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 Wednesday, July 1, 2015
Prolost Logo
Adobe's new Dehaze feature announced with the release of Photoshop CC 2015 and Lightroom CC 2015 will not be available to Lightroom 6 users. However, those Lightroom 6 users are not out of luck.
 
Prolost is offering a free Dehaze plugin for Lightroom 6.1.
 
From Prolost:
Dehaze for Lightroom 6.1
 
A series of presets that give you intuitive, visual access to the new Dehaze control added in Lightroom 2015.1, without requiring a Creative Cloud subscription.
Download
Prolost Dehaze plugin for Lightroom 6.1
Post Date: 7/1/2015 11:52:19 AM CT   Posted By: Sean
Canon's Ultimate EOS 5Ds and 5Ds R General Purpose Lenses
Finding the ultimate general purpose lens for the new EOS 5Ds R cameras entering my kit was a high priority for me. With image quality results from the EOS 5Ds R now available in the Canon EF 24-105mm f/4L IS USM Lens Review, the three primary Canon lens choices are available for comparison.
 
The Ultimate 5Ds General Purpose Lens Candidates
 
Canon EF 24-70mm f/2.8L II USM Lens
Canon EF 24-70mm f/4L IS USM Lens
Canon EF 24-105mm f/4L IS USM Lens
 
The Comparisons
 
To be honest, I thought the 24-70mm f/2.8L II would be easy to declare the winner and optically, it is the best of this list. However, the two f/4 lenses perform better in front of 50.6 megapixels than I expected.
 
The f/2.8L II is slightly sharper over then entire focal length range at f/2.8 than either of the f/4 lenses are at f/4. At the equal f/4 comparison, the f/2.8L II is noticeably sharper and is still sharper at f/5.6. At f/8, the differences are slight and at f/11, diffraction essentially evens the playing field. Choosing an image sharpness winner between the two f/4 lenses is a challenge, but more noticeable is the 24-105's higher CA and distortion levels.
 
The f/2.8 lens has a 1 stop wider aperture, giving it the ability to stop action in 1/2 as much light as the other two lenses and the ability to create a stronger background blur. The 24-70mm f/4L IS rules the maximum Magnification (MM) spec with a 0.70x rating vs. the competition's 0.23x and 0.21x specs. The two f/4 lenses have image stabilization, allowing them to be used handheld in far lower light levels than the f/2.8 lens (as long as the subject is not in motion). The 24-105 L has the benefit of reaching to 105mm on the long end.
 
The f/2.8L II is slightly larger than the 24-105mm f/4L IS, which is slightly larger than the 24-70mm f/4L IS. The f/2.8L II has a modestly more substantial lead in the weight category, weighing in 5 oz (142g) more than the 24-105mm f/4L and 7 oz (198g) heavier than the 24-70mm f/4L. These lenses are similarly well-built.
 
Small differences between these lenses include the 2012-introduced 24-70mm models having 9 blade apertures vs. the 2005-introduced 24-105mm's 8 and the f/2.8 lens having an 82mm filter thread size (vs. 77mm). A not-so-small difference is the f/2.8L II's price relative to the f/4L IS models.
 
The Conclusions
 
All of these lenses are easily good enough for use in front of a 5Ds. The decision differences for many will come down to price, aperture and overall versatility.
 
If your investment in the 5Ds has left you monetarily strained, a good value may be your highest priority. In that case, the 10 year old 24-105mm f/4L IS, purchased in white box or refurbished condition would be a great choice. Canon omitted the 24-105 L from its EOS 5Ds Lens Recommendations List, but ... I think this model is very worthy of consideration.
 
If you need to stop action in low light or want to create the strongest background blur, you need an f/2.8 aperture and the choice is easy. While the 24-70mm f/2.8L II will impact your wallet the greatest and will leave you without IS, this is the most amazing lens choice optically.
 
For overall versatility, I'll give the nod to the 24-70mm f/4L IS. The smallest and lightest lens of the group, the 24-70mm f/4L IS offers great image quality along with the best-performing image stabilization system and a macro-lens-like close-focusing capability. While more expensive than the white box or refurbished 24-105 f/4L IS, the 24-70 f/4L IS has the same regular price as the 24-105 L and is also a good value.
 
The Ultimate 5Ds General Purpose Lens
 
While it would be easy to justify a decision for any of these three lenses, I'm going to declare the EF 24-70mm f/2.8L II Lens to be the ultimate EOS 5Ds general purpose lens. Canon apparently agrees with this choice as this is the lens shown mounted in the Canon-supplied EOS 5Ds product images. However, I will not be selling my 24-70 f/4L IS lens anytime soon.
 
