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 Tuesday, October 27, 2015
Fall Photography Tips: Get Your Spiders Out
People seem to enjoy being creeped out around this time of the year (Halloween) and spiders are a perennial favorite source of creepiness. They happen to be my wife's biggest fear at any time of the year, so when I brought a mother wolf spider carrying a big "cluster" of babies into the house for a photo op (it was dark outside), she was not too happy. And when the spider jumped off of my white paper background and lost her cluster, I went back outside (after corralling what seemed like hundreds of tiny baby spiders).
I wasn't looking to create an award-winning photo of this spider, but wanted decent quality without much time investment. I mounted a Canon EF 100mm f/2.8L IS USM Macro Lens to a Canon EOS 5Ds R and attached a Canon Macro Ring Lite MR-14EX II Flash. The scene was dark (even inside) and the lens shaded the subject at this distance, so I utilized the MR-14EX's focus assist lights to manually focus on the mother's eyes (all 8 of them) with the plane of sharp focus angled to include many of the babies.
As mentioned, I went high-tech with the background: a sheet of white printer paper goes with everything. With the main subject being medium-dark colored, I was able to boost the highlights slightly in post, creating a pure white background, without negatively impacting the mid and dark tones.
Spiders are a popular fall theme and that is probably the only time of the year when you can post a spider picture that gets socially shared. Find out who has arachnophobia. Dig out one of your spider pics or better yet, go create a new one. Share it and peg the creep-out meter.
A larger version of this image is available on Flickr, Google+, 500px and Facebook. Also, if reading from a news feed reader, click through to see the framed image.
Camera and Lens Settings
100mm  f/11.0  1/125s
ISO 100
8688 x 5792px
Post Date: 10/27/2015 9:17:24 AM CT   Posted By: Bryan
Canon Logo
Canon has released its 3Q 2015 financial results. As usual, the Presentation Material is our preferred method for getting the highlights.
Canon 3Q 2015 Financial Results
More Information:
Posted to: Canon News
Post Date: 10/27/2015 8:00:30 AM CT   Posted By: Sean
 Monday, October 26, 2015
by Sean Setters
Do you ever feel stuck in a rut, creatively speaking? You've got all this great gear at your disposal but you're simply not inspired by your surroundings? That's an unfortunate side effect of the human condition – we start losing appreciation for the things (and people?) we see on a daily basis. Even the extraordinary can seem mundane if we see it every day.
Aside from taking a vacation and enjoying the benefits of exploring a new place (providing an excellent source of inspiration), there are several things you can do right in your own hometown to help quell the "been there, seen that" blues. And many of them require little to no investment in new gear. A common (and useful) technique is to limit yourself to shooting with a single focal length. But as that approach has been covered by just about everyone, let's look at other ways to inspire your own creativity.

Multiple Exposure Wormsloe and Amanda

1. Multiple Exposures
One particularly intriguing camera feature that has trickled down from high-end bodies in the past few years is the Multiple Exposures feature (found in the EOS 1D X, 5Ds/5Ds R, 5D III, 6D, & 7D II). A multiple exposure is just what it sounds - a single exposure created by combining two (or more) individual shots. The possibilities for creative multiple exposures are limited only by your imagination, and forcing yourself to think about your multiple exposure before capture is an excellent exercise in creative thinking. Using Live View in Multiple Exposure mode enables you to preview the result you can expect after capture. If you don't have a camera that features Multiple Exposures, you can easily recreate the most common multiple exposure effect in Photoshop by layering one image over another and setting the top layer's blend mode to "Lighten" (that's exactly what I did for the image above).

Oak Island Pier July 19 2015 640

2. Long Exposures
As photographers, we're used to capturing the world in split seconds. Movement is frozen in when our shutter speeds are short enough and our images are sharpest. Capturing an image that spans seconds (if not minutes) can completely change the dynamic the scene. A tripod and 10 stop neutral density (or even more dense) filter can allow water along the beach to appear as flat as a sheet of glass or can aid in reducing the evidence of people when photographing in a crowded place (think architectural photography).
A neutral density filter isn't necessarily required for creating long exposures. If shooting at night, you can easily use just a tripod (or other means of support) to help capture light trails left by passing vehicles.

