It may not be obvious, but your wedding photography business’ brand and its worth -- i.e. what your able to earn -- go hand in hand. The stronger your brand, the more you’re able to capture the hearts and minds of potential clients and charge them accordingly. In this special webinar in partnership with Tamron, we’ll talk to internationally renowned wedding photographers Justin & Mary Marantz. The duo, with 10 years’ experience shooting and building their own business, has presented workshops to wedding photographers from London to Australia and been featured on Inside Wedding, Style Me Pretty & Martha Stewart. They also co-founded the blogs The Black Tie Bride and The Well-Groomed Groom.
As an added bonus, all webinar attendees will be entered to win a Tamron SP 24-70mm F/2.8 lens!
This jam-packed 1 hour takes place March 12, 2015 at 4pm ET, and will include tips like:
Editing your portfolio to attract the clients you want
Aaron Nace of Phlearn (Photoshop and Photography Tutorials) shows us how to add a realistic reflection to sunglasses.
From the Phlearn YouTube Channel:
Adding a little Paris to your studio portraits is simpler than you might think! Learn how to add a reflection to sunglasses in today's episode.
Start by scaling the scenery down to the right size. Lower the opacity to see how it will look inside of the lenses. Be aware that only one of the lenses needs to look good, because it will be copied!
Next, select the area right around the lens with the Marquee tool. Go to Select - Inverse, then press the delete key. Now you should have a little square of reflection over one eye. Copy that layer and move it over to be on top of the second eye. Now make the reflection layer invisible and select the Magic Wand tool. We use this to select out the lenses (be sure that “sample all layers” is checked). Use the refine edge tool to soften or bring the edge in a bit. Group those layers with themselves and hit the layer mask button.
To style the reflection so that it doesn’t look fake, create a levels adjustment layer. Darken the darks and mess with the output levels so that it looks more like a reflection. You can add a Hue/Saturation level as well, to match the color from the original lens. In this case, we make it a little bluer and lessen the saturation.
Being able to see through the glasses a little bit is extremely helpful in terms of realism. We use a black to transparent gradient to select areas to be darker, and others to be more see-through.
Now the part you’ve all been waiting for…time to blow some minds! Select the layer that the reflection is on with the Marquee tool. Go to Filter - Distort - Spherize. From here it’s very simple to adjust the slider to a certain amount of curve. This bulges the image out and makes it appear less flat!
Few lenses have grown so important to me in such a short amount of time as the Canon EF 100-400mm f/4.5-5.6L IS II USM Lens. Wildlife has been my first-choice use for this lens, but landscape photography is a very close second on the list (sports will compete with these other two uses as soon as the snow melts and more athletes go outside).
I love the great outdoors and landscape photography ties in very well with that love. Landscape photos allow me to take my favorite scenes with me and many hang in my house and studio. Many of these prints are very large (up to 40x60") and I'm always looking for the ultimate image quality. While I'm often using wide angle lenses to capture landscapes, I love using telephoto lenses nearly as much. Narrow angles of view are easy to compose with and, even mediocre sunrises and sunsets can fill the frame with color. The 100-400 L II provides a great focal length range and very impressive image quality, making it the perfect choice for landscape uses.
The historic Bahia Honda Rail Bridge (the bridge story) spans the channel between Bahia Honda State Park (Bahia Honda Key, mile marker 37 U.S. 1, the Overseas Highway) and Spanish Harbor Key (Florida). After the new highway was constructed, sections of the old bridge were cut away to accommodate boat traffic. The remaining portion of the steel truss construction bridge provides a great silhouette for sunset photos captured at the western end of the state park and the missing portion of the bridge definitely adds a uniqueness to the images captured here.
This is a single-frame HDR image. I simply processed the same raw image at two different brightness levels to bring up the ocean brightness slightly.
A larger version of this image is available on Google+, Flickr and Facebook. Also, if reading from a news feed reader, click through to see the framed image.
Canon Europe has revealed the latest members of its Ambassadors Program with the addition of six new ‘Explorers’ – highly talented photographers and filmmakers from across Europe who share a passion for photography and film with a love of shooting with Canon equipment.
The new Explorers joining the Ambassadors Programme have been specially selected by Canon representatives from across Europe and they come from a wide range of genres including wildlife, photojournalism, architecture, adventure and filmmaking.
