Canon Professional Services will be on site at the Tennis Center providing support for photographers covering the 2015 US Open. All photographers must hold valid credentials issued by the event’s organizers in order to gain entry.
Our Canon factory service technicians will provide complimentary Clean & Check service on Canon EOS DSLR cameras and Canon EF/EF-S lenses. Clean & Check service is limited to (2) items per photographer and is provided on a first-come, first-served basis. Same day service is not guaranteed.
Daily equipment evaluation loans will be available on a first-come, first-served basis.
Pro Market representatives will be available to answer technical questions and offer product demonstrations.
The Canon CPS support area will be located in the Photographers Lounge of the East Media section within the main Media Center situated in the southwest corner of Arthur Ashe Stadium.
Location Photographers Lounge Media Center in Arthur Ashe Stadium USTA Billie Jean King National Tennis Center Flushing Meadows Corona Park Rd Flushing, NY 11368
Dates and Hours of CPS Operations: Monday, August 31th through Friday, September 11th from 9:00am to 5:00pm.
Schedule during the Semi-finals on Saturday, September 12th and Sunday, September 13th to be determined and will be posted on site.
(All times indicated are local time and schedule/content subject to change without prior notice)
Canon Professional Services (CPS) Canon U.S.A., Inc.
MELVILLE, N.Y, August 27, 2015 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced that its parent company, Canon Inc., has developed Blue Spectrum Refractive (BR), a new optical element for use in camera lenses that corrects chromatic aberrations at an extremely high level to achieve superb imaging performance.
The new Canon-developed BR optical element offers characteristics that significantly refract blue light, which lies within the short-wavelength range, to achieve impressive levels of chromatic aberration correction for outstanding imaging performance. The BR optical element, positioned between two glass lens elements to create a BR lens, will make its debut in the new EF 35mm f/1.4L II USM wide-angle fixed-focal-length lens, which is scheduled to go on sale in October 2015.
Natural light, or white light, comprises a spectrum of wavelengths, or colors, each of which realizes a unique refractive index when passing through a lens. As all colors do not converge on the same point, this disparity causes chromatic aberrations, or color fringing, to occur in an image.
Canon develops optical elements by reviewing organic optical materials, beginning with the design of molecular structures, with the aim of achieving optimal chromatic aberration correction that suppresses color fringing. With the successful development of the BR optical element, which offers unique light-dispersion characteristics that significantly refract blue light—a wavelength that, until now, had proven particularly difficult to converge to a specific focal point—Canon is able to develop lenses that result in outstanding imaging performance by correcting chromatic aberrations at an exceptionally high level.
New L-Series Lens is First to Feature Canon’s Proprietary Blue Spectrum Refractive Optics – That Achieves a Higher Level of Chromatic Aberration Correction For Superb Image Quality
MELVILLE, N.Y., August 27, 2015 – Canon U.S.A., a leader in digital imaging solutions, today introduced the new EF 35mm f/1.4L II USM lens for EOS system cameras – a wide-angle fixed-focal-length Canon EF lens that is the world’s first* to utilize the Company’s newly-developed and exclusive Blue Spectrum Refractive Optics (BR Optics). This new optical technology utilizes organic material newly developed by Canon to achieve a higher level of chromatic aberration correction than other existing technologies resulting in outstanding high-quality imaging performance.
“As the world leader in production of interchangeable lenses, having produced over 110 million EF lenses since 1987, it is with great excitement that we now introduce a revolutionary new technology to add to Canon’s unequaled optical heritage when it comes to chromatic aberration correction,” said Yuichi Ishizuka, president and COO of Canon U.S.A., Inc. “We continually strive to achieve the ideal lens performance, which has driven the development of Blue Spectrum Refractive Optics, found in the new EF 35mm f/1.4L II USM lens. This technology is yet another ‘first’ in optical design introduced by Canon to enhance the performance of our lenses for our customers.”
Canon’s proprietary Blue Spectrum Refractive Optics (BR Optics) incorporate a new organic optical material with unique anomalous dispersion characteristics for use in camera lenses. The molecular design of BR Optics refracts blue light (short wavelength spectrum) to a greater degree than other existing optical technologies including UD glass, Super UD glass and Fluorite, to control color fringing as effectively as possible. When placed between convex and concave lens elements made from conventional optical glass materials, BR Optics help to produce sharp images with outstanding contrast and color fidelity by thoroughly reducing axial chromatic aberration.