Dogwood Park in Infrared

3. Infrared
Shooting in infrared is a great way to help you break out of a creative slump because it allows you to experience the world in a whole new way. Suddenly, drab and familiar landscapes become intriguing when capturing the typically unseen wavelengths.
There are a couple of ways to capture infrared shots. The first and least expensive way is to purchase a filter that blocks visible light but allows IR light to pass through. When using the infrared [passing] filter, your exposure times will be very long (sometimes minutes). That's because your camera has a built-in infrared blocking filter that prohibits most of the infrared light from hitting the sensor. The infrared filter on the front of your lens allows you to create an exposure out of the trickle of IR that makes it through to the camera's filter. For these shots, a tripod (or other stable shooting platform) is essential.
Keep in mind that with the IR filter in place, you cannot see through the viewfinder (and you'll see very little if anything in Live View). Therefore, you must frame and focus your shot before placing the IR filter on the camera. And since IR light focuses at a slightly different point than visible light, you'll want to shoot at or near hyperfocal distances with a narrow enough aperture to compensate for focus shifting.
Another piece of gear helpful for capturing images with an infrared filter is the timer remote. The timer remote/intervalometer will allow you to shoot exposures longer than 30 seconds without having to continually hold down the shutter button (as in Bulb mode). Some newer camera bodies – like the 7D Mark II and 5Ds/5Ds R – feature an in-camera bulb timer and will not require the remote timer accessory.
If you'd like to dive into infrared photography head first, you can have your DSLR converted to an infrared camera. The cost will vary depending on your camera body and filter option, but the conversion will likely be in the ballpark of $300.00 (or more, depending on camera model and options). One big benefit of an IR conversion is that your exposure times will closely mimic your exposure times for visible light, meaning a tripod isn't absolutely necessary. However, you will need to compose and focus using Live View because visible light no longer passes through to the viewfinder.
If you only have one camera, I wouldn't suggest an IR conversion. Converting your camera to infrared means that you can no longer capture visible light with your camera. However, converting an older DSLR to infrared after upgrading cameras is a great way to extend the useful life of your likely-to-be-neglected equipment (assuming you don't need a backup camera). That was the motivating factor for sending my rarely-used EOS 7D to Life Pixel for an infrared conversion. With my newly converted 7D in-hand, infrared photography has never been more fun and inspiring. The image at the top of this post was created with my EOS 7D modified with Life Pixel's Super Color IR conversion.

Tiny Planet Panorama

4. Panoramas
As a general rule, I see the world in a 2x3 ratio frame. But even I know there are times when a wider, theater-like view is required to truly experience what it's like to be standing in a specific spot. Maybe you need a wider angle lens but just don't have one. Or maybe you just want to squeeze every pixel of detail out of a scene. No matter the reason, panoramas force you to think about your composition differently. It gets much more difficult to hide "distracting" elements of a scene when you force yourself to capture everything that's in front of you in all its glory.
There are many different ways to create a panorama. The easiest way is to simply stand in one spot and point your camera in different directions and stitch the resulting images together in post. Unfortunately, this may not always work well because of parallax errors caused by not rotating the camera body at its no-parallax point. That's exactly why I built my own panning rig for creating 360-degree panoramas. Another way to create panoramas while avoiding parallax errors is to use a tilt-shift lens to capture images at widest extents along the shift plane.
No matter what method you use to capture your images, you'll need a decent photo editor to stitch them into a seamless panoramic image. Photoshop CC is a full-featured, reasonably priced option; Hugin is free and open source, but the learning curve is [in my opinion] relatively steep.

5. Time-lapses
One way to inspire creativity is to throw another variable into the mix – the element of time. We generally try to capture images that attempt to tell a complete story in a single frame. Time-lapse photography gives us the ability to illustrate changes that happen over time and require a completely different approach to planning and capture.
Creating a good time-lapse requires patience, planning, dedication and a fair amount of post-processing. Preparing for time-lapse capture means that you have to consider what elements in your scene will change over time, how to protect your equipment and how to compensate for changes in exposure thoughout your time-lapse.
To create time-lapses you'll need a solid support system (a tripod is likely best, but any stable platform will do), a timer remote (if your camera does not have an interval timer built-in), and patience.
Shown above is the time-lapse I created when evaluating the Triggertrap Mobile Dongle. The Mobile Dongle (paired with a smartphone) not only allows you to create a time-lapse, but it allows you to adjust the timing and exposure values during capture so that you can be even more creative with your time-lapse.