The six new Explorers to become part of the Canon Ambassadors Program are:
The six latest Explorers joining the Ambassadors Program mean the Explorers tier has now swelled to 53 top imaging talents from right across Europe, Africa and the Middle East, each of whom being superb exponents of their art. They join the 11 Canon Ambassadors – world-class photographers from a wide range of photographic disciplines and from all corners of the world and the four Masters – world-renowned industry influencers and spokespeople.
Canon Europe’s Ambassadors Program was launched in June 2008 and over the past seven years the Canon Ambassadors, Explorers and Masters have lent their expertise to workshops, seminars and major photography shows around the world, as well as providing expert feedback to help in the development of future Canon imaging products.
Kieran Magee, Professional Imaging Marketing Director, Canon Europe, explained: “We very much value the relationship we have with our Masters, Ambassadors and Explorers, and the addition of six new Explorers means we can continue to connect with Canon photographers who are actively using our products to further their creative vision.”
To find out more about Canon Europe’s Ambassadors Program, and discover more about all of the current Ambassadors and Explorers, just click here.
Corey Rich is one of the world's most recognized adventure sports and outdoor lifestyle visual storytellers. In this video he shares what to keep in mind when shooting time-lapse photography and how to make the most out of it creatively.
Note: One very interesting feature of the D7200 is exposure smoothing during time-lapse capture. This feature allows the camera to adjust for drastic changes in exposure (day to night, for example) without getting the typical flicker caused by changing settings.
I've always liked the idea of photographing myself through a lens. However, lenses are designed to project an image flipped and upside down. As such, shooting a portrait looking through the lens leaves you with either an upside down subject or otherwise everything else topsy turvy. True, I could simply correct the flipped and upside-down portrait in post-processing, but I just didn't like that idea (I prefer in-camera solutions if possible).
Another thing I didn't like about the self-portraits taken through a lens that I had come across before is that they usually had a distinct selfie vibe to them. That's because the subject was typically holding the lens in front of the camera thereby mimicking the outstretched phone in hand capture. When creating my version of the the self-portrait, I wanted it to be different. But until recently I never figured out how to execute an image that avoided those traits.
However, while putting the lens caps on my Kenko Teleplus PRO 300 DGX 1.4x AF Teleconverter yesterday, I realized something – the teleconverter doesn't flip the image. Of course, that makes perfect sense as it's only supposed to magnify the projected image circle of the lens in front of it, not transform it in any other way. The teleconverter may not be a traditional lens, per se, but it was the answer I had been looking for.
So yesterday I attempted to take a self-portrait looking through the 1.4x teleconverter. It was a little challenging to get it right, but I finally got what I wanted.
Capturing the self-portrait meant overcoming a few challenges. The first thing I needed to do was figure out a surface on which I could set up the teleconverter. I originally planned on standing for the self-portrait, so I needed a table that that was relatively high. Not surprisingly, I didn't have a table that stood 4 1/2' off the ground. I ended up mounting a video slider onto one of my tripods to allow for an adjustable surface for the teleconverter to rest upon. I leveled the slider so that I could lay something across it (in this case, a clipboard for rigidity and a white 2-pocket folder on top). However, when trying to balance the teleconverter on its edge, I noticed that it was a little front heavy and tended to fall forward. I actually adjusted the ballhead so that the slider was tilted away from the camera just a bit so that the teleconverter was properly balanced. This adjustment meant that my standing portrait became a sitting portrait instead (not a problem, as only a small part of me would be seen anyway).
Framing and focus were the next big challenges to overcome. The solution to both problems came in the form of DSLR Controller and a battery-powered wireless router. With the battery-powered wireless router attached to my camera (via USB) and my Samsung Galaxy S4 loaded with the DSLR Controller app, I was able to see what the camera was seeing (Live View). This allowed me to adjust my position in the frame so that the teleconverter [almost] completely obscured my position behind it aside from my portrait in the projected image circle. DSLR Controller also allowed me to manually adjust focus using 5x and 10x magnification making obtaining focus fast and easy.