In addition to BR Optics, the new lens incorporates two aspherical elements and one UD glass element in a 14 element, 11 group optical formula. The EF 35mm f/1.4L II USM lens also features Canon’s proprietary Sub-Wavelength Structure Coating (SWC), applied to the rear surface of the first and second aspheric lens elements to help combat flare and ghosting caused by light rays entering the lens at a large angle of incidence. The lens also offers best in class minimum focusing distance at 0.28m (approximately 11 inches) resulting in an increased maximum magnification of 0.21x - ideal for capturing close-up subjects. Autofocusing is swift and virtually silent due to a rear-focus optical system and Canon’s original Ring USM focusing motor. Full-time mechanical manual focusing is also available even when the lens is set to AF mode.
The Canon EF 35mm f/1.4L II USM lens features improved durability over its predecessor. As with all L-series lenses, this new lens is highly resistant to dust and water – making it ideal for outdoor photography, even in harsh conditions. The high-grade design of the lens provides users with a substantial and luxurious feel, as well as optimal operability. In addition, a fluorine coating on the front and rear lens surfaces helps to repel liquids and dust particles, and makes the lens easier to clean.
Pricing and Availability The new Canon EF 35mm f/1.4L II USM lens is compatible with 72mm filters and will be supplied with Lens Hood EW-77B and Lens Pouch LP1219. It is scheduled to be available in October 2015, for an estimated retail price of $1,799.00.
The Power and Versatility of an EOS Camera in a New Light
MELVILLE, N.Y., August 27, 2015 - Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the EOS M3, a compact and stylish interchangeable lens digital camera created for enthusiast photographers who demand premium performance. Fusing Canon’s outstanding image quality and DSLR-levels of control in a small and lightweight camera body, the EOS M3 camera offers the ability to capture important moments in outstanding detail.
At the heart of the EOS M3 camera is Canon’s latest and most advanced digital imaging technologies, including the company’s high-resolution 24.2 megapixel APS-C CMOS image sensor and its most advanced image processor, DIGIC 6, delivering premium quality stills and Full HD videos. Combined with super-fast AF performance, thanks to a new 49-point Hybrid CMOS AF III Autofocus System, this digital camera gives photographers the freedom to capture the beauty of movement. Advanced photographers will find everything they need at their fingertips, with intuitive DSLR-like dials and control, as well as access to the entire lineup of more than 80 Canon EF, EF-S and EF-M interchangeable lenses*, all shrunk down into a compact, mirrorless body to take with them wherever they go. Advanced EOS camera technologies built into the EOS M3 camera include:
24.2 Megapixel APS-C Canon CMOS Sensor, with a sensitivity range from ISO 100 to 12,800 (expandable to 25,600 in H mode) paired with Canon’s proprietary DIGIC 6 Image Processor to capture high-resolution photos and Full HD videos with brilliant color and stunning detail.
49-Point Hybrid CMOS AF III Autofocus System for fast and accurate autofocusing of stills and videos, up to 6.1x faster than the original EOS M.
Front and Rear control dials for full manual operation and customizable functions as well as improved ease of use.
Intuitive Touch Screen 3.0-inch tilt-type (180 degrees up/45 degrees down) ClearView II LCD screen (approximately 1,040,000 dots), perfect for quick focusing and shooting, easy menu navigation, and simple viewing of images and videos.
Built-in Wi-Fi and NFC for streamlined photo sharing and wireless remote control.
“Canon U.S.A. is bringing to market a new member of the EOS family - the EOS M3 - to help satisfy the market’s demand for high-quality compact cameras with large image sensors and interchangeable lenses,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “It is the ideal camera for advanced amateurs and enthusiasts looking for a compact interchangeable lens camera option with genuine EOS camera system support, performance and compatibility, as well as professional photographers looking for a full-featured compact secondary camera.”
Photographers familiar with other Canon EOS cameras will note the EOS M3’s interface is similar to Canon’s current EOS DSLR cameras, making operation easier for existing users. The LCD panel’s tilting capability makes it easy to shoot from various angles while the capacitive touch screen allows intuitive image capture and playback with easy-to-understand information and real-time controls.
The EOS M3 camera offers photographers the flexibility to unleash their creativity through its compatibility with Canon EF-M lenses as well as a wide variety of Canon EF and EF-S lenses when used with the optional Mount Adapter EF-EOS M. Other compatible Canon accessories include EX-series Speedlite flash units, Speedlite Transmitter ST-E3-RT, and Electronic Viewfinder EVF-DC1. Users will also have the ability to remotely capture and share images with Canon’s Camera Connect smartphone application**, using the EOS M3’s integrated Wi-Fi and NFC connectivity.