Orange Flower Macro Oct 2015

6. Macros
If you already own a macro lens, then you already have everything you need to explore the wonders of your own back/front/side yard. If you do not own a macro lens (and even if you do), using extension tubes with your current lenses will help increase the maximum magnification possible by shortening the lens' minimum focus distance.
The flower seen above is located about 6 feet from my backdoor in a small flowerbed. Tip: Plant flowers around your home. Not only will they provide you with ample opportunities to shoot beautiful macros, but your significant other will likely enjoy displaying them in your home. And just in case you forgot a special occasion, being able to pick flowers from your yard may help you avoid the ramifications of your lapse in memory.
Is the weather not conducive to venturing outside? Try macro photography with objects around the house. Many everyday objects become much more intriguing when viewed up close (salt, peppercorns, etc.)
So that's our top 6 ways for inspiring your own creativity. Do you have other suggestions? Let us know in the comments!
Post Date: 10/26/2015 10:30:28 AM CT   Posted By: Sean
 Friday, October 23, 2015
Canon Professsional Network Logo
From the Canon Professional Network:
"In the fast-paced, high-octane world of automotive photography, you might be surprised to learn that changing opinions takes time. Despite this, top car photographer Dom Romney tells CPN writer Mark Alexander that Canon’s new 5DS is beginning to turn heads..."
Read the entire article on the Canon Professional Network.
B&H has the Canon EOS 5Ds / 5Ds R available with $300.00 instant savings, 13 months of Damage Protection (CarePAK Plus) and 2% Rewards.
Posted to: Canon News
Post Date: 10/23/2015 12:50:33 PM CT   Posted By: Sean
Nikon AF-S 24-70mm f/2.8E ED VR Lens
B&H has the Nikon AF-S NIKKOR 24-70mm f/2.8E ED VR Lens in stock with free expedited shipping.
Posted to: Nikon News
Post Date: 10/23/2015 9:35:26 AM CT   Posted By: Sean
Garbage Bag Camera Rain Cover
When I left for my Alaska trip, I was packing on the end of a 90+ hour work week and was still actively fighting against a DDOS attack on the site as I was going out the door. With major distractions, I left without a key piece of kit that I expected to need on this trip – my Think Tank Photo Hydrophobia 300-600 v2.0 rain cover. When I remembered what I had forgotten, it was too late to recover from my mistake.
As it turned out, I was shooting with my Canon 600mm f/4L IS II Lens on a Canon EOS 5Ds R in light rain about 50% of the time I was in Katmai National Park. While this lens and lens combo is weather sealed, I don't like to test the limits of this sealing.
What saved me? Minimally, from anxiety? A simple garbage bag. Having needed to use this backup plan before, I knew what to do. Place the makeshift rain cover (I usually carry at least two in my larger cases) over the camera and lens. Then tear a small hole in the bag, with the opening just large enough to tightly stretch over the lens hood. The plastic stretched around the hole holds the bag tightly to the lens hood, providing a seal between the gear and the makeshift rain cover.
A hole can also be made for the viewfinder, but I often use the bag's normal opening when shooting. My ball hat brim provides some protection for the exposed back of the camera and I pull the bag completely over the camera when not actively shooting.
This solution is not nearly as elegant as the TTP rain cover. The one problem with this setup is that wind can swiftly blow the bag off of the camera, generally turning it inside out and into a flag blowing from the snug-fitting tear/cut hole hold holding onto the lens. Wrapping some tape (carry a small, perhaps self-made, roll of gaffer tape) around the back of the lens can be enough. Other securing options abound, including the use of ball bungies.
Forget your garbage bags? Garbage bags are ubiquitous; they can be found at most household supply, grocery and camp stores. Your hotel can likely give you one if there isn’t a good one to be found in your room. If your hotel happens to provide shower caps, that is another rain cover option.
Garbage bags have many uses beyond camera and lens rain protection. Use them as a drop cloth/ground matt to keep you and/or your gear clean and dry. You can even put your camera case/backpack in a bag. Use a garbage bag as a makeshift raincoat for yourself (important: allow for fresh air to prevent suffocation). You can of course use the bags for their namesake purpose. Carry a load of trash out of the location you are shooting in.
Choose your bag size and its duty-level based on your need. While a super telephoto lens works great with a full-size garbage bag, smaller lenses work better with a kitchen-sized garbage bag or smaller. When used as a ground cloth, my preference is for very heavyweight contractor bags, though I find lighter weight garbage bags easier to work with as a camera rain cover. I often have various size and material weight selections at my "disposal."
While it is your choice, I highly recommend "unscented" bags. :)
Garbage bag are cheap, readily available and incredibly useful. Put some garbage bags in all of your camera bags now, before you forget. And, add this useful accessory to your packing lists.
Post Date: 10/23/2015 9:05:00 AM CT   Posted By: Bryan
Canon Logo
From Canon USA:
"The Rusted" is a Psychological Thriller Inspired by a College Student's Trailer Submission for the Project Imagination Contest
MELVILLE, N.Y., October 23, 2015 – Canon U.S.A., Inc., a leader in digital imaging solutions, debuts a new Hollywood short film, "The Rusted," as part of Canon's Project Imagination: The Trailer, a consumer contest helmed by Ron Howard who has championed Canon's Project Imagination creative experiment since 2011. Ron Howard and Josh Hutcherson ("The Hunger Games") chose one winning trailer created by Mark Mukherjee, a college student in Florida, as the inspirational foundation for "The Rusted," a psychological thriller written and directed by Kat Candler ("Hellion") starring Josh Hutcherson and Jena Malone ("The Hunger Games").
"The Rusted" is a film about a brother and sister's attempt to renovate their childhood home into a recording studio, but strange happenings force them to deal with memories from their past. The global premiere of the film took place via a livestream with AOL BUILD, giving consumers everywhere a chance to experience the film, and will now be available at