The final challenge was lighting. I tried several different setups before finding one that I really liked. The main light is a radio triggered Canon Speedlite 580EX (precursor to the 600EX-RT), camera left (facing subject) diffused by a Glow 24" Collapsible Softbox with a grid in place. The rest of the light in the scene is provided by a radio triggered Canon Speedlite 580EX placed just to the right of the camera's position which was bounced off the ceiling. I flagged this flash with a Rogue FlashBender (Large) to keep direct (harsh) light from hitting the subject area. Without the flag in place, a more distinct shadow would have been cast on the wall in front of my face.
With everything set up I tried several iterations of the self-portrait before ultimately settling on the one above. It had everything I wanted – decent pose, good lighting, and a right-side up portrait, foreground and background. It was a fun and rewarding exercise – the image was even featured on Flickr Explore last night (click on the image above for a larger version).
But more importantly, I figured out a solution to an image that's been rattling around in my head for quite a long time – the experience of problem solving is worth more than the image itself as it will [hopefully] lead to even better images in the future.
RØDE Microphones is excited to announce that the ‘My RØDE Reel’ international short film competition - first launched in 2014 to huge international acclaim - will return in 2015, with an increased total prize pool of more than $200,000 in prizes.
My RØDE Reel’s inaugural competition saw RØDE receive a staggering 1,120 entries from 76 countries worldwide, with nine category winners sharing a total prize pool of over $70,000, making it the largest short film competition of its kind.
Entrants to ‘My RØDE Reel’ are required to create a short film of three minutes or less, as well as a behind-the-scenes reel that features a RØDE product being used during the production of the film. RØDE has provided an entry pack that steps through the process, as well as templates for scripting, storyboarding and more, available now by registering at www.myrodereel.com.
There are three main awards and prize packs of filmmaking gear available to win -- a Judges’ Film award for the best short film in competition, a Judges’ BTS award for the best behind-the-scenes reel, and a publicly voted People’s Choice award for the most popular short film. Each of these award winners will be presented with an enviable production filmmaking kit valued at more than $40,000.
Additional technical and genre awards and prize packs are available for Best Sound Design, Best Soundtrack and more, and for the first time in 2015 RØDE has announced a Young Filmmaker award, to acknowledge and encourage entrants under the age of 18.
Joining an incredible list of sponsors and bringing the 2015 total prize pool to more than $200,000 are Atomos and Freefly Systems, supplying their Shogun 4K RAW Recorder and MOVI M5 3-Axis Gimbal Stabilizer respectively to multiple prize packs. They join an already illustrious list of sponsors including BlackMagic, Carl Zeiss lenses, Miller tripods, RedRock Micro rigs, SmallHD and Teradek monitoring equipment, Kessler sliders and jibs, ThinkTank Photo bags, Event studio monitors, G-Technology storage solutions, software from Adobe and RedGiant, licensing credit from The Music Bed and Film Supply, and of course plenty of RØDE microphones. A full list of the prize packs is available at www.myrodereel.com.
Once again, RØDE has brought together a respected judging panel for ‘My RØDE Reel’ that includes inspirational pioneer filmmakers Philip Bloom, Ryan Connolly, Vincent LaForet and Rodney Charters.
“Last year’s My RØDE Reel was really one of the best film competitions I have ever judged.” commented Philip Bloom. “The calibre of entries from all over the world was superb. I can’t wait to see what we get this year, it’s going to be even better I am sure.\"
"I’m really excited to engage with the next generation of filmmakers and to see what they come up with in the RODE Reel competition in 2015” added Vincent LaForet. “2014 was an impressive year and I can’t wait to see what they come up with this time!\"
Putting its “money where its mouth is”, RØDE has put together its own short film plus a complete series of behind the scenes tutorials to highlight the production process. Hosted by filmmaker Clinton Harn and the RØDE Production team, the course guides viewers through the filmmaking process from pre-production through to shooting and on to post-production.
Entries for ‘My RØDE Reel’ are open from March 2nd and close June 1st. All entrants will receive the exclusive 2015 My RØDE Reel Directors T-shirt, and a free subscription to Hollywood DP Shane Hurlbut’s “Inner Circle” online community.
I took my own advice and left the crazy cold N 40° latitude (-4° F/-20° C) for the warmer weather of Florida and just over a week of (primarily) bird photography. Although I had a 5D Mark III and 1D X along, the Canon EOS 7D Mark II was glued to my hand for most of this trip and the Canon EF 100-400mm f/4.5-5.6L IS II USM Lens was glued to the camera most of that time. As noted in the title, this combination rocked and with relatively-cooperative birds, my take-home is a bit voluminous.