Pricing and Availability
Canon’s EOS M3 Digital Camera is scheduled to be available in early October 2015 for an estimated retail price of $679.99. An EOS M3 EF-M 18-55mm IS STM lens kit will be available in the customer’s choice of black or white for an estimated retail price of $799.99. Additionally, a two lens kit featuring the EOS M3 digital camera with the EF-M 18-55mm IS STM lens and the EF-M 55-200mm IS STM lens will be available for an estimated retail price of $1,049.00.
The following Canon lenses will also be available in early October:
EF-M 11-22mm f/4-5.6 IS STM wide-angle zoom lens for an estimated retail price of $399.99
EF-M 22mm f/2 STM compact prime lens in silver for an estimated retail price of $249.99
EF-M 55-200mm f/4.5-6.3 IS STM telephoto zoom lens for an estimated retail price of $349.99
Time after time, I am in position to photograph the sunset with many other photographers and observers around me. It is (usually) lots of fun talking to those nearby, but ... as soon as the sun goes behind the horizon, most people pack up and leave.
Last week, the same thing was happening as I was bayside in Seaside Park, NJ. Right after the sun disappeared, a friendly photographer came over and asked if I got "it" while showing me his favorite pic of the setting sun. I replied that I did, but indicated that the main show was likely still to come. He said that he liked to see the sun's reflection best. My thought was that his preference is fine, that we are all different, that I too like the sun's reflection and that I was still expecting the best yet to come.
Fortunately, this gentleman had enough question about my opinion vs. his that he stuck around. Fifteen minutes was all that was needed. The color in the sky was very impressive on this evening and Barnegat Bay was very calm. About 25 minutes after the sun set, the other photographer returned very excited. Upon a quick review of his website the next day, I found only one picture from that evening. One captured well after the sun had set.
Unless I am shooting landscape that the setting sun is directly lighting, I am usually more found of my post-sunset images. This image was my favorite from the night (though I have many close runners-up).
This is an HDR image, comprised of three exposures used to balance the overall brightness of the final image.
While an f/2 max aperture lens invites many uses in addition to landscape photography, the focal length range of the Sigma 24-35mm f/2 DG HSM Art Lens is great for this use. Since the Sigma 24-35mm f/2 Art Lens was what I was evaluating at the time, I put it to use for my sunset session. It performed excellently.
A larger version of this image is available on Flickr, Google+, 500px and Facebook. Also, if reading from a news feed reader, click through to see the framed image.
The-Digital-Picture.com's servers have been exhibiting performance issues with a dramatic decrease in performance seen on Sunday. I have spent a large amount of time (12 hours straight ending at 3:00 AM Monday prior to a 12 hour outdoor commercial photo shoot starting Monday morning) trying to track down the cause of the problem (rogue traffic, site code or server issues).
I assure you that the problem will be resolved, but ask for your patience as the complete fix appears likely to be more than a few hours away. If you find the site performing slowly or receive an error page (over the next few days), please try loading the page a short time later.
In this class, Sal talks about the basics of speedlites, how and when to use them, and setting up for on-location work. He shows before and after images and talks about how to incorporate dramatic shots into your portfolio.
United Kingdom, Republic of Ireland, 25 August 2015 – Canon today unveils the CJ12ex4.3B, a new 2/3” portable 4K zoom lens with the world’s widest focal length – an incredible 4.3mm, designed for professionals shooting interviews or live broadcast, including sport and news. Canon also today announces that it is developing a new compact 2/3” 4K all-purpose-zoom lens. Further bolstering Canon’s 4K broadcast lens range for cameras employing 2/3” sensors, the versatile new lens will be optimised for both indoor and outdoor shooting, across a variety of applications including, sporting events, live broadcasts, as well as television dramas and commercials.
Outstanding 4K optical performance Leveraging Canon’s renowned heritage in optical design and advanced technologies, the CJ12ex4.3B delivers outstanding 4K image quality throughout the entire 12x optical zoom range. Providing the freedom to quickly adapt to different shooting environments, the new lens enables shooters to swiftly move from an ultra-wide 4.3mm angle shot to close ups, whilst ensuring first-class image quality from the very centre to the edge. A built-in 2x extender also helps provides even greater focal reach, whilst still maintaining 4K optical performance.
To further provide sharp, high contrast images, the CJ12ex4.3B includes an increased use of fluorite and UD glass combined with Canon’s expert coatings, resulting in exceptional control over ghosting and flare. A new three group internal focus system also reduces focus breathing.