Learn More about the Lenses
 
Canon EF 24-70mm f/2.8L II USM Lens Review
Canon EF 24-70mm f/4L IS USM Lens Review
Canon EF 24-105mm f/4L IS USM Lens Review
 
In Stock at B&H:
 
Canon EF 24-70mm f/2.8L II USM Lens
Canon EF 24-70mm f/4L IS USM Lens
Canon EF 24-105mm f/4L IS USM Lens
Posted to: Canon News
Post Date: 7/1/2015 9:39:28 AM CT   Posted By: Bryan

Nikon has just released a couple of insightful videos where lens designers are asked various questions about NIKKOR lenses and lens design.
 

I believe there's an error in the second video (1:00 mark) where the "#5 Favorite Lenses" title is used instead of a more appropriate one ("Favorite Lenses" is already covered in the first video).
 
However, the information following "#5 Favorite Lenses" is very poignant as the designer compares the design process to climbing a mountain.
Posted to: Nikon News
Post Date: 7/1/2015 9:24:05 AM CT   Posted By: Sean
DxO Logo
From DxO:
 
Also available, DxO FilmPack v5.1.4 and DxO ViewPoint v2.5.6 are now fully compatible with Adobe Photoshop CC 2015
 
Paris – July 1, 2015 – DxO, one of the world leaders in digital imaging technology, announces the immediate availability of DxO OpticsPro v10.4.2, DxO FilmPack v5.1.4, and DxO ViewPoint v2.5.6 for Mac and Windows. These three updates allow these DxO solutions to support the Canon EOS 5DS and 5DS R cameras, and to allow DxO FilmPack 5 and DxO ViewPoint 2 to integrate perfectly with the 2015 edition of Adobe Photoshop CC.
 
Enhanced Canon EOS 5DS and 5DS R images
Renowned for its unequaled management of highlights, outstanding color rendering, and the spectacular results of its ultra-high-quality PRIME denoising feature, DxO OpticsPro 10 now supports RAW files from Canon EOS 5DS and 5DS R cameras. Digital noise is removed; details and color saturation are preserved, particularly in dark areas; and textures are preserved, even when shot at the highest sensitivities — perfect tools for these two extremely high-resolution cameras from Canon, which offer a wide range of sensitivities and high accuracy.
 
25,000 available DxO Optics Modules for unrivaled optical corrections
DxO OpticsPro v10.4.2 also adds 789 new camera/lens combinations to its DxO Optics Modules library, thus offering support to lenses from Canon, Samsung, Sigma, Sony, Tamron, Tokina, Voigtlander and Zeiss for numerous Canon, Nikon, Panasonic, Samsung and Sony cameras.
 
Developed in the laboratory using an exclusive calibration process, DxO Optics Modules contain all of the information about the characteristics of each camera and lens. This database, the most unique in the world, allows DxO OpticsPro to automatically correct distortion, vignetting, chromatic aberrations, and lens softness with an unparalleled level of quality.
 
Compatible with the 2015 edition of Adobe Photoshop CC
Praised by professionals for the high fidelity of its analog renderings, DxO FilmPack allows users to reproduce the characteristics of the films that made photo history. Its ultra-simple interface allows users to apply numerous original renderings, filters, tonings, and visual effects — all of which can be combined in an infinite number of ways — all while preserving the image quality, thanks to DxO FilmPack’s RAW format support.
 
DxO ViewPoint fixes even the most complex perspective problems and easily restores the natural shapes of subjects located on the edges of images. Benefitting from all of DxO’s optical calibration know-how, it corrects barrel, pincushion, and fisheye distortion.
 
DxO FilmPack and DxO ViewPoint can be used both as standalone applications as well as plugins for Photoshop, Elements, Lightroom, Aperture, and DxO OpticsPro. As either a standalone application or as a plugin for DxO OpticsPro, they allow users to directly process TIFF, JPEG, or RAW images. As plugins, they offer an extremely flexible workflow with Adobe and Apple solutions.
 
Prices and availability
DxO OpticsPro v10.4.2, DxO FilmPack v5.1.4, and DxO ViewPoint v2.5.6 are immediately available at photo resellers.
 
Photographers who acquired a DxO OpticsPro 9 license on or after September 1, 2014, are entitled to a free upgrade to version 10. Photographers who purchased a DxO FilmPack 4 license on or after September 1, 2014, are entitled to a free upgrade to version 5. All owners of DxO ViewPoint who acquired a license on or after August 1, 2013, are entitled to a free upgrade.
 