The subject shown here is a Great Blue Heron in breeding plumage. To capture this image, my first priority was to get in line between the sun and the bird with the low, late-day sun creating good subject lighting. By maneuvering to a slightly lower vantage point than the bird, I was able to create a background composed completely of blue sky. No distractions there.
A big challenge remaining was to get the bird properly aligned for a pleasing composition. A side-on angle to the bird with the head straight or turned slightly towards the camera usually works great. The challenge in getting that angle was that the bird, especially its head and neck, was constantly moving. I selected the top-right AF point in the center block of AF points (closely aligned with the bird's eye) and when the bird was in a position that worked for me, I quickly captured the image.
I was shooting handheld for maneuverability and setup speed reasons. The 7D II and 100-400 L II combo's size and weight are especially nice for this type of shooting.
Some are asking if the 7D II images are sharp enough for serious work and I can assure you that the answer is "Yes." EOS 7D II images are very sharp. Because ultimate image sharpness capabilities are not completely discernible from reduced-size images, I have made the full-size version of this image available for download here. You are granted a license to use this image for personal gear evaluation purposes including further processing of the image. This is a 10.2 MB .JPG file that was sharpened very lightly. Sharpen to your taste (perhaps add a little saturation) and then follow the plane of sharp focus through this image to see what the 7D II and 100-400 L II can do.
A medium-sized version of this image is available on Google+, Flickr and Facebook. Also, if reading from a news feed reader, click through to see the framed image.
Adding to our Spider Monkey line, we're pleased to introduce our Rain Cover and Water Bottle Holder!
Protection from the elements Our Rain Cover is designed to cover your camera body (with vertical grip) and lens (up to 70-200mm) while it sits in your SpiderPro or Black Widow holster.
It’s super-compact and lightweight, but unfolds nice and big to easily cover your pro gear. And it has an adjustable elastic outer-band so you can cinch it around your camera for maximum protection from the elements!
Hydration at your hip Simply attach the Spider Monkey base to your belt (or ours), insert your water bottle into the Holder, then slide the Holder into the base.
Quick-draw your water bottle (using one hand!), by pressing the release tab at the top of the Spider Monkey base to unlock your Water Bottle Holder and lift it out. Instant refreshment on any shoot.
March 2, 2015 – Profoto releases a new system of compact off-camera flashes and Light Shaping Tools, designed for fast and easy on-location photography.
Since its release in 2013, the Profoto B1 Off-Camera Flash has taken the photographic community by storm. Combining the portability and ease-of-use of a speedlight with the performance of a professional monolight, the B1 is considered by many to be a game changer in the industry.
Now Profoto is moving forward by releasing an entire new system of compact off-camera flashes and Light Shaping Tools, designed for fast and easy on-location photography.
The most attention-grabbing item in the Off-Camera Flash system is the new B2. The B2 is a lighter, more portable counterpart to the B1. The B2 consists of a battery pack and a head. The battery pack can be put on the shoulder or hip, while the head is small and light enough to be mounted onto a monopod or a bracket on the camera. This will allow the photographer to stay moving. If that is not necessary, both the pack and head can be put on a stand and the B2 can be wirelessly controlled from the camera. This makes the B2 the world’s first off-camera flash that can be used both on and off-camera.
In addition, the B2 has all the benefits that made the B1 an outstanding success. It has TTL. It has HSS. It is fast enough to keep up with your camera and five times as powerful as the average speedlight. It can be used with the entire range of Profoto Light Shaping Tools. All this in a head with the same size and weight as a speedlight.
The Profoto Off-Camera Flash system also includes the new OCF Light Shaping Tools. The OCF Light Shaping Tools are smaller and more lightweight. They also consist of fewer parts and use smart, patent-pending solutions that make them fast and easy to mount and use. The assortment includes four new softboxes, a new Grid Kit, a new Snoot and a new Barndoor.
Included in the Off-Camera Flash system is also the renowned B1 and the patented AirTTL system. Everything works with everything.
“Our ambition when we first started designing the Profoto Off-Camera Flash system was to create a solution that pushes the boundaries of what can be achieved on a fast and hectic on-location shoot,” says Product Manager Johan Wiberg. “We closely observed the needs of wedding and portrait photographers and decided to try to make their jobs a little easier. Now, looking at what we are offering, I dare say we’ve succeeded.”