Exceptional portability and flexible operation Boasting a brand new design, the CJ12ex4.3B is compact and lightweight, weighing just 2.1kg, making it similar in size and weight to a comparable 2/3” HD lens. Ideal for on-shoulder shooting traditionally adopted by news gatherers, the lens can easily be used on-the-go, and with an ergonomic design and grip, it is comfortable to hold for longer periods of time. The lens also incorporates three 20-pin connectors for easy integration with existing HD zoom/focus controllers and can be directly connected to an external virtual operation system at the same time.
Featuring a Digital Drive Unit, the CJ12ex4.3B offers advanced operability giving users the freedom to select repeatable zoom positions and speeds, in addition to focus and iris settings. A 16-bit absolute value encoder integrated into the Digital Drive Unit allows operators to start shooting with the camera’s aberration compensation function in an instant, without the need for any initialization. This is perfect for news and wildlife environments where action can disappear as quickly as it started. A digital display, built into the Digital Drive Unit, also makes it easy to set, review and adjust vital functions in a way similar to 2/3” HD lenses.
Key features CJ12ex4.3B:
4K resolution 2/3” portable wide angle lens with 12x zoom
Exceptional 4.3mm focal length at the wide end extends to 52mm (104mm using the built-in 2x extender)
Stunning optical performance right to the edge of the image when paired with a 2/3” 4K compatible camera
Combines 4K quality with lightweight design and compact size comparable to HD lenses for comfortable on-shoulder shooting
Sustained 4K performance even when using the built-in 2x extender
Proven, high-quality 16-bit encoder captures precise information on zoom, focus and iris and allows support for aberration correction immediately on start-up
3 20-pin connectors make for effortless use with existing Canon HD lens accessories and virtual systems
Canon today announces its annual programme of activities for Visa pour l’Image 2015, the international festival of photojournalism held in Perpignan, France, taking place from 31 August until 6 September (pro week) with the exhibitions continuing until 13 September...
In its 26th year of partnership, Canon will run an inspiring and interactive series of events throughout the seven-day festival that champions the very best in photojournalism and reflects Canon’s passion for powerful images. This year the Canon programme will include:
CANON EXPERIENCE ZONE
For the very first time the Canon experience zone, located in the Palais des Congrès, will be open to the general public. Visitors will be able to get hands-on with Canon’s latest range of products and solutions; from image capture through to printing. Accredited photographers will be able to book in for a free portfolio review with Getty Images Creative Director, Anthony Holland Parkin, on Thursday 4th and Friday 5th September, and can also visit the CPS desk where they will have the opportunity to get their equipment checked, cleaned and have small repairs carried out, free of charge.
A Canon experience bus will be stationed by the Couvent des Minimes, where members of the public will be able to come on board and speak with Canon experts to gain advice on everything from how to take better holiday pictures, to capturing the perfect portrait of your child.
Canon will also be promoting its Rugby World Cup partnership during the festival and inviting visitors to have their photograph taken with rugby players from the local famous team, Union Sportive des Arlequins Perpignanais. A variety of other exciting rugby-themed experiential activities will also be on offer for attendees to get involved with and the best photographs taken will be put into a prize draw where three lucky winners will be given World Cup tickets.
CELEBRATING THE POWER OF IMAGES
Canon has sponsored two exhibitions at Visa pour l’image 2015; the first showcasing photographs from the Democratic Republic of Congo by Canon Ambassador Pascal Maître, alongside last year’s Female Photojournalist of the Year Award winner, Viviane Dalles. The second celebrates a body of work from a range of internationally acclaimed photographers to mark the 10th anniversary of Canon’s iconic EOS 5D-series DSLR in collaboration with Getty Images. All of the stunning images have been printed on Canon’s professional large format printer, the imagePROGRAF iPF9100.
CANON FEMALE PHOTOJOURNALIST OF THE YEAR AWARD
For the 15th consecutive year, Canon has sponsored the Female Photojournalist of the Year Award, which will be presented at Visa pour l’Image 2015. Also supported by ELLE magazine for the second year in a row, this year’s award is given to Anastasia Rudenko, for her project on mental illness in Russia. Rudenko will receive a grant at the ceremony on 5th September 2015, to support her portfolio of work. All entrants have been judged on both previous works and plans for future projects. In addition, the 2014 winner, Viviane Dalles, will be exhibiting her work on teenage mothers in the north of France at the festival.
To find out more about the latest updates and plans for the 27th Visa pour l’Image international festival of photojournalism, please visit the Visa pour l’Image website.