B&H carries DxO Optics Pro 10, DxO FilmPack 5 and DxO Viewpoint 2.
Category: DxO News
Post Date: 7/1/2015 9:02:00 AM CT   Posted By: Sean
Canon Professional Network Logo
From the Canon Professional Network:
"Fireworks are one of the most inspiring and photogenic, yet challenging subjects, to capture. And unfortunately, this is one of those shooting situations where fully automatic exposure and focusing may not help. However, with these tricks up your sleeve, a few accessories and a willingness to experiment, you'll capture amazing fireworks photos this Fourth of July!"
Check out the full CPN Article for all the helpful tips.
 
Note: I'll add one more tip to the list – Combine multiple exposures in post-processing using the "Lighten" blending mode.
Posted to: Canon News
Post Date: 7/1/2015 7:07:51 AM CT   Posted By: Sean
 Tuesday, June 30, 2015
Photoflex Acquired by PROMARK Brands
From Photoflex:
 
We have some very big news to share with you, our valued customers. Promark International, Inc., a leader in photographic tools, has added Photoflex to their growing family of brands. Together, Promark and Photoflex will focus on delivering high quality, industry-defining lighting solutions for photographers of all skill levels.
 
Here at Photoflex headquarters, business will go on as usual. Photoflex will continue to develop photographic lighting tools and work hard to meet a wider set of customer needs with the support of Promark International.
 
We look forward to growing the Photoflex brand and continuing the momentum we have gained over the last 30 years in the industry. Thank you for your continued support.
 
- Photoflex Team
 
Other PROMARK Brands
 
  • Photogenic Professional Lighting
  • Radiopopper
  • Norman
  • Smith-Victor Corporation
  • Speedotron
  • Quantum
  • Cool-Lux
  • Logan
  • Dot Line Corporation
B&H carries the Photoflex, Radiopopper, Photogenic, Smith-Victor, Cool-Lux, Norman, Speedotron, Quantum, Logan and Dot Line Corporation brands.
Category: Photoflex News
Post Date: 6/30/2015 2:52:13 PM CT   Posted By: Sean
Canon EOS 5Ds with 24-70mm f/2.8L II USM Lens
Canon has officially launched its recommended lenses list for use with the ultra-high resolution EOS 5Ds and 5Ds R DSLR cameras.
 
The following lenses are recommended by Canon for getting the best from the EOS 5DS and EOS 5DS R:
 
Zoom Lenses
 
Wide angle fixed focal lenses
 
Standard fixed focal length lenses
 
Telephoto fixed focal length lenses
 
Admittedly, there are a couple of things about the official list that leave us baffled. For one, why is the EF 70-200mm f/4L USM listed but not the newer EF 70-200mm f/4L IS USM? The IS version of the lens is newer and produces just as good (if not slightly better) image quality.
 
For another, I can't understand why Canon would include the EF 50mm f/1.8 II (and to a lesser degree, the EF 50mm f/1.4 USM) in the recommended lenses list. I personally would not consider their wide-open image quality to be optimal for such a demanding sensor. [Sean]
 
Note: I changed "EF 200mm f/2L II USM" to "EF 200mm f/2L IS USM" because, of course, there is no such lens (I did not notice the discrepancy when posting but linked to the correct lens). It is our belief that it's a simple typo – the second "I" should have been an "S." Below is a screenshot of the source document that also contained the error.
 
Canon 5Ds Recommended List Source

Posted to: Canon News
Post Date: 6/30/2015 10:13:51 AM CT   Posted By: Sean

 
From the B&H YouTube Channel:
 
In this episode of B&H Wedding Tips, professional NYC Wedding Photographer Ryan Brenizer shares his post production workflow from start to finish. Ryan walks us through his best practices including his post wedding media management, Lightroom tips, and tricks to sharing your work with your clients.
 
Adobe's Creative Cloud Photography Plan (USD$9.99 per month) includes Lightroom CC across desktop, web and mobile, Photoshop CC and Photoshop Mix.
Post Date: 6/30/2015 9:30:29 AM CT   Posted By: Sean
Canon EOS 5Ds R
While the Canon EOS 5Ds Review (coming soon) will feature a complete review of the 5Ds cameras (including the R functionally), the Canon EOS 5Ds R Review takes a closer look at the differences between these two cameras.
 
Posting the 5Ds R differences review before the full 5Ds review may seem backwards, but ... we know most of what these cameras are about already. They are based on the 5D Mark III (including the AF system) with a new sensor and some new features. The resolution, noise and sounds are now known and available on the site. With these results all being excellent, for many (including me), the decision remaining to be made was between the 5Ds and the 5Ds R.
 
The 5Ds R review focuses on those differences and especially on moiré and the commonness of its occurance. I'll reveal my personal choice at the end.
 