"I'm honored to continue this journey with Canon, seeking inspiration from those around us and urging everyone to tap into their creative souls and bring stories to life," said Ron Howard. "It's truly been a delight to collaborate with Josh Hutcherson who challenged himself to star in a role that was unlike any he has done to date."
"Working with Canon, Ron and Kat have given me a great creative outlet to flex my filmmaking muscles," said Josh Hutcherson. "I feel so fortunate to bring the vision of Mark's trailer to life and work alongside Jena to create this beautiful film. I'm excited for everyone to see it."
Francesca Silvestri and Kevin Chinoy of Freestyle Picture Company as well as Josh Hutcherson and Michelle Hutcherson produced the film.
Project Imagination: The Trailer contest launched in February 2015 and was open for submissions through April 29th. Based on the concept that anything in life can be a movie, and every movie starts with a trailer, Canon invited all consumers - even those who have never picked up a camera before - to turn everyday photos and video footage into a creative movie trailer with titles, Hollywood style voice-overs and epic soundtracks. Consumers of all skill levels were encouraged to create and submit trailers of their everyday moments using Canon's Trailer Editor tool. One winning trailer was then selected by Ron Howard and Josh Hutcherson.
Posted to: Canon News
Category: Canon USA News
Post Date: 10/23/2015 8:25:56 AM CT   Posted By: Sean
BlackRapid Arca-Style Plates & Locking Bert Extender
From BlackRapid:
Replace an existing arca-compatible plate with the Tripod Plate 50 or 70. This product allows you to switch from your tripod to your R-strap effortlessly, without having to unscrew the plate. Comes with our FastenR Tripod screw and fits all 1/4-20 sockets. It is available in two sizes 50 and 70mm.
Technical Specifications
  • High grade aluminum alloy
  • Lengths: 50mm | 70mm
  • Width: 40mm
  • Weight: 31g | 40g
FastenR Tripod (FR-T1):
  • Stainless steel
  • Length: 1.4cm
  • Length of screw: 0.8cm
  • Width of handle: 2.5cm
  • Width of screw cap: 1.5cm
  • Net Weight: 14g
BlackRapid’s Locking Bert extender is a great solution to lengthen your R-Strap. This option lets you add an extra 15 inches (38cm) on your sling to ensure the best fit. Comes in a locking version and a Non-locking (original) version for Curves and Doubles without the locking buckle on the back.
Technical Specifications
  • Black: 2.5cm (1”) Nylon Webbing
  • Orange: 2.5cm (1”) Polypropane Webbing
  • Length: 38cm (15”)
  • Net Weight: 23g
B&H has the BlackRapid Arca-Style Tripod Plates and Locking Buckle Bert Camera Strap Extension available for preorder.
If you already have an Arca-style L-bracket on your camera, you can use this method to make it compatible with a BlackRapid strap. [Sean]
Category: BlackRapid News
Post Date: 10/23/2015 6:31:06 AM CT   Posted By: Sean
 Thursday, October 22, 2015
Think Tank Photo Lily Deanne Tutto Shouder bag
From Think Tank Photo:
10/22/2015 – Two of the photo industry’s most tenured women, Lily Fisher, a senior camera bag designer, and Deanne Fitzmaurice, a Pulitzer Prize-winning photographer, collaborated to create the ideal camera bags for female photographers. After a decade interviewing female professional photographers and a year-and-a-half developing the bag, the result is the Lily Deanne shoulder bag line from Think Tank Photo — the perfect marriage of function and style.
Make no mistake, Lily Deanne bags are serious camera bags designed for quick access to pro-size camera bodies and lenses through the oversized zipper opening. The rare-earth magnetic closures on the main flap and front pockets allow for silent access while protecting delicate clothing. The adjustable non-slip shoulder pad is cushioned for all day comfort.
The Lily Deanne Lucido holds one standard size DSLR with one to three lenses and accessories, or a complete Mirrorless camera system with three to four lenses and accessories. An 8” tablet fits inside a dedicated compartment. The Lily Deanne Mezzo holds one standard-size DSLR with mid-range zoom attached, plus two to three additional lenses and 10” tablet or 11” laptop inside a dedicated compartment. The Lily Deanne Tutto holds one gripped DSLR with mid-range zoom lens attached and two to five additional lenses and 2 flashes, or one standard-size DSLR with 70-200mm f/2.8 attached and two to five lenses in its main compartment and 2 flashes, and a 15” laptop inside a dedicated compartment.
Lily Deanne bags come in two colorsChestnut Brown and Black Licoriceand in three sizes: Lucido (sleek); Mezzo (middle); and, Tutto (everything). A professional photographer can now look stylish with the full-grain Dakota Leather flap and accents, metal hardware with chrome finish, and the Robin’s Egg blue liner.
Lily Deanne bags are ideal for wedding and event photography, portraiture, editorial, corporate and commercial photography.
Exterior: All fabric exterior treated with durable water resistant coating while fabric underside is coated with polyurethane for superior water resistance, full-grain Dakota leather, chrome plated metal hardware, neodymium (rare-earth) magnets, highest quality YKK RC-Fuse zippers, 420D velocity nylon, 420 high-density nylon, nylon seatbelt webbing, 320g airmesh, silicone non-slip screenprint, 3-ply bonded nylon thread.
Interior: 210D turquoise-toned RC stripe nylon lining, polyurethane-backed Velex liner and dividers, closed-cell foam and reinforced PE board dividers, 2x polyurethane coated nylon 210T seam-sealed taffeta rain cover, nylon binding, 3-ply bonded nylon thread.
Product Dimensions and Weight
Lily Deanne Lucido
Internal Dimensions: 10" W x 8.5" H x 4.5" D (25.5 x 21.5 x 11.5 cm)
Exterior Dimensions: 11.4" W x 8.9" H x 5.3" D (29 x 22.5 x 13.5 cm)
8” tablet compartment: 9.3” W x 7.7” H x 0.6” D (23.5 x 19.5 x 1.5 cm)
Weight: 1.9 lbs (0.8 kg)
Lily Deanne Mezzo
Internal Dimensions: 12.2" W x 9.4" H x 5.3" D (31 x 24 x 13.5 cm)
Exterior Dimensions: 13.8" W x 9.8" H x 6.1" D (35 x 25 x 15.5 cm)
Laptop/tablet compartment: 11.8” W x 8.9” H x 0.8” D (30 x 22.5 x 2 cm)
Weight: 2.3 lbs (1.0 kg)
Lily Deanne Tutto
Internal Dimensions: 15.4” W x 10.2” H x 6.7” D (39 x 28 x 17 cm)
Exterior Dimensions: 16.9” W x 11.4” H x 8.3” D (43 x 29 x 21 cm)
Laptop compartment: 15” W x 10.4” H x 0.9” D (38 x 26.5 x 2.3 cm)
Weight: 3.3 lbs (1.5 kg)
Think Tank Photo has the Lily Deanne shoulder bags available for preorder.
Post Date: 10/22/2015 3:28:02 PM CT   Posted By: Sean
Canon Logo
It seems I missed these updates when they hit Canon USA last week. (thanks for the heads up, Peter!)
Digital Photo Professional 3.15.0
  • Supports EF35mm f/1.4L II USM, EF50mm f/1.8 STM, EF-M15-45mm f/3.5-6.3 IS STM.

