if the falls are flowing at full volume. 24mm f/8.0 1/60s ISO 100 |
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Cloud Bank, Yosemite National Park A huge cloud bank rolls in over the snow-pack-covered Yosemite National Park high country. 300mm f/11.0 1/100s ISO 100 |
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Nevada Falls as Seen From Glacier Point Driving to Glacier Point is a much easier way to see Nevada Falls than hiking Mist Trail to do the same. However, the latter will give you much more exercise. 17mm f/11.0 1/80s ISO 100 |
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California Ground Squirrel While California Ground Squirrels are not hard to find, they are somewhat difficult to capture in a nice photo - because they don't stop moving. At least the ones we encountered did not. This one wanted our lunch. 105mm f/7.1 1/250s ISO 200 |
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Lower Mariposa Grove, Yosemite National Park This group of giant sequoia trees were located in Lower Mariposa Grove, Yosemite National Park. I love the color of this tree species' trunks - especially how they stand out from the green surroundings they are typically found in.. 80mm f/11.0 .4s ISO 100 |
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Yosemite National Park Mountain Top A snow storm moves through the Yosemite National Park mountains. I framed this image so that the top and bottom of the frame were dark. 176mm f/5.6 1/200s ISO 100 |
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Valley View Picture By this time of the day, when the sun provides the best light on the south wall of the Yosemite valley, the foreground at Valley View has gone into the shadows. I love to find great foregrounds to include with the much-easier-to-find great backgrounds. I did not feel greatly successful at this location, but liked this scene. 24mm f/11.0 1/30s ISO 100 |
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Elm Tree, Cook's Meadow, YNP This photogenic elm tree is located in Cook's Meadow in Yosemite National Park. The meadow (more like a swamp) adds more bright green to the already green frame. 24mm f/11.0 1/25s ISO 100 |
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Nevada Falls, Yosemite National Park Nevada Falls in Yosemite National Park is reached via the Mist and John Muir Trails. I can't speak regarding the John Muir trail, but the Mist Trail is somewhat challenging due to the distance and elevation gain. This trail, when the Merced River is flowing strongly, is worth every ounce of the effort. 24mm f/11.0 1/40s ISO 200 |
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Dead Tree with Moss Brightly colored moss grows on the limbs of the red trunk of this dead tree. A live tree in the background somewhat mirrors the dead tree. This photo was taken on the Mist Trail above Vernal Falls. 105mm f/8.0 1/40s ISO 100 |
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Lupine Meadow, Yosemite National Park This lupine meadow is near Wawona in southern Yosemite National Park. The bright green and purple colors called to me. 24mm f/11.0 1/6s ISO 100 |
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Jagged Peaks of Yosemite Clouds roll through these jagged peaks seen from Cook's Meadow in the Yosemite Valley. 47mm f/8.0 1/200s ISO 100 |
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End of the Day, Glacier Point, YNP A late day sun shining through the peaks of Yosemite National Park illuminates the high country and the remaining snow pack on it. 300mm f/8.0 1/100s ISO 100 |
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Yosemite Falls Upper and Lower Yosemite Falls as seen from Cook's Meadow. A vertical orientation allows a longer focal length to be used to capture both falls. This makes the falls larger in the composition - emphasizing them. 58mm f/8.0 1/50s ISO 160 |
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Cook's Meadow, Yosemite National Park The bright green plant life in the Cook's Meadow wetlands adds a welcome color to images captured here. 24mm f/8.0 1/200s ISO 100 |
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Trail to Mirror Lake I didn't find Mirror Lake too exciting the day I hiked to it, but I liked the cloud formations and shadows that arrived during the hike back. 24mm f/10.0 1/60s ISO 100 |