While B&H has had the Canon EOS 5Ds in stock since the first delivery was received, the Canon EOS 5Ds R preorders have not yet been completely filled. If this is the camera you want, reserve your place in line.
Posted to: Canon News
Post Date: 6/30/2015 9:14:42 AM CT   Posted By: Bryan
 Monday, June 29, 2015

 
From the Canon Australia YouTube Channel:
 
Shooting light trails is a great reason to get out of auto mode and start shooting manually. It's also a good way for new photographers to begin to use their creativity.
 
In this tutorial Greg Sullavan, from Canon Collective, talks through how to prepare for, and capture, a night light trails photograph.
 
Use his tips and tricks to win a Canon EOS 750D. All you need to do is watch the tutorial and submit your best light trail shots at canon.com.au/photobootcamp.
 
Greg's Tips
 
  • Use a long exposure of 30 seconds
  • Use aperture f/22
  • Use ISO 100 for less noise
  • Use a sturdy tripod
  • Try using a lens hood
  • Use a cable release or the camera's self-timer
  • Shoot with a friend to look out for one another
B&H carries tripods and Canon shutter remotes.
Posted to: Canon News
Post Date: 6/29/2015 2:18:30 PM CT   Posted By: Sean

 
From the Zacuto Vimeo Channel:
 
Zacuto announces the customizable Gratical X micro-OLED EVF! The Gratical X is perfect for the shooter who wants only a few key features.
 
Users start with the bright and brilliant Gratical electronic viewfinder and then customize to fit their individual needs. The Gratical X will start at an attractive price point of $1650. Upon activation, the unit will have HDMI and SDI inputs, display adjustments, color bars, blue gun.
 
Additional software features like pixel to pixel zoom, peaking, false color, LUTs, zebras, frame store, HDMI and SDI outputs and many more can be purchased a la carte. Zacuto will also offer feature bundles with built in savings.
 
B&H has the Zacuto Gratical X available for preorder with an expected availability later next month. B&H also carries the feature-packed Zacuto Gratical HD and Gratical HD Kits.
Category: Zacuto News
Post Date: 6/29/2015 12:50:38 PM CT   Posted By: Sean
Canon 50mm f/1.8 STM and II Lenses Compared
While the Canon EOS 5Ds review has been my highest priority, the Canon EF 50mm f/1.8 STM Lens review has not been derailed and is also approaching completion.
 
One of the biggest differences between the 50mm f/1.8 II and the 50mm f/1.8 STM lenses, as their names imply, is the AF system implementation and the audibility differences of these systems is especially notable. The 50mm f/1.8 STM's focusing sound is greatly improved/reduced over the 50mm f/1.8 II presence-announcing buzz.
 
While much can be discerned from this post's image (the STM lens AF sound is depicted on the left), the difference that really matters will best be determined by your ears (turn up your speaker volume):
 
Canon 50mm f/1.8 STM Lens AF Sound Compared to f/1.8 II
 
The perfect lens AF sound would of course be a flat line, but ... AF moves parts and moving parts tend to make at least some noise. In this case, the STM is audible and audible enough for on-camera mics to pick up. The sounds in this example are from an identical near full extents change in both directions at full speed. As with some other STM lenses, a slow change in focus distance (such as when recording video) results in a noticeably quieter sound.
 
Much more to come.
 
The EF 50mm f/1.8 STM Lens, Canon's least expensive lens, is in stock at B&H.
Posted to: Canon News
Post Date: 6/29/2015 9:10:33 AM CT   Posted By: Bryan

 
Last month, real estate photographer Scott Hargis showed us what kind of gear he takes with him on every shoot. In this video, Scott gives us a behind-the-scenes look at putting that gear to use while photographing a home interior.
Post Date: 6/29/2015 9:05:11 AM CT   Posted By: Sean
Canon EF 24-70mm f/2.8L II USM Lens on EOS 5Ds and 5Ds R
Image quality results from the EOS 5Ds R have been added to the Canon EF 24-70mm f/2.8L II USM Lens Review.
 
This is the lens that Canon shows mounted in the 5Ds and 5Ds R product images. There is a good reason for that choice.
 
B&H has the Canon EF 24-70mm f/2.8L II USM Lens in stock with a $100.00 MIR available through July 4th.
Posted to: Canon News
Post Date: 6/29/2015 8:03:27 AM CT   Posted By: Bryan
 Friday, June 26, 2015
Canon EF 24-70mm f/4L IS USM Lens
Image quality results from the EOS 5Ds R have been added to the Canon EF 24-70mm f/4L IS USM Lens review.
 
Many more 5Ds R lens tests are coming.
 
B&H has the Canon EF 24-70mm f/4L IS USM Lens in stock with a $200.00 MIR available.
Posted to: Canon News
Post Date: 6/26/2015 8:44:27 AM CT   Posted By: Bryan
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