Digital Photo Professional 4.3.31
  • Newly supported EOS M10, PowerShot G9 X, PowerShot G5 X, EOS Kiss X6i / EOS REBEL T4i / EOS 650D, EOS Kiss X5 / EOS REBEL T3i / EOS 600D, EOS Kiss X50 / EOS REBEL T3 / EOS 1100D, and PowerShot SX60 HS.
  • Supports EF35mm f/1.4L II USM, EF50mm f/1.8 STM, EF-M15-45mm f/3.5-6.3 IS STM.
  • Adds a function that enables playing back movie files on EOS MOVIE Utility (Ver. 1.4 or later).
  • Fixes a malfunction that occurs rarely when "Distortion" is ticked off during the editing of RAW images shot with EOS 8000D / EOS REBEL T6s / EOS 760D or EOS Kiss X8i / EOS REBEL T6i / EOS 750D.

EOS Utility 2.14.20a
  • Supports EF35mm f/1.4L II USM, EF50mm f/1.8 STM.

EOS Utility 3.3.0
  • Supports EOS M10.

Picture Style Editor 1.15.30
  • Supports EOS M10.

EOS MOVIE Utility 1.4
  • Adds a function that displays saved images on Digital Photo Professional (Ver. 4.3.20 or later).
  • Supports vertical image playback for vertical movies.
Download: Software Updates at Canon USA
Posted to: Canon News
Post Date: 10/22/2015 3:24:31 PM CT   Posted By: Sean
PocketWizard Plus IV Transceiver
From PocketWizard:
New Auto-Sensing Transceiver allows photographers to combine on-camera TTL flash with remote manual flash.
So. Burlington, VT – October 21, 2015 – LPA Design, manufacturers of PocketWizard Photo Products, the world leader in reliable wireless control of cameras, flash lighting and light meters, announces the new PocketWizard Plus IV Transceiver. The new Plus IV includes all the features and reliability of the Plus III and adds key new functionality. When used as a transmitter, its top shoe provides on-camera TTL compatibility with most Canon, Nikon and Panasonic cameras and flashes. And although testing is not complete, we are optimistic it will work with some Fuji, and Olympus gear. When used as a receiver, you can easily mount and trigger virtually any speedlight in the shoe, set to a manual power level.
“Photographers love the Plus III, but they’ve expressed their desire for a Plus III with a top shoe. So we designed one. We took it a step further and added TTL pass-through for an on-camera flash, and a metal foot. It’s like a Plus III on its side, with the most-requested features added in,” comments Heather Ambrose, PocketWizard Marketing Manager. “The Plus IV is by no means a replacement for the Plus III. They complement each other. An ideal set-up might be a Plus IV for on-camera flash in TTL mode, another Plus IV with a speedlight mounted in manual mode and two Plus IIIs connected to studio lights. The Plus IV features the same Quad-Zone Triggering as the Plus III so you can easily turn any one of those remote flashes on or off directly from the camera, and either create different looks or work in different areas.”
The Plus IV has the performance enhancing features of the Plus III including Long Range and Repeater Modes to help photographers tackle the most challenging shooting environments, opening the door for never-attempted image ideas. All features, channels and zones can be easily set using the soft-touch keypad and are clearly displayed on the backlit LCD display.
The versatile new PocketWizard Plus IV is compatible with all other PocketWizard radios and virtually every popular flash and professional digital SLR camera system. The standard ISO compatible hot shoe can accommodate almost any speedlight for simple manual triggering, including newer Sony models. It also communicates with all PocketWizard-enabled photo gear including select Profoto, Dynalite, Norman and Photogenic flash systems and Sekonic light meters.
The new Plus IV will be demonstrated at the PocketWizard Booth (#663) at PhotoPlus 2015 in New York City, NY, October 22 – 24, 2015. The product is expected to be available at retail in January 2016.
Post Date: 10/22/2015 3:22:12 PM CT   Posted By: Sean
 Wednesday, October 21, 2015
Canon Logo
From Canon USA:
Program to Include Influencers from Emerging Imaging Markets
MELVILLE, N.Y., October 21, 2015 – In celebration of the 20th anniversary of its Explorers of Light Program, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced it is welcoming new members into the program, including: Lindsay Adler, David Bergman, Jimmy Chin, Charles Glatzer, Joel Grimes, Peter Hurley, and Roberto Valenzuela. These new members add to the already impressive ranks of Canon's program, expanding to align with a wide range of talented personalities that impact imaging culture and influence the way their audiences see the world. Many of these new Explorers of Light will be on hand at the Canon Booth (#121) at PhotoPlus Expo 2015, October 22-24 at the Javits Center in New York City. For a full schedule of events in the Canon booth, please visit
The new ambassadors for the Explorers of Light Program go beyond the boundaries of still photography by sharing their work through gallery prints, the silver screen, Facebook, Instagram and more. These influential talents are constantly advancing their craft and helping to create new ways in which our world is visually captured and shared. The program brings these creative individuals together to offer their knowledge, photographic passion, and technical expertise while also acting as a conduit of two-way communication between Canon and various developing imaging markets.
"Our world is constantly changing, and Canon prides itself on being at the forefront of change. For 20 years the Explorers of Light program has enabled us to align with amazing professional photographers that educate and inspire, and now these new luminaries will help us to engage in meaningful two-way communication with exciting and emerging imaging markets," said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc.