Nikon's New COOLPIX P900 Takes Creativity to Extreme Distances with Spectacular 83x Zoom Power and Advanced Shooting Controls
With a Lens Equivalent of 2000mm, the COOLPIX P900 Offers Limitless Possibilities for What Users Can Capture and Instantly Share
MELVILLE, NY – Today, Nikon Inc. announced the COOLPIX P900, a camera that offers an unprecedented and incredible 83x zoom along with superior performance. This exciting long zoom option provides users with incredibly sharp NIKKOR optics and a 166x Dynamic Fine Zoom range capable of reaching previously unimaginable distances. In addition to its unrivaled zoom power, the 16-megapixel COOLPIX P900 comes equipped with an array of innovative features and advanced controls for capturing sharp and detailed images as well as Full HD video from afar. Such features include built-in GPS and the experience of Nikon Snapbridge, whereby users seamlessly shoot and share stunning photos from the camera to a compatible smartphone or tablet via built in Wi-Fi(1) and Near Field Communication technology (NFC(2)). With its unbelievable zoom power, users can take close-up shots of a bird high up in the trees or capture the look on their child’s face as they score their first goal from the sidelines. Additionally, the COOLPIX P900 combines user-friendly controls, creative features and fast performance, giving users the opportunity to explore their creative path regardless of their photography level or experience.
“With its spectacular 83x zoom range, extensive list of innovative features and advanced controls, the new Nikon COOLPIX P900 is the first COOLPIX compact camera to ever offer this amazing zoom range and powerful features together in an easy-to-use package,” said Masahiro Horie, Director of Marketing and Planning, Nikon Inc. “The COOLPIX P900 will provide users with the opportunity to capture sharp images and video in rich detail near or far, and to share their content with family and friends with confidence.”
Zooming Brilliance with New Nikon COOLPIX P900 The COOLPIX P900 demonstrates the incredible capabilities of NIKKOR optics by sporting a powerful 83x optical zoom (24-2000mm equivalent) NIKKOR ED glass lens with the ability to reach 166x using Dynamic Fine Zoom and a super extra-low dispersion (ED) glass element, making this camera ideal for capturing sharp images and videos from extreme lengths. This feature-packed long zoom is equipped with a 16-megapixel CMOS sensor and a high performance Autofocus (AF) system capable of shooting 7 frames-per-second (fps) to help deliver photos of fast moving sports in superb quality. Sharing these amazing photos has never been easier or more fun, as the COOLPIX P900 allows users to seamlessly shoot and share photos from the camera to a compatible smartphone or tablet via built-in Wi-Fi(1) and NFC(2) connectivity.
Whether shooting above a crowd or from the stands, users can easily and intuitively frame their subjects by using the camera’s built-in electronic viewfinder (EVF) with an eye sensor or high-resolution, Vari-angle 3-inch 921K-dot LCD display. When sitting in the upper deck at a baseball game or taking photos of the family at a summer barbeque, the COOLPIX P900’s versatile controls and features makes it a great companion for every shooting scenario. Users can utilize the camera’s snap-back zoom button to effortlessly frame subjects when shooting super-telephoto shots, while the Side Zoom Control button’s position helps to combat camera shake. Additionally, the camera has an intuitive control layout, with the Fn (function) button providing fast access to frequently used functions, plus the Command Dial and Mode Dial allow users to quickly apply or adjust settings with just one hand. The COOLPIX P900 also features Manual (spot), Manual (normal) and Manual (wide) AF Area Mode options that can be selected in accordance with the size and position of the primary subject.
Taking great action shots is easy with the super-fast COOLPIX P900, as it boasts a speedy shooting lag time of approximately 0.12 seconds at the maximum wide-angle position and approximately 0.75 seconds at the maximum telephoto position. This rapid performance allows users to capture clear back-to-back shots of a runner dashing toward the finish line or a baseball player headed towards home plate with rich detail. What’s more, the camera incorporates the new Dual Detect Optical VR technology to help achieve the highest level of camera shake compensation available in a Nikon compact digital camera, equivalent to a 5.0-stop increase in shutter speed to help ensure sharp photos.
For those looking to expand their creativity, the COOLPIX P900 offers fun and user-friendly features like Scene Modes, filter effects, special effects, Picture Controls and macro mode to help users not only find the best settings for nearly any environment, but allow them to add a personal touch to every image or video. Whether users are shooting a school play indoors or out on the slopes, the COOLPIX P900 provides Scene Modes and filter effects that help achieve optimal results without missing a shot. Additionally, users can capture video in Full HD 1080p with stereo audio recording or use the camera’s innovative Time Lapse feature to capture a beautiful sunrise or sunset video over the course of time. When recording video from afar, the Zoom Microphone function helps to enables clear recording of sounds from a variety of distances. Lastly, the COOLPIX P900 makes it easy to document every vacation spot or outdoor adventure as the camera’s built-in GPS and POI allows users to geo-tag images and view where those images were taken on a map.
Nikon Snapbridge Nikon Snapbridge describes the experience of quickly and easily sending photos wirelessly from your Wi-Fi(1) enabled Nikon DSLR, Nikon 1 or COOLPIX camera to a compatible smartphone or tablet. Share your great photos on the go, even in remote locations or even use a smartphone or tablet to control your camera. See what the camera sees and take pictures—great for selfies and group photos that actually include you!
Price and Availability The COOLPIX P900 will be available in Black for a suggested retail price (SRP) of $599.95. The camera will be available for purchase in April 2015.
The Nikon D7200 is a Lightweight yet Powerful Option for Enthusiasts Eager to Create, Capture and Share Incredible Images and HD Video
MELVILLE, NY – Today, Nikon Inc. introduced the Nikon D7200, a powerful DX-format DSLR built for enthusiasts ready to conquer the next challenge in their photographic journey. Featuring a 24.2-megapixel CMOS sensor with no optical low-pass filter (OLPF) and the EXPEED 4 image processing system, the D7200 is capable of incredibly fast performance and capturing phenomenally detailed, sharp images and HD video. Nikon’s newest lightweight DSLR also adds increased buffer capacity compared to the D7100, includes new Picture Controls and offers the experience of Nikon Snapbridge, whereby users seamlessly shoot and share stunning photos from the camera to a compatible smartphone or tablet via built-in Wi-Fi(1) and Near Field Communication (NFC(2)). Additionally, Nikon introduced the new ME-W1 wireless microphone, a simple solution to DSLR videographers’ wireless sound needs, as well as the new View NX-i imaging software.
“Those passionate about photography are constantly looking for the next challenge and Nikon is committed to providing the tools necessary to take that passion to the next level,” said Masahiro Horie, Director of Marketing and Planning, Nikon Inc. “The new DX-format Nikon D7200 offers the next level of performance for the enthusiast photographer that wants to creatively capture exceptional images and HD video that can be easily shared with friends and family.”
Incredible Image Quality Nikon’s newest DSLR features a powerful 24.2-megapixel DX-format CMOS sensor with no OLPF capable of producing stunning images and maximum sharpness in nearly any shooting scenario. Combined with the new EXPEED 4 Image Processing engine, the Nikon D7200 renders sharp images and HD video with wide dynamic range, with the added benefit of extremely precise autofocus and metering. Whether on assignment or photographing the next family gathering, the D7200 is the ideal tool to capture important moments with incredible quality. For when available light is scarce, the camera also features a wide ISO range from 100-25,600 to help minimize noise in low-light situations. As always, the Nikon D7200 maintains compatibility with the legendary line of NIKKOR lenses and DSLR accessories which adds even more reach and versatility to any photographer’s kit.
Powerful Performance for Serious Photographers Enthusiast photographers need a DSLR that can keep up with their passions. The Nikon D7200 sports a host of features designed to provide the power and precision needed to take on the next photographic challenge. Courtesy of EXPEED 4, the D7200 features 30% faster image processing than its predecessor, the Nikon D7100, and provides an increased buffer capacity that now allows the camera to shoot 18 consecutive RAW 14-bit lossless compressed images, 27 12-bit compressed shots or 100 JPEG frames. Additionally, this powerful DX-format DSLR offers users the versatility to shoot at 6 frames-per-second (fps) continuously or up to 7 fps in 1.3x crop mode, a popular shooting mode for both sports and wildlife photographers.