Since the creation of the program in 1995, Canon's Explorers of Light have been leaders in their respective fields, garnering awards and accolades for their work. These individuals work with Canon extensively as representatives, ambassadors, educators, and role models for aspiring creative artists. They participate in workshops, seminars, gallery showings and personal appearances throughout the United States.
For more information about the Explorers of Light program, visit:
Posted to: Canon News
Category: Canon USA News
Post Date: 10/21/2015 12:02:11 PM CT   Posted By: Sean
Canon Connect Station CS100
B&H has the Canon Connect Station CS100 in stock with free shipping.
Posted to: Canon News
Post Date: 10/21/2015 11:58:47 AM CT   Posted By: Sean
Canon Logo
From Canon USA:
New Advanced Amateur and Professional Imaging Products Demonstrate Canon's Complete Input to Output Capabilities for those Obsessed with Image Quality
MELVILLE, N.Y., October 21, 2015 - Canon U.S.A., Inc., a leader in digital imaging solutions, will be showcasing its latest in high-quality imaging products for photographers of all skill levels in addition to hosting educational seminars and professional photographer print signings at PhotoPlus Expo 2015 in the Jacob K. Javits Convention Center in New York City, October, 22 - 24, 2015, in booth #121.
On display, and announced just today, will be Canon's new imagePROGRAF PRO-1000 Professional Inkjet Printer. This new printer complements Canon's professional line of EOS DSLR cameras and lenses for an ideal pairing that will produce high-detail, high-quality prints on a variety of media. This 17-inch, large format solution packs significant technological advancements, including a new print head, new ink and a new image processing engine. Canon will be hosting one free limited edition print signing each day of the show, where the first 100 attendees will be able to take home a beautiful signed image, printed on the imagePROGRAF PRO- 1000, from a Canon Explorer of Light (EOL). Signings will take place at 2:30 p.m. on Thursday (Ken Sklute) and Friday (Joel Grimes), and at 1:00 p.m. on Saturday (Lindsay Adler).
On display will be Canon's brand new digital cameras and lenses including:
  • EOS M10 Digital Camera: Outfitted with a new, retractable EF-M 15-45mm f/3.5-6.3 IS STM lens, the EOS M10 is a compact and stylish digital camera that helps photographers expand their creativity. The camera is equipped with Wi-Fi and NFC capability, making it easy to share high-quality photos and videos on- the-go via most current Android1 and iOS2 devices.
  • PowerShot G5 X and PowerShot G9 X Digital Cameras: These two new large sensor digital camera models are ideal for advanced amateur photographers looking for a highly portable, advanced point-and-shoot camera. Both models are equipped with a one-inch, 20.2 Megapixel3 High-Sensitivity CMOS sensor and feature Wi-Fi and NFC capabilities, allowing users to easily print or share images and videos. The PowerShot G5 X camera is housed in a classic black body and is equipped with a built-in, high-resolution electronic viewfinder. The slim, lightweight PowerShot G9 X camera is easy to carry anywhere, and in addition to being available in classic black, also comes in a retro-style, silver-gray body with brown-stitched leather accents.
To showcase the vivid, realistic imagery that Canon products can create there will be a 20 billion pixel at 200 dpi panorama of Yankee Stadium taken by EOL David Bergman, created with the 50.6 megapixel EOS 5DS R camera. At over 20-feet long, the image consists of 825 separate photographs stitched together.
The main stage in the booth will feature presentations from Canon EOLs (schedule subject to change), including several new members of the program who will make their debut at PhotoPlus Expo. The booth will also feature a gallery of selected photographs from various EOLs, showcasing the skill and talent that earned them a place in this elite program.
Thursday, Oct. 22Friday, Oct. 23Saturday, Oct. 24
10 a.m.Lindsay Adler
In-Camera Creativity with the EOS 5D Mark III Live Shoot
Michele Celentano
 Dynamic Family Posing Lecture
Joel Grimes 
Lenses That Rock Lecture
10:45 a.m.Rick Sammon 
Exploring the Light with New Canon Cameras and Lenses Lecture
Vincent Laforet 
David Bergman
Separate Yourself from the Pack Lecture
11:30 a.m.Ken Sklute
Capturing the Elusive Moment Lecture
Hanson Fong 
Glamour Lighting with Speedlites Live Shoot
Bruce Dorn 
Small Cameras, BIG Results – Portraits with PowerShots Live Shoot
12:15 p.m.Jack Reznicki 
One Light Lighting Live Shoot
Sam Abell 
Your Pictures – Better!! Lecture
Michele Celentano 
Family Photography with the EOS M3 Live Shoot
1 p.m.Hanson Fong
Glamour Lighting with Speedlites Live Shoot
Bruce Dorn
Creating Music Videos with Canon Cinema EOS Video Lecture
Jack Reznicki 
Exploring Canon Speedlites Live Shoot
1:45 p.m.Scott Kelby 
Peter Hurley 
The Headshot Live Shoot
Greg Heisler 
The Evocative Portrait Lecture
2:30 p.m.Clay Blackmore 
Adding Motion to Still to Increase Your Revenue Lecture
Roberto Valenzuela
High Impact Speedlites Live Shoot
Peter Hurley 
The Headshot Live Shoot
3:15 p.m.Stephen Johnson 
Rick Sammon 
Exploring the Light with New Canon Cameras and Lenses Lecture
Roberto Valenzuela 
High Impact Speedlites Live Shoot
4 p.m.Joel Grimes 
The Dramatic Portrait  Live Shoot
Lindsay Adler 
Larger Than Life: Explorations with Macro Lenses Live Shoot

Additional educational presentations by industry professionals as well as Canon EOLs will take place at the Live Learning studio, also located inside the booth.
Thursday, Oct. 22Friday, Oct. 23Saturday, Oct. 24
10 a.m.Clay Blackmore 
Making Things Happen with the EOS 7D Mark II and Speedlites Live Shoot
Ken Sklute 
Edgy Lighting Live Shoot
Syl Arena 
A New Era in Speedliting Featuring the 430EX III-RT Live Shoot
11:00 a.m.Joel Grimes 
One Light Beauty Light Live Shoot
Lindsay Adler 
Beauty Portraits with the EOS 5DS and EF 180mm f/3.5L Macro USM Live Shoot
Lindsay Adler 
Beauty Portraits with the EOS 5DS and EF 180mm f/3.5L Macro USM Live Shoot
NoonLindsay Adler 
Beauty Portraits with the EOS 5DS and EF 180mm f/3.5L Macro USM Live Shoot
Joel Grimes 
One Light Beauty Light Live Shoot
Joel Grimes 
One Light Beauty Light Live Shoot
1 p.m.Ken Sklute
Edgy Lighting Live Shoot
Greg Heisler 
Wild Portraits with Tilt-Shift Lenses Live Shoot
Moshe Zusman 
Perfect Venue Lighting Featuring the Speedlite 600EX-RT Live Shoot
2 p.m.Bruce Dorn 
Small Cameras – BIG Results with the PowerShot G3 X, G7 X, and EOS M3
Moshe Zusman 
Perfect Venue Lighting Featuring the Speedlite 600EX-RT  Live Shoot
Bruce Dorn 
Small Cameras – BIG Results with the PowerShot G3 X, G7 X, and EOS M3
3 p.m.Syl Arena 
A New Era in Speedliting Featuring the 430EX III-RT Live Shoot
Syl Arena 
A New Era in Speedliting Featuring the 430EX III-RT Live Shoot
Ken Sklute 
Edgy Lighting Live Shoot
4 p.m.Moshe Zusman
Perfect Venue Lighting Featuring the Speedlite 600EX-RT Live Shoot
Bruce Dorn 
Small Cameras – BIG Results with the PowerShot G3 X, G7 X, and EOS M3