Photographers in need of a versatile, powerful yet lightweight DX-format DSLR need look no further than the Nikon D7200. When shooting fleeting moments or fast action, photographers will appreciate the camera’s pro-caliber 51-point autofocus array powered by a new Advanced Multi-CAM 3500II DX high-density system. The AF points cover a wide DX-format area, and nearly the entire frame using 1.3x crop mode. Even in low-light, the D7200 utilizes 15 cross-type sensors to achieve incredible focus on moving subjects, while the center point works down to f/8, making it great for use with compatible teleconverters. The Nikon D7200 also features a 2,016 RGB metering sensor alongside Nikon’s Scene Recognition System to help achieve the perfect exposure and focus in a variety of shooting scenarios.
Create, Capture and Share with Incredible Versatility The Nikon D7200 is the first Nikon DSLR to feature both built-in Wi-Fi(1) and NFC(2) that allow for seamless connectivity and sharing via compatible smart devices. Via NFC, users can simply touch their device to the camera for easy connectivity, while built-in Wi-Fi also allows the user to utilize their smartphone for simple playback and sharing, as well as a remote shutter and monitor.
In addition to robust performance and incredible image quality, the D7200 also sports a feature set designed to foster creativity in any level of photographer. Nikon’s newest DX-format DSLR features the next generation of Picture Controls, now including Flat and Clarity settings, to help users craft each individual image to their intended expression. These controls have been expanded for use in Live View, while artistic effects can be applied to both stills and video in real time, offering the user the ultimate in creative control. Ergonomically designed and ready to endure the elements, the Nikon D7200 features a durable yet lightweight magnesium alloy body and is ready to tackle the next photographic challenge. Users can also take advantage of a 3.2-inch ultra high-resolution (1,229k dot) LCD monitor and a low-power consumption organic EL (OLED) display element in the optical viewfinder that improves visibility when shooting.
Impressive Video Capabilities The Nikon D7200 inherits many of the high-end video capabilities of Nikon’s latest full frame DSLRs, the Nikon D810 and Nikon D750. Ready to capture top-quality HD video at a moment’s notice, users can take advantage of a robust video feature set that allows videographers to record uncompressed and compressed Full HD 1080 footage at 30/25/24p and 1080 at 60/50p in 1.3x Crop Mode. Additionally, Auto ISO sensitivity is now available in manual mode, helping create smooth exposure transitions without changing shutter speed or aperture, while “zebra stripes” highlight display is available to confirm exposure. Video controls are available through a dedicated movie menu for quick access, while aspiring videographers can also utilize a built-in stereo microphone with 20 step adjustments to record smooth DSLR audio. The D7200 is also the first Nikon DX-format DSLR to feature a built-in Time Lapse Mode with exposure smoothing, making capturing a beautiful sunset time-lapse easier than ever.
ME-W1: A Simple Solution to Wireless Sound in DSLR Video Nikon has also introduced a versatile new wireless lavalier microphone for Nikon users, the ME-W1, capable of capturing crisp and detailed audio wirelessly. Weather resistant and powered by two AAA batteries, users can wirelessly record audio in mono or stereo (when connected to the ME-1 stereo microphone) from up to 50m (164 ft.) away. Great for bloggers, aspiring videographers or even professionals, the ME-W1 makes recording audio for DSLR video simple, without sacrificing quality sound.
View NX-i: New, Innovative Software for Photographers For photographers that wish to take control of their images after capture, Nikon also announces new View NX-i browsing software that allows for more intuitive control of images than ever before. View NX-i allows users to browse RAW files adjusted by Capture NX-D software and provides the easy upload of images to social networks.
Price and Availability The Nikon D7200 will be available in early April 2015 either body only or kitted with the AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR for suggested retail prices (SRP) of $1,199.95 and $1,699.95, respectively. The ME-W1 wireless microphone will be available in March 2015 for $249.95 SRP, while Nikon’s View NX-i software will be available on March 17, 2015 as a free download.
Roger Cicala over at LensRentals has just completed optical benchmark testing of the Canon EF 11-24mm f/4L USM. You can read the entire article for detailed information, but the final few sentences sum up his findings quite well:
"This is a remarkable lens. Canon made the widest full-frame rectilinear lens available, and made it with superb image quality throughout the zoom range. Once again, hat's off to Canon's lens designers."