Canon CPS Lounge
Canon Professional Services will once again host the CPS Lounge where Gold, Platinum, Enterprise, and Cinema CPS members can have their Canon equipment (up-to-two current Professional DSLR bodies or lenses4) cleaned and checked during Expo hours starting Thursday, Oct. 22 through Saturday, Oct. 24 in Room 2D12.
The hours of operation for the CPS Lounge are:
Thursday, Oct. 22: 10 a.m. - 6 p.m. Friday, Oct. 23: 10 a.m. - 6 p.m. Saturday, Oct. 24: 10 a.m. - 2 p.m. (Equipment pickup only)
Canon will also feature factory trained technicians directly in the Canon booth, performing Canon Maintenance Service for CPS customers. This area will highlight Canon's commitment to providing world class service and support for professionals. For more information on CPS, visit For more information on Canon Maintenance Service, including a list of eligible products, visit Follow Canon throughout the PhotoPlus Expo show @CanonUSApro. To see the full details of Canon's presence at PhotoPlus Expo, please visit:
Posted to: Canon News
Category: Canon USA News
Post Date: 10/21/2015 10:38:28 AM CT   Posted By: Sean
Canon ME20F-SH Multi-Purpose Camera
B&H has the Canon ME20F-SH Multi-Purpose Camera – with up to 4 Million ISO & 12 Stops dynamic range – available for preorder.
Product Highlights
  • Up to 4 Million ISO & 12 Stops DR
  • Full Frame 35mm CMOS Sensor
  • Canon DIGIC DV 4
  • Full HD up to 60p
  • HD/3G-SDI & HDMI Connectors
  • Canon Locking Cinema EF Lens Mount
Posted to: Canon News
Category: Preorders
Post Date: 10/21/2015 9:18:00 AM CT   Posted By: Sean
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